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one of the terms we've mentioned and
that you're gonna hear constantly
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throughout your photographic career is a
. or in short a stock of light what is a
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stop you're gonna be doing this at an
especially when we talk about exposure
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well as stop is simply a relative
measurement of light it means either
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double or half the amount of light but
what is that relative to what are we
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doubling what are we having well if I
had to say a stop as relative to
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basically whatever we currently have and
where we want to go and relative to
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everything well that makes absolutely no
sense and is a terrible explanation and
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if I were to ask you a question will
tell me this how about you tell me how
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much light is actually in this scene if
you're starting a photography what would
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you say to that if they tell me the
exposure value of this scene we're gonna
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go oh there's sixty five gallons of
light in the senior there's two hundred
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and forty two leaders like this in those
terms they absolutely no sense and there
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really aren't any specific terms of
measurement for measuring the amount of
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lightness scene well actually you know
what I live there are we can measure in
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terms of lumens which is again kinda
confusing we can also measure in terms
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of V's or exposure value but it's hard
to tell you that this room has an Evo 8
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or virus a shooting outdoors and sunny
weather has an Evo 15 what would that
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mean that would mean absolutely nothing
to someone just starting out in
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photography so instead we use terms like
a stop so estaba simply gonna be
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describing where we're at with our
current exposure and where we need to go
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so to show you all and hammer the point
home we're gonna be using our same
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exposure triangle real-world county will
kisses are visual analogy not real world
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and what I want you to remember is that
will stop is either double or half the
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amount of brightness but we have three
ways to control that so let's talk about
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it let's go ahead and first and what am
i doing just open up my faucet all the
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way to my wireless adapter what we're
gonna say is that this faucet is our
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land
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and has a maximum aperture of F 2.8
that's why did they can go so this is as
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much light as we're gonna get nowhere to
do is go ahead and bring my feeling hurt
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up in and let's do this and any use my
time and I want to get back to that ok
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so what I want to do is I want to add a
second shutter speed and I'm asked my
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after a 2.8 and i 100 ISO will find a
start this and i three seconds we know
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from a for that basically we're only
going to get halfway three seconds we
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fill the cup half way up now filled
halfway this means that we're one stop
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underexposed or I need to brighten my
image by one stop at the same thing so
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we have one thousand or close to what I
need to do is that three second instead
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of using a free second I would need to
double or increase the charity by 1000
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brightness and now I mean that I W 26
seconds
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those where the reset that we're gonna
go again six seconds and we're going to
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double it we're gonna get all the way
filled up and there we go
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ok so at six seconds we doubled the
shutter speed we increase the shutter
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speed by one stop to get one stop
brighter to get to our proper exposure
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well same thing with the after we can
adjust the apt to give us one stop
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brighter one-stop darker one more thing
I want to go over one last thing what if
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I leave it for a shutter speed of let's
say 12 seconds
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well at 12 seconds if this was again in
the same scenario what ends up happening
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in our to guess we're gonna end up
overbilling the cup so if I over the
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filling up in this isn't actually go up
this point but overfill I could say that
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I need to go with one stop starter so we
can adjust the shutter speed and cut it
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in half to get back to that point so
this is kind of our overexposed images
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now if we want to our after ok so after
let's go ahead and open the faucet up to
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I'm gonna say this is full so this is a
hefty pointed at their widest open after
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let's say this is around f4 so that's
one thousand darker or half the amount
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of light as F 2.8 ok so now let's go
ahead and we're going to do their same
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cup and do here is let's use at six
second shutter speed again and let's see
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where we get a head start
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we should get roughly around half of
that was indeed and we do 525 second and
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we basically got half of our exposures
so you can see here so it's not exactly
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around a little bit but we got basically
have to where we need to go so when you
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do it again we need to increase the
aperture by one stopped and brightness
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and I double it so again we would go
back up to full light ok so you can see
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how these are two different until
they're ready in controlling the doctor
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his brightness now let's say this is
another example and we're gonna say that
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for compositional purposes I'm shooting
water and trying to get that whiskey
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water effect and I find that out 1.5
seconds that gives me the perfect look
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in the water its not showing too much
motion it's not freezing it too much is
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just right so I need to keep my shutter
speed 1.5 seconds
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let's also say that we're at F 2.8 so we
maximize the amount of light coming
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through we can
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going anymore now I need to go with 1.5
seconds my study because that for
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compositional purposes I want to change
it but the problem is that well at iso
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100 if I go for 1.5 seconds we get only
a quarter of the cup filled out so we're
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two stops under expose well same thing
about go to ISO 200 with his 1,000th
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brighter than ISO 100 at 1.5 seconds we
only get half way so we're one stop
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under exposed so what I need to do is
going to stop and I go to ISO 400 and I