47000:32:13,740 --> 00:32:16,920we'

470
00:32:13,740 --> 00:32:16,920
we're doing different kinds of
luminosity mass or just regular mask

471
00:32:16,920 --> 00:32:20,950
blending you'll notice that you have
blended in so many parts of the best

472
00:32:20,950 --> 00:32:25,990
colors for the best elements that the
external post-processing past that point

473
00:32:25,990 --> 00:32:31,120
and becoming much more simplified and in
a case like this this scene is already

474
00:32:31,120 --> 00:32:36,010
so naturally beautiful and so naturally
color toned and and light 2012

475
00:32:36,010 --> 00:32:40,150
correctness that there's not going to be
too much to do in pose nevertheless we

476
00:32:40,150 --> 00:32:44,240
should still go ahead and add some more
color vibrancy in detail while we're in

477
00:32:44,240 --> 00:32:48,310
Photoshop the next step here would be
just go ahead and keep everything

478
00:32:48,310 --> 00:32:54,060
layered hear what I always like to do is
select everything that I have my initial

479
00:32:54,060 --> 00:32:59,800
blend put it into a folder and you guys
have seen me name this blend if not no

480
00:32:59,800 --> 00:33:04,180
caps reduced to blend and once I have
the blood selected I can do that crazy

481
00:33:04,180 --> 00:33:08,930
Hockey shift option command II will make
a new way out of everything in the

482
00:33:08,930 --> 00:33:17,930
composition put it on top and allow us
to use filter Nik Color Efex Pro inside

483
00:33:17,930 --> 00:33:21,600
of Color Efex Pro ominous start with the
basics that I usually do you guys

484
00:33:21,600 --> 00:33:24,270
remember the dynamic contrast is
something we've been using on almost

485
00:33:24,270 --> 00:33:29,440
every scene and it really adds exactly
what it says just beautiful dynamic

486
00:33:29,440 --> 00:33:33,250
contrast little watch histogram here
make sure that I don't break any

487
00:33:33,250 --> 00:33:36,990
boundaries collect correct color cast in
this case is probably going to warm

488
00:33:36,990 --> 00:33:41,190
things up a little bit which in this
case I do like a tiny little bit of that

489
00:33:41,190 --> 00:33:44,870
i'm gonna go ahead and create the
contrast just a hair to make up for some

490
00:33:44,870 --> 00:33:49,950
of the recovery that I did add one more
filter and that's going to be contrast

491
00:33:49,950 --> 00:33:54,710
color age so even though we used capture
one which is a much better job with the

492
00:33:54,710 --> 00:33:59,680
contrast the color still requires a
little bit of work on our end to really

493
00:33:59,680 --> 00:34:04,750
make those colors and contrast pop and I
like very papi colorful vibrant images

494
00:34:04,750 --> 00:34:08,300
will change the color contrast just a
little bit you can see that's also

495
00:34:08,300 --> 00:34:10,899
manipulating the blue which is pretty
nice

496
00:34:10,899 --> 00:34:15,129
I like the way that looks reply its
subtleties the key here at only go

497
00:34:15,129 --> 00:34:18,990
overboard on this because there's really
no reason to its already naturally

498
00:34:18,990 --> 00:34:24,029
serene and beautiful so right here that
looks pretty good I'm gonna go ahead and

499
00:34:24,029 --> 00:34:29,389
play that click OK and wait for the
result with the color x-pro result let's

500
00:34:29,389 --> 00:34:33,720
just take a look at the before and the
actor so it's subtle but what it's done

501
00:34:33,720 --> 00:34:38,020
using the contrasting color age we
brought this beautiful fall back that is

502
00:34:38,020 --> 00:34:42,740
by far the greatest thing it's being hit
directly by the Suns very beautiful we

503
00:34:42,740 --> 00:34:46,109
have illuminated this back wall of
clouds we've also added a little bit

504
00:34:46,109 --> 00:34:51,520
more color and contrast I remember when
you color crack stuff after you've done

505
00:34:51,520 --> 00:34:54,839
any kind of compositing and kind of Skye
additions and kind of exposure blending

506
00:34:54,839 --> 00:35:00,029
by color correcting or using effects on
top of that helps to unify it all

507
00:35:00,029 --> 00:35:04,609
together so think of everything put
together with a global effect tends to

508
00:35:04,609 --> 00:35:08,210
marry it together and make it a little
bit more seamless so as long as long as

509
00:35:08,210 --> 00:35:11,380
you're masking was good the edges were
good we start putting effects on top of

510
00:35:11,380 --> 00:35:15,890
things that has a way of bringing it all
together and making it really nice so

511
00:35:15,890 --> 00:35:20,010
from here there's actually not too much
left to do with the scene I really

512
00:35:20,010 --> 00:35:21,859
actually quite like it

513
00:35:21,859 --> 00:35:25,890
one thing that's bothering me though up
in the quarter you notice that this kind

514
00:35:25,890 --> 00:35:29,539
of terminates this black line of these
trees kind of terminate the composition

515
00:35:29,539 --> 00:35:33,349
on the left as a compositional elements
I really liked it but what bothers me is

516
00:35:33,349 --> 00:35:36,730
these quarters here where we can
actually see the blue so this is

517
00:35:36,730 --> 00:35:40,180
something I probably should have done
earlier on but what I'm gonna do is use

518
00:35:40,180 --> 00:35:45,380
the rubber stamp tool and I'm just gonna
put pressure on the keyboard and I'm

519
00:35:45,380 --> 00:35:50,480
going to use it for about 30 percent off
select this down here so this color and

520
00:35:50,480 --> 00:35:55,190
I'm just gonna kind of pain in some of
these these leaves back in here I'm

521
00:35:55,190 --> 00:35:58,500
really not gonna make a huge effort for
it because we're essentially painting a

522
00:35:58,500 --> 00:36:02,109
solid color in that doesn't really
matter so much so I'm just gonna go

523
00:36:02,109 --> 00:36:06,380
ahead and pay know that out so this
actually terminates on the edge and

524
00:36:06,380 --> 00:36:11,049
leads the eye into nothing rather than
have it lead into little blue spots I

525
00:36:11,049 --> 00:36:13,930
think that's a little distracting up
there in the quarter so now it's

526
00:36:13,930 --> 00:36:18,770
basically just a compositional elements
and it terminates basically on the left

527
00:36:18,770 --> 00:36:20,730
without too much detail so I'm just
gonna

528
00:36:20,730 --> 00:36:24,630
take that away and that'll help not pull
the eye towards these areas where these

529
00:36:24,630 --> 00:36:28,890
weird details exist and just leave it on
the middle of the frame so that looks

530
00:36:28,890 --> 00:36:32,990
pretty good at this point if we take a
look at the histogram here and channels

531
00:36:32,990 --> 00:36:36,990
of RGB if you like to see the colors you
can change the colors and then you see

532
00:36:36,990 --> 00:36:40,260
all the colors together if that's
distracting and you just want to see

533
00:36:40,260 --> 00:36:44,380
everything just show RGB and if you hit
the exclamation point it'll reset the

結果 (中文) 1:

47000:32:13，740--> 00:32:16，920我们正在做一些不同种类的发光度大规模或只是定期面具47100:32:16，920--> 00:32:20，950混合你会注意到你有很多地方的最好的混合47200:32:20，950--> 00:32:25，990最佳元素的颜色，过去的那点外部后处理47300:32:25，990--> 00:32:31，120和变得更加简化和在这种情况下这一幕已经是47400:32:31，120--> 00:32:36，010那么自然的美丽，那么自然颜色色调和光 2012年47500:32:36，010--> 00:32:40，150那里不会要的正确性太多工作要做姿势不过我们47600:32:40，150--> 00:32:44，240应仍继续和添加更多当我们在详细色的活力47700:32:44，240--> 00:32:48，310Photoshop 在这里下一步将只是往前走并保持一切47800:32:48，310--> 00:32:54，060分层听到我总是想做什么是选择我拥有我最初的一切47900:32:54，060--> 00:32:59，800混合把它放入一个文件夹和你们看到我名字这种混合，如果不是没有48000:32:59，800--> 00:33:04，180帽降低混合和曾经有选定的血我可以做那狂48100:33:04，180--> 00:33:08，930曲棍球转变选项命令 II 将使在竭尽所能的新方法18W00:33:08，930--> 00:33:17，930成分放到最上面，让我们使用筛选 Nik 颜色 Efex Pro 里面48300:33:17，930--> 00:33:21，600颜色 Efex Pro 不祥的开始我通常做你们的基础知识48400:33:21，600--> 00:33:24，270记得是动态对比度我们一直在使用上差不多的东西48500:33:24，270--> 00:33:29，440每个场景和它真的添加完全它只是说美丽动态48600:33:29，440--> 00:33:33，250对比在这里小小的手表直方图请确保我不犯法48700:33:33，250--> 00:33:36，990边界收集正确的颜色浇这种情况下可能是要温暖48800:33:36，990--> 00:33:41，190少的东西在这位我喜欢小一点的案例48900:33:41，190--> 00:33:44，870我要去走一步，创建对比只是一根头发，弥补了一些49000:33:44，870--> 00:33:49，950经济复苏，我没有添加更多的筛选器，它要受到对比49100:33:49，950--> 00:33:54，710颜色年龄所以即使我们使用捕获其中是一个很好用49200:33:54，710--> 00:33:59，680对比颜色仍然需要一点点的工作我们最终真的49300:33:59，680--> 00:34:04，750让那些颜色和对比度流行像很 papi 多彩绚丽画质49400:34:04，750--> 00:34:08，300将只更改颜色对比度你可以看到的一点也是49500:34:08，300--> 00:34:10，899操纵的是蓝色的很漂亮很好49600:34:10 899--> 00:34:15，129我喜欢看起来答复的方式及其细微之处这里的关键，只有去49700:34:15，129--> 00:34:18，990船上这因为真的没有理由对其已经自然49800:34:18，990--> 00:34:24，029宁静和美丽所以就在这里，看起来很不错我要往前走，49900:34:24，029--> 00:34:29，389戏剧，单击确定，等待结果与颜色 x pro 结果让我们50000:34:29，389--> 00:34:33，720只是看看之前的演员很微妙，但它做什么50100:34:33，720--> 00:34:38，020使用对比色年龄我们带来这美丽的秋天回来就是50200:34:38，020--> 00:34:42，740到目前为止最伟大的事情就被击中直接由太阳很漂亮我们50300:34:42，740--> 00:34:46，109已经照亮了这个后墙我们还添加了一点点的云50400:34:46，109--> 00:34:51，520更多的颜色和对比度记得你彩色裂纹东西后你做了50500:34:51，520--> 00:34:54，839任何种类的合成和斯凯种添加和曝光混种50600:34:54，839--> 00:35:00，029按颜色纠正或使用上的影响这有助于统一它所有的顶部50700:35:00，029--> 00:35:04，609所以想想一切都放在一起与全球效应趋于50800:35:04，609--> 00:35:08，210在一起嫁给它，使它有点所以只要咬更加无缝，只要50900:35:08，210--> 00:35:11，380你掩蔽好边缘都好，我们开始把顶部的影响51000:35:11，380--> 00:35:15，890总有办法把它所有的东西在一起并使其所以真的很好51100:35:15，890--> 00:35:20，010从这里还有其实不太多在做与场景我真的留下来51200:35:20，010--> 00:35:21，859其实像这样的事情51300:35:21，859--> 00:35:25，890困扰我的一件事不过了在本季度的时候，你注意到这种51400:35:25，890--> 00:35:29，539终止此黑线的这些树木种终止组成51500:35:29，539--> 00:35:33，349在左边作为构成要素我真的很喜欢它，但困扰我的是51600:35:33，349--> 00:35:36，730这些宿舍在这里，我们可以其实看到蓝色，所以这是51700:35:36，730--> 00:35:40，180我大概应该做的事情但我较早前要去做是使用51800:35:40，180--> 00:35:45，380橡皮图章工具，我只去的把压力放在键盘上，我51900:35:45，380--> 00:35:50，480要使用它关闭约 30%选择此选项，在这里所以这种颜色和52000:35:50，480--> 00:35:55，190我只要去种一些痛苦这些这些叶子回来在这里我52100:35:55，190--> 00:35:58，500真的不会为之付出巨大的努力它因为我们正在本质上漆52200:35:58，500--> 00:36:02，109纯色的真的不如此重要，所以我只要去52300:36:02，109--> 00:36:06，380前方和支付知道那出如此做实际上终止在边缘和52400:36:06，380--> 00:36:11，049引入什么眼睛而不是有它的带领下，进小小的蓝色斑点52500:36:11，049--> 00:36:13，930认为这是一个小分心了有季所以现在它了52600:36:13，930--> 00:36:18，770基本上只是构图的元素和它基本上终止在左边52700:36:18，770--> 00:36:20，730没有太多的细节，所以我只是打算52800:36:20，730--> 00:36:24，630带走，这会帮助拉不拉着眼于这些领域在哪里这些52900:36:24，630--> 00:36:28，890怪异的细节存在，只是把它丢在所以，看起来车架中部53000:36:28，890--> 00:36:32，990在这一点上很不错，如果我们采取看看这里的直方图和渠道53100:36:32，990--> 00:36:36，990如果你想看到的颜色的 RGB 的你可以更改的颜色，然后你看看53200:36:36，990--> 00:36:40，260所有颜色在一起如果这就是分散注意力和你只是想看看53300:36:40，260--> 00:36:44，380一切都只是显示 RGB 和如果你打它会重置的感叹号

結果 (中文) 3:

470
00:32:13740——> 00:32:16920
我们做不同的
光度质量或只是普通的面膜

471
00:32:16920——> 00:32:20950
混合你会发现你有
混在最好的

472
00:32:20950很多部分——> 00:32:25990
颜色，
外部处理过去的那一点

473
00:32:25990——> 00:32:31120
最好的元素变得更加简化和
这种案子，这个场景已经

474
00:32:31120——> 00:32:36010
自然美和自然
颜色色调和光2012

475
00:32:36010——> 00:32:40150
正确，不会有太多要做的
姿态不过我们

476
00:32:40150——> 00:32:44240
仍应继续添加更多的
色彩的活力了而我们在

477
00:32:44240——> 00:32:48310
PS图象处理软件接下来这里会
去保持一切

478
00:32:48310——> 00:32:54060
分层听到我一直想做的是
选择一切，我有我的最初的

479
00:32:54060——> 00:32:59800
混合放到一个文件夹，你们已经看见我的名字
物如果不

480
00:32:59，800——> 00:33:04180
上限降低混合和我曾经
血选择我可以做疯狂的

481
00:33:04180——> 00:33:08930
曲棍球转变选项命令II将
新出路的一切在

482
00:33:08930——> 00:33:17930
成分放在上面，让我们
使用过滤器聂彩色Efex Pro在

483
00:33:17930——> 00:33:21600
彩色Efex Pro不祥的开始与
基础知识，我通常做你们

484
00:33:21600——> 00:33:24270
记得动态对比度是
我们已经几乎

485
00:33:24270——> 00:33:29440
每个场景，确实增加了整整
它所说的只是一个美丽的动态

486
00:33:29440——> 00:33:33250
对比少看直方图这里
确保我不打破任何

487
00:33:33250——> 00:33:36990
使用边界收集正确的色偏
此案可能会温暖

488
00:33:36990——> 00:33:41190
事情一点点在这
案例我喜欢那

489
00:33:41190——> 00:33:44870
我要去创造
对比只是头发来弥补对于一些

490
00:33:44870——> 00:33:49950
的恢复，我再加上一点点的
滤波器，将对比

491
00:33:49950——> 00:33:54710
彩色时代，即使我们用捕捉
一这是一个更好的工作与

492
00:33:54710——> 00:33:59680
对比颜色仍然需要
点我们的工作结束，真的

493
00:33:59680——> 00:34:04750
使那些颜色和对比度的流行，我非常喜欢
PAPI多姿多彩充满活力的形象

494
00:34:04，750——> 00:34:08300
会改变颜色的对比只是一个
点你可以看到，也

495
00:34:08300——> 00:34:10899
操纵蓝色这是非常
好

496
00:34:10899——> 00:34:15129
我喜欢的方式回复其
看起来微妙的关键在这里只会

497
00:34:15129——> 00:34:18990
纠结了，因为真的
没有理由已经自然

498
00：34:18990——> 00:34:24029
宁静和美丽，在这里，
看起来很不错，我会继续

499
00:34:24029——> 00:34:29389
播放，单击确定，等待
结果与颜色的结果让我们

X-Pro 500
00:34:29389——> 00:34:33720
只是看看之前和
演员很微妙但它的所作所为

501
00:34:33720——> 00:34:38020
使用对比色的年龄我们
带这美丽的秋天，是

502
00:34:38020——> 00:34:42740
迄今为止最伟大的事情是打
直接由太阳很漂亮，我们

503
00:34:42740——> 00:34:46109
照亮了这后壁
我们还增加了一点点

504
00:34:46109——> 00:34:51520
更多的颜色和对比度，我记得
云你色裂纹的东西后你做了

505
00:34:51520——> 00:34:54839
任何合成和斯凯
增加和暴露的混合

506
00:34:54839种——> 00:35:00029
彩色校正或使用
顶部的效果，有助于统一这一切

507
00:35:00029——> 00:35:04609
一起把一切放
连同全球效应往往

508
00:35:04，609——> 00:35:08210
结婚在一起，使它成为一个小
更加无缝，只要

509
00:35:08210——> 00:35:11380
你掩蔽良好的边缘
好我们开始影响上

510
00:35:11380——> 00:35:15890
事情有办法把所有的
一起使它真的很好，所以

511
00:35:15890——> 00:35:20010
从这里其实没有太多的
留下来做现场，我真的

512
00:35:20010——> 00:35:21859
其实很喜欢

513
00:35:21859——> 00:35:25890
一件事困扰着我，虽然
在季度你注意到这种

514
00:35:25890——> 00:35:29539
的终止这黑线这些
树种终止组成

515
00:35:29539——> 00:35:33349
左边的一个组成元素
我真的很喜欢它，但让我困扰的是

516
00:35:33349——> 00:35:36730
这些小区在这里我们可以
实际上看到蓝色的所以这是

517
00:35:36730——> 00:35:40180
我可能应该做的
更早的但我要做什么使用

518
00:35:40180——> 00:35:45380
橡皮图章工具，我要
把压在键盘上，我

519
00:35:45380——> 00:35:50480
要用大约7折
选择这里，这个颜色和

520
00:35:50480——> 00:35:55190
我要痛一些
这些叶子回来我

521
00:35:55190——> 00:35:58500
真的不会让
它巨大的努力因为我们基本上画一个

522
00:35:58，500——> 00:36:02109
固色，真的不
如此重要，所以我要去

523
00:36:02109——> 00:36:06380
提前知道了这
支付终止实际上在边缘和

524
00:36:06380——> 00:36:11049
导致眼睛到什么而不是
有它使我
蓝色小斑点
525
00:36:11049——> 00:36:13930
觉得有点分心了
在一季度，现在

526
00:36:13930——> 00:36:18770
基本上只是一个组成要素，它基本上
终止左

527
00:36:18770——> 00:36:20730
没有太多细节，所以我只是
会

528
00:36:20730——> 00:36:24630
带走，那会帮助拉不
眼对这些地区，这些

529
00:36:24630——> 00:36:28890
奇怪的细节存在，只要把它的
中间的框，看起来

530
00:36:28890——> 00:36:32990
不错在这一点上，如果我们把一个
看柱状图和渠道

531
00:36:32990——> 00:36:36990
RGB的如果你想看到的颜色你
可以改变颜色，然后你会看到

532
00:36:36990——> 00:36:40260
所有的颜色放在一起，如果是
转移你的注意力，你只想看到

533
00:36:40260——> 00:36:44380
一切只是显示RGB，如果你打
感叹号它会重置