100:00:04,220 --> 00:00:05,140so le

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so let's jump in

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do it how we're going to take a look at
all the different types like you're the

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first one side Lee alright so sidelight
and you'll see you know right below and

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I kinda give you know what what works
for it so I think of contouring I think

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of of shaping so the lights coming in
from the side when it comes in from the

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side it tends to accentuate contour that
tends to accentuate shapes so what works

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for this type of late what what types of
scenarios do we look for I think we look

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for anything with shapes rolling hills
anything with texture on it you know

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rocks and things like that and then
contour anything that has that that

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contour shaping where a late can hit one
side of it and then shadow can be the

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other side of it so here's an example ok
this is this is a photo taken in your

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simony and you're a man you sent me I L
cabin on these big great places and I

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take this photo because I'm standing at
this waterfall year it's what it's a

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waterfall it's like they're supposed to
be a rainbow there at certain times a

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day with the light coming through and
never really happened it kind of fizzle

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some standing there and i'm looking
around and I'm like I said that never

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happened what what what is cool about
this scene and just looking and looking

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at the waterfall hi see the street and
it's got the light coming in from the

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side of it and my heart that's pretty
cool then I take a big wide shot doesn't

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do anything for so as you man I grab
that shot I post all these photos from

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you send me what you believe this photo
is the one that liked it by far

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gets the most people to get the most
likes on Facebook and whether or not

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that we can gauge everything by that but
it kind of gives you a sense of what

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it's for people so sadly there's another
one so this is the Palouse region and

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Washington young ball is rolling hills
the Sun is rising off to one side and I

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want to mention something approaching
mention a couple times throughout the

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class here is that unlike thinking as I
go through all these types of light that

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you're gonna go out there and you're
gonna start looking for every single one

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of these days the way that I think this
class blows

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and in I think it's something you
rewatch one time one thing gets to you

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get out there you look at something
sometimes you're going to get out there

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there's going to be no side like what do
you do you know there's gonna be there

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is no light at all what he do so as you
go through this I guess kind of keep

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that keep that mindset that that's what
to look for things and we should be

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aware like what direction can I shoot in
what's happening and what things are

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happening along all the different ways
that we can make a different photo to

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use another one so just in in Colorado
again the sun's rising over to the left

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side you can see all the texture can see
all the dimension that we get the Sun

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was rising behind me I wouldn't see that
it would be flat the Sun was rising

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behind the mountain we will see that
would be dark so we get all those

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texture here's an interesting example so
put this one first this is this is a

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place in Moab and it's called it's it's
in the Windows areas clinical turret

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arch and everybody shoots this at
sunrise and so I got their hands path I

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mean it literally 25 30 people there and
it's it's hard to even get a spot to

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shoot you gotta move around rocks
everything everybody should sit at

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sunrise so I shot at sunrise and I never
really liked the photo cause to me it

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was just kind of flat and I went back so
I'm thinking about case of the sun's

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coming up over here then is gonna go
here's the arts and the Sun comes up

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over there and it's going to go around
at sunset i'm gonna get a light just

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kinda coming through it

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decidedly through it so I'm back at
sunset that photo

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to me that's a nicer photo your tastes
may be different every but it's it's not

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about what's better worse or anything
like that it just to me this is a nicer

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photo I like I like the room like I like
the contrast between the rock this

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little rock that's not what so these are
things that you can think about when

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you're out there you know you make it to
a place you go here everybody go to Mesa

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arch everybody's gonna tell you to
sunrise spot right but there's gonna be

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times where you get somewhere and you
don't know who may be traveling

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somewhere you may see you spot me say I
want to come back and shoot this when

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you shoot at sunrise or sunset so
hopefully you can kind of keep these

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things

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in mind here so this is this is before
sunrise alright so this is notice all

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the patterns in the texture it's there
but it's not really it's not really

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coming out and I talked about texture
being one of those things decidedly so

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we take a look at this photo see how we
now we get all those contours and all

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those textures and that's just the first
like coming up now we wait a little bit

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while like it's higher now I didn't get
to deeper gets deeper in contrast here

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so it's still coming in from the side
but you can see what's happening here so

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I guess a lot of it depends on what
you're looking for

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there you know think about what happens
think about what you're shooting do you

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want to load the late higher things like
that and you can get different photos

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here's another one just you know the
lights coming in from the side I'm

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looking at it and and you know again I'm
not the light guy like I don't see late

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but what I am looking at my car so I see
these trees I see this light coming in

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and what school is it's half so to me
that it's not all about the latest to me

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there's something that's half way that's
kind of cool one last example in here

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just 22 kind of transfer this to just
shooting around to not only shooting

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landscapes so here's this display swear
that you know you can kind of see where

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the Sun is over on the left there you
know it's it's insane I forget the name

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of it in San Diego wasn't a whole lot
going on I'm there in in not greatly

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lessened over there it's it's probably
nine or ten o'clock in the morning but

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as I walk around I think about this so
I'm thinking okay what what looks good

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side but looks good so I find someplace
if you look off in the distance in the

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middle you see the larges so I get an
error and now I have signed by coming in

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and it gives you give you those little

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almost you it's almost an upside-down
you shape of like going in there and

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that's that's the kind of things that I
started to look for so how to capture it

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think about where the light is the
lights on your side this is sadly

結果 (中文) 3:

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00:00:04220——> 00:00:05140
让我们在

2
00:00:05140跳——> 00:00:07670
做我们如何去看看
所有不同类型的像你的

3
00:00:07670——> 00:00:13469
这边李好所以舷灯
你会看到你知道右下面的

4
00:00:13469——> 00:00:20000
我给你知道什么工作
它所以我认为轮廓我想

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00:00:20，000——> 00:00:25160
塑造的灯光等来
从侧面的时候从

6
00:00:25160——> 00:00:31359
侧往往强调轮廓，
趋于加重的形状，什么工作

7
00:00:31359——> 00:00:35840
这种晚什么类型对
场景我们寻找我想我们看

8
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对于任何形状的丘陵
什么质地上你知道

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岩石之类的东西，然后
轮廓的话，那

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轮廓整形，一晚可以打它一
侧然后阴影可以

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另一边，这里有一个例子可以
这是这张照片在你的

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买卖圣职，你是男人你送我我
舱对这些大杰出的的地方和我

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拍摄这张照片，我站在
这瀑布都是什么一个

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瀑布就像他们应该
是彩虹出现在某些时候

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天光线通过
从未真的发生过这样的失败

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一些站在那里，我期待
周围和我就像我说的，没有

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发生什么什么什么是酷
这个场景，只是看着看着

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在瀑布你好看到街上
它的光从

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身边，我的心很
那么冷静，我拿着一个大广角镜头不

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做任何事情只要你人我抢
拍摄这些照片后，我从

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你送我你认为这张照片
就是喜欢它迄今为止

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得到最多的人获得最
喜欢facebook和是否

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我们可以衡量一切，但
这样的给你什么感觉

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是人们不幸的还有另一个
所以这是帕卢斯地区和

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华盛顿年轻球是连绵起伏的丘陵
太阳升起了一面和我

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想提一些接近
提几倍的

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类这里是不同的思维，我
经历所有这些类型的光，

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你要去那里，你
会开始寻找每一个

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的这些日子，我想这
类吹

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和我想你
重温一次一件事会给你

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滚出去你看东西的时候
有时你会有

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不会一边喜欢什么方式