169
00:14:18,830 --> 00:14:24,560
techniques to control and techniques can
be applied non-destructive rather than
170
00:14:24,560 --> 00:14:28,570
keep going round round 10 me this
technique makes me so let's switch to
171
00:14:28,570 --> 00:14:33,780
this request summarizing these tools so
at the bottom of the list of ones are
172
00:14:33,780 --> 00:14:37,420
suggesting we just discovered out hands
hehe situation deteriorate command
173
00:14:37,420 --> 00:14:42,280
grayscale gradient map and 20 saturation
measuring between hue saturation to give
174
00:14:42,280 --> 00:14:47,890
us some control in a kind of random
white kind of dragging his slider and
175
00:14:47,890 --> 00:14:52,420
and hoping been discussed that technique
176
00:14:52,420 --> 00:14:57,230
so that leaves behind Michael camera
channel mix till calculations message
177
00:14:57,230 --> 00:15:00,110
left column in my favorite season
178
00:15:00,110 --> 00:15:05,519
sure it came across during the early
videos is the black michael has powerful
179
00:15:05,519 --> 00:15:10,310
flexible convenient and workflow very
easy to use
180
00:15:10,310 --> 00:15:14,790
coming in a close second at least for me
to camera roll against powerful maybe
181
00:15:14,790 --> 00:15:19,080
slightly more powerful black and white
so it's not quite flexible home to work
182
00:15:19,080 --> 00:15:22,760
with ross are rather than just measure
more complicated so in that sense the
183
00:15:22,760 --> 00:15:34,210
workflow convenience store in 10 easy
slide changed very easy to use if I were
184
00:15:34,210 --> 00:15:44,150
to say okay all we're gonna be doing is
working black might be a single the
185
00:15:44,150 --> 00:15:47,610
black and white choc which we can
combine with other conversion techniques
186
00:15:47,610 --> 00:15:53,029
as necessary because we're using it in
Photoshop rather than having to jump at
187
00:15:53,029 --> 00:15:57,510
the raw file the black and white ribbons
from me so come in certain places the
188
00:15:57,510 --> 00:16:02,279
challenge to its not powerful as the
other two it is flexible terms of
189
00:16:02,279 --> 00:16:06,070
workload but it's not quite seized you
detect a little bit more cheating around
190
00:16:06,070 --> 00:16:09,529
the settings to get something something
good even when you leave with the talk
191
00:16:09,529 --> 00:16:15,140
but it is still a tour I recommend take
a look at in fourth place and I very
192
00:16:15,140 --> 00:16:19,460
much trees but it's a precious
calculations very powerful to me is not
193
00:16:19,460 --> 00:16:24,690
specially flexible return to work at
Rach's low and sank the easy to use its
194
00:16:24,690 --> 00:16:28,330
difficult to use a destructive
techniques you can't go back and change
195
00:16:28,330 --> 00:16:33,089
things will change but it is powerful I
suggest you take a look at this and
196
00:16:33,089 --> 00:16:35,780
decide for yourself in this news can be
useful
197
00:16:35,780 --> 00:16:38,320
black might work
198
00:16:38,320 --> 00:16:42,470
the final one here she looks like she
discarded our hands not path is not sex
199
00:16:42,470 --> 00:16:48,610
is not convene is not difficult
especially easy to use either he's like
200
00:16:48,610 --> 00:16:50,370
columbo to come back to them
201
00:16:50,370 --> 00:16:57,080
take a look at one point she does have
one specific you start like oK so that's
202
00:16:57,080 --> 00:17:03,140
where we're at so far we start with
black-and-white all but work your way to
203
00:17:03,140 --> 00:17:10,430
the rest these techniques to show a cake
with we've covered the election now and
204
00:17:10,430 --> 00:17:13,650
take a look at some slightly more
sophisticated post-production techniques