100:00:05,040 --> 00:00:09,030hey g

1
00:00:05,040 --> 00:00:09,030
hey guys were another spot in the
abandoned cathedral we've got this great

2
00:00:09,030 --> 00:00:13,099
window here with broken glass counter
came from the other side we set it up

3
00:00:13,099 --> 00:00:17,110
we've got a model Lauren ready to go and
now we're just getting our lights dialed

4
00:00:17,110 --> 00:00:20,369
in working with a TTL because time is of
the essence of you want to try and cover

5
00:00:20,369 --> 00:00:25,460
as much ground as possible so I've got
an assistant holding a light and a light

6
00:00:25,460 --> 00:00:39,280
on the other side 24 when light would be
nice I we've got our me aur main light

7
00:00:39,280 --> 00:01:08,420
dialed in his firing

8
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its readers need to change the channel
on a light switch channels wilmer inside

9
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the cathedral the channel 15 cause we're
working wirelessly so 15 is what is what

10
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better have a stronger signal strength
right now I'm just gonna need to adjust

11
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that because now are light is all dialed
in and ready to fire at least good here

12
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we go

13
00:01:28,270 --> 00:01:35,500
excellent ok now we've got something
going on so I'm seeing that light is way

14
00:01:35,500 --> 00:01:39,289
too strong at the moment so I'm gonna
take down first of all and reduce my ISO

15
00:01:39,289 --> 00:01:53,990
200 that's gonna make it a little less
punchy and I am going to die down my

16
00:01:53,990 --> 00:02:01,229
flash compensation 2-1 good and try this
is light skinned about I wished I want

17
00:02:01,229 --> 00:02:04,600
to like to be a little more directional
though we'll see if we can be oriented

18
00:02:04,600 --> 00:02:09,759
there we go that's pretty cool good yet
let's learn sweet out all the way like

19
00:02:09,759 --> 00:02:19,220
this like that

20
00:02:19,220 --> 00:02:27,240
nice I'm sure a couple shots beautiful
good excellent like that up a little

21
00:02:27,240 --> 00:02:36,610
higher good nice alright we're starting
to get a little bit this way either way

22
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either way good excellent beautiful
little bit this week in a little bit up

23
00:02:46,190 --> 00:02:55,610
good nice excellent ok that's looking
pretty good but what I want to do now is

24
00:02:55,610 --> 00:02:59,220
I'm going to increase my shutter speed
let's start off with where I am I am at

25
00:02:59,220 --> 00:03:07,040
105 sexism I stopped and I'm an ISO 100
alright we're working with ETTL both of

26
00:03:07,040 --> 00:03:10,890
my lights are in ETTL my mainly to Mikey
light or my accent light rather in the

27
00:03:10,890 --> 00:03:11,490
back

28
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providing here light so what I'm gonna
do now is I'm going to take my shutter

29
00:03:14,840 --> 00:03:21,310
speed and increase it to 200 or the
strike 320 that's gonna cut out a lot of

30
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the ambient light that we haven't yet
again give us a kind of dramatic look ok

31
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here we go

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good morning is that light pointed
toward you

33
00:03:30,690 --> 00:03:37,850
yeah beautiful good excellent nice I
love it here we go much more dramatic

34
00:03:37,850 --> 00:03:44,540
good let's see if we can this little bit
good girl i like it

35
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nice excellent good beautiful

36
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did good nice excellent up a little
higher we're missing our lights go away

37
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Lauren come back to interrelate good
nice there we've got our late again

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perfect good will shoot a couple more
nice only go wide get some of that I V

39
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up their beautiful nice loving that up a
little higher than laid good here we go

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again that late in a little bit in that
way ya think you could there you go

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00:04:51,440 --> 00:04:57,789
nice like that alot thats killer good
old that good what we got that beautiful

42
00:04:57,789 --> 00:05:03,560
and one more love that good good good
just like that

43
00:05:03,560 --> 00:05:10,240
excellent and that is a rap ok good deal
so we try to hit this really quickly

44
00:05:10,240 --> 00:05:15,030
ETTL helps us do that because again the
distances the moving of the light from

45
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the subject in the subject to the light
those distances don't really affect us

46
00:05:17,910 --> 00:05:22,240
as much I'm using Flash Exposure
Compensation to vary the strength of my

47
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/ and I'm using shutter speed to vary
the amount of ambient light contributing

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to the exposure so let's move on to our
next location

結果 (中文) 1:

100:00:05，040--> 00:00:09，030嘿家伙们的另一处被遗弃的大教堂，我们有这好东西200:00:09，030--> 00:00:13，099带有碎的玻璃柜台的窗口来自我们设置它的另一边300:00:13，099--> 00:00:17，110我们有一种模型劳伦准备去和现在我们才刚刚拨打我们灯400:00:17，110--> 00:00:20，369在 TTL 一起工作，因为时间是的你的精华想要试着和覆盖500:00:20，369--> 00:00:25，460所以我得尽可能多地助手拿一盏灯和一盏灯600:00:25，460--> 00:00:39，280在另一边 24 光会何时好我我们让我们我 aur 主灯700:00:39，280--> 00:01:08，420拨通了他的射击800:01:08，420--> 00:01:13，420它的读者需要换频道一盏灯切换电视频道威尔默内900:01:13，420--> 00:01:19，130大教堂的通道 15 原因我们以无线方式工作，所以 15 是什么是什么1000:01:19，130--> 00:01:22，369最好有更强的信号强度现在我只要去需要调整1100:01:22，369--> 00:01:27，430因为现在是光是所有拨打在并准备在这里至少好火1200:01:27，430--> 00:01:28，270我们去1300:01:28，270--> 00:01:35，500优秀好现在我们已经得到的东西所以我看到那光是的方式1400:01:35，500--> 00:01:39，289目前太强所以我要去首先取下和减少我的 ISO1500:01:39，289--> 00:01:53，990要做到少一点的 200强力和我要去死了我1600:01:53，990--> 00:02:01，229闪光补偿 2 1 好，然后再试是光对皮肤我希望我想要1700:02:01，229--> 00:02:04，600想要多一点定向虽然我们会看到是否我们可以做到面向1800:02:04，600--> 00:02:09，759那里我们去那尚酷好让我们学会甜一路像1900:02:09，759--> 00:02:19，220这就像，2000:02:19，220--> 00:02:27，240好，我敢肯定对夫妇拍摄美丽好优秀这样打扮一下2100:02:27，240--> 00:02:36，610更好的好的好的我们开始要有点这种方式无论哪种方式2200:02:36，610--> 00:02:46，190无论哪种方式好优秀美丽在一点点一点点本周2300:02:46，190--> 00:02:55，610好漂亮的优秀好那看很不错，但现在想做什么2400:02:55，610--> 00:02:59，220我要去增加我的快门速度让我们开始了我在哪里我在2500:02:59，220--> 00:03:07，040停了下来 105 性别歧视也 ISO 100好吧，我们正在与 ETTL 这两个的2600:03:07，040--> 00:03:10，890我的灯都在 ETTL 我主要对米奇光或我的口音相当轻2700:03:10，890--> 00:03:11，490返回2800:03:11，490--> 00:03:14，840这里提供的光，所以我要去现在是我要去拿我的快门2900:03:14，840--> 00:03:21，310速度和增加到 200 或罢工要剪出很多的 3203000:03:21，310--> 00:03:25，380我们还没有环境光再给我们一种看起来更加生动好3100:03:25，380--> 00:03:27，510在这里我们去3200:03:27，510--> 00:03:30，690早上好那光指出吗向你3300:03:30，690--> 00:03:37，850是的美丽很好很好很好我在这里我们去更多富有戏剧性的爱3400:03:37 850--> 00:03:44，540好让我们看看我们能否做到这一点好女孩，我喜欢它3500:03:44，540--> 00:03:49，310漂亮的优秀好漂亮3600:03:49，310--> 00:04:05，280好漂亮的优秀起来应该做什么高我们失去了我们的灯走了3700:04:05，280--> 00:04:13，599劳伦回来，好量身定做好那里我们有我们的后期再3800:04:13，599--> 00:04:30，169完美的好会拍几个广泛的好只有去买一些我 V3900:04:30，169--> 00:04:44，590把他们美丽好爱那略高于奠定了好吧4000:04:44，590--> 00:04:51，440再次，在一点点在那晚你觉得你可以那里你去的方式4100:04:51，440--> 00:04:57，789好了很多这是杀手级的好老那好我们什么那美丽4200:04:57，789--> 00:05:03，560和一个更爱那不错不错不错就像这样4300:05:03，560--> 00:05:10，240很好这是说唱好很好所以我们要尽量打这真的很快4400:05:10，240--> 00:05:15，030ETTL 帮助我们这样做，因为再一次从光的移动的距离4500:05:15，030--> 00:05:17，910在这一问题向光主题这些距离真的不会影响我们4600:05:17，910--> 00:05:22，240我尽可能多使用闪光曝光补偿，不同强度的我4700:05:22，240--> 00:05:27，610/ 我要用快门速度会发生变化环境光贡献量4800:05:27，610--> 00:05:29，460曝光让我们移动到我们下一个位置

結果 (中文) 3:

1
00:00:05040——> 00:00:09030
嗨在
另一处废弃的教堂，我们有这个伟大的

2
00:00:09030——> 00:00:13099
窗口在破碎的玻璃柜台
来自另一边我们设置

3
00:00:13099——> 00:00:17110
我们已经有了一个模型，劳伦准备去
现在我们只是让我们的灯拨

4
00:00:17110——> 00:00:20369
在TTL工作因为时间是
精华，你想盖

5
00:00:20369——> 00:00:25460
尽可能多地让我有
助理拿着光和光

6
00:00:25460——> 00:00:39280
另侧24当光会
好我我们我主光

AUR 7
00:00:39280——> 00:01:08420
拨打他的射击

8
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读者需要换频道
在光开关通道内
9
威尔默
00:01:13420——> 00:01:19130
教堂通道15因为我们
无线15的工作是什么

10
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最好有更强的信号强度
现在我只是需要调整

11
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，因为现在光是拨
在准备射击至少这里好

12
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我们去

13
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优良的好现在我们已经得到的东西
去所以我看到光路

14
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太强，此刻我要
取下首先降低我的ISO

15
00:01:39289——> 00:01:53990
200，会少一点
有力的，我要死了我

16
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闪光补偿2-1好，试试这个
是浅肤色的我希望我想

17
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喜欢多一点的方向
虽然我们看我们是否可以面向

18
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我们走，很酷，好吗
咱们学甜了一路

19
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这样

20
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好我想拍几张漂亮的
优良一样，一点

21
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高好好吧我们开始
得到一点点这样的方式

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无论如何优秀美丽的
点在本周的一点点

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好优秀的好，看起来
不错但现在我要做的是

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我要增加我的快门速度
让我们开始与我在我在

25
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105性别歧视我停了下来，我在ISO 100
好我们都
ETTL
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我灯工作是我的主要
ETTL的藏宝图光或我的口音轻而在

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回来

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提供这里光所以我要
现在做的是我会把我的快门

29
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速度增加到200或
敲了320下，要把

30
00:03:21310很多——> 00:03:25380
，我们还没有
环境光再给我们看看好
戏剧性
31
00:03:25380一种——> 00:03:27510
我们走

32
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早上好，光
向你指出

33
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是美丽的优良好的我
爱这里我们去更戏剧性的

34
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好让我们看看这点点
好女孩我喜欢它

35
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好优秀的好漂亮

36
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做好优秀一点
高我们的灯走

37
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劳伦回来联系好
不错我们迟到了

38
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完美的好会拍几
尼斯不仅要宽些，我

39
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他们的美丽的爱，一
略高于铺好我们走

40
00:04:44590——> 00:04:51440
再晚一点，你认为你可以
方式吧

41
00:04:51440——> 00:04:57789
好很多，这是好老好
杀手我们有美丽的

42
00:04:57789——> 00:05:03560
和一个更爱，好好
就像

43
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优良，是一种说唱好好
所以我们尝试打这个真的很快

44
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ETTL帮我们做，因为再
距离移动从

45
00:05:15030光——> 00:05:17910
在主体的光
那些距离真的不影响我们

46
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一样我使用闪光曝光
改变我的

47
00:05:22240——> 00:05:27610
/我使用快门速度变化
环境光影响

48
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的曝光让我们继续我们的下一个位置

量强度补偿