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dope
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I so I made a couple more judgments
number one i lock up by mere
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I'm getting a little bit over ballots
from the mir as as slaps up in a DSLR
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the mir
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you know comes up out on the way exposes
a CCD and then it jumps back down
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in doing that as getting a just a little
bit %uh vibration inside the camera and
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wasn't Akshar
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remember I'm going for Supertech sharp
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shallow depth of field and letting it
fall off and the reason why I want to do
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that
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is cuz I wanna kinda create this little
bit what we call
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you know and I think all romance I guess
in that you create a little bit mystique
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in mystery in the background by letting
it go soft same with foreground elements
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the nicest softer just kinda like
drawing the eye
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and but Woodmere slap
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nothing was tack sharp so I've got this
handy dandy little inner longer
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that Canon makes when I had a one-time
to mir goes
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upcoming out on the way I let it settle
for a minute and then I hit it again
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that actually exposes the CCD by just
open the shutter
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the mir doesn't have to lock up and I
don't get any slap
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ok at so as a result I've got a nice
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tack sharp image you look at this cookie
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it is dead-on tack sharp right there the
foreground elements
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are nice and soft but they're leading
down into the sharp or portion of the
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cookie
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maybe the front third in the cookies and
focus and then immediately it starts to
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fall off and it takes the I back
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this is the kind of stuff that's really
simple but really inviting
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really lends itself to making a good
food photograph
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so a couple other things I wanna touch
on manual focus without question I'm
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going manual focus I do not want auto
focus on
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autofocus of just go manual and do it
yourself make sure you that you are
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focusing on the things that you want to
focus on
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alright and actually is looking fairly
nice
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this reason here I don't like it's way
too big
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someone to get rid of that and I also
feel I can eat a little bit more cook in
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the background
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cook a mean crumble so that a little bit
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back there
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and again it this guy wants here comes
up by the way
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headed a second time and I got a nice
clean sharp image
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okay
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some new things that I use
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are things like brushes and the reason I
do that is because I just want to get in
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a move a couple things
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this allows me to do a nice little fine
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macro adjustment without getting in and
touching too much on my plate
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or my said so if you look these guys
right here
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they just a little too tight so I moved
it out the way with the brush
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take another quick shot and BAM you can
see that one jumped out the way
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actually like it in a little bit I moved
a little bit too far
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member we're doing really macro
movements on his way to bring that and
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ever so slightly and see what we get
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right on the money think so
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shot one brings a mirror up shut to a
closet
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bull
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so something you wanna think about is
the way the eye moves to talk a little
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bit about bringing the eye through the
entire peace
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but you don't create bad hands it's a
kinda weird pieces with the
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with the food and if you look right here
I'm created a line
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up crimes that almost it's too perfect
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matches this too much it's just gonna be
broken up also don't like this big hunt
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down there
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that's just kinda bugging me it's too
similar to this little foot on the
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on a cooling rack so I look at things
like that thing okay
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in my creating weird cool junctions that
which the I is gonna jump around on
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and I am so I wanna knock is a around
just a bit am still
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I'm gonna be a little calculator with it
but I'm gonna be spontaneous with the
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two cuz I wanted to have that kinda feel
like it just happened
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is a simple little things with their
incredibly important as all about
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fine-tuning your image
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personally I think that's a little bit
better the I still goes in that
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direction but now it's not following a
straight line
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a crime said just kinda distract the eye
so it's kinda weird and I N
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truthfully I called force spontaneity
where you really taking a look at all
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the little details
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and making them look as natural as they
can even though you're intentionally
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planting them I mean we are planning out
where the crimes are going on this
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which really should tell you this is all
about for spontaneity without question
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so I'm kinda like in that I want to get
a little bit more
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shadow back up there and I need to get a
little bit a light right here on this
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cookie I want that cookie to be a little
bit harder sell
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I'm gonna do one of two things:
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fight so I want to add just a little bit
more that kinda shadow pooling a little
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bit dark like coming in the background
and I'm gonna just do that with another
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card I'm gonna build up on this guy
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and whimpering this guy right around
here and just kinda concentrate a little
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pool light right here
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the other thing that I can do is kinda
work with my
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window on my Windows I've got
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silks that I can pull across
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and help knock down some light which in
India right about there
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but i wanna kinda leave that on the
front so it doesn't take away too much
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now I'm gonna add a little bit like
coming back into the cookie cuz it's
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kinda
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a little bit dark on this front head
right here you look a right here
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it just seems a little bit a pool light
so silver card for something really
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simple and easy to use
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this was kinda gross but it's still
really good actually just kinda hope you
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get a little bit adapalene white