100:00:11,150 --> 00:00:17,020I lov

1
00:00:11,150 --> 00:00:17,020
I love photographing waterfalls there's
something just so serene about watching

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the water cascade across a cliff and I
see how it affects the rocks and

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everything below and a mossy green that
you can see in the area where I lived in

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the pacific northwest they were so many
waterfalls and I got to see a bunch of

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them and this one in particular

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Steve Creek Falls was right off of the
road it's really easy to find because it

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was right off of the road literally
there weren't a lot of opportunities to

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photograph the entire thing I'm actually
standing on a bridge that takes you over

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to the waterfall or you know where you
can park for the waterfall and I'm

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photographing news little shots right
here this is probably one of the best

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actual photos of the waterfall itself I
didn't go to wine too much stuff around

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and if you see appear in the corner
there's like these sticks that are kind

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of flailing around and those kinds of
things you don't really want to shot

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when you're doing this thing so I
decided to walk around and walk to the

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other side of the road to find some
other small details of the water in the

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runoff water from this wonderful and one
of the really cool things about this

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waterfall was the Blue Earth like this
bright blue water coming from below and

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not sure what was causing it but it was
absolutely gorgeous so I found this

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series of rocks and I kind of played
around with a few of the different

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compositions know the initial when you
can see why I didn't really notice the

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stick in the way and sometimes you don't
catch these things until it's too late

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there are also a lot of little sticks
over here on the left and so I think I

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00:01:50,820 --> 00:01:56,640
saw a little bit better once I got a
clear shot of my long exposure so I

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moved in a little bit closer I found
that I really like this composition

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better but one thing I didn't like about
it was that these two rocks right here

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were touching me we're actually touching
but in my frame their overlapping and I

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only like to do that if at all possible
I'd like to keep things separated so I

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00:02:14,480 --> 00:02:20,500
moved over just a little bit and I got
this scene and this

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00:02:20,500 --> 00:02:26,110
is the frame that I absolutely loved
from all of these shots so this is the

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shorter exposure it's only one-sixth of
a second whereas this is one hundred and

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seventy-one seconds I used in India
filter and very likely but then stopped

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and you to really cut down the light and
allow me to blur the water and have a

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very long shutter speed so I'm gonna go
ahead and jump into the development of

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this image and we'll see what we can do
I'm gonna cloudy to get over to the

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00:02:48,450 --> 00:02:53,600
developmental in a start of a top all
start in the basic panel first I'm going

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to my temperature warmed up a little bit
it seems a little too cool for my taste

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and that was really really subtle
adjustments do a quick before and after

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of that and some really really subtle
adjustments gonna play around with my

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exposure bring that up quite a bit dark
sometimes when you're photographing

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longexposure

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00:03:14,080 --> 00:03:18,280
seen you know you want to get it as
bright as possible without blowing any

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00:03:18,280 --> 00:03:23,440
other whites and you know making them
pure white and losing detail in them but

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00:03:23,440 --> 00:03:27,690
you also can't anticipate for the light
changes if you're doing a two or three

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00:03:27,690 --> 00:03:31,250
minute exposure sometimes late changes
and if the light fades away your

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photograph will be a little under
exposed so often times I have to

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00:03:34,390 --> 00:03:39,739
compensate for that inside of Lightroom
I'm also going to play around with my

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00:03:39,739 --> 00:03:47,690
contrasts any highlights its gonna do
they wanted and how it actually kinda

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00:03:47,690 --> 00:03:51,700
like my highlights being kind of break
I'm gonna toggle

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00:03:51,700 --> 00:03:58,060
J to toggle my clipping notifications
and I don't have anything left right now

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00:03:58,060 --> 00:04:01,910
you can see the histogram nothing is
butting up against that right

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really that left so i'm good right now
but I'll keep out active just in case I

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00:04:06,019 --> 00:04:10,750
push something a little too far down the
road I'm gonna go ahead in deep in the

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00:04:10,750 --> 00:04:16,419
shadows little bit again I'm gonna
increase the whites now if I don't go

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too far as you can see if I push those
whites too far then it starts to clip

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00:04:20,470 --> 00:04:25,840
them so I really just want to push I'm
just a little bit just a little far and

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I'm going to

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to bring us blackstone can make it a
little bit more contrast you also some

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vibrance not too much though you know if
I push it too far it's a little neon and

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grow so I'll bring it to maybe thirty
five or so I'm gonna bring my situation

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00:04:45,120 --> 00:04:51,070
down I can push my Vibrant ok I'm gonna
do a quick toggle on and click that

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00:04:51,070 --> 00:04:57,620
backslash key to toggle the before me
after a nice change is happening now I'm

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00:04:57,620 --> 00:05:01,070
going to have a little bit more contrast
with the tone curve I'm not really gonna

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do much other than just change the .
curve to me in contrast a nice little

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00:05:05,410 --> 00:05:09,800
pop you know deepens those black so I
really like doing that manages an exxon

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going to split toning and have a little
fun with this I'm going to do a more

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highlights 30 or so funny right now
doesn't it but it'll change seems like a

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cool shadow which occupied there but I
think I'm gonna play one of my balance

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00:05:39,880 --> 00:05:45,990
that's gonna do alright so the balance
is really just gonna say if I push it to

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00:05:45,990 --> 00:05:49,920
the left it's going to increase those
shadows you have more shadow effect that

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highlight effect push it to the right

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vice versa so I'm gonna push it to the
left a little bit talking back and forth

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soon going on i think i like it

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I'm gonna go with this and I'm actually
gonna take this into Photoshop to do

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00:06:03,760 --> 00:06:07,760
some finishing touches on the summit to
go to come and eat and it's gonna pop

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open inside of Photoshop

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the first half to just can't make it
full screen I was like to work with out

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seeing through to the background I was
kinda like to have a little bit of

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minimalistic approach and focus in a
distracted really easily so it's good

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for me to do that first thing you need
to do is coming out this week you

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looking stick over here to the Lightroom
but that seems like a little too

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complicated for Lightroom so I'm gonna
go ahead and working in Photoshop I

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added a brand new

結果 (中文) 1:

100:00:11，150--> 00:00:17，020我爱摄影有的瀑布只是如此的宁静，看的东西200:00:17，020--> 00:00:22，329悬崖间水级联看看它是如何影响岩石和300:00:22，329--> 00:00:26，180下面的事都和苔藓绿色的时候，你可以看到在我一直居住在该地区400:00:26，180--> 00:00:29，980太平洋西北地区，他们是这么多瀑布和我要看见一大堆500:00:29，980--> 00:00:32，589他们和这一个特别600:00:32，589--> 00:00:37，470Steve 溪瀑布完全不正确的路也很容易找到，因为它700:00:37，470--> 00:00:42，050简直就像马上路的没有很多机会800:00:42 050--> 00:00:48，089照片我其实整件事站在一座桥，你接管900:00:48，089--> 00:00:53，110到瀑布或你知道在哪里你可以为瀑布公园和我1000:00:53，110--> 00:00:59，379摄影新闻小球权在这里这可能是最好的之一1100:00:59，379--> 00:01:04，989瀑布本身的实际照片我没去酒太多的东西1200:01:04，989--> 00:01:08，470如果你看到出现在角落里就像这些都是善良的棍子1300:01:08，470--> 00:01:12，000周围挥舞和那些种类的你真的不想拍摄的东西1400:01:12，000--> 00:01:16，580当你这样做的这件事我决定要四处走走，走到1500:01:16，580--> 00:01:22，790另一侧的道路去寻找一些水中的其他小细节1600:01:22，790--> 00:01:26，659从这种美好的径流水和一个这真的很酷的事情1700:01:26，659--> 00:01:31，940瀑布是像这样的蓝色地球明亮的蓝色水从下面来和1800:01:31，940--> 00:01:36，000不知道什么导致它，但是它是绝对华丽，所以找到了这个1900:01:36 000--> 00:01:40，390岩石系列和各种打周围几个不同2000:01:40，390--> 00:01:43，630作文知道初始时你可以看到为什么真的没注意到2100:01:43，630--> 00:01:46，810棍子的方式，有时你不捕捉到这些信息，直到为时太晚2200:01:46，810--> 00:01:50，820也有大量的小棍子在左边，所以这里我想我2300:01:50，820--> 00:01:56，640看到还是稍微好些，一旦我得到了清除我的长时间曝光拍摄所以我2400:01:56，640--> 00:01:59，700搬到一点点更接近，我找到了我真的很喜欢这篇作文2500:01:59，700--> 00:02:04，780好但我不喜欢的一件事这是这两个岩石就在这里2600:02:04，780--> 00:02:09，670触摸我我们实际上触摸在我的框架，但其重叠和我2700:02:09，670--> 00:02:14，480只想这样做，如果可能的话我想保持事物分开这样我2800:02:14，480--> 00:02:20，500挪过去只是那么一点点，我得到了这一幕这2900:02:20，500--> 00:02:26，110是我绝对喜欢的框架从所有这些镜头，所以这是3000:02:26，110--> 00:02:31，250它是只有六分之一的短曝光第二次而这却是一百年，3100:02:31，250--> 00:02:35，390我在印度使用的七十一秒筛选器很有可能，但后来就停了3200:02:35，390--> 00:02:39，770和你要真的砍光和请允许我模糊的水和有3300:02:39，770--> 00:02:43，820很长时间快门速度，所以我要去前方和跳进的发展3400:02:43，820--> 00:02:48，450这种形象，我们会看到我们能做什么我要到阴天到3500:02:48，450--> 00:02:53，600在所有的顶部开始发展开始在基本面板我先3600:02:53，600--> 00:02:58，500到我的体温温暖一点点它似乎是有点太酷适合我的口味3700:02:58，500--> 00:03:04，440那是真的真的很微妙调整做一个快速之前和之后3800:03:04，440--> 00:03:08，250这和一些真的真的很微妙调整要玩弄我3900:03:08，250--> 00:03:12，360曝光提起这件事相当位黑暗有时当你拍摄4000:03:12，360--> 00:03:14，080longexposure4100:03:14，080--> 00:03:18，280见到你知道你想要它作为尽可能没有吹任何明亮4200:03:18，280--> 00:03:23，440其他白人，你知道使它们纯白色和丢失其中的细节，但4300:03:23，440--> 00:03:27，690你也不能预测的光如果你做两个或三个，更改4400:03:27，690--> 00:03:31，250分钟的曝光度有时晚的变化如果光消失了你4500:03:31，250--> 00:03:34，390照片会有一点点下所以我本人则的经常到暴露4600:03:34，390--> 00:03:39，739在 Lightroom 的补偿我也要去玩弄我4700:03:39，739--> 00:03:47，690形成了鲜明对比的任何亮点要做他们想要以及如何它实际上还挺4800:03:47，690--> 00:03:51，700像我的亮点是种打破我要去切换4900:03:51，700--> 00:03:58，060J 切换我剪辑的通知并没有现在就离开5000:03:58，060--> 00:04:01，910你可以看到什么是直方图面对这一权利对接5100:04:01，910--> 00:04:06，019真的，离开了所以我现在很好不过我会留出活动只是为了以防万一我5200:04:06，019--> 00:04:10，750推事有点太远了我要去深在前进的道路5300:04:10，750--> 00:04:16，419阴影的一点点再一次我要去现在增加的白人，如果我不去5400:04:16，419--> 00:04:20，470太远你可以看到是否我把那些白人太远，然后它开始剪辑5500:04:20，470--> 00:04:25，840他们所以真的只是想要推我只是一点点只是有点远，5600:04:25，840--> 00:04:26，790我要去5700:04:26，790--> 00:04:32，130给我们带来百仕通能做到一点点更多对比，你也5800:04:32，130--> 00:04:37，270自然饱和度不太多但如果你知道我把它推得太远是一个小的霓虹灯和5900:04:37，270--> 00:04:45，120增加，所以会给也许三十五个左右我要去把我的情况6000:04:45，120--> 00:04:51，070我可以向下推我充满活力的好，我要去做一个快速的切换点击6100:04:51，070--> 00:04:57，620反斜杠键来切换在我面前一个不错的改变发生的事情现在我后6200:04:57，620--> 00:05:01，070要有多一点点的对比与色调曲线，我不是真的要6300:05:01，070--> 00:05:05，410做很多不公正的变化。我曲线相反一个可爱的小6400:05:05，410--> 00:05:09，800你知道的流行深化那些黑所以我真的很喜欢做，管理埃克森美孚6500:05:09，800--> 00:05:15，390要拆分色调和有少许我要做一个更有趣了6600:05:15，390--> 00:05:27，090现在强调 30 或这么好笑但是它并不会改变，看起来像6700:05:27，090--> 00:05:39，880很酷的阴影那里占领，但想我要去玩我平衡之一6800:05:39，880--> 00:05:45，990那怎么办好，平衡真的只想说是否我把它推到6900:05:45，990--> 00:05:49，920左边就增加那些你有更多的影子的阴影效果7000:05:49，920--> 00:05:51，760突出的效果把它推到右7100:05:51，760--> 00:05:56，690反之亦然所以我要去把它给推来来回回离开有点说话7200:05:56，690--> 00:05:59，790很快就会对我想我喜欢它7300:05:59，790--> 00:06:03，760我要走了，我实际上要带着它进用 Photoshop 来做7400:06:03，760--> 00:06:07，760在首脑会议上完成最后的润色去能来吃了，很流行7500:06:07，760--> 00:06:12，400在 Photoshop 里面打开7600:06:12，400--> 00:06:17，430上半年，只是不能让它全屏幕就像上班与出7700:06:17，430--> 00:06:20，480我是看到背景有一点点的都很喜欢7800:06:20，480--> 00:06:25，020简约的方式和关注的焦点真的很容易分心，所以它是好7900:06:25，020--> 00:06:28，910我要做的第一件事你需要做出来这周你8000:06:28，910--> 00:06:34，580在这里期待 Lightroom 的棍子但这似乎有点太8100:06:34，580--> 00:06:38，500所以我要去为 Lightroom 复杂往前走，在 Photoshop 中工作我8200:06:38，500--> 00:06:39，540添加了新的品牌

結果 (中文) 3:

1
00:00:11150——> 00:00:17020
我爱拍摄瀑布有
是如此宁静，看

2
00:00:17020——> 00:00:22329
水级联的悬崖，我
看看它是如何影响的岩石和

3
00:00:22329——> 00:00:26180
以下和苔藓绿，
可以看在我生活在

4
00:00:26180地区——> 00:00:29980
西北太平洋地区有很多的
瀑布，我看到了一束

5
00:00:29980——> 00:00:32589
他们，这在一个特定的

6
00:00:32589——> 00:00:37470
史提夫溪瀑布是正确的
路很容易找到因为它

7
00:00:37470——> 00:00:42050
正从公路上
没有很多机会

8
00:00:42050——> 00:00:48089
拍摄整个事情我真的
站在桥上，你

9
00:00:48089——> 00:00:53110
的瀑布或你知道你
可以公园瀑布和我

10
00:00:53110——> 00:00:59379
拍摄新闻的小人物
这可能是正确的最好的

11
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实际照片的瀑布本身，我
没有去酒太多的东西在

12
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如果你看到出现在街角的
有这样棒，是一种

13
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的连着这类
你不真的想拍

14
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当你做这件事，所以我
决定出去走走，走到

15
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路的另一边，在

16
00:01:22790找到一些
其他小细节的水——> 00:01:26659
径流从这美好的一
关于这

17
00:01:26659真正酷的事情——> 00:01:31940
瀑布是蓝色的地球这样的
亮蓝色的水来从下面

18
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不确定是什么导致它但它是
绝对华丽，我发现这

19
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系列岩石，我种了
周围的几个不同

20
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成分知道最初的当你
可以看到为什么我没注意到

21
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棒的方式，有时你不
抓住这些事情直到为时已晚

22
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也有很多小棍子
在左，所以我想我

23
00:01:50820——> 00:01:56640
看到的更好一点，我曾经有一个
摆脱我的长时间曝光拍摄所以我

24
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感动一点点接近我发现
，我真的很喜欢这个组合

25
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更好，但有一件事我不喜欢
这是这两种岩石在这里

26
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触摸我我们实际接触
但我框重叠和我

27
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只喜欢做的，如果在所有可能的
我想让事情分开，所以我

28
00:02:14480——> 00:02:20500
移过去一点点，我
这个场景，这

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00:02:20500——> 00:02:26110
是，我非常喜欢
从所有这些镜头，所以这是

30
00:02:26110——> 00:02:31250
更短的曝光只有六分之一
二而这是一百和31


00:02:31250——> 00:02:35390
七十一秒我在印度
过滤器很可能但又停了下来

32
00:02:35390——> 00:02:39770
，你真的把光和
框架