100:00:10,549 --> 00:00:12,039I am

1
00:00:10,549 --> 00:00:12,039
I am curtain and East for

2
00:00:12,039 --> 00:00:15,509
RGG EDU and right now we're going to
retouch this

3
00:00:15,509 --> 00:00:19,440
image up Sam and photographed on an
outdoor patio

4
00:00:19,440 --> 00:00:23,000
so this is our here s the lacked

5
00:00:23,000 --> 00:00:28,370
rob has given me a couple a extra images
in case I need them for pieces but

6
00:00:28,370 --> 00:00:31,510
I in this case I think we're just gonna
retouch the

7
00:00:31,510 --> 00:00:37,859
here s select by itself he likes this
one particularly because there's

8
00:00:37,859 --> 00:00:41,440
shadow a the restaurants logo

9
00:00:41,440 --> 00:00:45,350
on their window casting a shadow on to
this table surface

10
00:00:45,350 --> 00:00:50,609
so we want to keep the shadow but with
all this white

11
00:00:50,609 --> 00:00:55,809
white table white plates white table
setting

12
00:00:55,809 --> 00:01:00,649
it all gets a little bright selling
capture one i just want to be sure that

13
00:01:00,649 --> 00:01:01,379
I'm

14
00:01:01,379 --> 00:01:05,870
retaining all the detail as I add
contrast

15
00:01:05,870 --> 00:01:10,240
summer that's gonna go away cell if it's
not there and capture one

16
00:01:10,240 --> 00:01:13,610
I want to I be sure that I i

17
00:01:13,610 --> 00:01:17,790
recover some those highlights just to be
sure I have all the information

18
00:01:17,790 --> 00:01:21,680
available to work with in Photoshop I
could

19
00:01:21,680 --> 00:01:25,260
if I need to pull down the highlights
later and capture want to recover

20
00:01:25,260 --> 00:01:26,740
detailed and I liked

21
00:01:26,740 --> 00:01:31,010
I don't think I really need to do that
here I'm just looking to have a

22
00:01:31,010 --> 00:01:32,200
separation between

23
00:01:32,200 --> 00:01:37,710
the plate and the table surface so I
just pulled it down

24
00:01:37,710 --> 00:01:41,020
about acquiring a stop and

25
00:01:41,020 --> 00:01:44,590
and the exposure down about a quarter of
a stop and I am in a process this to

26
00:01:44,590 --> 00:01:58,890
bring it and to find a shop

27
00:01:58,890 --> 00:02:01,159
so the first thing that I noticed about
this image

28
00:02:01,159 --> 00:02:04,770
is that are here a piece of salmon has
really kinda fallin

29
00:02:04,770 --> 00:02:09,060
and see shadow a little bit and I think
this would look a lot more

30
00:02:09,060 --> 00:02:13,990
appealing at this was hope and and we
saw some the pain

31
00:02:13,990 --> 00:02:17,650
flash in there is a bit more color going
on here

32
00:02:17,650 --> 00:02:22,390
and the meat so that's the first
adjustment that i'm gonna make

33
00:02:22,390 --> 00:02:26,380
is exploring occurs to you Brighton

34
00:02:26,380 --> 00:02:30,160
and add a little contrast but mainly am

35
00:02:30,160 --> 00:02:34,959
thinking about bright name in that area
here

36
00:02:34,959 --> 00:02:39,260
so this adjustment blows everything else
out

37
00:02:39,260 --> 00:02:42,380
and I think where I'd like to go with
this image is a very

38
00:02:42,380 --> 00:02:46,360
light Mary Heikki feel overall but this
is just

39
00:02:46,360 --> 00:02:50,319
completely blown out put that Master
Black

40
00:02:50,319 --> 00:02:55,430
and paint white to her in the hall

41
00:02:55,430 --> 00:03:06,440
might just meant just online the salmon

42
00:03:06,440 --> 00:03:08,010
I'm just masking on

43
00:03:08,010 --> 00:03:11,370
this adjustment into you the famine

44
00:03:11,370 --> 00:03:19,670
maybe that I need to do this over a
couple adjustments but

45
00:03:19,670 --> 00:03:22,930
think this one is getting me master the
way there

46
00:03:22,930 --> 00:03:26,130
definitely helps bring up the exposure

47
00:03:26,130 --> 00:03:30,260
so I see the grill marks

48
00:03:30,260 --> 00:03:34,430
and all in the detail

49
00:03:34,430 --> 00:03:42,660
in this parish mention I think I would
like this image to feel nice and bright

50
00:03:42,660 --> 00:03:47,739
hide he overall I think I'll move on to
work

51
00:03:47,739 --> 00:03:56,799
on that snow just thinking about the
image ever on particularly looking at

52
00:03:56,799 --> 00:03:59,470
the background see how far I can

53
00:03:59,470 --> 00:04:04,299
brighten their without blowing

54
00:04:04,299 --> 00:04:08,720
everything out completely may just take
this shadow point

55
00:04:08,720 --> 00:04:12,820
and nine Black Point in my car and bring
in a little higher

56
00:04:12,820 --> 00:04:16,160
what that's going to do is just screen
and some some

57
00:04:16,160 --> 00:04:25,490
lightness screens in gray and my dark
black

58
00:04:25,490 --> 00:04:27,620
Senate adding a nice airy feel

59
00:04:27,620 --> 00:04:31,910
overall now I don't want to just to let
this happen over ok they don't like what

60
00:04:31,910 --> 00:04:33,500
it does to my food

61
00:04:33,500 --> 00:04:37,360
samina had command I to flip that Master
Black

62
00:04:37,360 --> 00:04:40,580
and with a nice big brush

63
00:04:40,580 --> 00:04:46,190
I'm just gonna teen is this an letting
it spill onto the food a little bit

64
00:04:46,190 --> 00:04:51,289
but mainly isolating this adjustment
into you the background

65
00:04:51,289 --> 00:05:08,879
and the foreground

66
00:05:08,879 --> 00:05:13,330
and just for exploration ima see what it
looks like if I take it even for their

67
00:05:13,330 --> 00:05:16,949
mainly thinking about this extreme
foreground area

68
00:05:16,949 --> 00:05:20,300
he's

69
00:05:20,300 --> 00:05:23,470
dark shapes underneath the table

70
00:05:23,470 --> 00:05:37,630
are really kinda catching my eye

71
00:05:37,630 --> 00:05:41,190
so in a lotta images I tend to vignette

72
00:05:41,190 --> 00:05:45,890
where and making the corners and darker

73
00:05:45,890 --> 00:05:49,430
which helps brain

74
00:05:49,430 --> 00:05:56,170
your attention into the photo the same
can be accomplished by making the edges

75
00:05:56,170 --> 00:05:57,020
brighter

76
00:05:57,020 --> 00:06:00,760
just depending on if your images height
he

77
00:06:00,760 --> 00:06:04,040
or not I wrote you know what is actually
in the image

78
00:06:04,040 --> 00:06:07,840
I think here which evening at similar

79
00:06:07,840 --> 00:06:11,430
fact by making it brighter as

80
00:06:11,430 --> 00:06:23,000
I often went by making the corners and
darker

81
00:06:23,000 --> 00:06:27,950
at this backed the little bit do wanna
see the separation from the top of the

82
00:06:27,950 --> 00:06:28,600
table and

83
00:06:28,600 --> 00:06:42,500
cited the table

84
00:06:42,500 --> 00:06:46,060
like the food 10 have up punch of color

85
00:06:46,060 --> 00:06:49,250
more at in contrast

86
00:06:49,250 --> 00:06:53,610
add the saturation play with

87
00:06:53,610 --> 00:06:57,389
adding contrast really want to get to
some nice

88
00:06:57,389 --> 00:07:01,259
specular highlights in the act make this
a really bright

89
00:07:01,259 --> 00:07:05,430
sunny seen acquire

90
00:07:05,430 --> 00:07:09,090
eating on a patio

91
00:07:09,090 --> 00:07:13,530
and you absolutely have to wear
sunglasses cuz it's just too bright

92
00:07:13,530 --> 00:07:16,750
to leave a mock

93
00:07:16,750 --> 00:07:27,199
sad

94
00:07:27,199 --> 00:07:32,389
like adding all this this bright punchy
contrast makes our colors it be to these

95
00:07:32,389 --> 00:07:34,759
food stand out a lot more

96
00:07:34,759 --> 00:07:37,949
might further refine this by isolating

97
00:07:37,949 --> 00:07:43,370
adjustments just for the CMN I

98
00:07:43,370 --> 00:07:48,310
generally like came this AM and that I
just wanna make it

99
00:07:48,310 --> 00:07:51,520
make share I just wanna dat hour at

100
00:07:51,520 --> 00:07:54,750
and I feel like

101
00:07:54,750 --> 00:08:02,479
a little bit more pinky color little
more saturation a little more contrast

102
00:08:02,479 --> 00:08:06,310
will do that and in contrast adds that
saturation

103
00:08:06,310 --> 00:08:10,729
stop peace have flash seems to get a
little bright

104
00:08:10,729 --> 00:08:14,550
some might just look at turning that
down

105
00:08:14,550 --> 00:08:18,879
ever so slightly gain command I

106
00:08:18,879 --> 00:08:22,110
to put the matter black and painted and

107
00:08:22,110 --> 00:08:37,680
to say feel the pink and their a little
bit minor

108
00:08:37,680 --> 00:08:40,240
can now that I've got my base level

結果 (中文) 1:

100:00:10，549--> 00:00:12，039我是幕和东200:00:12，039--> 00:00:15，509即捷步达康 EDU，现在我们要去修饰这300:00:15，509--> 00:00:19，440图像上山姆和拍室外庭院400:00:19，440--> 00:00:23，000所以这就是我们这里的 s 缺乏500:00:23，000--> 00:00:28，370抢给了我一对夫妇的额外的图像万一我需要他们的片断，但600:00:28，370--> 00:00:31，510我在这种情况下，我认为我们只要去修饰700:00:31，510--> 00:00:37，859这里 s 自行选择他喜欢这种一个特别是因为800:00:37，859--> 00:00:41，440阴影餐厅标志900:00:41，440--> 00:00:45，350在他们的窗户上一层阴影到此表表面1000:00:45，350--> 00:00:50，609所以我们想要保留的影子，但这所有的白色1100:00:50，609--> 00:00:55，809白色白色白色板表设置1200:00:55，809--> 00:01:00，649它所有获取一点亮销售只是捕获一个我想可以肯定的1300:01:00，649--> 00:01:01，379我是1400:01:01，379--> 00:01:05，870保留所有的细节，我将添加对比1500:01:05，870--> 00:01:10，240夏天要去客场的单元格，如果它是不那里和捕获一1600:01:10，240--> 00:01:13，610我想我肯定的是我我1700:01:13，610--> 00:01:17，790这些亮点，只是要恢复一些一定的所有信息1800:01:17,790 --> 00:01:21,680available to work with in Photoshop Icould1900:01:21,680 --> 00:01:25,260if I need to pull down the highlightslater and capture want to recover2000:01:25,260 --> 00:01:26,740detailed and I liked2100:01:26,740 --> 00:01:31,010I don't think I really need to do thathere I'm just looking to have a2200:01:31,010 --> 00:01:32,200separation between2300:01:32,200 --> 00:01:37,710the plate and the table surface so Ijust pulled it down2400:01:37,710 --> 00:01:41,020about acquiring a stop and2500:01:41,020 --> 00:01:44,590and the exposure down about a quarter ofa stop and I am in a process this to2600:01:44,590 --> 00:01:58,890bring it and to find a shop2700:01:58,890 --> 00:02:01,159so the first thing that I noticed aboutthis image2800:02:01,159 --> 00:02:04,770is that are here a piece of salmon hasreally kinda fallin2900:02:04,770 --> 00:02:09,060and see shadow a little bit and I thinkthis would look a lot more3000:02:09,060 --> 00:02:13,990appealing at this was hope and and wesaw some the pain3100:02:13,990 --> 00:02:17,650flash in there is a bit more color goingon here3200:02:17,650 --> 00:02:22,390and the meat so that's the firstadjustment that i'm gonna make3300:02:22,390 --> 00:02:26,380is exploring occurs to you Brighton3400:02:26,380 --> 00:02:30,160and add a little contrast but mainly am3500:02:30，160--> 00:02:34，959明亮的名称，在这一领域的思考在这里3600:02:34，959--> 00:02:39，260所以这次调整吹一切出3700:02:39，260--> 00:02:42，380我认为我想要和一起去哪里这一形象是非常3800:02:42，380--> 00:02:46，360光玛丽科瓦莱宁感觉整体但这只是3900:02:46，360--> 00:02:50，319完全被吹把那大师黑色4000:02:50，319--> 00:02:55，430和油漆白色到她在大厅里4100:02:55，430--> 00:03:06，440可能只是刚刚在网上意味着三文鱼4200:03:06，440--> 00:03:08，010我现在只掩盖上4300:03:08，010--> 00:03:11，370这项调整你的饥荒4400:03:11，370--> 00:03:19，670也许这都要与这夫妇的调整，但4500:03:19，670--> 00:03:22，930认为这次得到我主那里的方式4600:03:22，930--> 00:03:26，130绝对有助于造就曝光4700:03:26，130--> 00:03:30，260所以我看到的烧烤痕迹4800:03:30，260--> 00:03:34，430和所有在细节4900:03:34，430--> 00:03:42，660在这教区提到我想我会像这张图片，感觉好，阳光明媚5000:03:42，660--> 00:03:47，739隐藏的他整体我想我会继续工作5100:03:47，739--> 00:03:56，799只想想那雪地上曾经对尤其看着图像5200:03:56，799--> 00:03:59，470背景看看我能走多远5300:03:59,470 --> 00:04:04,299brighten their without blowing5400:04:04,299 --> 00:04:08,720everything out completely may just takethis shadow point5500:04:08,720 --> 00:04:12,820and nine Black Point in my car and bringin a little higher5600:04:12,820 --> 00:04:16,160what that's going to do is just screenand some some5700:04:16,160 --> 00:04:25,490lightness screens in gray and my darkblack5800:04:25,490 --> 00:04:27,620Senate adding a nice airy feel5900:04:27,620 --> 00:04:31,910overall now I don't want to just to letthis happen over ok they don't like what6000:04:31,910 --> 00:04:33,500it does to my food6100:04:33,500 --> 00:04:37,360samina had command I to flip that MasterBlack6200:04:37,360 --> 00:04:40,580and with a nice big brush6300:04:40,580 --> 00:04:46,190I'm just gonna teen is this an lettingit spill onto the food a little bit6400:04:46,190 --> 00:04:51,289but mainly isolating this adjustmentinto you the background6500:04:51,289 --> 00:05:08,879and the foreground6600:05:08,879 --> 00:05:13,330and just for exploration ima see what itlooks like if I take it even for their6700:05:13,330 --> 00:05:16,949mainly thinking about this extremeforeground area6800:05:16,949 --> 00:05:20,300he's6900:05:20,300 --> 00:05:23,470dark shapes underneath the table7000:05:23,470 --> 00:05:37,630are really kinda catching my eye7100:05:37，630--> 00:05:41，190所以在洛塔图像我倾向于小插图7200:05:41，190--> 00:05:45，890在那里，使角和暗7300:05:45，890--> 00:05:49，430这有助于大脑7400:05:49，430--> 00:05:56，170你注意到这张照片一样可以通过制作边缘7500:05:56，170--> 00:05:57，020光明7600:05:57，020--> 00:06:00，760只要靠如果你图像的高度他7700:06:00，760--> 00:06:04，040或者我不写了你知道什么是真的在图像中7800:06:04，040--> 00:06:07，840我觉得这里的傍晚的类似7900:06:07，840--> 00:06:11，430通过使明亮作为事实8000:06:11，430--> 00:06:23，000我常去的角落和深色8100:06:23，000--> 00:06:27，950在这支持想去的点点滴滴吗请参阅从顶部的分离8200:06:27，950--> 00:06:28，600表和8300:06:28，600--> 00:06:42，500引用表8400:06:42，500--> 00:06:46，060喜欢的食物 10 了鲜艳的色彩8500:06:46，060--> 00:06:49，250在对比的更多8600:06:49，250--> 00:06:53，610添加饱和玩8700:06:53，610--> 00:06:57，389添加对比真的想要到达一些好8800:06:57，389--> 00:07:01，259高光在法案 》 使这真的很明亮8900:07:01，259--> 00:07:05，430阳光见获得9000:07:05，430--> 00:07:09，090在露台上吃9100:07:09，090--> 00:07:13，530和你绝对必须穿太阳镜因为它是只是太亮9200:07:13，530--> 00:07:16，750离开一个模拟9300:07:16，750--> 00:07:27，199悲伤9400:07:27，199--> 00:07:32，389像添加所有这这明亮有力对比使它可以对这些我们颜色9500:07:32，389--> 00:07:34，759食品中脱颖而出更多9600:07:34，759--> 00:07:37，949可能通过进一步细化这隔离9700:07:37，949--> 00:07:43，370只是为了 CMN 调整我9800:07:43，370--> 00:07:48，310一般喜欢来这的上午，我和只是想要它9900:07:48，310--> 00:07:51，520让分享我只是想在 dat 小时10000:07:51，520--> 00:07:54，750我想要10100:07:54 750--> 00:08:02，479多一点点粉红颜色很少更多饱和度有点更多对比10200:08:02，479--> 00:08:06，310会这样做，相反地补充说，饱和度10300:08:06，310--> 00:08:10，729停止和平有闪光灯似乎变得小明亮10400:08:10，729--> 00:08:14，550有些可能只是看转动，向下10500:08:14，550--> 00:08:18，879稍稍获得命令我10600:08:18，879--> 00:08:22，110要把这件事，黑白画和10700:08:22，110--> 00:08:37，680要说感觉粉红色和他们有点有点小10800:08:37，680--> 00:08:40，240可现在，我能得到我的基础水平

結果 (中文) 3:

1
00:00:10549——> 00:00:12039
我窗帘和东

2
00:00:12039——> 00:00:15509
RGG埃杜和现在我们将
润饰这

3
00:00:15509——> 00:00:19440
图像萨姆和拍摄在一
户外庭院

4
00:00:19440——> 00:00:23000
所以这是我们这里的的缺乏

5
00:00:23000——> 00:00:28370
Rob给我几个额外的图像
案件，但
我需要他们
6
00:00:28370——
> 00:00:31510我在这种情况下，我认为我们要
润饰的

7
00:00:31510——> 00:00:37859
这里的选择本身他喜欢这
一个特别因为有8


00:00:37859——> 00:00:41440
阴影一个餐厅标志

9
00:00:41440——> 00:00:45350
窗台上的影子投射在
这张桌子表面

10
00:00:45350——
> 00:00:50609所以我们要保持的阴影但
所有这白

11
00:00:50609——> 00:00:55809
白表白牌白表
设定12


00:00:55809——> 00:01:00649
这一切得到一点光明销售
捕捉我只是想确定，

13
00:01:00649——> 00:01:01379
我

14
00:01:01379——> 00:01:05870
保留所有的细节我添加
对比

15
00:01:05870——
> 00:01:10240夏天，是要走了细胞如果它的
没有和捕获一

16
00:01:10240——> 00:01:13610
我想我肯定，我

17
00:01:13610——恢复> 00:01:17790
一些那些集锦只是被确定
我所有信息

18
00:01:17790——> 00:01:21680
可工作在PS图象处理软件我


19
00:01:21680——> 00:01:25260
如果我需要拉下的集锦
后来和捕捉想恢复

2
00:01:25260——> 00:01:26740
详细，我喜欢

2
00:01:26740——> 00:01:31010
，我不认为我真的需要到做
这里我只是看看有22


00:01:31010——> 00:01:32200
分离之间

23
00:01:32200——
> 00:01:37710板表面所以我
只是将它拉

24
00:01:37710——> 00:01:41020获取停止，


25
00:01:41020——> 00:01:44590下曝光

停止约四分之一，我这一过程以

26
00:01:44590——> 00:01:58890
带来找到一家商店

27
00:01:58890——> 00:02:01159
所以的第一件事，我注意到
这图像

28
00:02:01159——> 00:02:04770
，这里一块鲑鱼有
真有点儿爱上

29
00:02:04770——
> 00:02:09060和看到一点阴影，我认为
这会看起来更多

3
00:02:09060——> 00:02:13990
呼吁这希望和我们
看到一些的疼痛

31
00:02:13990——> 00:02:17650
闪在那里是更多一点颜色会
这里

32
00:02:17650——> 00:02:22390
和肉这样的第一
调整，我会让

33
00:02:22390——
> 00:02:26380探索发生到你布莱顿

34
00:02:26380——加一点对比度> 00:02:30160
，但主要是

35
00:02:30160——> 00:02:34959
思考明亮的名字在那地区
这里

36
00:02:34959——> 00:02:39260
所以这种调整打击一切其他


37
00:02:39260——认为> 00:02:42380
我，我喜欢到去
这图像是一个非常

38
00:02:42380——
> 00:02:46360光玛丽海基整体感觉但这
只是

39
00:02:46360——> 00:02:50319
完全熄灭，把主
黑色

40
00:02:50319——> 00:02:55430
和漆白了她在大厅里

41
00:02:55430——> 00:03:06440
可能只是刚刚在网上的鲑鱼

42
00:03:06440——> 00:03:08010
我只是掩蔽

43
00:03:08010——
> 00:03:11370这调整到你的饥荒

44
00：03:11370——> 00:03:19670
也许，我需要到做这在一对夫妇
的调整但
45

00:03:19670——认为> 00:03:22930
这是一个让我掌握
路上
46

00:03:22930——
> 00:03:26130肯定有利于造就曝光

47
00:03:26130——> 00:03:30260
所以我看到烧烤痕迹

48
00:03:30260——> 00:03:34430
和所有细节

49
00:03:34430——
> 00:03:42660这个教区提到我想我会
这样图像来感觉好明亮

50
00:03:42660——> 00:03:47739
隐藏他整体我想我会移动到

工作51

00:03:47739——> 00:03:56799
雪只是想着
形象永远在特别希望在

2
00:03:56799——
> 00:03:59470背景看多远我可以
53

00:03:59470——照亮> 00:04:04299
他们没有吹