7900:05:49,490 --> 00:05:54,200rock

79
00:05:49,490 --> 00:05:54,200
rock detail we have a son that would
look fantastic in a starburst pattern

80
00:05:54,200 --> 00:05:58,660
and how do you get a starburst you run
the app you close down the actor so it

81
00:05:58,660 --> 00:06:04,660
makes it really tiny in small and your
lights become starters so I F fourteen

82
00:06:04,660 --> 00:06:08,650
we get that starburst pattern wherever
we can see a light source coming in

83
00:06:08,650 --> 00:06:14,590
that's our primary compositional
attribute that I want to set now from

84
00:06:14,590 --> 00:06:21,290
there I simply decide okay well what do
I want my shutter speed to be based on

85
00:06:21,290 --> 00:06:25,760
the emulator I want to have in the same
now remember if we want a more dramatic

86
00:06:25,760 --> 00:06:29,740
image we cut ambient light down more if
you want more

87
00:06:29,740 --> 00:06:34,120
natural image we leave emulate higher I
wanted to go with a little bit more of a

88
00:06:34,120 --> 00:06:38,120
dramatic image here but I didn't want to
be so dark that all of our detailed the

89
00:06:38,120 --> 00:06:42,789
rocks down here was clipped ok I want to
see the highlight detail want to see the

90
00:06:42,789 --> 00:06:48,169
water I want to see all that stuff so at
100 of a second I got to that balance

91
00:06:48,169 --> 00:06:52,880
where I got a beautiful histogram where
should we had most of my detail my

92
00:06:52,880 --> 00:06:56,169
shadows had all the detail the
highlights ahead of the perfect scene

93
00:06:56,169 --> 00:06:59,099
setup for dramatic image and guess what

94
00:06:59,099 --> 00:07:04,319
September 25 down in those two settings
and work 100 of a second is lower than

95
00:07:04,319 --> 00:07:10,380
my sync speed of 1 200 of its second so
I don't need an addy filter and I don't

96
00:07:10,380 --> 00:07:16,060
need high speed sync I can just buyer
just as it's in my sink is okay so we

97
00:07:16,060 --> 00:07:17,780
just discussed the emulate exposure

98
00:07:17,780 --> 00:07:21,530
again sometimes I kind of do these
things out of order because I'm used to

99
00:07:21,530 --> 00:07:25,229
it right I'm used to like going ok
competition in fact ok I want I want

100
00:07:25,229 --> 00:07:29,020
depth of field here ok let's see what my
shutter speed in all damages be first to

101
00:07:29,020 --> 00:07:32,330
figure out why my mommy and me in light
and then based on that I'll choose or

102
00:07:32,330 --> 00:07:36,409
all go to sing can say okay do I need to
deal with it and the filter or

103
00:07:36,409 --> 00:07:40,650
high-speed sync and it seemed so it's ok
to go out or every now and then go to

104
00:07:40,650 --> 00:07:43,530
category out of order that's just the
way that you like to do things that's

105
00:07:43,530 --> 00:07:44,599
totally fine too

106
00:07:44,599 --> 00:07:50,090
ok so any exposure with F fourteen
combined with 100 shutter speed and ISO

107
00:07:50,090 --> 00:07:54,990
100 we get us darker and blue light
exposure for a more dramatic effect of

108
00:07:54,990 --> 00:07:57,580
that so we can see here

109
00:07:57,580 --> 00:08:03,909
light direction quality we place the
light to camera left why because our

110
00:08:03,909 --> 00:08:06,689
general top prizes

111
00:08:06,689 --> 00:08:12,169
when we're lighting a couple its ok to
leave the guy's face a little bit in

112
00:08:12,169 --> 00:08:16,929
shadow why because its dramatic and with
guys it's ok to have them more dramatic

113
00:08:16,929 --> 00:08:21,209
look in my opinion in our opinion it's
not ok for the girl to have that more

114
00:08:21,209 --> 00:08:25,019
dramatic look at least its not preferred
we generally want the girl to have a

115
00:08:25,019 --> 00:08:28,659
softer look to have a more elegant
looking to do that we want to fill light

116
00:08:28,659 --> 00:08:34,189
into her face so we're firing from
camera left and the lights going just

117
00:08:34,189 --> 00:08:38,439
where it were aiming it roughly about a
foot above their heads or raise analyzed

118
00:08:38,439 --> 00:08:41,169
and so it's slightly above their heads
you always want your like coming from

119
00:08:41,169 --> 00:08:46,579
top going down when you want a natural
effect here late when you want to create

120
00:08:46,579 --> 00:08:50,189
a natural light that's when you fire
bottom-up you create campfire let you

121
00:08:50,189 --> 00:08:55,069
create that unnatural to light we want a
natural occurrence or firing top down to

122
00:08:55,069 --> 00:08:58,430
camera left which field directly into
her face gives him a little bit of

123
00:08:58,430 --> 00:09:00,810
shadow and and so forth

124
00:09:00,810 --> 00:09:06,199
ok to photo shows at let's go ahead and
just look at here so we have let's say

125
00:09:06,199 --> 00:09:10,209
we stack the model flashes one thing to
remember when you stack flashes you need

126
00:09:10,209 --> 00:09:13,740
them to be close together if they're not
close together and I'm talking about

127
00:09:13,740 --> 00:09:18,279
inches like they need to be right next
to each other a six inch separation

128
00:09:18,279 --> 00:09:22,589
those flashes is gonna create multiple
shadows because now you have created two

129
00:09:22,589 --> 00:09:26,759
light sources and when those shadows
kind of go across and we'll show you you

130
00:09:26,759 --> 00:09:30,170
can actually probably see a little bit
of duplication channels in the shot if

131
00:09:30,170 --> 00:09:33,819
your resume in close and look at it but
we'll show you guys an image with

132
00:09:33,819 --> 00:09:37,259
duplicate shadows because the flashes a
place too far from each other you want

133
00:09:37,259 --> 00:09:40,490
to make sure you look close and avoid
that keep the flashes close together so

134
00:09:40,490 --> 00:09:46,480
that it acts as a singular light source
ok where we were at our test shots so

135
00:09:46,480 --> 00:09:51,459
what is our test on do we take the first
test shot it actually it revealed a

136
00:09:51,459 --> 00:09:54,850
shadow on her face and you don't see in
this image but will show the image of

137
00:09:54,850 --> 00:09:58,790
you see it as a shadow right on her side
of the face right there and what's that

138
00:09:58,790 --> 00:10:03,829
shadow caused by its caused by his face
the back of his head is hitting the

139
00:10:03,829 --> 00:10:08,240
light in the back of head in casting a
shadow right on her and it's so small

140
00:10:08,240 --> 00:10:11,819
that if I didn't zoom in I would have
been able to see it

141
00:10:11,819 --> 00:10:16,050
okay so from that we just do something
very simple I just asked

142
00:10:16,050 --> 00:10:20,440
my subject open up the shoulder little
bit K just open up a little bit and then

143
00:10:20,440 --> 00:10:23,180
have a kind of turn a little bit so we
didn't rotate in a little bit his

144
00:10:23,180 --> 00:10:26,700
shoulders more open and now that like to
just landed right on her face without

145
00:10:26,700 --> 00:10:30,380
being blocked by his shoulder or his
back of his head

146
00:10:30,380 --> 00:10:35,070
ok so just take that test on it just the
light position or the couple's pose as

147
00:10:35,070 --> 00:10:36,000
necessary

148
00:10:36,000 --> 00:10:40,310
most the time all-star by first
adjusting the couple's pose and if that

149
00:10:40,310 --> 00:10:43,500
doesn't work then we'll adjust the
position the light source but more often

150
00:10:43,500 --> 00:10:49,320
than not it generally works it just
oppose a little bit ok next once we take

151
00:10:49,320 --> 00:10:54,209
the shot I I really love you know I love
warm shots like this and so oftentimes

152
00:10:54,209 --> 00:10:58,500
all set my wife found some pretty high
this is a 5500 Calvin R Ford 5400 Kelvin

153
00:10:58,500 --> 00:11:02,670
I'll take the shock as I I like that
look and it came out warm like this and

154
00:11:02,670 --> 00:11:05,540
look beautiful I thought that's that's
perfect I don't want to change the white

155
00:11:05,540 --> 00:11:06,149
balance at all

156
00:11:06,149 --> 00:11:10,610
case then we start posing for aiming and
shooting now what we do here

157
00:11:10,610 --> 00:11:15,149
well I take a variety of shots so we do
a couple different poses I do the shot

158
00:11:15,149 --> 00:11:18,740
with them looking at each other most of
if you guys do Indian weddings and you

159
00:11:18,740 --> 00:11:22,130
shoot indian couples a lot of times they
do not like to kiss so we try and

160
00:11:22,130 --> 00:11:27,160
refrain from a lot of kissing shots cuz
that's just a cultural thing so instead

161
00:11:27,160 --> 00:11:31,610
of that I have them basically touch for
a couple things just for my sake just

162
00:11:31,610 --> 00:11:36,070
because I want but just know that I
haven't touched warheads and what I'm

163
00:11:36,070 --> 00:11:40,130
doing is shifting angle so for a couple
of shots I'm shooting down lower and

164
00:11:40,130 --> 00:11:44,480
getting more skies so this type shot is
going lower and getting more sky this

結果 (中文) 1:

7900:05:49，490--> 00:05:54，200岩石的细节我们有会的儿子看起来很棒在星暴模式8000:05:54，200--> 00:05:58，660和你如何得到你运行的星暴应用程序所以你关闭演员它8100:05:58，660--> 00:06:04，660让它真的小小和你灯成为起动器所以我 F 十四8200:06:04，660--> 00:06:08，650我们得到那星暴无论模式我们可以看到进来的光源8300:06:08，650--> 00:06:14，590这就是我们的主要成分我想从现在设置的属性8400:06:14，590--> 00:06:21，290那里我只是决定好的很好做什么我想我的快门速度基础8500:06:21，290--> 00:06:25，760我想要在同一仿真器现在记住是否我们想要一个更戏剧性8600:06:25，760--> 00:06:29，740我们切下来更多的光线，如果图像你想要更多8700:06:29，740--> 00:06:34，120我们离开的自然图像高模仿我想跟多一点的8800:06:34，120--> 00:06:38，120在这里引人注目的图像，但不是想去实在太暗了，所有的我们详细8900:06:38，120--> 00:06:42，789这里的岩石被夹的好我想去看到想看的高光细节9000:06:42，789--> 00:06:48，169我想要看到所有的东西的水所以在第二次我到这种平衡 1009100:06:48，169--> 00:06:52，880我在那儿美丽的直方图在哪里我们应该有大部分的我细节我9200:06:52，880--> 00:06:56，169阴影了所有的细节完美的现场前方的亮点9300:06:56，169--> 00:06:59，099设置为引人注目的图像和猜猜看9400:06:59，099--> 00:07:04，3199 月 25 日下在那些两个设置和工作 100 的第二次是比低9500:07:04，319--> 00:07:10，380我同步速度的第二届 1200 所以我不需要艾迪的筛选，我不9600:07:10，380--> 00:07:16，060需要我可以只是买方的高速同步正如它是我的水槽是好所以我们9700:07:16，060--> 00:07:17，780只是讨论了仿真曝光9800:07:17，780--> 00:07:21，530又有时我有点做这些东西坏了因为我已经习惯9900:07:21，530--> 00:07:25，229它就习惯了，喜欢你不会其实好的竞争我想回复10000:07:25，229--> 00:07:29，020这里的景深好让我们看看我快门速度在所有损害赔偿是第一个10100:07:29，020--> 00:07:32，330弄清楚为什么我妈妈和我在光然后根据我会选择或10200:07:32，330--> 00:07:36，409所有去唱歌可以说好不用封它与筛选器处理或10300:07:36，409--> 00:07:40，650高速同步和它看起来还好要走出去或时不时去10400:07:40，650--> 00:07:43，530类别出问题了，只是你想做的事情的方式的10500:07:43，530--> 00:07:44，599完全好太10600:07:44，599--> 00:07:50，090好吧所以任何暴露与 F 十四结合 100 快门速度和 ISO10700:07:50，090--> 00:07:54，990100 我们得到暗和蓝色光更富戏剧性效果的曝光10800:07:54，990--> 00:07:57，580所以我们可以在这里看到10900:07:57，580--> 00:08:03，909光我们放置方向质量光相机为什么离开，因为我们11000:08:03，909--> 00:08:06，689一般的最高奖项11100:08:06，689--> 00:08:12，169当我们正在照明夫妇的 ok (确定)离开那家伙的脸在一点点11200:08:12，169--> 00:08:16，929影子么，因为其戏剧性和与你们可以让他们更有戏剧性11300:08:16，929--> 00:08:21，209看在我的意见，我们认为它的不好的有，更多的女孩11400:08:21，209--> 00:08:25，019戏剧性看起来至少它不首选我们通常想要一个女孩有11500:08:25，019--> 00:08:28，659更柔和的外观有更优雅尝试着去做我们想要填满光11600:08:28，659--> 00:08:34，189她的脸，所以我们烧制而成只将灯光和相机左边11700:08:34，189--> 00:08:38，439在那里它被瞄准它大致约脚上面他们的头和提高分析11800:08:38，439--> 00:08:41，169所以也有点他们头顶你总是想要你像来自11900:08:41，169--> 00:08:46，579顶下去当你想要自然在这里晚效果，当您想要创建12000:08:46，579--> 00:08:50，189自然的光线，是当你火自底向上创建篝火让你12100:08:50，189--> 00:08:55，069创建到我们想要的光线不自然自然发生或射击顶下来12200:08:55，069--> 00:08:58，430相机留下哪些领域都直接进入她的脸上给了他一点点的12300:08:58，430--> 00:09:00，810阴影和等等12400:09:00，810--> 00:09:06，199好的照片在节目吧，所以，我们必须让我们说只是看看这里12500:09:06，199--> 00:09:10，209我们的堆栈模式闪烁一件事到记得当你堆栈闪烁你需要12600:09:10，209--> 00:09:13，740他们要一起关闭如果他们不关闭在一起和我谈论12700:09:13，740--> 00:09:18，279像他们需要正确的下一英寸对每个其他六英寸分离12800:09:18，279--> 00:09:22，589这些闪光要创建多个因为现在您已经创建了两个的影子12900:09:22，589--> 00:09:26，759光源和当这些阴影种穿过，我们会告诉你你13000:09:26，759--> 00:09:30，170其实也许可以看到一点点如果重复通道的13100:09:30，170--> 00:09:33，819你的简历关闭，看看它，但我们将向你们展示的图像13200:09:33，819--> 00:09:37，259重复的影子，因为闪烁地方太远从对方你想要13300:09:37，259--> 00:09:40，490若要确保你看密切并避免这附近在一起所以保持闪烁13400:09:40，490--> 00:09:46，480它充当一个奇异的光源好在我们的测试中我们在哪儿算这样13500:09:46，480--> 00:09:51，459什么是我们的测试中我们上拿第一测试射击它实际上它揭示13600:09:51，459--> 00:09:54，850在看不到她的脸和你的影子此图像，但将显示的图像13700:09:54，850--> 00:09:58，790你认为这是对她身边的影子脸就在那里，什么是13800:09:58，790--> 00:10:03，829致其造成的他的脸上的阴影打他的头的后面13900:10:03，829--> 00:10:08，240光在铸造中的脑后对她和它的影子是那么小14000:10:08，240--> 00:10:11，819如果我没有放大，我会有能够看到它14100:10:11，819--> 00:10:16，050好吧，我们只是做些事情很简单，我只是问14200:10:16 050--> 00:10:20，440我的学科开放肩小位 K 只是打开一点点，然后14300:10:20，440--> 00:10:23，180一点点所以有一种轮到我们在有一点他没有旋转14400:10:23，180--> 00:10:26，700肩负着更加开放，现在那愿不愿意只是正好落在她的脸上没有14500:10:26，700--> 00:10:30，380他的肩上或他被阻止他的头14600:10:30，380--> 00:10:35，070好的所以就接受了考验上它只是光源位置或为这对夫妇的姿势14700:10:35，070--> 00:10:36，000有必要14800:10:36，000--> 00:10:40，310第一次的大多数时间全明星这对夫妇的位姿调整，如果那14900:10:40，310--> 00:10:43，500不起作用，然后我们会调整通常位置的光源，但更多15000:10:43，500--> 00:10:49，320比不它一般只是它的工作一旦我们采取反对有点好下一步15100:10:49，320--> 00:10:54，209射击我我真的很爱你爱像这样，所以有时候温暖镜头15200:10:54，209--> 00:10:58，500所有设置我的妻子发现了一些相当高这是 5500 卡尔文 R 福特 5400 开尔文15300:10:58，500--> 00:11:02，670我会采取休克和我一样，我喜欢这样外观和它出来这样的温暖和15400:11:02，670--> 00:11:05，540看起来漂亮我以为就是这样的我不想白变的完美15500:11:05，540--> 00:11:06，149在所有平衡15600:11:06，149--> 00:11:10，610案例然后我们开始瞄准姿势和射击现在我们怎么在这里15700:11:10，610--> 00:11:15，149好我拿各种各样的投篮，所以我们做几个不同的姿势，我做射击15800:11:15，149--> 00:11:18，740他们看着对方的大部分如果你们这些家伙做印度人的婚礼，你15900:11:18，740--> 00:11:22，130拍摄了很多印度的夫妇倍他们不想吻所以我们试着和16000:11:22，130--> 00:11:27，160避免大量的接吻镜头因为这是只是一个文化的事情于是16100:11:27，160--> 00:11:31，610我对他们基本上触摸一对夫妇的事情，只是为了我的缘故只是16200:11:31，610--> 00:11:36，070因为我想要却只知道，我没碰过弹头和我的是16300:11:36，070--> 00:11:40，130这样做转移角度这样几个拍摄的击落那低和16400:11:40，130--> 00:11:44，480获取更多的天空那么这个类型镜头是会更低，更多天空这

結果 (中文) 3:

79
00:05:49490——> 00:05:54200
摇滚细节，我们有一个儿子，
看上去棒极了
星爆图案
80
00:05:54200——> 00:05:58660
和你如何让一个星爆你跑
App你关闭演员因此

81
00:05:58660——> 00:06:04660
很小小和你的
灯成为首发我F十四

82
00:06:04660——> 00:06:08650
我们知道无论
星爆图案我们可以看到光源来

83
00:06:08650——> 00:06:14590
才是我们最主要的成分
属性，我想现在从

84
00:06:14590——> 00:06:21290
我只是决定好什么
我想要我的快门速度为基础在

85
00:06:21290——> 00:06:25760
我想在同一
模拟器记住如果我们想要一个更戏剧性的

86
00:06:25760——> 00:06:29740
图像我们减少环境光下更多的如果
你想要更多的

87
00:06:29740——> 00:06:34120
自然图像我们离开模仿高我
想带一点点的

88
00:06:34120——> 00:06:38120
戏剧形象在这里，但我不想
那么黑，我们所有的详细的

89
00:06:38120——> 00:06:42789
岩石下面被夹好，我想
看到强调细节要看

90
00:06:42789——> 00:06:48169
水我想看到所有的东西，所以在
100秒我要平衡

91
00:06:48169——> 00:06:52880
在那里我得到了一个美丽的地方
直方图我们应该有我的大部分细节我

92
00:06:52880——> 00:06:56169
阴影都详细的
集锦在完美的场景

93
00:06:56169——> 00:06:59099
设置戏剧形象和猜

94
00:06:59099——>在这两个设置
工作100秒倒00:07:04319
九月二十五日低于95


00:07:04319——> 00:07:10380
我的同步速度1 200的第二，
我不需要一个能过滤我不

96
00:07:10380——> 00:07:16060
需要高速同步我可以买
就像它在我的水槽是好的所以我们

97
00:07:16060——> 00:07:17780
刚才讨论的模拟曝光

98
00:07:17780——> 00:07:21530
有时我把这些
东西坏了因为我习惯

99
00:07:21530——> 00:07:25229
吧我以前喜欢去好
竞争其实好吧我想我想

100
00:07:25229——> 00:07:29020
景深在这里好让我们看看我的
快门速度在所有损害先

101
00:07:29020——> 00:07:32330
明白为什么我的光
并在此基础上，我和妈妈我会选择或

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00:07:32330——> 00:07:36409
都去唱可以说没事做我需要
对付它的过滤器或

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高速同步似乎很好
外出或偶尔去

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类无序的
只是你喜欢的方式做事情的

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完全罚款太

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好任何暴露与F十四
联合100快门速度和ISO

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100我们得到我们深蓝色的光
暴露的

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00:07:54990更戏剧性的效果——> 00:07:57580
，所以我们可以在这里看到

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光方向的质量我们将
光相机左边为什么因为我们

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一般最高奖

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当我们照明夫妇
离开的家伙的脸在

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00:08:12169——> 00点好：08:16929
影子为什么因为它的戏剧性和
家伙可以让他们更戏剧性的

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看在我看来，我们认为这是
不好女孩有更多的

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戏剧看起来至少不是首选
我们通常想要的女孩有一个

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柔和的外观有一个更优雅的
要这样做，我们要填充光

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看她的脸，所以我们烧的
相机左灯就

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那里瞄准它大约头顶
脚或提高分析

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所以略高于头
你总是希望你的喜欢来自

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顶下去当你想要一个自然
效应这晚了当你想创建

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自然光，当你火
自下而上创建篝火让你

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创造自然光要
自然发生或烧顶下来

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相机的左边这场直接进入
她的脸给他一点

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阴影，等等

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OK的照片显示，在我们继续
看看这里我们假设

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我们堆栈模型闪现一件事
记得你堆你需要

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闪烁它们是紧密结合在一起，如果他们不
紧密和我谈论

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英寸像他们需要的右下
彼此分离一六英寸

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那些闪烁会创建多个
阴影，因为现在你已经创建了两个

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00:09:22589——> 00:09:26759
光源，当那些阴影
种过，我们会告诉你你

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实际上可以或许如果

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简历近看但
我们会给你们一个图像

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重复阴影因为闪烁一个
相隔很远，你想

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00:09:37地方看到的镜头一点点
复制通道，259——> 00:09:40490
确保你仔细看，避免
保持闪烁接近所以

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，它作为一种奇异的光源
OK，我们在我们的测试截图，

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00:09:46480——> 00:09:51459
什么是我们的测试对我们先
试拍它实际上揭示了

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00:09:51459——> 00:09:54850
阴影在她脸上，你看不
这个形象，但会显示

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00:09:54850图像——> 00:09:58790
你看到它在她的身边
右脸有阴影是什么

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00:09:58790——> 00:10:03829
阴影，其造成的脸造成
脑后打着

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00:10:03829——>铸造
影子就在她在头后面00:10:08240
光，它是如此之小，

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说如果我不放大，我会
能够看到它

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00:10:11819——> 00:10:16050
好，我们只是做一些
很简单，我只是问

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00:10:16050——> 00:10:20440
课题打开肩小
点K只是打开了一点点，然后

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00:10:20440——> 00:10:23180
有一种把一点点，所以我们
不旋转的一点点他的

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00:10:23180——> 00:10:26700
肩膀更开放，现在想
只是正好落在她的脸上没有

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00:10:26700——> 00:10:30380
阻止了他的肩膀和他的
他的头

146
00:10:30380回来——> 00:10:35070
好所以就把这个试验，它只是
光源位置或夫妻自居

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00:10:35070——> 00:10:36000
必要

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00:10:36000——> 00:10:40310
大部分时间全明星先
调整夫妻的姿势，如果

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00:10:40310——> 00:10:43500
不工作，然后我们会调整
光源的位置更经常

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00:10:43500——> 00:10:49320
不是一般的作品，它只是
反对一点点好下一旦我们采取

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00:10:49320——> 00:10:54209
拍我我真的爱你知道我爱
温暖的像这样的镜头，所以常常

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00:10:54209——> 00:10:58500
所有设置我的妻子发现了一些相当高的
这是5500加尔文R福特5400开尔文

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00:10:58500——> 00:11:02670
我将冲击我我喜欢这样
看出来如此温暖和

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00:11:02670——> 00:11:05540
看起来很漂亮，我认为那是
完美的我不想变白

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00:11:05540——> 00:11:06149
平衡在所有

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00:11:06149——> 00:11:10610
案例然后我们开始瞄准和射击姿势
现在我们在这里做什么

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00:11:10610——> 00:11:15149
我采取多种镜头，所以我们做的
几个不同的姿势我拍

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00:11:15149——> 00:11:18740
他们看着对方最
如果你们印度人的婚礼和你

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00:11:18740——> 00:11:22130
拍印度夫妇很多时候他们
不喜欢亲吻，所以我们尝试

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00:11:22130——> 00:11:27160
避免很多接吻的镜头，因为
只是文化的事所以

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，我基本上摸
几件事情仅仅是因为我只是

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00:11:31，610——> 00:11:36070
因为我想要的只是知道我
没碰弹头和我

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00:11:36070——> 00:11:40130
做这么一个镜头对
我击落下，

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00:11:40130——> 00:11:44480
越来越多的天空如此这类镜头是
要低，越来越多的天空这移角