100:00:22,660 --> 00:00:30,910so he

1
00:00:22,660 --> 00:00:30,910
so here we are back at it and on the top
left here you see the background every

2
00:00:30,910 --> 00:00:35,320
ended in the last chapter and feels
pretty good to me obviously very rough

3
00:00:35,320 --> 00:00:39,750
but we're going to try to put the car in
there before me start lending any other

4
00:00:39,750 --> 00:00:43,150
trees and stuff as we know that this car
is going to cover a lot of the stuff

5
00:00:43,150 --> 00:00:47,120
that goes on in here on the right hand
side we have the talent alike the best

6
00:00:47,120 --> 00:00:51,839
so many good pictures of her but for
some reason I felt this one though it

7
00:00:51,839 --> 00:00:58,270
was more thoughtful in despair rather
than something like this very she looks

8
00:00:58,270 --> 00:01:02,410
like she died that's not the purpose of
this is more an emotional crash then it

9
00:01:02,410 --> 00:01:07,320
is she crashed and killed herself so the
reason for me having this select is

10
00:01:07,320 --> 00:01:11,180
really the car and the stuff that goes
on around it I love this market at the

11
00:01:11,180 --> 00:01:15,570
door I love the he's on top all this
stuff feels really really good to me so

12
00:01:15,570 --> 00:01:22,950
we gonna take this select our talent and
add that in here and then nothing really

13
00:01:22,950 --> 00:01:28,160
missing on this car select I have added
to do some flair around the light to

14
00:01:28,160 --> 00:01:33,920
take this light here added right there
and then obviously these are blending it

15
00:01:33,920 --> 00:01:38,280
into the background and there's several
steps to that right now we're prepared

16
00:01:38,280 --> 00:01:42,560
as much as we could and adding this
class or plans rather in here and also

17
00:01:42,560 --> 00:01:47,789
appear so hopefully it'll just be to
sort of mask this in around the

18
00:01:47,789 --> 00:01:53,099
photograph this white behind these
leaves here but as I mentioned to

19
00:01:53,099 --> 00:01:57,050
capture one its dark enough runners I
think they can mask this out and try to

20
00:01:57,050 --> 00:01:59,390
place the door behind it so that we
again

21
00:01:59,390 --> 00:02:06,399
insert the composite into the frame
allowing it to have depth to it so

22
00:02:06,399 --> 00:02:10,160
there's a foregone elemental car becomes
a middle ground and it's it's in there a

23
00:02:10,160 --> 00:02:15,330
lot better when you do do composite
pieces this is actually quite valuable

24
00:02:15,330 --> 00:02:20,310
lesson often it just pays to composite
bees right up front as in okay here we

25
00:02:20,310 --> 00:02:23,940
have put up an end but if you manage to
use something from the background that

26
00:02:23,940 --> 00:02:29,460
develop stand or something that the
composite peace can interact with

27
00:02:29,460 --> 00:02:34,390
it's a lot lot better often and I should
people I love them to put a leg on iraq

28
00:02:34,390 --> 00:02:38,240
or something else that inherently belong
to the background plate by having those

29
00:02:38,240 --> 00:02:42,940
two elements interacting in integrating
it all makes makes for a more believable

30
00:02:42,940 --> 00:02:47,660
composite so with that being on a tried
to Addis elements and put it all in

31
00:02:47,660 --> 00:02:53,430
there so we're going to start with the
car and you know ruffin in there and

32
00:02:53,430 --> 00:03:00,210
then see where this takes us so close
this out and we're going to bring up our

33
00:03:00,210 --> 00:03:06,500
their masks right here you see and bring
up by layer palette right here and you

34
00:03:06,500 --> 00:03:10,620
can hide your layers just by hidden tab
so they're they're gone and hear the

35
00:03:10,620 --> 00:03:16,550
show back up so I'm eating apple is
underneath the contrast for sure and it

36
00:03:16,550 --> 00:03:18,110
is going to mask it out real quick

37
00:03:18,110 --> 00:03:24,080
again coming down here to add a layer
mask the use of last until we hold down

38
00:03:24,080 --> 00:03:28,780
the option key which will allow us to
give his anchor points like these and

39
00:03:28,780 --> 00:03:32,910
obviously want to keep some of this
original smoke here that's part of what

40
00:03:32,910 --> 00:03:37,020
we want to do a little bummed out that
ensured wider here to be honest

41
00:03:37,020 --> 00:03:41,640
obviously I wanna get as much detail
that I can but still I wish I had a

42
00:03:41,640 --> 00:03:47,700
little bit more of this case and light
here so we either I think that in

43
00:03:47,700 --> 00:03:52,010
Photoshop after by painting in some
light or even try to make another film

44
00:03:52,010 --> 00:03:57,500
that has more on this so keep these
reflections here as well on the ground

45
00:03:57,500 --> 00:04:01,220
as they're pretty cool and then we don't
need any of this other stuff here so you

46
00:04:01,220 --> 00:04:08,000
gonna come up here and around the door
to some of these trees and this will be

47
00:04:08,000 --> 00:04:16,950
a massive convert this an NFL the dock
their white the first time around and

48
00:04:16,950 --> 00:04:34,370
they're Sarkar don't push it back over
tiny bit

49
00:04:34,370 --> 00:04:43,760
yeah why not maybe little big rate there
are two start with that first now if I

50
00:04:43,760 --> 00:04:48,590
track this down a strong these pieces
down to about now that this is that

51
00:04:48,590 --> 00:04:51,639
original size acknowledges drop this in
and everything will fall on top of each

52
00:04:51,639 --> 00:04:56,610
other so instead of reciting three times
to bring these elements in here and get

53
00:04:56,610 --> 00:05:02,639
our girl and I thought now would crop
this out that would just take the whole

54
00:05:02,639 --> 00:05:08,510
thing gonna change all that much
appetite in there that on a paucity so

55
00:05:08,510 --> 00:05:20,280
we can try to line it up just about
finding some points where they can line

56
00:05:20,280 --> 00:05:34,210
up right there and then assume out and
maybe we'll just take the light to take

57
00:05:34,210 --> 00:05:41,860
that off their satellite

58
00:05:41,860 --> 00:05:46,569
and their masks to all these as well and
that's just name them real quick on a

59
00:05:46,569 --> 00:06:01,050
call this one for our talent and rightly
so it creates a folder for these right

60
00:06:01,050 --> 00:06:20,039
away this car and talent maybe we should
just start with a light get that in

61
00:06:20,039 --> 00:06:28,129
there probably turn out in the paucity
and three cars sit on top of each other

62
00:06:28,129 --> 00:06:33,379
he resides a lot will just turn it off
and i think is gonna fill this whole

63
00:06:33,379 --> 00:06:39,759
area of it black and just start painting
it in a little bit like that up and this

64
00:06:39,759 --> 00:06:50,009
is the area so this friends a little
softer the reason being probably is that

65
00:06:50,009 --> 00:06:55,000
I had my focus on the girl and he didn't
hold the sharpness all the way up front

66
00:06:55,000 --> 00:07:00,779
but i dont mind its Marcus lacy because
give it a little sharpening just in case

67
00:07:00,779 --> 00:07:08,740
you come in here AC filter sharpen
unsharp mask and

68
00:07:08,740 --> 00:07:15,870
50 looks fine a little bit of sumthin
sumthin keep erasing in this case to get

69
00:07:15,870 --> 00:07:21,919
more what's going on underneath my
gradient

結果 (中文) 1:

100:00:22，660--> 00:00:30，910所以我们在这里回它，顶上离开这里你看到的背景每200:00:30，910--> 00:00:35，320在最后一章，感觉结束显然很粗糙很好对我300:00:35，320--> 00:00:39，750但我们要尽量将车放那里在我面前开始放贷任何其他400:00:39，750--> 00:00:43，150树木和东西作为我们知道这辆车去盖有很多东西500:00:43，150--> 00:00:47，120也就在右手边的这里我们有相似的人才最好的一面600:00:47，120--> 00:00:51，839她要不是这么多好图片某种原因，我觉得这人虽然它700:00:51，839--> 00:00:58，270而是在绝望中更加周到这样的事情比她看上去非常800:00:58，270--> 00:01:02，410像她死了，并不是目的这是更情绪崩溃然后它900:01:02，410--> 00:01:07，320是她撞坏了，在被自杀所以我有这个选择的原因是1000:01:07，320--> 00:01:11，180真正的车和去的东西在它周围我爱这个市场的1100:01:11，180--> 00:01:15，570我爱的他的门上强这一切东西感觉真的很好对我如此1200:01:15，570--> 00:01:22，950我们要把这个选择我们的人才和添加，在这里，然后没有什么真的1300:01:22，950--> 00:01:28，160在我加入了这辆车选择失踪做一些天赋周围的光1400:01:28，160--> 00:01:33，920带这光线在这里补充到那里显然这些都是混合它1500:01:33，920--> 00:01:38，280到背景，还有几个现在的步骤，我们准备好1600:01:38，280--> 00:01:42，560就像我们可以和添加这类或计划而在这里，也1700:01:42，560--> 00:01:47，789所以我希望它只会对出现有点掩盖在这周围1800:01:47，789--> 00:01:53，099在这些背后这白色的照片离开这里，但正如我提到的1900:01:53，099--> 00:01:57，050捕获一个其足够黑暗的跑步者我认为他们可以掩盖这一点，并尝试2000:01:57，050--> 00:01:59，390所以放置在它后面的门，我们再一次2100:01:59，390--> 00:02:06，399复合插入帧这样使它能够到它的深度2200:02:06，399--> 00:02:10，160那里是已知的元素汽车变中间的地上，它就在那里2300:02:10，160--> 00:02:15，330当你做复合好很多这是实际上相当宝贵的碎片2400:02:15，330--> 00:02:20，310课通常它只付给复合材料蜜蜂右前场一样好在这里的我们2500:02:20，310--> 00:02:23，940提出了但如果你管理到结束使用从背景的东西，2600:02:23，940--> 00:02:29，460发展的立场或东西，复合和平可以与交互2700:02:29，460--> 00:02:34，390它往往是很多很多更好而我应该我爱他们的人把一条腿放在伊拉克问题上2800:02:34，390--> 00:02:38，240或者什么其他东西本质上属于对因那些背景板2900:02:38，240--> 00:02:42，940在整合互动的两个元素这一切使使为更可信3000:02:42，940--> 00:02:47，660复合，在尝试到亚的斯亚贝巴元素并把它所有的3100:02:47，660--> 00:02:53，430那里，所以我们要先来汽车，你知道在那里芬和3200:02:53，430--> 00:03:00，210然后看看这会我们如此之近这和我们要去造就我们3300:03:00，210--> 00:03:06，500他们的面具就在这里你看到和带通过图层调色板就在这里和你3400:03:06，500--> 00:03:10，620可以只通过隐藏选项卡隐藏图层所以他们他们离去，听到3500:03:10，620--> 00:03:16，550显示备份，于是我开始吃苹果是在对比之下肯定和它3600:03:16，550--> 00:03:18，110要掩盖了真正的快速3700:03:18，110--> 00:03:24，080再次来到这里，添加一个图层面膜最后的使用，直到我们按住3800:03:24，080--> 00:03:28，780这将使我们对 option 键给他这样的锚点和3900:03:28，780--> 00:03:32，910显然想要保留的这一些原来在这儿支烟是什么的一部分4000:03:32，910--> 00:03:37，020我们想要做有点沮丧，确保更广泛在这里要诚实4100:03:37，020--> 00:03:41，640很明显，我想要得到尽可能详细的信息我可以但我仍然希望我了4200:03:41，640--> 00:03:47，700多一点点的这个案例和光在这里所以我们要么我认为，在4300:03:47，700--> 00:03:52，010Photoshop 后由一些绘画光或甚至尝试使另一部电影4400:03:52，010--> 00:03:57，500有更多关于这就这样守这些以及对地面的几点思考4500:03:57，500--> 00:04:01，220他们很酷，那我们就不要这的任何其他的东西在这里是多么的需要你4600:04:01，220--> 00:04:08，000要来的在这里和在门附近一些这些树和这将是4700:04:08，000--> 00:04:16，950大规模的转换这 NFL 码头他们的白色周围的第一次和4800:04:16，950--> 00:04:34，370他们是萨卡不把它推回到过去小小4900:04:34，370--> 00:04:43，760为什么不是也许小大率那里现在是两个入手: 第一，如果我5000:04:43，760--> 00:04:48，590追踪这强这些片断到现在，这是5100:04:48，590--> 00:04:51，639原始大小承认这进来坐坐一切都将落在每5200:04:51，639--> 00:04:56，610其他所以不要背诵三倍在这里再将这些元素5300:04:56，610--> 00:05:02，639我们的女孩，我想，现在会裁剪这一点，只是将整个5400:05:02，639--> 00:05:08，510事情要大的改变那里兴趣上的缺乏，所以5500:05:08，510--> 00:05:20，280我们可以试着只是排队寻找一些点，在那里他们可以线5600:05:20，280--> 00:05:34，210上右，然后假设出和也许我们只是将光采取5700:05:34，210--> 00:05:41，860关闭他们的卫星5800:05:41，860--> 00:05:46，569和他们口罩给所有这些以及和这只是已命名他们真正快速上5900:05:46，569--> 00:06:01，050调用这一对我们的人才和正确所以，它创建一个文件夹来这些权利6000:06:01，050--> 00:06:20，039走了这辆车和人才也许我们应该刚开始用光进去，6100:06:20，039--> 00:06:28，129那里可能是在缺乏和三辆车坐在彼此6200:06:28，129--> 00:06:33，379他居住了很多只是将其关闭我认为就是要填补这个整体6300:06:33，379--> 00:06:39，759地区的黑色和只是开始绘画它有点像那并且这在6400:06:39，759--> 00:06:50，009所以是该地区这一点的朋友柔和，这个可能是的原因是，6500:06:50，009--> 00:06:55，000我有我的焦点女孩，他没有前面举行锐度一路6600:06:55，000--> 00:07:00，779但因为，我不介意其马库斯花边给它一点锐化以防万一6700:07:00，779--> 00:07:08，740你在这里交流滤波器来锐化锐化掩模和6800:07:08，740--> 00:07:15，87050 看起来好一点点的耶俺在这种情况下保持擦除去6900:07:15，870--> 00:07:21，919更怎么藏在下面我梯度

結果 (中文) 3:

1
00:00:22660——> 00:00:30910
所以这里我们回到它上面
离开这里你看到的每一
背景
2
00:00:30910——> 00:00:35320
结束在最后一章中，感觉
不错我很粗糙

3
00:00:35320——> 00:00:39750
但我们要尽量把车停在我面前有
开始贷款其他

4
00:00:39750——> 00:00:43150
树和的东西，我们知道这辆车
要盖很多东西

5
00:00:43150——> 00:00:47120
继续在这里在右手
侧我们有天赋一样，最好的

6
00:00:47120——> 00:00:51839
很多她的照片但
某种原因，我觉得这人虽然

7
00:00:51839——> 00:00:58270
绝望更周到，而
不是很喜欢这个她看起来

8
00:00:58270——> 00:01:02410
像她死了，不是为了
这更像是一个心理崩溃然后

9
00:01:02410——> 00:01:07320
她崩溃了，自杀，所以我有这种选择的原因是


10
00:01:07320——> 00:01:11180
真车的东西，
周围我爱这个市场在

11
00:01:11180——> 00：01:15570
门我爱他所有顶上这
东西的感觉真的真的对我很好，所以

12
00:01:15570——> 00:01:22950
我们要选择我们的人才和
补充说，这里再没有

13
00:01:22950——> 00:01:28160
错过这辆车选择我加入
围绕光做一些天赋

14
00:01:28160——> 00:01:33920
把光在这里说就
然后，很明显这些都是混合

15
00:01:33920——> 00:01:38280
成背景，有几个
步骤，现在我们准备

16
00:01:38280——> 00:01:42560
尽可能地加入这
类或计划而在这里也

17
00:01:42560——> 00:01:47789
出现所以希望这会是
类面膜这在

18
00:01:47789——> 00:01:53，099
照片这白色背后的这些
离开这里但我提到的

19
00:01:53099——> 00:01:57050
捕获一个黑暗的足够的运动员我
认为他们可以掩盖这个尝试

20
00:01:57050——> 00:01:59390
地方它背后的门，让我们再次


21
00:01:59390——> 00:02:06399
插入复合成的框架
允许它有深度，这样

22
00:02:06399——> 00:02:10，160
有已知的元素的汽车变
中间立场，这是很有

23
00:02:10160——> 00:02:15330
更好当你做复合
件其实这是很有价值的

24
00:02:15330——> 00:02:20310
课往往只是支付复合
蜜蜂吧在这里我们
前面好
25
00:02:20310——> 00:02:23940
提出了结束，如果你能
用什么背景，

26
00:02:23940——> 00:02:29460
开发站或什么的，
复合和平可以与

27
00:02:29460——> 00:02:34390
很好很多经常和我应该
人我爱他们，把一条腿在伊拉克

28
00:02:34390——> 00:02:38240
还是其他什么东西，本质上属于
的背景板有那些

29
00:02:38240——> 00：02:42940
两元素相互结合
现在都是一个更可信的

30
00:02:42940——> 00:02:47660
复合因此在尝试
亚的斯亚贝巴元素都放在

31
00:02:47660——> 00:02:53430
所以我们要开始与
车和你知道鲁芬那里

32
00:02:53430——> 00:03:00210
然后看到这需要我们如此接近
这和我们要把我们的

33
00:03:00210——> 00:03:06500
面具就在这里，你看，把
的层调色板在这里和你

34
00:03:06500——> 00:03:10620
可以隐藏图层就隐藏标签
所以他们离去的时候，听到

35
00:03:10620——> 00:03:16550
显示备份所以我吃苹果是
下面肯定的对比，

36
00:03:16，