12000:08:00,320 --> 00:08:07,870sup

120
00:08:00,320 --> 00:08:07,870
super dorks I think the Super darks

121
00:08:07,870 --> 00:08:11,350
will do the best job love directing my
judgment to the shadows

122
00:08:11,350 --> 00:08:15,220
and not adjusting my highlights sole
control click

123
00:08:15,220 --> 00:08:19,900
on the super darks go back to the RGB
color

124
00:08:19,900 --> 00:08:24,290
channel create a color balance
adjustment layer

125
00:08:24,290 --> 00:08:28,550
and now starting with the shadows I will

126
00:08:28,550 --> 00:08:32,790
try to neutralize the color cast

127
00:08:32,790 --> 00:08:38,680
and I can also go to my Midtown's

128
00:08:38,680 --> 00:08:47,760
and work with little for their and now
let's see how that looks

129
00:08:47,760 --> 00:08:50,840
for and after

130
00:08:50,840 --> 00:08:53,980
she can see that at neutralizing

131
00:08:53,980 --> 00:08:57,500
a blue cast down in the shadows of the
water on the rocks

132
00:08:57,500 --> 00:09:01,160
but my highlights are remaining almost
entirely unaffected

133
00:09:01,160 --> 00:09:07,230
so this is the adjustment with the mask
and this is the adjustment without the

134
00:09:07,230 --> 00:09:07,760
mask

135
00:09:07,760 --> 00:09:12,340
much better let's zoom in

136
00:09:12,340 --> 00:09:15,920
on that shattered area so we can really
get a close-up view

137
00:09:15,920 --> 00:09:19,060
how it's working with the color balance
in the shadows

138
00:09:19,060 --> 00:09:23,320
before

139
00:09:23,320 --> 00:09:26,330
can see the blue cast and after

140
00:09:26,330 --> 00:09:30,490
let's move over a little bit before

141
00:09:30,490 --> 00:09:35,160
and after

142
00:09:35,160 --> 00:09:37,889
finally I wanna make one more very
localized

143
00:09:37,889 --> 00:09:40,999
color balance adjustment with the tool
that a lot of people don't think about

144
00:09:40,999 --> 00:09:41,920
too often

145
00:09:41,920 --> 00:09:45,439
and that is the photo filter just

146
00:09:45,439 --> 00:09:48,999
for a filter allows you to place a
virtual

147
00:09:48,999 --> 00:09:52,749
color filter over your image in this
case it's a warming filter

148
00:09:52,749 --> 00:09:55,779
so it's warming the entire image I can
see that

149
00:09:55,779 --> 00:10:00,470
well it may be having an OK effect in
some areas it's not good as a global

150
00:10:00,470 --> 00:10:05,899
adjustment but i wanna do is warm up

151
00:10:05,899 --> 00:10:10,629
the brightest highlights Indy sunlit
portion of the waterfall and give them

152
00:10:10,629 --> 00:10:12,559
just a little bit more of a warm glow

153
00:10:12,559 --> 00:10:16,170
suffer this adjustment are generally all
the lights masks

154
00:10:16,170 --> 00:10:21,350
and then evaluate the lights mas to see
which one will target

155
00:10:21,350 --> 00:10:25,749
that area so the lights light lights

156
00:10:25,749 --> 00:10:30,179
bright lights and super lights

157
00:10:30,179 --> 00:10:33,350
ultralight something cuz little too far

158
00:10:33,350 --> 00:10:37,230
so I'm gonna go with the super lights so
controller comment click

159
00:10:37,230 --> 00:10:41,319
to make the selection go back to my RGB
channel

160
00:10:41,319 --> 00:10:44,720
and now generate the

161
00:10:44,720 --> 00:10:50,879
photo filter adjustment layer I can turn
up the density of the photo filter

162
00:10:50,879 --> 00:10:54,339
because it's being constrained by that
masks after

163
00:10:54,339 --> 00:10:58,999
go a little more aggressive with my
adjustment let's see what the effects

164
00:10:58,999 --> 00:11:03,059
can see that there in the highlight some
adding that nice little warm

165
00:11:03,059 --> 00:11:07,329
glow zoom in so we can see what that
looks like up close

166
00:11:07,329 --> 00:11:12,149
before the adjustment after the
adjustment

167
00:11:12,149 --> 00:11:15,910
now that may be a little bit stronger I
want to do it so that we could see it in

168
00:11:15,910 --> 00:11:16,619
the video

169
00:11:16,619 --> 00:11:20,350
but remember that with the opacity
slater can always

170
00:11:20,350 --> 00:11:23,509
dial in just the right amount any
adjustment layer

171
00:11:23,509 --> 00:11:28,029
so that that it's a nice warm light

172
00:11:28,029 --> 00:11:31,249
into those specular highlights in the
water without affecting

173
00:11:31,249 --> 00:11:35,540
any other parts of the image I would say
that color palettes

174
00:11:35,540 --> 00:11:40,439
along with contrast is one of the most
important foundational adjustments

175
00:11:40,439 --> 00:11:44,220
to get right near images right color
balance will allow your image to have

176
00:11:44,220 --> 00:11:46,059
the visual impact that you wanted to

177
00:11:46,059 --> 00:11:48,200
the mass the mass allow you to

178
00:11:48,200 --> 00:11:51,580
you make color balance adjustments very
localized areas

179
00:11:51,580 --> 00:11:53,230
with a great amount of precision and
control

結果 (中文) 3:

120
00:08:00320——> 00:08:07870
超级笨蛋我认为的超级黑暗

121
00:08:07870——> 00:08:11350
会做最好的工作，爱引导我
判断阴影

122
00:08:11350——> 00:08:15220
不调整我的集锦唯一
控制单击

123
00:08:15220——> 00:08:19900
超级黑暗的回去的RGB
颜色

124
00:08:19900——色彩平衡
创建> 00:08:24290
通道调整层

125
00:08:24290——> 00:08:28550
现在开始与阴影，我将

126
00:08:28550——> 00:08:32790
尝试中和色偏

127
00:08:32790——也可以于> 00:08:38680
我去我市中心的

128
00:08:38680——很少为他们现在
让我们看看，看起来

129
00:08:47760——> 00:08:50840
前后

130
00:08:50 > 00:08:47760
和工作，840——> 00:08:53980
她可以看到，在中和

131
00:08:53980——
> 00:08:57500蓝色投下的阴影
水对岩石

132
00:08:57500——> 00:09:01160
但我集锦是其余几乎
完全不受影响

133
00:09:01160——> 00:09:07230
因此这面具
这是的调整没有00:09:07230


134——> 00:09:07760
面膜

的调整135
00:09:07760——

136
00:09:12340 > 00:09:12340
更好让的变焦——粉碎区> 00:09:15920
所以我们真的可以
得到一个特写视图

137
00:09:15920——> 00:09:19060
如何它的工作与色彩平衡
阴影

138
00:09:19060——>在

139
00:09:23320 00:09:23320
——> 00:09:26330
可以看到蓝色后

140
00:09:26330——
> 00:09:30490让我们移动一点点在

141
00:09:30490——> 00:09:35160
后

142
00:09:35160——> 00:09:37889
最后我想做一个更甚
本地化

143
00:09:37889——> 00:09:40999
色彩平衡的调整工具
，很多人不想

144
00:09:40999——> 00:09:41920
常常

145
00:09:41920——> 00:09:45439
，照片过滤器只是

146
00:09：45439——> 00:09:48999
的过滤器允许你放置一个
虚拟

147
00:09:48999——> 00:09:52749
彩色滤光片在你的形象在这种情况下，
它的变暖过滤器

148
00:09:52749——> 00:09:55779
所以它的变暖整个图像，我看


149
00:09:55779——> 00:10:00470
这可能有好的效果在
有些地方不好作为一个全球

150
00:10:00470——
> 00:10:05899调整，但我想做热身

151
00:10:05899——> 00:10:10629
的亮集锦Indy阳光
部分的瀑布，给他们

152
00:10:10629——> 00:10:12559
只是一点点更多153温暖的辉光


00:10:12559——> 00:10:16170
受此调整一般灯光面具

154
00:10:16170——> 00:10:21350然后评估灯光MAS看到


这一目标将

155
00:10:21350——> 00:10:25749
这个区域的灯光灯

156
00:10:25749——> 00:10:30179
明亮的灯光和超级灯

157
00:10:30179——> 00:10:33350
超轻型cuz小太

158
00:10:33350——> 00:10:37230
所以我要去超级灯控制器评论
单击

159
00:10:37230——
> 00:10:41319使选择回去我的RGB通道


160
00:10:41319——> 00:10:44720
和产生161


00:10:44720——> 00:10:50879
照片滤镜调整层我可调的密度照片过滤器

162
00:10:50879——> 00:10:54339
，因为它被约束的，
面具后

163
00:10:54339——> 00:10:58999
去更积极一点与我的

调整让的看到什么影响
164

00:10:58999——> 00:11:03059
可以看到，有突出一些
加入，好点温暖

165
00:11:03059——> 00:11:07329
辉光放大所以我们可以看到什么，看起来像关闭

166
00:11:07329——> 00:11:12149
前调整后的
调整

167
00:11:12149——> 00:11:15910
现在可以坚强一点我

要做到这一点，所以，我们可以看到它

168
00:11:15910——> 00:11:16619
169视频


00:11:16619——> 00:11:20350
，但记住，不透明度
斯莱特总能

170
00:11:20350——> 00:11:23509
拨入适量任何
调整层

171
00:11:23509——> 00:11:28029
，所以它是一个温暖的光

172
00:11:28029——
> 00:11:31249为那些镜面集锦
水没有影响。

173
00:11:31249——
> 00:11:35540其他部分的图像会说我
，调色板

174
00:11:35540——最
重要基础调整

175
00:11:40439——> 00:11:44220
得到正确的彩色图像旁边
平衡会让你的形象有

176
00:11:44 > 00:11:40439
随着对比，220——> 00:11:46059
的视觉冲击力，你想要到

177
00:11:46059——> 00:11:48200
的质量质量允许你到

178
00:11:48200——> 00:11:51580
你让色彩平衡的调整
非常局部地区

179
00:11:51580——> 00:11:53230
用一个伟大的量的精度和
控制