Following a five-star, smash hit se

Following a five-star, smash hit season at the 2015 Edinburgh Fringe and the sell-out, award-winning season at the 2015 Adelaide Fringe, Velvet has been playing at the Sydney Opera House. The show is an electrifying trip to a world of glamour and abandon, a high energy fusion of disco, dance, burlesque and circus.
Directed by Craig Ilott, Velvet has transformed the Studio into a Boogie Wonderland with the help of lighting designer Matt Marshall.
The idea was always to have a set made of lights and hence the wall of forty-six ShowPro PixPads, usually run at around 60%, a product that is ideal for this production.
“The director original wanted to go with Jarags as he loves tungsten and was a little apprehensive of LED,” explained Matt. “I didn’t want to be stuck with one look the whole show and really wanted colour. Anyway, our first shows were in a tent in Adelaide and there just wasn’t the power available for Jarags so that was a bit of a win for the PixPads! He was worried about the dimmer curve so we’ve enclosed them in Perspex. I just love the PixPads and they are so appropriate for this show.”
Res X supplemented the inhouse rig with some of the gear. All moving heads were Martin MACs with four MAC Viper Profiles located on the floor of the stage.
“They have been great and it’s the first time I’ve had that kind of output,” said Matt. “Even though the PixPads are run at 60% their output is pretty intense so the MAC Vipers have been a worthy companion. They provide beautiful aerial moments, cut through everything and it’s nice to have the ability to go really wide. The Vipers have made such a difference to the season and provide some decent punch for the mirrorballs.”
Also in the rig were fourteen MAC 250 Wash, eleven MAC250 Entours and four MAC700 Profiles, reliable fixtures that Matt knows back to front. A couple of MAC Auras are used for side light on the stage.
“I love the MAC Auras as they have such a good dimming curve and can dim theatrically,” added Matt. “We also have a couple fo Atmic strobes, a Look Solutions Unique 2 hazer and a RJ Manon 1200 MRS followspot.”
The show was programmed this season by Pete Rubie on a MA2 console.

結果 (中文) 1:

经过一家五星级、 粉碎的命中季在 2015年爱丁堡边缘和出卖，屡获殊荣季节在 2015年阿德莱德边缘，天鹅绒发挥了在悉尼歌剧院。这个节目是通电去旅行的魅力和放弃的世界，高能量融合的迪斯科舞蹈、 滑稽、 马戏。由克雷格 Ilott 执导，天鹅绒已变成工作室布吉仙境照明设计师马特 · 马歇尔的帮助。想法是始终有一套，做的灯，因此墙体四十六 ShowPro PixPads，通常运行在 60%左右，是理想的这种生产的产品。"主任原想跟 Jarags，因为他爱钨，有点惶恐的 LED，"解释马太福音"我不想被困一眼整个显示和真正想要的颜色。不管怎么说，我们第一次的节目都是在阿德莱德的帐篷里，只是因为没有电源可供 Jarags 所以那有一点 PixPads 的胜利!他很担心调光曲线，所以我们随信附上了他们在有机玻璃。我只是爱 PixPads，他们都是很适合这个节目。Res X 补充一些齿轮点播服务台上。所有移动头被马丁互委会与四个 MAC 毒蛇配置文件位于舞台的地板上。"他们是伟大的它是第一次我已经输出，那种"说马太福音"即使 PixPads 运行 60%在其输出是相当激烈所以 MAC 毒蛇一直值得的同伴。他们提供美丽的空中瞬间，穿过一切和它的好，有能力去真的很大。毒蛇取得本赛季的这种差异，提供些体面的潘趣酒为 mirrorballs。钻机的还有十四个 MAC 250 洗、 十一 MAC250 Entours 和四个 MAC700 配置文件，马特知道回前一页的可靠固定装置。几个 MAC 光环用于侧光在舞台上。"因为他们有一个好的调光曲线和戏剧化，还可以调暗，我爱 MAC 光环"添加马太福音"我们也有一对夫妇佛灵魂频闪灯，看解决方案独特 2 朦胧和 RJ 侬 1200年夫人 followspot."显示设计程序本赛季皮特鲁比 MA2 控制台上。

結果 (中文) 3:

以下五星级，红极一时的季节在2015爱丁堡条纹和出卖，屡获殊荣的季节在2015阿德莱德条纹，天鹅绒已经在悉尼歌剧院玩。展现的是一个激动人心的旅行到世界的魅力和抛弃，高能量的迪斯科，舞蹈融合，滑稽戏和马戏。
导演克雷格伊洛特，天鹅绒已经把工作室变成一个照明设计师马特马歇尔帮助布吉仙境。
的想法总是有一套由灯，因此四十六showpro pixpads墙，通常大约在60%运行，一个就是这个生产的理想产品。
”导演原想去jarags他喜欢有点担心钨和LED，解释说：“马特。“我不想被困在一个看整个表演，真的希望的颜色。总之，我们的第一个节目是在阿德莱德帐篷和没有电力可供jarags这样一点的pixpads赢！他担心调光曲线，所以我们封闭在玻璃。我只是爱的pixpads他们为这个节目很合适。”
RES X补充室内机的齿轮。所有移动的头被马丁Mac四MAC Viper剖面位于舞台的地板。
”他们已经伟大的，这是我第一次有这样的输出，”马特说。“尽管pixpads是运行在60%的输出是相当激烈的，MAC的毒蛇已经值得同伴。他们提供美丽的空中时刻，切过一切，很高兴有能力去真正的广泛。毒蛇在赛季初获得了这样的差异，为mirrorballs一些像样的拳。”
也在台十四MAC 250洗，十一mac250 entours和四mac700型材，可靠的灯具，马特知道回到前面。一对夫妇的MAC的光环是用于侧光在舞台上。
“我爱MAC的光环为他们有这么好的调光曲线和模糊理论，”马特。“我们也有一对夫妇的密频闪灯，一看解决方案独特的2息和RJ公司1200夫人Followspot。”
显示程序本赛季皮特鲁比在MA2控制台。