100:00:00,430 --> 00:00:03,570one o

1
00:00:00,430 --> 00:00:03,570
one of the things that i think is really
good to touch on something that we spoke

2
00:00:03,570 --> 00:00:07,519
about is when you're in in the field in
your you got your words and your doing

3
00:00:07,519 --> 00:00:10,780
these things that there could be there
can be this kind of pressure to get the

4
00:00:10,780 --> 00:00:16,430
exact image in camera but part of the
process to talking about it's not it's

5
00:00:16,430 --> 00:00:20,550
not so pure that you can only get it in
camera right there are things that

6
00:00:20,550 --> 00:00:24,660
sometimes you come back and you have an
image that works but there's just a few

7
00:00:24,660 --> 00:00:27,460
little things that you wish for
different right you can apply to editing

8
00:00:27,460 --> 00:00:31,279
to absolutely and I think this goes back
to what we talked about earlier

9
00:00:31,279 --> 00:00:34,970
depending on the type of photography are
you that makes the difference no

10
00:00:34,970 --> 00:00:38,630
documentary photographer is not going to
go in and remove objects and things for

11
00:00:38,630 --> 00:00:43,950
the frame so that becomes a part of
their process is a fine art photographer

12
00:00:43,950 --> 00:00:48,969
I absolutely think about the story in
the lobby of the property and things

13
00:00:48,969 --> 00:00:54,510
like that and that's one reason this
vocabulary become so important is

14
00:00:54,510 --> 00:00:58,210
because when I come back to edit I don't
like to spend a lot of time in front of

15
00:00:58,210 --> 00:01:03,750
the computer so I wanna know like what
do I want the editing to be like before

16
00:01:03,750 --> 00:01:06,570
I get started so I can going to think
all I want this person had this

17
00:01:06,570 --> 00:01:10,380
experience when looking at the
photograph forward so if I take like

18
00:01:10,380 --> 00:01:15,530
this photograph for example I took this
one and I saw this in black and white so

19
00:01:15,530 --> 00:01:18,080
as a color and black-and-white
photographer people always want to know

20
00:01:18,080 --> 00:01:21,600
how I do that I see certain things in
black and white it doesn't have to do

21
00:01:21,600 --> 00:01:26,729
with obnoxious color supersaturation its
structure formed a melody so for this it

22
00:01:26,729 --> 00:01:30,110
was this great swirling pattern in this
became very graphic photograph coming

23
00:01:30,110 --> 00:01:34,369
and I looked up to my black and white
design either be this beautiful little

24
00:01:34,369 --> 00:01:39,560
subtle tones that came in there so in
the edited decision in the field I wrote

25
00:01:39,560 --> 00:01:44,159
down palm trees blackandwhite so when I
came back to the computer I have to sit

26
00:01:44,159 --> 00:01:46,729
there and think about it it was just
knew that was going to black-and-white

27
00:01:46,729 --> 00:01:49,540
laser processing decision

28
00:01:49,540 --> 00:01:52,610
a lot of the times of when I see stuff
like that would have those are going to

29
00:01:52,610 --> 00:01:57,250
the camera and its charitable go away so
that I can just click because I wanna be

30
00:01:57,250 --> 00:02:00,790
a better see what it is and I'm doing it
so that's that's cool

31
00:02:00,790 --> 00:02:06,340
home this one is actually I brought a
couple of Prince there's a black and

32
00:02:06,340 --> 00:02:11,620
white version as well because I shot
this and the girl here with the dog is

33
00:02:11,620 --> 00:02:15,560
what caught my attention so as I set up
the experience I was like that's what I

34
00:02:15,560 --> 00:02:19,500
want to photograph to be people start
walking and then and there is this

35
00:02:19,500 --> 00:02:22,200
moment so this is one of those
photographs and editing where I started

36
00:02:22,200 --> 00:02:26,140
to see something I had seen before so so
focused on her she told her head a

37
00:02:26,140 --> 00:02:29,440
little bit to separate her from the dog
because something happened on the street

38
00:02:29,440 --> 00:02:33,070
while a sudden I got her to look down
the street hurtling down street he's

39
00:02:33,070 --> 00:02:36,420
kinda looking down and also this
movement got to push the photograph this

40
00:02:36,420 --> 00:02:40,600
way but the blur pushes the photograph
this way I didn't see that till I was in

41
00:02:40,600 --> 00:02:43,280
the computer I did see this in black and
white

42
00:02:43,280 --> 00:02:47,489
so it wasn't like and when I saw his
older kind of greedy format which you

43
00:02:47,489 --> 00:02:52,310
see in the black and white image however
I also printed it and platinum little

44
00:02:52,310 --> 00:02:55,650
platinum print and one of the other
decisions it's kind of in that process

45
00:02:55,650 --> 00:02:58,820
as I like to think about how I want the
beer viewer to experience their

46
00:02:58,820 --> 00:03:04,950
photographs to different sizes are much
more intimate photographs I require you

47
00:03:04,950 --> 00:03:08,560
to physically step closer to this image
than this one cuz you and distances

48
00:03:08,560 --> 00:03:14,269
twice the diagonal average so you get a
much more intimate close to get all the

49
00:03:14,269 --> 00:03:18,760
details out of this one you have to get
really close for the reasons why we like

50
00:03:18,760 --> 00:03:24,750
forestry big but I also think about that
with my intention this period is how

51
00:03:24,750 --> 00:03:28,750
close and intimate I want you to be my
photographs it's also one of the reasons

52
00:03:28,750 --> 00:03:30,739
I like take people in my care

53
00:03:30,739 --> 00:03:36,040
touch and hold my photographs there are
the object so all of that editing

54
00:03:36,040 --> 00:03:41,610
decision is also about vocabulary how
intimate do I want you to feel with the

55
00:03:41,610 --> 00:03:46,630
photograph is it about structure form in
black and white and those kind of

56
00:03:46,630 --> 00:03:51,360
Capone's what are those elements that
ultimately also what's great about that

57
00:03:51,360 --> 00:03:53,800
processes

58
00:03:53,800 --> 00:03:56,340
we talk about 10 easy steps but
sometimes I get to a point where I'm

59
00:03:56,340 --> 00:03:58,970
like oh my gosh I actually don't know
how to fix the computer I don't know how

60
00:03:58,970 --> 00:04:03,690
to process that but now I know very
specific thing I need to go find so now

61
00:04:03,690 --> 00:04:12,920
it's like how do i enhance XYZ training
site that you can fit that I can fix the

62
00:04:12,920 --> 00:04:17,530
money that I don't have to go watch 50
steps I'm gonna get just less than three

63
00:04:17,530 --> 00:04:21,360
of that one step as I walked Corey do it
and I can actually going that happens so

64
00:04:21,360 --> 00:04:27,160
it's a great win that any process but
the other report about it too is she

65
00:04:27,160 --> 00:04:34,450
2000 photographs come back in and
process I can really start to sequence

66
00:04:34,450 --> 00:04:38,160
pretty fast but i wanna work out what
I'm not gonna work on because the

67
00:04:38,160 --> 00:04:41,300
photographs don't have that feeling
don't have that essence that's how I

68
00:04:41,300 --> 00:04:44,350
know how to sort them so that editing
process the exact same thing is

69
00:04:44,350 --> 00:04:48,560
happening the last thing that that does
it also identifies it as a fine art

70
00:04:48,560 --> 00:04:51,920
photographer artist it was after all the
time for jury chosen galleries and

71
00:04:51,920 --> 00:04:55,470
things like that so I'm required to have
a lot of words in the editing process it

72
00:04:55,470 --> 00:04:59,440
just is a continuing the continuation of
the exact same process and helps you

73
00:04:59,440 --> 00:05:02,260
build a body of work that makes sense
right

74
00:05:02,260 --> 00:05:06,680
absolutely the other pieces editing user
leads to multiple images fitting

75
00:05:06,680 --> 00:05:10,260
together so I go back to you know we had
this the very beginning we take these

76
00:05:10,260 --> 00:05:15,160
two images start to become a part of a
landscape series this image has a set of

77
00:05:15,160 --> 00:05:20,380
words this image has a set of words
these two meters together have some

78
00:05:20,380 --> 00:05:23,300
overlap but they also have new words and
develop because as a body of work

79
00:05:23,300 --> 00:05:27,840
develops it gets a new simple jewellery
and so because all of that affects

80
00:05:27,840 --> 00:05:32,260
sequencing if you look at the
photographs this way makes a difference

81
00:05:32,260 --> 00:05:39,560
in the story I get to tell so and that
editing a great repetition of the exact

82
00:05:39,560 --> 00:05:44,650
same thing over and over again look at
it what were you there so I'm expected

83
00:05:44,650 --> 00:05:48,310
to just start with those two words of
that value out and then from there just

84
00:05:48,310 --> 00:05:54,050
kinda sad and shift in an increase in to
take some pressure off there's a

85
00:05:54,050 --> 00:05:56,760
significant chance on me or two words
when you go

86
00:05:56,760 --> 00:06:03,480
ok I mean where we start where we start
where we end up aren't always the same

87
00:06:03,480 --> 00:06:08,000
in the cool part is if you know that
going in there is no issue with it if it

88
00:06:08,000 --> 00:06:11,580
changes you dislike hey I had no more
now than I did when I started with the

89
00:06:11,580 --> 00:06:17,830
word or moving from you know you can
have a very honest conversation about

90
00:06:17,830 --> 00:06:20,740
your work ok good

結果 (中文) 1:

100:00:00，430--> 00:00:03，570我想的事情之一是真的好去触摸东西我们说话200:00:03，570--> 00:00:07，519是当你在中的字段你你你的话和你做300:00:07，519--> 00:00:10，780有可能这些东西可以将这种压力，得到400:00:10，780--> 00:00:16，430精确图像在相机但的一部分到谈论这件事的过程不是它的500:00:16，430--> 00:00:20，550不那么纯洁，你只能相机的右边有的东西，600:00:20，550--> 00:00:24，660有时你回来和你有但有的作品是几个图像700:00:24，660--> 00:00:27，460你想要的小事情您可以将应用于编辑的不同权利800:00:27，460--> 00:00:31，279对绝对，我认为这就回到了到什么我们早些时候所谈900:00:31，279--> 00:00:34，970取决于摄影的类型是你的区别没有1000:00:34，970--> 00:00:38，630纪实摄影师不去进去和删除对象，对事物1100:00:38，630--> 00:00:43，950所以，将成为一部分的框架其过程是一个精美的艺术摄影师1200:00:43，950--> 00:00:48，969我绝对想想这个故事中大厅的财产和的东西1300:00:48，969--> 00:00:54，510像，这是一个原因这变得如此重要的词汇量1400:00:54，510--> 00:00:58，210因为当我回来，编辑我不喜欢花很多时间的前面1500:00:58，210--> 00:01:03，750电脑，这样我想要知道像什么我想要像之前编辑吗1600:01:03，750--> 00:01:06，570我开始所以我可以会怎么想所有我想要这个人了这1700:01:06，570--> 00:01:10，380经验看的时候照片前倾，让我只要像1800:01:10，380--> 00:01:15，530这张照片为例了这一个和我对此看在黑色和白色等1900:01:15，530--> 00:01:18，080作为一种颜色和黑白摄影师的人总是想要知道2000:01:18，080--> 00:01:21，600怎么我看到某些事物它没有做的黑色和白色2100:01:21，600--> 00:01:26，729与令人讨厌的颜色饱和度及其结构形成的旋律如此，这2200:01:26，729--> 00:01:30，110被这伟大的旋流模式，在这成为了非常生动的照片来2300:01:30，110--> 00:01:34，369和仰望我黑与白设计也是这个美丽的小2400:01:34，369--> 00:01:39，560所以在进来那里的微妙的色调编辑的决定字段中我写道:2500:01:39，560--> 00:01:44，159下来棕榈树 blackandwhite 所以当我回到我要坐的计算机2600:01:44，159--> 00:01:46，729那里，只是想想它知道那黑白2700:01:46，729--> 00:01:49，540激光处理决定2800:01:49，540--> 00:01:52，610很多时候当我看到的东西这样会有那些打算去2900:01:52，610--> 00:01:57，250相机和其慈善会消失所以我只可以单击，因为我想要3000:01:57，250--> 00:02:00，790更好地看到它是什么和我做的一切所以，是的这就是酷3100:02:00，790--> 00:02:06，340回家这一实际上是我带来有的王子夫妇是黑色的3200:02:06，340--> 00:02:11，620因为我拍的白色版本以及这和与狗的女孩是3300:02:11，620--> 00:02:15，560什么引起我的注意只要设置就像这样的经验就是我3400:02:15，560--> 00:02:19，500想要照片要人们开始走，然后有是这3500:02:19，500--> 00:02:22，200所以这是其中之一的时刻照片和编辑开始的地方3600:02:22，200--> 00:02:26，140要看到的东西我以前见过如此如此集中在她身上，她告诉她的头3700:02:26，140--> 00:02:29，440一点要分开她从那条狗因为事情发生在大街上3800:02:29，440--> 00:02:33，070同时突然我让她看不起他是街头冲下来街3900:02:33，070--> 00:02:36，420有点往下看，还这运动要推动这项工作的照片4000:02:36，420--> 00:02:40，600方式，但模糊推照片这种方式，直到我在我没看到4100:02:40，600--> 00:02:43，280我的确看到黑色的计算机和白色4200:02:43，280--> 00:02:47，489所以它不是像和看见他老一辈的贪婪格式你在哪4300:02:47，489--> 00:02:52，310然而在黑色和白色的图像中看到我还打印它和白金小4400:02:52，310--> 00:02:55，650白金打印和其他之一它是在这一进程的决定4500:02:55，650--> 00:02:58，820如想在想要的如何啤酒观者领略到他们4600:02:58，820--> 00:03:04，950对不同尺寸的照片是很多更亲密的照片，我需要你4700:03:04，950--> 00:03:08，560以身体走近了这幅图像比这一个因为你和距离4800:03:08，560--> 00:03:14，269对角平均数的两倍所以你更多亲密接近获得所有4900:03:14，269--> 00:03:18，760你要在这一细节真的关闭原因为什么我们喜欢5000:03:18，760--> 00:03:24，750林业大，但也想想，我的意图这一时期是如何5100:03:24，750--> 00:03:28，750关闭和亲密的你是我照片也是原因之一5200:03:28，750--> 00:03:30，739我喜欢带人在我的关心5300:03:30，739--> 00:03:36，040触摸和持有有我照片因此，所有的对象，编辑5400:03:36，040--> 00:03:41，610决定也是关于词汇如何亲密做我想让你感受到与5500:03:41，610--> 00:03:46，630照片是它的结构形式黑色、 白色和那些种5600:03:46，630--> 00:03:51，360卡彭的这些元素是什么，最终也是什么真好5700:03:51，360--> 00:03:53，800进程5800:03:53，800--> 00:03:56，340我们谈了大约 10 个简单的步骤，但有时候我拿的出我在哪里5900:03:56，340--> 00:03:58，970喜欢哦我啊我真的不知道如何修这台电脑，我不知道如何6000:03:58，970--> 00:04:03，690要处理，但现在我知道很我需要去找所以现在的具体事情6100:04:03，690--> 00:04:12，920就像如何做加强 XYZ 培训你可以我可以修复的网站6200:04:12，920--> 00:04:17，530我没有去看 50 的钱步骤会拿到略低于三6300:04:17，530--> 00:04:21，360这一步我走的时候科里做它和我可以实际上会发生这种情况这样6400:04:21，360--> 00:04:27，160它的伟大胜利，任何处理，但关于它的其他报道也是她6500:04:27，160--> 00:04:34，4502000 照片回来和我可以真正开始到序列的过程6600:04:34，450--> 00:04:38，160非常快，但想知道是什么我不会去工作，因为6700:04:38，160--> 00:04:41，300照片不要有这种感觉没有，本质上这就是如何我6800:04:41，300--> 00:04:44，350知道如何对它们进行排序，以便编辑同样的事情的过程6900:04:44，350--> 00:04:48，560发生了这样做的最后一件事它还确定了它作为一门艺术7000:04:48，560--> 00:04:51，920毕竟那摄影师艺术家时间选择画廊的陪审团和7100:04:51，920--> 00:04:55，470比如，所以我需要有大量的单词在编辑处理它7200:04:55，470--> 00:04:59，440只是一项持续的延续确切的相同过程，并帮助你7300:04:59，440--> 00:05:02，260建立一个机构的有意义的工作权利7400:05:02，260--> 00:05:06，680编辑用户绝对其他件导致多个图像分段拟合7500:05:06，680--> 00:05:10，260在一起的所以我回去给你知道我们有这一开始，我们把这些7600:05:10，260--> 00:05:15，160两个图像开始成为的一部分这幅图像都有一整套的风景系列7700:05:15，160--> 00:05:20，380话语，这该图像有一套的词这些两米一起有一些7800:05:20，380--> 00:05:23，300重叠，但他们也有新单词和开发，因为作为一个机构的工作7900:05:23，300--> 00:05:27，840开发它获取新的简单珠宝等所有的影响8000:05:27，840--> 00:05:32，260测序如果你看看照片通过这种方式区别8100:05:32，260--> 00:05:39，560在故事中，我要说这样，编辑确切的伟大的重复8200:05:39，560--> 00:05:44，650同样的事情，再看看遍地它因此期望我，你是有什么8300:05:44，650--> 00:05:48，310与这两个词的开始这个值，然后从那里只是8400:05:48，310--> 00:05:54，050伤感和增加到转变减轻一些压力有8500:05:54，050--> 00:05:56，760我上两个字的重大机会当你走8600:05:56，760--> 00:06:03，480好了我的意思是我们从哪里开始我们从哪里开始我们到达的地方总是不一样8700:06:03，480--> 00:06:08，000很酷的一点是如果你知道要那里它的任何问题，如果它8800:06:08，000--> 00:06:11，580改变你不喜欢嘿我已经不再现在有的时候比8900:06:11，580--> 00:06:17，830词或移动从你知道你可以关于有一个非常诚实的交谈9000:06:17，830--> 00:06:20，740你工作的好的好

結果 (中文) 3:

1
00:00:00430——> 00:00:03570
事情之一，我认为是真的
手感好的东西，我们说

2
00:00:03570——> 00:00:07519
大约是当你在该领域
你你有你的话和你做

3
00:00:07519——> 00:00:10780
这些东西那会有
可这种压力让

4
00:00:10780——> 00:00:16430
在相机的图像精确但部分的
过程来谈论它不是

5
00:00:16430——> 00:00:20550
不纯洁的，你只能把它
相机右边有东西

6
00:00:20550——> 00:00:24660
有时你回来了，你有一个
图像但有几个

7
00:00:24660——> 00:00:27460
小事情，你的愿望
不同的权利可以适用于编辑

8
00:00:27460——> 00:00:31279
绝对，我认为这可以追溯
我们前面谈到的

9
00:00:31279——> 00:00:34970
取决于类型的摄影
你做不

10
00:00:34970——> 00:00:38630
纪录片摄影师是不会
进去删除对象和事物

11
00:00:38630——> 00:00:43，950
框架，成为
其过程的一部分是美术摄影师

12
00:00:43950——> 00:00:48969
我绝对觉得这个故事在
的财物

13
00:00:48969——> 00:00:54510
那样，这是一个原因这
词汇变得如此重要，是

14
00:00:54510——> 00:00:58210
因为当我回到编辑我不
大堂喜欢花很多的

15
00:00:58210前时间——> 00:01:03750
电脑所以我想知道是什么
做我想做的编辑，像之前

16
00:01:03750——> 00:01:06570
我开始，所以我可以去想
所有我想的这个人这

17
00:01:06570——> 00:01:10380
经验看
照片了所以如果我像

18
00:01:10380——> 00:01:15530
这张照片为例，我把这
一我在黑与白的看到这样

19
00:01:15530——> 00:01:18080
作为彩色和黑白
摄影师的人总是想知道

20
00:01:18080——> 00:01:21600
我怎么办，我看到某些东西在
黑白不要做的

21
00:01:21600——> 00:01:26729
讨厌的颜色饱和度的
结构形成的旋律，这

22
00:01:26729——> 00:01:30110
这伟大的旋转模式在这
变得非常平面照片来

23
00:01:30110——> 00:01:34369
我看着我的黑色和白色的
设计是这个漂亮的小

24
00:01:34369——> 00:01:39560
微妙的色调来所以在
编辑决策领域中我写

25
00:01:39，560——> 00:01:44159
下棕榈树黑白所以当我
回来我要坐

26
00:01:44159——> 00:01:46729
那里，认为它只是
知道要黑白

27
00:01:46729——> 00:01:49540
激光处理决策

28
00:01:49540——> 00:01:52610
很多次当我看到的东西
喜欢将那些要

29
00:01:52计算机，610——> 00:01:57250
相机和慈善去
我可以点击因为我想

30
00:01:57250——> 00:02:00790
更好的明白它是什么，我做
这样很酷

31
00:02:00790——> 00:02:06340
家这一实际上是我带了一
几个王子有黑色和

32
00:02:06340——> 00:02:11620
白色版本因为我拍
这个女孩在狗

33
00:02:11620——> 00:02:15560
什么引起了我的注意，我建立了
经验我想这就是我

34
00:02:15560——> 00:02:19500
想要拍摄的是人们开始
走就有这

35
00:02:19500——> 00:02:22200
的一刻，这是其中的一个
照片和编辑，我开始

36
00:02:22200——> 00:02:26140
看到的东西我以前见过这样
集中在她告诉她头一

37
00:02:26140——> 00:02:29440
点分开，她从狗
因为事情发生在街上

38
00:02:29440——> 00:02:33070
而突然我让她往下看
街上飞驰在街上他

39
00:02:33070——> 00:02:36420
点看下来，这也
运动要推的照片这

40
00:02:36420——> 00:02:40600
但模糊推照片
这样我没有看到，直到我在

41
00:02:40600——> 00:02:43280
电脑我在黑色和白色


42
00:02:43280——> 00:02:47489
因此不喜欢，当我看到他的
老种贪婪的格式，你

43
00:02:47489——> 00:02:52310
看到这个在看到黑白图像，但是我也
印刷和铂的小

44
00:02:52310——> 00:02:55650
铂印刷和另一个
决定它的过程中

45
00:02:55650——> 00:02:58820
我想我多么希望
啤酒观众体验

46
00:02:58820——> 00:03:04950
照片大小不同的多
种更亲密的照片，我需要你

47
00:03:04950——> 00:03:08560
身体比这一步因为你和距离

48
00:03:08560接近这个图像
——> 00:03:14269
两对角线平均得
更亲密的让所有的

49
00:03:14269——> 00:03:18760
细节这一你得
非常接近的原因，为什么我们喜欢

50
00:03:18，760——> 00:03:24750
林业大但我还想
我的意图这一时期是如何

51
00:03:24750——> 00:03:28750
亲近我想你是我的
照片也是原因之一

52
00:03:28750——> 00:03:30739
我喜欢的人在我的照顾

53
00:03:30739——> 00:03:36040
触摸和保持我的照片有
对象所有编辑

54
00:03:36，040——> 00:03:41610
决定也是词汇如何
亲密我想做你的

55
00:03:41610——> 00:03:46630
照片是
黑色和白色的那种

56
00:03:46630关于结构形式——> 00:03:51360
卡彭的那些元素，
最终也有什么

57
00:03:51360——> 00:03:53800
过程

58
00:03:53800——> 00:03:56340
伟大的是什么感觉我们谈10个简单的步骤，但
有时我达到这一点，我

59
00:03:56340——> 00:03:58970
像我的天啊，我真的不知道
如何修理电脑我不知道

60
00:03:58970——> 00:04:03690
处理，但现在我知道很
具体的事情我需要去发现，所以现在

61
00:04:03690——> 00:04:12920
就像我如何提高培训
XYZ网站，你可以我可以

62
00:04:12920——> 00:04:17530
钱，我没有去看50
步骤我会仅仅不到三

63
00:04:17530——> 00:04:21360
这一步我走科里做
我可以去发生如此

64
00:04:21360——> 00:04:27160
是任何过程而
关于它的其他报告过她

65
00:04:27一伟大的赢，160——> 00:04:34450
2000张照片回来，
过程我真的可以开始序列

66
00:04:34450——> 00:04:38160
很快，但我想解决什么
我不会工作，因为

67
00:04:38160——> 00:04:41300
照片没有那种感觉
没有本质是我

68
00:04:41300——> 00:04:44350
知道如何排序，编辑
过程完全相同的事情是

69
00:04:44350——> 00:04:48560
发生的最后一件事，这并
也确定了它作为一个艺术

70
00:04:48560——> 00:04:51920
摄影艺术家毕竟是时间的
陪审团选择画廊和

71
00:04:51920——> 00:04:55470
东西喜欢，所以我需要有
很多字在编辑过程中

72
00:04:55470——> 00:04:59，440
只是继续
相同过程的延续，有助于你

73
00:04:59440——> 00:05:02260
建立一个工作机构，有权


74
00:05:02260——> 00:05:06680
绝对另件编辑的用户
导致多重图像拟合

75
00:05:06680——> 00:05:10260
一起所以我回到你知道我们有
这一开始我们把这些

76
00:05:10，260——> 00:05:15160
两图像开始成为一
景观系列这个形象有一套

77
00:05:15160——> 00:05:20380
词这个形象有一套的话
这两米一起吃些

78
00:05:20380——> 00:05:23300
重叠，但也有新的单词和因为
发展作为工作的主体

79
00:05:23300——> 00:05:27840
发展得到一个新的简单的珠宝
所以因为所有影响

80
00:05:27840——> 00:05:32260
排序如果你看看
照片这种方式是有区别的

81
00:05:32260——> 00:05:39560
的故事让我这样讲，
编辑的确切

82
00:05:39560一杰出的重复——> 00:05:44650
同样的事情一遍又一遍，看看它到底是什么
所以我期望

83
00:05:44650——> 00:05:48310
刚开始与这两个字
价值然后从那里只是

84
00:05:48310——> 00:05:54050
有些悲伤和转移增加到
采取一定的压力，有一个

85
00:05:54050——> 00:05:56760
重要机会我还是两个字
当你去

86
00:05:56760——> 00:06:03480
好我的意思是我们开始的地方，我们开始
我们在哪里结束并不总是相同的

87
00:06:03，480——> 00:06:08000
在凉爽的部分，如果你知道
走没有问题，如果

88
00:06:08000——> 00:06:11580
改变你不喜欢我没有更多的
现在比我小的时候开始与

89
00:06:11580——> 00:06:17830
字或移动你知道你可以
有

90
00:06:17830——> 00:06:20740
你工作好
非常诚实的对话