100:00:24,140 --> 00:00:30,880so he

1
00:00:24,140 --> 00:00:30,880
so here we are in for a shop and I
pulled up the images as gonna create a

2
00:00:30,880 --> 00:00:35,899
background plate for this picture of him
to the chili happy about call device old

3
00:00:35,899 --> 00:00:43,449
man so the top role is a long stitch of
the background plate now I use it on too

4
00:00:43,449 --> 00:00:47,180
many as four but again I shot with a
slightly longer lens this time and

5
00:00:47,180 --> 00:00:52,659
wanted to capture this whole scene so
they have one two three and four images

6
00:00:52,659 --> 00:00:55,530
that will be stitched together into are
they

7
00:00:55,530 --> 00:01:00,289
background plate then we're gonna go as
I mentioned a couple of times but our

8
00:01:00,289 --> 00:01:06,060
location and introduction and you some
higher light mounts and you see in here

9
00:01:06,060 --> 00:01:10,950
the mountain is completely blown out
same here they'll be blown out there but

10
00:01:10,950 --> 00:01:14,100
that's fine because we gonna have our
son here and you want that vibrancy

11
00:01:14,100 --> 00:01:18,750
close to the Sun so this is a good place
to be used to replace these mountains up

12
00:01:18,750 --> 00:01:25,080
here in our background plate we don't
have any grass right in here which I

13
00:01:25,080 --> 00:01:29,920
like about this here I felt the trees
got too close but I still want to use

14
00:01:29,920 --> 00:01:35,400
some of this grass so just take this
grass right here and then apply them in

15
00:01:35,400 --> 00:01:40,250
here and create that foreground element
and then there's our sky so background

16
00:01:40,250 --> 00:01:45,930
played mountains of foreground grass to
create depth and then our sky to come on

17
00:01:45,930 --> 00:01:50,579
top and that's what we've accomplished
right now this actually stitched

18
00:01:50,579 --> 00:01:55,969
together this one is two pieces already
but these mistakes this and have staged

19
00:01:55,969 --> 00:01:59,570
several backgrounds are ready you kind
of know what that is I prepared a little

20
00:01:59,570 --> 00:02:03,060
bit by stitching this and this guy for
this so I'm not going to go through that

21
00:02:03,060 --> 00:02:10,549
fairly simple method is to stage things
by hand write this is a back up late and

22
00:02:10,549 --> 00:02:11,799
they going to make it bigger

23
00:02:11,799 --> 00:02:17,040
that's been done before be unlocked car
back on plate in a middle aged 30 and

24
00:02:17,040 --> 00:02:23,650
you can talk emphasize gonna make this
fairly big try this forty inches wide

25
00:02:23,650 --> 00:02:31,659
just gonna try this in there again I
have my selection tool using the command

26
00:02:31,659 --> 00:02:34,010
key becomes the drag tool

27
00:02:34,010 --> 00:02:46,860
closed out don't wanna save it about
this and for now

28
00:02:46,860 --> 00:02:56,430
probably have to expand i can assume
we'll see how it goes when I start

29
00:02:56,430 --> 00:02:57,970
putting these together for real

30
00:02:57,970 --> 00:03:04,000
again taking this about a third in their
hopes and create a layer mask first

31
00:03:04,000 --> 00:03:09,620
selecting earlier thinking that layer
mask and then about it in there let's

32
00:03:09,620 --> 00:03:18,190
try there for now

33
00:03:18,190 --> 00:03:30,390
tiny bit counterclockwise doing that is
looking at the mountains in the horizon

34
00:03:30,390 --> 00:03:31,620
line right in here

35
00:03:31,620 --> 00:03:37,380
yes this brings a little bit but still
the same little bit cricket so we turn

36
00:03:37,380 --> 00:03:41,790
it a tiny bit counterclockwise look at
this line in the lineup as well as we

37
00:03:41,790 --> 00:03:59,440
can turn this on and off real quick and
it seems really good already

38
00:03:59,440 --> 00:04:06,450
try to do this differently this time to
come in between this crash here it's

39
00:04:06,450 --> 00:04:11,010
little bit simpler than going straight
through the middle to blend this so

40
00:04:11,010 --> 00:04:22,770
there's this stage number one

41
00:04:22,770 --> 00:04:31,800
again turning it on and off to get a
sense of how the lineup and turn this

42
00:04:31,800 --> 00:04:39,099
even a little bit more counterclockwise
they were maybe gonna make it a tiny bit

43
00:04:39,099 --> 00:04:49,039
bigger and I think that's close enough
then our blend layers are going to come

44
00:04:49,039 --> 00:04:53,370
in now you see there's a little
discrepancy here if he were men between

45
00:04:53,370 --> 00:05:02,370
the shadow density between the left and
the right panel so tiny bit better right

46
00:05:02,370 --> 00:05:10,039
there is even hard to see our online
through the landscape and Internet

47
00:05:10,039 --> 00:05:17,280
connect this to the layer above it that
it tiny bit darker turn out there on and

48
00:05:17,280 --> 00:05:22,460
off so we could see and I right in here
you see that we have lined up those two

49
00:05:22,460 --> 00:05:28,759
landscapes a tiny bit better so you call
that for blend this goes a little bit

50
00:05:28,759 --> 00:05:34,219
fast I apologize I hope I now that you
have seen the other images that you

51
00:05:34,219 --> 00:05:39,159
follow through the introduction and then
the fashion story then into the crash

52
00:05:39,159 --> 00:05:42,969
and then they did over mister so I'm
definitely feeling like a moving a

53
00:05:42,969 --> 00:05:47,979
little bit quicker this time but I also
don't want to bore you doing the same

54
00:05:47,979 --> 00:05:52,779
stuff over and over and over again very
this learning to the yes is that when

55
00:05:52,779 --> 00:05:57,729
you take your foreground element and
stick it in here and make your own

56
00:05:57,729 --> 00:06:03,039
backplane together in the i think thats
been be four you really get to learn

57
00:06:03,039 --> 00:06:04,020
this process

58
00:06:04,020 --> 00:06:08,330
watching me this repetition stuff over
and over but when you get your hands

59
00:06:08,330 --> 00:06:15,639
dirty and really when you do stuff as
they say and you do you do understand so

60
00:06:15,639 --> 00:06:20,960
excited about this really for us working
together so again turning this on enough

61
00:06:20,960 --> 00:06:25,289
and we see this little bit of
discrepancy in this to come in and do a

62
00:06:25,289 --> 00:06:29,529
little bit better job at the bland

63
00:06:29,529 --> 00:06:43,589
and better job is really just not having
a straight line through areas where you

64
00:06:43,589 --> 00:06:48,059
could see that the straight line is
moving just like this branches here so

65
00:06:48,059 --> 00:06:55,599
just coming in and trying to find a spot
where you can blend this white seamless

66
00:06:55,599 --> 00:07:00,749
to be honest it felt like I almost
turned a landscape too much now looking

67
00:07:00,749 --> 00:07:11,009
at that blend so you gonna turn it the
other way

68
00:07:11,009 --> 00:07:20,759
they're making a tiny bit bigger I'm
doing this by hand here but also appear

69
00:07:20,759 --> 00:07:26,330
you could set this right now just 34
percent larger and I turned it . 11

70
00:07:26,330 --> 00:07:31,659
degrees so very subtle moments and if
you want to go very subtle it might be

71
00:07:31,659 --> 00:07:42,789
easier to just put in the numbers up
there in the menu but now yes this feels

72
00:07:42,789 --> 00:07:49,649
better now it's ready to just come in
here and make sure that we don't have

73
00:07:49,649 --> 00:08:03,830
any crazy crazy lines that don't line up
as we go through the landscape

74
00:08:03,830 --> 00:08:09,080
and you see how close we are these
classes here almost lined up perfectly

75
00:08:09,080 --> 00:08:14,620
so we just gonna follow them out to hear
maybe they just blend into a softer

76
00:08:14,620 --> 00:09:38,640
focus

77
00:09:38,640 --> 00:10:02,850
mask come into it about a third of this
area where mask with black by using the

78
00:10:02,850 --> 00:10:45,699
shortcut keys which had talked about
plenty and why this up as well as he can

結果 (中文) 1:

100:00:24，140--> 00:00:30，880所以在这里我们是在一家商店，拉起作为要创建图像200:00:30，880--> 00:00:35，899他的这张照片的背景板对快乐关于呼叫装置老辣椒300:00:35，899--> 00:00:43，449男人的最高职位是长针的背景板现在我用它上太400:00:43，449--> 00:00:47，180多达四但我射中再一次稍长的镜头这次和500:00:47，180--> 00:00:52，659想要捕捉这整个场面如此他们有一个两个三个和四个图像600:00:52，659--> 00:00:55，530那将拼凑成是他们700:00:55，530--> 00:01:00，289然后我们要去作为背景板我提到了几次，但我们800:01:00，289--> 00:01:06，060地理位置和介绍和你一些更高的光装载和你在这里看到900:01:06，060--> 00:01:10，950这座山是完全吹出来同样在这里他们会在那里吹，但1000:01:10，950--> 00:01:14，100这很好，因为我们要有我们儿子在这里和你想要那活力1100:01:14，100--> 00:01:18，750靠近太阳，所以这是一个好地方要用于替换这些山了1200:01:18，750--> 00:01:25，080在这里我们背景板中我们不有任何草哪我就在这里1300:01:25，080--> 00:01:29，920像对此我在这里感觉到树走得太近，但我仍然想要使用1400:01:29，920--> 00:01:35，400一些这种草就是采取这草就在这里，然后将它们的应用1500:01:35，400--> 00:01:40，250在这里创建的前景元素然后还有我们的天空如此背景1600:01:40，250--> 00:01:45，930打到前景草山创建深度，然后我们来的天空1700:01:45，930--> 00:01:50，579顶部，这就是我们已经取得的成就现在这实际上缝合1800:01:50，579--> 00:01:55，969这一在一起已经是两块但这些错误这和有上演1900:01:55，969--> 00:01:59，570几个背景是准备好了你知道什么，我准备了一点点2000:01:59，570--> 00:02:03，060一点一滴的拼接这和这个家伙此所以我不会去通过，2100:02:03，060--> 00:02:10，549相当简单的方法是到舞台的事情由手上写这是背起来晚了，2200:02:10，549--> 00:02:11，799他们会做得更大2300:02:11，799--> 00:02:17，040这是之前被解锁的汽车背面中间板 30 岁和2400:02:17，040--> 00:02:23，650你可以谈论强调要让这相当大的尝试这四十英寸宽2500:02:23，650--> 00:02:31，659才刚刚要试试这个在那里再一次我有使用命令我选择工具2600:02:31，659--> 00:02:34，010关键成为拖动工具2700:02:34，010--> 00:02:46，860关闭了不想节省约这和现在2800:02:46，860--> 00:02:56，430可能要扩大我可以假设我们会看到它如何去当我开始2900:02:56，430--> 00:02:57，970把这些放在一起是真的3000:02:57，970--> 00:03:04，000再次考虑这大约三分之一在他们希望和第一次创建一个图层蒙版3100:03:04，000--> 00:03:09，620选择早些时候思考该图层掩码，然后对它在那里吧3200:03:09，620--> 00:03:18，190现在那里的尝试3300:03:18，190--> 00:03:30，390一丁点儿逆时针做那件事是看山在地平线上3400:03:30，390--> 00:03:31，620在这里行吧3500:03:31，620--> 00:03:37，380是的这带来了一点点但仍相同的小位板球所以我们转身3600:03:37，380--> 00:03:41，790它一点点逆时针看看这条线在首发阵容，以及我们3700:03:41，790--> 00:03:59，440可以打开这和真正的快速关闭和已经看起来真的很不错3800:03:59，440--> 00:04:06，450尝试这样做以不同的方式对这次它是进来之间这崩溃在这里3900:04:06，450--> 00:04:11，010一点点简单比直走通过中间混合这样4000:04:11，010--> 00:04:22，770此阶段的第一4100:04:22，770--> 00:04:31，800再次打开它和关闭去怎么感觉首发阵容，把这4200:04:31，800--> 00:04:39，099只要有一点点更逆时针他们也许要做到一点点4300:04:39，099--> 00:04:49，039更大，我认为那已足够接近然后我们混合图层来会4400:04:49，039--> 00:04:53，370在现在，你看到还有一点出入这里如果他是男人之间4500:04:53，370--> 00:05:02，370阴影密度之间左和右面板那么一点点更好正确4600:05:02，370--> 00:05:10，039那里是很难看到我们在线通过景观和互联网4700:05:10，039--> 00:05:17，280连接到它上面层，它微微有点暗转在那里上和4800:05:17，280--> 00:05:22，460所以我们可以看到，我就在这里你看，我们都在排队这两个4900:05:22，460--> 00:05:28，759景观一点点更好，所以你叫对于混合这一切有点5000:05:28，759--> 00:05:34，219快，我很抱歉我希望我现在你看到对方的图像，你5100:05:34，219--> 00:05:39，159通过引入跟随，然后时尚故事然后坠毁5200:05:39，159--> 00:05:42，969然后他们做过先生所以我绝对感觉像移动5300:05:42，969--> 00:05:47，979快一点这个时间，但我还不想烦你做同样的事5400:05:47，979--> 00:05:52，779非常的东西超过一遍这种学习到了呀，那时候5500:05:52，779--> 00:05:57，729你把你的前景元素和贴在这里，让你自己5600:05:57，729--> 00:06:03，039底板一起在我认为的被四你真的能学会5700:06:03，039--> 00:06:04，020这一过程5800:06:04，020--> 00:06:08，330看着我此重复的东西和超过，但当你把你的手5900:06:08，330--> 00:06:15，639脏和真的当你做东西作为他们说，你做你做懂所以6000:06:15，639--> 00:06:20，960兴奋这真的为我们工作在一起再一次将此项打开足够6100:06:20，960--> 00:06:25，289我们看看这个小小的在这进来，做差异6200:06:25，289--> 00:06:29，529更好一点的工作在平淡6300:06:29，529--> 00:06:43，589真的只是不具有更好的工作一条直线通过区域在那里你6400:06:43，589--> 00:06:48，059可以看到的直线是所以像这树枝在这里移动6500:06:48，059--> 00:06:55，599只是进来并试图找到一个地方停车您可以在其中混合这白色无缝6600:06:55，599--> 00:07:00，749老实说感觉就像我几乎把景观太多现在看6700:07:00，749--> 00:07:11，009在那混合所以你要把它其他方式6800:07:11，009--> 00:07:20，759他们正在一点点大我在这里这样做手工，但也出现6900:07:20，759--> 00:07:26，330您可以设置这一权利现在只是 34大 %和我搞定它。117000:07:26，330--> 00:07:31，659度所以非常微妙的时刻，如果你想要去非常微妙，它可能是7100:07:31，659--> 00:07:42，789只是更容易放在了数字那里但是现在这样的菜单中的这种感觉7200:07:42，789--> 00:07:49，649最好是现在就准备刚进来在这里，并确保我们没有7300:07:49，649--> 00:08:03，830任何不排队的疯狂疯狂行当我们走过的风景7400:08:03，830--> 00:08:09，080你看看我们如何关闭这些是这里几乎完全排成的类7500:08:09，080--> 00:08:14，620所以我们只要遵循他们听到也许他们只是融入柔和7600:08:14，620--> 00:09:38，640焦点7700:09:38，640--> 00:10:02，850掩码进去，大约有三分之一的这地区在哪里通过使用面具与黑7800:10:02，850--> 00:10:45，699谈到的快捷键很多，为什么这以及他可以

結果 (中文) 3:

1
00:00:24140——> 00:00:30880
所以这里我们在一个商店，我
把图像作为要创建一个

2
00:00:30880——> 00:00:35899
背景板这幅他
的辣椒高兴的呼叫装置老

3
00:00:35899——> 00:00:43449
人顶角色是一个很长的针
背景板现在我用得太

4
00:00:43449——> 00:00:47180
但我又拍了四多个
稍长镜头这个时间和

5
00:00:47180——> 00:00:52659
想捕捉整个场景，
他们有一二三和四的图像

6
00:00:52659——> 00:00:55530
将缝合在一起的是
他们

7
00:00:55530——> 00:01:00289
背景板之后我们去为
我提到几次，但我

8
00:01:00289——> 00:01：06060
位置和介绍你一些
高光的坐骑，你在这里看到

9
00:01:06060——> 00:01:10950
山完全是吹出来的
一样会被吹出来但

10
00:01:10950——> 00:01:14100
很好，因为我们会有我们的儿子在这里和你
要活力

11
00:01:14100——> 00:01:18750
接近太阳，所以这是个不错的地方，
用来替换这些山上

12
00:01:18750——> 00:01:25080
在我们的背景板我们不
有草就在这里，我

13
00:01:25080——> 00:01:29920
喜欢这里我觉得树
靠得太近，但我还是想用

14
00:01:29920——> 00:01:35400
一些这种草就把这
草吧，然后将它们应用在

15
00:01:35400——> 00:01：40250
这里创造的前景元素
还有我们的天空背景

16
00:01:40250——> 00:01:45930
玩山的前景草
创造深度，我们的天空来

17
00:01:45930——> 00:01:50579
前，我们已经完成了
现在这实际上缝合

18
00:01:50579——> 00:01:55969
一起这是两件已经
但这些错误并举行了

19
00:01:55969——> 00:01:59570
几个背景都准备好了你的
知道这是我自己编写的一个小

20
00:01:59570——> 00:02:03060
点拼接，这家伙
这所以我不打算去通过

21
00:02:03060——> 00:02:10549
相当简单的方法是阶段的东西
手工写这一回得晚，

22
00:02:10，549——> 00:02:11799
他们要使它更大

23
00:02:11799——> 00:02:17040
过的事被上锁的车
回到板中30岁及

24
00:02:17040——> 00:02:23650
你可以强调会让这个
相当大的尝试这四十英寸宽

25
00:02:23650——> 00:02:31659
会尝试再次在那里我有我的选择
工具使用命令

26
00:02:31，659——> 00:02:34010
关键成为拖动工具

27
00:02:34010——> 00:02:46860
关闭不想救它
这和现在

28
00:02:46860——> 00:02:56430
可能扩大我可以承担
再看吧当我开始

29
00:02:56430——> 00:02:57970
把这些真正的在一起

30
00:02:57970——> 00:03:04000
再以此在
约三分之一希望创建一个图层蒙版的第一

31
00:03:04000——> 00:03:09620
选择早些时候认为层
面具，然后在那里让我们

32
00:03:09620——> 00:03:18190
尝试现在

33
00:03:18190——> 00:03:30390
点逆时针做的是
看山在地平线

34
00:03:30390——> 00:03:31620
线就在这里

35
00:03:31620——> 00:03:37380
这带来了一点但还是
一点板球所以我们把

36
00:03:37380——> 00:03:41790
一点逆时针看
这线的阵容，以及我们

37
00:03:41790——> 00:03:59440
能打开和关闭快速
看来真的很好，已经

38
00:03:59440——> 00:04:06450
尝试不同的这个时间
这之间的碰撞来这里

39
00:04:06450——> 00:04:11010
点比直
通过中间混合这样

40
00:04:11010——> 00:04:22770
有这个阶段第一

41
00:04:22770——> 00:04:31800
再次打开它，去把
这样的阵容，把这

42
00:04:31800——> 00:04:39099
甚至更多一点简单的
逆时针