100:00:24,960 --> 00:00:32,230want

1
00:00:24,960 --> 00:00:32,230
want to talk about his conversations

2
00:00:32,230 --> 00:00:36,370
the beginning of the end so to speak of
this story that I want to tell these

3
00:00:36,370 --> 00:00:41,470
four photographs it speaks to
communications between people and I'm

4
00:00:41,470 --> 00:00:44,030
really curious about that as a topic

5
00:00:44,030 --> 00:00:48,489
there's so much that goes on said Justin
body language that things that we

6
00:00:48,489 --> 00:00:53,470
communicated then you look a certain way
or the way we carry ourselves so this is

7
00:00:53,470 --> 00:00:58,579
a parent in this picture of you on
Italian that the female is seductive

8
00:00:58,579 --> 00:01:04,729
she's opened she's longing may be in her
body language and in the way she's

9
00:01:04,729 --> 00:01:08,899
looking forward into the photograph
towards the guy but she's in a separate

10
00:01:08,899 --> 00:01:13,789
room and he is just kind of ignorant
ignoring that so there's a tension

11
00:01:13,789 --> 00:01:18,190
between these two people this is the
emotion that I want to try to protect so

12
00:01:18,190 --> 00:01:23,179
how do we create tension not only
between people in the way they look to

13
00:01:23,179 --> 00:01:29,670
relate to each other but also in color
palette and composition and also in the

14
00:01:29,670 --> 00:01:34,229
way that we shape highlights but light
so these are they really the big

15
00:01:34,229 --> 00:01:39,490
elements for me in this photograph gonna
try to tell a story of love longing and

16
00:01:39,490 --> 00:01:45,070
ignorance we gonna try to use color in a
way that help support that obviously we

17
00:01:45,070 --> 00:01:48,579
don't go all bright and happy and tons
of light flooding in the windows for

18
00:01:48,579 --> 00:01:49,640
this one

19
00:01:49,640 --> 00:01:56,530
gonna create something thats New Year
more down its this actuated we're going

20
00:01:56,530 --> 00:02:01,060
to use losing greens a lot and then try
to contrast those with warmer tones that

21
00:02:01,060 --> 00:02:06,049
I go to where the warmer spots are in
the picture for me there's really two

22
00:02:06,049 --> 00:02:11,130
focus points in this picture I need to
have that I trial from the guide to the

23
00:02:11,130 --> 00:02:15,160
girl and then back again somehow so I
imagine we do this in highlights in

24
00:02:15,160 --> 00:02:20,540
light putting spotlights maybe on these
two elements but also maybe color the

25
00:02:20,540 --> 00:02:23,550
have a model that has beautiful red hair
and it's not

26
00:02:23,550 --> 00:02:29,340
that we've chosen her look for this
specific picture so it's very important

27
00:02:29,340 --> 00:02:33,400
going into picture like this have a
clear idea of the emotional content what

28
00:02:33,400 --> 00:02:38,250
is it that we want to describe whenever
a comment to the occasion before picture

29
00:02:38,250 --> 00:02:43,810
like this I take a deep breath and I
just ask myself how does this feel and

30
00:02:43,810 --> 00:02:45,190
then from there

31
00:02:45,190 --> 00:02:50,560
start to shape it to come into place to
create a picture like this and just look

32
00:02:50,560 --> 00:02:53,880
at what's there and shoot it as not
quite work in this case he had to shape

33
00:02:53,880 --> 00:02:58,800
it will use your tone gels were probably
block off a lot of windows and really

34
00:02:58,800 --> 00:03:02,920
shape the atmosphere of this picture to
create something that speaks to that in

35
00:03:02,920 --> 00:03:08,400
the show emotion of the conversational
piece I want to say so in this mood

36
00:03:08,400 --> 00:03:13,920
board there's a few things that I like
each of these pictures 30 then describe

37
00:03:13,920 --> 00:03:18,990
the body language of the female to them
of cigarettes and it might use that but

38
00:03:18,990 --> 00:03:24,030
it's more about the way that they carry
themselves the sensuality of it there's

39
00:03:24,030 --> 00:03:29,600
one here looking at camera longing there
have been many women up here and her

40
00:03:29,600 --> 00:03:33,580
even though we don't just see your back
you see the body language you know all

41
00:03:33,580 --> 00:03:39,200
of these have sort of this sensuality or
there's air to them that is almost

42
00:03:39,200 --> 00:03:45,670
addictive to me in these two pictures
there is a dynamic between two people

43
00:03:45,670 --> 00:03:50,010
that are looking for one looking away
the other looking at the other end the

44
00:03:50,010 --> 00:03:55,900
painting in this image one is distracted
by TV and the others in the kitchen and

45
00:03:55,900 --> 00:04:03,160
there's an almost sadness to be between
the two so I takes the the longing of

46
00:04:03,160 --> 00:04:07,780
this then the color of these pictures
the light qualities that talked about

47
00:04:07,780 --> 00:04:14,310
using highlights to shape it using color
to shape it this woman has a gold mesh

48
00:04:14,310 --> 00:04:19,870
doctor harry wants ready here so I'm
looking at these pictures and I think

49
00:04:19,870 --> 00:04:21,730
about what I have up here and what I
have

50
00:04:21,730 --> 00:04:27,600
here and I will massage this to
something that I see in front of me and

51
00:04:27,600 --> 00:04:31,380
then from there it's or takes on a life
of its own gonna come to a location

52
00:04:31,380 --> 00:04:36,380
that's not going to look like this we
don't have the dollars to build a big

53
00:04:36,380 --> 00:04:40,750
sexy coming into someone's house and he
gonna try to massage that to tell this

54
00:04:40,750 --> 00:04:46,490
story and use these emotions from the
sand from here the best we can to create

55
00:04:46,490 --> 00:04:52,130
one unique and original piece so from
idea and concept to go into production

56
00:04:52,130 --> 00:04:58,920
and the process in all this is to start
with a place to get this done so that

57
00:04:58,920 --> 00:05:05,190
means me finding the location for
exterior locations I can go out and find

58
00:05:05,190 --> 00:05:10,630
it myself and other people or places I
see before places I've been

59
00:05:10,630 --> 00:05:15,190
now for this finding interiors of houses
different what we usually do the

60
00:05:15,190 --> 00:05:20,800
collocation company and they percent and
library locations that they have they

61
00:05:20,800 --> 00:05:22,140
have pictures of the place

62
00:05:22,140 --> 00:05:25,690
contacted the homeowners you stay
apprised of what it takes to get in

63
00:05:25,690 --> 00:05:29,200
there and they percent to us what they
have available for these days that we

64
00:05:29,200 --> 00:05:32,610
want to shoot so that was the process of
finding the place

65
00:05:32,610 --> 00:05:37,910
Birdman is a resource that we use in
northern california went through I don't

66
00:05:37,910 --> 00:05:42,760
know fifty sixty homes maybe that was
presented to me for me to look at and

67
00:05:42,760 --> 00:05:47,590
ended up not too far actually from where
I live just gonna drive about 10 blocks

68
00:05:47,590 --> 00:05:56,800
and go into an apartment that's quite
beautiful that has that downtrodden one

69
00:05:56,800 --> 00:06:01,440
quality that I think the beautiful from
this picture the second part obviously

70
00:06:01,440 --> 00:06:06,090
is finding the right model to go into
casting the casting I talked a little

71
00:06:06,090 --> 00:06:11,410
bit about and the hair color so we
wanted someone by Brian that could help

72
00:06:11,410 --> 00:06:15,550
bring color to the muted to the holidays
so we ended up with this stunning

73
00:06:15,550 --> 00:06:21,590
redhead her name is Tia again be called
modeling agencies in San Francisco Bay

74
00:06:21,590 --> 00:06:24,790
percent people that's in our price
bracket and that's available for the day

75
00:06:24,790 --> 00:06:26,420
and from that

76
00:06:26,420 --> 00:06:31,190
be between us and I see we it's myself
they can make a person and the stylist

77
00:06:31,190 --> 00:06:34,140
assembling a crew is really important

78
00:06:34,140 --> 00:06:37,750
now the two ladies I'm gonna work with
makeup and styling for this specific

79
00:06:37,750 --> 00:06:44,420
shoot I have worked with for fourteen or
fifteen years now they approached me

80
00:06:44,420 --> 00:06:49,170
when I was still an assistant they said
hey beautiful you should create

81
00:06:49,170 --> 00:06:54,220
something together and we have been
creating something together sense it's

82
00:06:54,220 --> 00:07:00,180
we fight sometimes we bicker and we
really are strong personalities that

83
00:07:00,180 --> 00:07:04,620
want to create something beautiful but
then we get together the Porsche person

結果 (中文) 1:

100:00:24，960--> 00:00:32，230想要谈论他的对话200:00:32，230--> 00:00:36，370这么说的结束的开始我想要告诉这些这个故事300:00:36，370--> 00:00:41，470四张照片，它说话之间的通信的人和我400:00:41，470--> 00:00:44，030真的很好奇，作为一个话题500:00:44，030--> 00:00:48，489有太多这样的局面在说贾斯汀肢体语言那件事，我们600:00:48，489--> 00:00:53，470然后你看以某种方式通知或我们携带自己的所以这是700:00:53，470--> 00:00:58，579在这张你的照片上的父意大利女性是诱人800:00:58，579--> 00:01:04，729她打开她渴望可能是在她肢体语言和她是的方式900:01:04，729--> 00:01:08，899向前看照片对这个家伙，但她是在一个单独的1000:01:08，899--> 00:01:13，789房间和他是只什么样的无知忽略那很紧张1100:01:13，789--> 00:01:18，190这是这两个人之间我想要尽力保护这样的情感1200:01:18，190--> 00:01:23，179我们如何创造张力不仅他们期待的方式在人们之间1300:01:23，179--> 00:01:29，670涉及到彼此而且颜色调色板和组成，也在1400:01:29，670--> 00:01:34，229我们塑造方式突出但光这些都是他们真的很大1500:01:34,229 --> 00:01:39,490elements for me in this photograph gonnatry to tell a story of love longing and1600:01:39,490 --> 00:01:45,070ignorance we gonna try to use color in away that help support that obviously we1700:01:45,070 --> 00:01:48,579don't go all bright and happy and tonsof light flooding in the windows for1800:01:48,579 --> 00:01:49,640this one1900:01:49,640 --> 00:01:56,530gonna create something thats New Yearmore down its this actuated we're going2000:01:56,530 --> 00:02:01,060to use losing greens a lot and then tryto contrast those with warmer tones that2100:02:01,060 --> 00:02:06,049I go to where the warmer spots are inthe picture for me there's really two2200:02:06,049 --> 00:02:11,130focus points in this picture I need tohave that I trial from the guide to the2300:02:11,130 --> 00:02:15,160girl and then back again somehow so Iimagine we do this in highlights in2400:02:15,160 --> 00:02:20,540light putting spotlights maybe on thesetwo elements but also maybe color the2500:02:20,540 --> 00:02:23,550have a model that has beautiful red hairand it's not2600:02:23,550 --> 00:02:29,340that we've chosen her look for thisspecific picture so it's very important2700:02:29,340 --> 00:02:33,400going into picture like this have aclear idea of the emotional content what2800:02:33,400 --> 00:02:38,250is it that we want to describe whenevera comment to the occasion before picture2900:02:38,250 --> 00:02:43,810like this I take a deep breath and Ijust ask myself how does this feel and3000:02:43,810 --> 00:02:45,190then from there3100:02:45,190 --> 00:02:50,560start to shape it to come into place tocreate a picture like this and just look3200:02:50,560 --> 00:02:53,880at what's there and shoot it as notquite work in this case he had to shape3300:02:53,880 --> 00:02:58,800it will use your tone gels were probablyblock off a lot of windows and really3400:02:58,800 --> 00:03:02,920shape the atmosphere of this picture tocreate something that speaks to that in3500:03:02,920 --> 00:03:08,400the show emotion of the conversationalpiece I want to say so in this mood3600:03:08,400 --> 00:03:13,920board there's a few things that I likeeach of these pictures 30 then describe3700:03:13,920 --> 00:03:18,990the body language of the female to themof cigarettes and it might use that but3800:03:18,990 --> 00:03:24,030it's more about the way that they carrythemselves the sensuality of it there's3900:03:24,030 --> 00:03:29,600one here looking at camera longing therehave been many women up here and her4000:03:29,600 --> 00:03:33,580even though we don't just see your backyou see the body language you know all4100:03:33,580 --> 00:03:39,200of these have sort of this sensuality orthere's air to them that is almost4200:03:39,200 --> 00:03:45,670addictive to me in these two picturesthere is a dynamic between two people4300:03:45,670 --> 00:03:50,010that are looking for one looking awaythe other looking at the other end the4400:03:50,010 --> 00:03:55,900painting in this image one is distractedby TV and the others in the kitchen and4500:03:55,900 --> 00:04:03,160there's an almost sadness to be betweenthe two so I takes the the longing of4600:04:03,160 --> 00:04:07,780this then the color of these picturesthe light qualities that talked about4700:04:07,780 --> 00:04:14,310using highlights to shape it using colorto shape it this woman has a gold mesh4800:04:14,310 --> 00:04:19,870doctor harry wants ready here so I'mlooking at these pictures and I think4900:04:19,870 --> 00:04:21,730about what I have up here and what Ihave5000:04:21,730 --> 00:04:27,600here and I will massage this tosomething that I see in front of me and5100:04:27,600 --> 00:04:31,380then from there it's or takes on a lifeof its own gonna come to a location5200:04:31,380 --> 00:04:36,380that's not going to look like this wedon't have the dollars to build a big5300:04:36,380 --> 00:04:40,750sexy coming into someone's house and hegonna try to massage that to tell this5400:04:40,750 --> 00:04:46,490story and use these emotions from thesand from here the best we can to create5500:04:46,490 --> 00:04:52,130one unique and original piece so fromidea and concept to go into production5600:04:52,130 --> 00:04:58,920and the process in all this is to startwith a place to get this done so that5700:04:58,920 --> 00:05:05,190means me finding the location forexterior locations I can go out and find5800:05:05,190 --> 00:05:10,630it myself and other people or places Isee before places I've been5900:05:10,630 --> 00:05:15,190now for this finding interiors of housesdifferent what we usually do the6000:05:15,190 --> 00:05:20,800collocation company and they percent andlibrary locations that they have they6100:05:20,800 --> 00:05:22,140have pictures of the place6200:05:22,140 --> 00:05:25,690contacted the homeowners you stayapprised of what it takes to get in6300:05:25,690 --> 00:05:29,200there and they percent to us what theyhave available for these days that we6400:05:29,200 --> 00:05:32,610want to shoot so that was the process offinding the place6500:05:32,610 --> 00:05:37,910Birdman is a resource that we use innorthern california went through I don't6600:05:37,910 --> 00:05:42,760know fifty sixty homes maybe that waspresented to me for me to look at and6700:05:42,760 --> 00:05:47,590ended up not too far actually from whereI live just gonna drive about 10 blocks6800:05:47,590 --> 00:05:56,800and go into an apartment that's quitebeautiful that has that downtrodden one6900:05:56,800 --> 00:06:01,440quality that I think the beautiful fromthis picture the second part obviously7000:06:01,440 --> 00:06:06,090is finding the right model to go intocasting the casting I talked a little7100:06:06,090 --> 00:06:11,410bit about and the hair color so wewanted someone by Brian that could help7200:06:11,410 --> 00:06:15,550bring color to the muted to the holidaysso we ended up with this stunning7300:06:15,550 --> 00:06:21,590redhead her name is Tia again be calledmodeling agencies in San Francisco Bay7400:06:21,590 --> 00:06:24,790percent people that's in our pricebracket and that's available for the day7500:06:24,790 --> 00:06:26,420and from that7600:06:26,420 --> 00:06:31,190be between us and I see we it's myselfthey can make a person and the stylist7700:06:31,190 --> 00:06:34,140assembling a crew is really important7800:06:34,140 --> 00:06:37,750now the two ladies I'm gonna work withmakeup and styling for this specific7900:06:37,750 --> 00:06:44,420shoot I have worked with for fourteen orfifteen years now they approached me8000:06:44,420 --> 00:06:49,170when I was still an assistant they saidhey beautiful you should create8100:06:49,170 --> 00:06:54,220something together and we have beencreating something together sense it's8200:06:54,220 --> 00:07:00,180we fight sometimes we bicker and wereally are strong personalities that8300:07:00,180 --> 00:07:04,620want to create something beautiful butthen we get together the Porsche person

結果 (中文) 3:

1
00:00:24960——> 00:00:32230
想谈论他的谈话

2
00:00:32230——> 00:00:36370
结束的开始所以说
这个故事，我想告诉这些

3
00:00:36370——> 00:00:41470
四张照片这是
人和我

4
00:00:41470——> 00:00:44030
约为主题

5
00:00:44030——> 00:00:48489
真好奇之间的通信有这么多，是贾斯廷
身体语言的事情我们

6
00:00:48489——> 00:00:53470
传达你看起来一定的方式
或我们的方式进行自己所以这是

7
00:00:53470——> 00:00:58579
父母在你的这张照片上的女性是
意大利诱人的

8
00:00:58579——> 00:01:04729
她打开她的渴望可能在她
说身体语言和她这样的

9
00:01:04729——> 00:01:08899
展望照片
朝人但她是在一个单独的

10
00:01:08899——> 00:01:13789
房间，他只是一种无知的
忽略，所以有张力

11
00:01:13789——> 00:01:18190
这两人之间这是
情感，我想尽力保护，

12
00:01:18190——> 00:01:23179
我们如何创造张力不仅
在他们看

13
00:01:23179——> 00:01:29670
彼此联系，而且颜色
调色板和成分也在

14
00:01:29670——> 00:01:34229
方式我们形状集锦但光
等等这些都是他们真正的大

15
00:01:34229——>这张照片，我会
00:01:39490
元素的人们之间试图讲述一个爱情故事的渴望和

16
00:01:39490——> 00:01:45070
无知我们会尝试使用颜色在
方式，帮助支持，显然我们

17
00:01:45070——> 00:01:48579
不要去所有的光明和幸福，吨
光驱在Windows 18


00:01:48579——> 00:01:49640
这一

19
00:01:49640——> 00:01:56530
要创造的东西是新的一年
更下这个驱动我们去

20
00:01:56530——> 00:02:01060
使用失去绿色很多，然后试着
对比那些温暖的色调，

21
00:02:01060——> 00:02:06049
我去那里温暖的地点都在
图片我真的有两

22
00:02:06049——> 00:02:11130
焦点在这张照片中我需要
有我试验的指南

23
00:02:11，130——> 00:02:15160
女孩然后回来让我
想像我们这样做在

24
00:02:15160集锦——> 00:02:20540
光把聚光灯也许在这些
两元素也可能颜色

25
00:02:20540——> 00:02:23550
有一个模型，有漂亮的红头发
它不

26
00:02:23550——> 00:02:29340
我们这
选择她看具体的图片，所以这是非常重要的

27
00:02:29340——> 00:02:33400
进入画面，这样有一
清楚的情感内容

28
00:02:33400——>这是00:02:38250
我们想描述当
评论之际，在图片

29
00:02:38250——> 00:02:43810
这样我深吸一口气，我
只是问自己，这是怎样的感觉，

30
00:02:43，810——> 00:02:45190
然后从那里

31
00:02:45190——> 00:02:50560
开始塑造它进入的地方
创建这样一个画面，只是看

32
00:02:50560——> 00:02:53880
是什么在那里拍摄它不是
完全工作在这种情况下，他不得不
形状
33
00:02:53880——> 00:02:58800
将使用你的语气可能
凝胶阻挡很多窗户，真的

34
00:02:58800——> 00：