10100:06:51,690 --> 00:07:31,950all

101
00:06:51,690 --> 00:07:31,950
all

102
00:07:31,950 --> 00:07:38,640
you don't see how that leaders looking
so far so that I'd say and you can

103
00:07:38,640 --> 00:07:41,520
really see the subtlety of these
adjustments I mean if I talk a little on

104
00:07:41,520 --> 00:07:41,960
of

105
00:07:41,960 --> 00:07:47,400
it's just him out as well you can see
it's just

106
00:07:47,400 --> 00:07:50,710
super subtle that's really about as far
as you want to be going

107
00:07:50,710 --> 00:07:54,490
now we look back down in this area I'm
actually not too happy with what's going

108
00:07:54,490 --> 00:07:55,360
on down there

109
00:07:55,360 --> 00:07:58,750
and again another reason why it's
important to toggle your layers on in

110
00:07:58,750 --> 00:08:02,960
our feeling as I brought in a little too
much in the dark or so I want to do is

111
00:08:02,960 --> 00:08:04,610
wanna go back to where that had that

112
00:08:04,610 --> 00:08:08,170
when a sample is lighter tone times
going to reintroduce

113
00:08:08,170 --> 00:08:21,669
a little bit more a lighter tone into
here 30

114
00:08:21,669 --> 00:08:24,169
it looks okay so very important to
always

115
00:08:24,169 --> 00:08:28,050
toggle on/off and make sure things are
looking good now we also have this

116
00:08:28,050 --> 00:08:34,079
area on the about the shoulder here
think we got a little bit of a tan line

117
00:08:34,079 --> 00:08:34,769
there

118
00:08:34,769 --> 00:08:38,060
we could deal with that inside a
frequency separation or we could deal

119
00:08:38,060 --> 00:08:38,800
with it using

120
00:08:38,800 --> 00:08:43,009
an adjustment layer but see how we do in
frequency separation if and giving us

121
00:08:43,009 --> 00:08:44,630
too much trouble then I'll just a

122
00:08:44,630 --> 00:08:49,889
use a Curves adjustment expert but I
think not looking too bad inside a

123
00:08:49,889 --> 00:09:08,680
frequency separation

124
00:09:08,680 --> 00:09:12,440
where she talked a lot of I'm personally
not too happy with that I think I'd

125
00:09:12,440 --> 00:09:13,670
prefer to fix that

126
00:09:13,670 --> 00:09:17,509
leader when we and panties and color
correction what's gonna fix it using a

127
00:09:17,509 --> 00:09:18,250
simple curve

128
00:09:18,250 --> 00:09:21,970
generally the way i can. approaches if I
see a large area like this

129
00:09:21,970 --> 00:09:25,430
very seldom light fixture inside
frequency separation usually gonna end

130
00:09:25,430 --> 00:09:25,769
up

131
00:09:25,769 --> 00:09:29,870
I'm going into work a Curves adjustment
or hue saturation just like this just

132
00:09:29,870 --> 00:09:33,699
too difficult to you on to do that using
a brush tool

133
00:09:33,699 --> 00:09:37,329
you never really in it maintain the
condors properly so on

134
00:09:37,329 --> 00:09:40,769
how it's safer to use an adjustment
layer instead a frequency separation

135
00:09:40,769 --> 00:09:44,660
against it were a lot people go on to
the frequency separation the

136
00:09:44,660 --> 00:09:48,740
see as this like amazing tool to fix
anything and everything in

137
00:09:48,740 --> 00:09:52,040
you know you can fix almost everything
with it but

138
00:09:52,040 --> 00:09:55,800
does mean that you should so we're gonna
leave here

139
00:09:55,800 --> 00:10:12,520
and we'll show you how to do it the
old-fashioned way

140
00:10:12,520 --> 00:10:15,040
Kane me create one more layer

141
00:10:15,040 --> 00:10:20,970
urinal see how far we can get with these
stray hairs up here gonna do I think

142
00:10:20,970 --> 00:10:24,070
eventually want to get rid of course I
don't wanna keep them there permanently

143
00:10:24,070 --> 00:10:27,070
so we get we'll see what we can do about
getting rid of them

144
00:10:27,070 --> 00:10:30,650
inside a frequency separation it's just
gonna be easier for us if we do it here

145
00:10:30,650 --> 00:10:35,430
the first thing I'm doing is just
brushing the skin tone over them

146
00:10:35,430 --> 00:10:41,160
and that's going to make the hairs feel
finer and essentially less noticeable

147
00:10:41,160 --> 00:10:44,300
and then we're gonna see if we can graft

148
00:10:44,300 --> 00:10:47,590
the top text earlier over topless

149
00:10:47,590 --> 00:10:51,180
K

150
00:10:51,180 --> 00:10:54,110
so we talk a lot of the issue that's
doing it just kind we're moving on with

151
00:10:54,110 --> 00:10:54,840
the shadow

152
00:10:54,840 --> 00:10:59,060
but underneath those hairs and
technically it should be a little bit

153
00:10:59,060 --> 00:10:59,590
darker

154
00:10:59,590 --> 00:11:03,550
because I am we do have fun been a
curvature

155
00:11:03,550 --> 00:11:06,690
in the head so we can you try and
restore them by by

156
00:11:06,690 --> 00:11:10,290
doing an adjustment on this layer itself
or at the end

157
00:11:10,290 --> 00:11:13,230
when we start doing dodging and burning
I can burn that back in which is

158
00:11:13,230 --> 00:11:14,150
probably what I'll do

159
00:11:14,150 --> 00:11:17,670
whole at a lot more burn their to
restore back on tour

160
00:11:17,670 --> 00:11:22,690
that's in the AM in the forehead not
have that on a minute do is I think a

161
00:11:22,690 --> 00:11:25,150
menace switch over to the highly her for
a little bit

162
00:11:25,150 --> 00:11:28,420
and on any copy my highly so control J

163
00:11:28,420 --> 00:11:32,070
an ounce clip that back down so it's
looking normal

164
00:11:32,070 --> 00:11:35,320
and going here grab my healing brush

165
00:11:35,320 --> 00:11:39,080
it's like currently only and then we're
just gonna he allowed this one

166
00:11:39,080 --> 00:11:43,180
guy over here I'm not gonna do them all
individually but just this one cuz its

167
00:11:43,180 --> 00:11:47,920
sticking out more and it's gonna be more
work for us to try and cover it up so

168
00:11:47,920 --> 00:11:51,600
I think he's way to get rid of it is
just gonna be he laid out individually

169
00:11:51,600 --> 00:12:00,329
like this

170
00:12:00,329 --> 00:12:03,339
in and now when I really wanna do is

171
00:12:03,339 --> 00:12:06,529
on hopefully we can replace this all in

172
00:12:06,529 --> 00:12:10,850
ball we'll see how that actually goes
before I do that though I do wanna just

173
00:12:10,850 --> 00:12:11,910
kinda fix-up

174
00:12:11,910 --> 00:12:16,170
summit high frequency information over
here we had that shoppers

175
00:12:16,170 --> 00:12:21,180
not quite looking as perfect as I'd want
it to so since we're actually use these

176
00:12:21,180 --> 00:12:23,399
as source'. pixel I want this area to
look

177
00:12:23,399 --> 00:12:53,220
good

178
00:12:53,220 --> 00:12:56,269
re: I think that should do the trick
parents just

179
00:12:56,269 --> 00:12:59,529
quarter this area here and then

180
00:12:59,529 --> 00:13:03,879
here and I think has going to be good
enough has a sore so it's quite grammar

181
00:13:03,879 --> 00:13:04,860
lasso tool

182
00:13:04,860 --> 00:13:08,060
and we're going to grab an area that's

183
00:13:08,060 --> 00:13:16,329
again the shape of the area where cover
came

184
00:13:16,329 --> 00:13:19,810
and let's just had sorry to hear I don't
think we'll need it

185
00:13:19,810 --> 00:13:26,759
polly's mascot she won't let me remove
this

186
00:13:26,759 --> 00:13:30,300
and we went too far with it so my
subtraction to

187
00:13:30,300 --> 00:13:34,189
and spot don't think need

188
00:13:34,189 --> 00:13:38,339
okay now we're going to right click

189
00:13:38,339 --> 00:13:42,100
and say transform selection risk and I
char selection over

190
00:13:42,100 --> 00:13:46,750
and essentially grab from a donor area

191
00:13:46,750 --> 00:13:54,089
a bar texture that should probably be a
pretty good

192
00:13:54,089 --> 00:13:59,630
place to grab from a minute or J

193
00:13:59,630 --> 00:14:03,900
and then again put that down we're gonna
move our texture over

194
00:14:03,900 --> 00:14:07,210
so that it covers those hairs

195
00:14:07,210 --> 00:14:12,420
and I always wanna go a little bit

196
00:14:12,420 --> 00:14:16,360
farther than I think I have to do and
then we're gonna ultimately mask areas

197
00:14:16,360 --> 00:14:17,260
in anyway so

198
00:14:17,260 --> 00:14:21,030
let's go ahead and hold down the ALT or
option key and at mask over top that

199
00:14:21,030 --> 00:14:22,590
grabar brush tool

200
00:14:22,590 --> 00:14:27,820
and we can go to a 10 percent flow rate
here and we're just gonna reduce our

結果 (中文) 1:

10100:06:51，690--> 00:07:31，950所有10200:07:31，950--> 00:07:38，640你看不到如何那领导人看远所以我曾说，你可以10300:07:38，640--> 00:07:41，520真的看到其中的微妙之处我的意思是如果我谈一谈关于调整10400:07:41，520--> 00:07:41，960的10500:07:41，960--> 00:07:47，400它是只是他出，正如你看到的好它只是10600:07:47，400--> 00:07:50，710超细微这就是真的一样远只要你想要10700:07:50，710--> 00:07:54，490现在我们看回我这一带其实不太满意什么10800:07:54，490--> 00:07:55，360那里下来10900:07:55，360--> 00:07:58，750和再一次的另一个原因为什么重要的是切换你的层上，在11000:07:58，750--> 00:08:02，960我们的感觉，因为我太带来一件小在黑暗里或所以我想要做的是11100:08:02，960--> 00:08:04，610想要去回，在那里，11200:08:04，610--> 00:08:08，170当样本是轻色调倍要重新11300:08:08，170--> 00:08:21，669入得有点多比较轻松的语气这里 3011400:08:21，669--> 00:08:24，169它看起来很好所以很重要总是11500:08:24，169--> 00:08:28，050开/关切换和做出肯定的事情是看起来很好，现在我们也有这11600:08:28，050--> 00:08:34，079地区上的关于这里的肩膀认为我们有点褐色的线11700:08:34，079--> 00:08:34，769有11800:08:34，769--> 00:08:38，060我们可以处理那里面频率的分离或我们可以处理11900:08:38 060--> 00:08:38，800它使用12000:08:38，800--> 00:08:43，009但看看我们是如何在调整图层频率的分离如果和给我们12100:08:43，009--> 00:08:44，630太多的麻烦就会12200:08:44，630--> 00:08:49，889使用曲线调整专家但认为不看里面太坏12300:08:49，889--> 00:09:08，680频率的分离12400:09:08，680--> 00:09:12，440她谈了很多我想是个人不太满意，我想我会12500:09:12，440--> 00:09:13，670喜欢，解决这个问题12600:09:13，670--> 00:09:17，509领导者的时候我们的内裤和颜色什么去修补它使用的校正12700:09:17，509--> 00:09:18，250简单的曲线12800:09:18，250--> 00:09:21，970一般我能用的方法。方法如果我看到这样的大区域12900:09:21，970--> 00:09:25，430很少灯具内频率的分离通常会结束13000:09:25，430--> 00:09:25，769向上13100:09:25，769--> 00:09:29，870我要到工作曲线调整或色相饱和度就只是这样13200:09:29，870--> 00:09:33，699太难，给你做，使用画笔工具13300:09:33，699--> 00:09:37，329你从来没有真正在它保持加州神鹫正确等等13400:09:37，329--> 00:09:40，769它是如何使用调整更安全相反层频率分离13500:09:40，769--> 00:09:44，660反对它是很多人去频率的分离13600:09:44，660--> 00:09:48，740请参阅作为这奇妙的工具，像修复中的一切13700:09:48，740--> 00:09:52，040你知道你可以解决几乎所有的东西与它但13800:09:52，040--> 00:09:55，800意味着你应该所以我们要去离开这里13900:09:55，800--> 00:10:12，520我们会告诉你怎么做老式的方法14000:10:12，520--> 00:10:15，040凯恩我创建一个多图层14100:10:15，040--> 00:10:20，970小便池看到我们与这些能走多远我想起来在这里要做流浪毛14200:10:20，970--> 00:10:24，070最终想要摆脱我当然不想让他们那里永久14300:10:24，070--> 00:10:27，070所以我们得到我们会看到我们可以做什么摆脱它们14400:10:27，070--> 00:10:30，650内部频率的分离只是如果我们在这里做它，要我们更容易14500:10:30，650--> 00:10:35，430我做的第一件事就是扫过他们的皮肤色调14600:10:35，430--> 00:10:41，160这就使毛感到更精细和本质上就不那么明显14700:10:41，160--> 00:10:44，300我们再来看看是否我们可以移植14800:10:44，300--> 00:10:47，590早些时候在裸照的顶部文本14900:10:47，590--> 00:10:51，180K15000:10:51，180--> 00:10:54，110所以我们谈论了很多的问题的只这样做，我们正在与15100:10:54，110--> 00:10:54，840阴影15200:10:54，840--> 00:10:59，060但在那些毛之下和从技术上讲它应该是一点点15300:10:59，060--> 00:10:59，590深色15400:10:59，590--> 00:11:03，550因为我是我们做有乐趣了曲率15500:11:03，550--> 00:11:06，690在头所以我们可以尝试和将它们通过由还原15600:11:06，690--> 00:11:10，290做这一层本身的调整或在结束了15700:11:10，290--> 00:11:13，230我们什么时候开始做回避和燃烧我可以烧背的是15800:11:13，230--> 00:11:14，150可能是我会做什么15900:11:14，150--> 00:11:17，670在更多的烧伤整个他们到还原回巡回演出16000:11:17，670--> 00:11:22，690这不是在上午的前额有一分钟做对是我认为16100:11:22，690--> 00:11:25，150对高度她为结束威胁开关一点点16200:11:25，150--> 00:11:28，420和任何复制我的高度因此控制 J16300:11:28，420--> 00:11:32，070一盎司剪辑，背下来，所以它是正常的样子16400:11:32，070--> 00:11:35，320会在这里抓住我修复画笔16500:11:35，320--> 00:11:39，080它只是像目前和我们就只要他允许这一16600:11:39，080--> 00:11:43，180过去的家伙在这里我不会做他们所有单独地但只是这一个因为其16700:11:43，180--> 00:11:47，920伸出更多，它将会更多我们试着盖住它的工作了，所以16800:11:47，920--> 00:11:51，600他是要摆脱它的方法是只去被他铺设的分别吗16900:11:51，600--> 00:12:00，329喜欢这个17000:12:00，329--> 00:12:03，339现在，当我真正想要做是17100:12:03，339--> 00:12:06，529上一事，我们希望可以取代这一切都在17200:12:06，529--> 00:12:10，850球我们会看到实际上怎么样这在开始之前虽然我想只是17300:12:10，850--> 00:12:11，910有点儿修复了17400:12:11，910--> 00:12:16，170在首脑会议高频信息在这里我们有购物17500:12:16，170--> 00:12:21，180不太看我想要的那样完美它因为我们实际上使用这些17600:12:21，180--> 00:12:23，399作为源 '。我要对此区域的像素看看17700:12:23，399--> 00:12:53，220好17800:12:53，220--> 00:12:56，269稀土: 那应该觉得到了诀窍父母只是17900:12:56，269--> 00:12:59，529季度这一领域在这里，然后18000:12:59，529--> 00:13:03，879在这里，我认为已准备好足够有痛，所以它是相当的语法18100:13:03，879--> 00:13:04，860套索工具18200:13:04，860--> 00:13:08，060和我们要去抓面积的18300:13:08，060--> 00:13:16，329再一次区域的形状在那里盖来了18400:13:16，329--> 00:13:19，810让我们只是不得不对不起听到我不想，我们需要它18500:13:19，810--> 00:13:26，759波莉的吉祥物她不让我删除这18600:13:26，759--> 00:13:30，300和我们走得太远了所以我对减法18700:13:30，300--> 00:13:34，189现场不认为需要18800:13:34，189--> 00:13:38，339好吧现在我们要右键单击18900:13:38，339--> 00:13:42，100说我和变换选择风险在 char 选择19000:13:42，100--> 00:13:46，750和从供区基本上抓起19100:13:46，750--> 00:13:54，089酒吧的纹理，也许应该挺好的19200:13:54，089--> 00:13:59，630抓斗从一分钟或 J 的地方19300:13:59，630--> 00:14:03，900然后再放，下来我们要去在移动我们的纹理19400:14:03，900--> 00:14:07，210因此，它涵盖了那些毛19500:14:07，210--> 00:14:12，420总是想要去一点点19600:14:12，420--> 00:14:16，360远比我觉得我要做和然后我们要最终掩盖地区19700:14:16，360--> 00:14:17，260在无论如何19800:14:17，260--> 00:14:21，030让我们继续，请按住 alt 键或选项键，在面具在顶部，19900:14:21，030--> 00:14:22，590格拉画笔工具20000:14:22，590--> 00:14:27，820我们可以去 10%的流量在这里，我们只要减少我们

結果 (中文) 3:

101
00:06:51690——
> 00:07:31950

102
00:07:31950——> 00:07:38640
你也不见如何领导看
到目前为止所以我想说，你可以

103
00:07:38640——> 00:07:41520
真正看到这些
调整我的意思是，如果我说一点

104
00:07:41520——> 00:07:41960


105
00:07:41960——> 00:07:47400
的只是他你可以看到它
的只是

106
00:07:47微妙，400——> 00:07:50710
超精细，真的你想走

107
00:07:50710——
> 00:07:54490现在，我们回头看下这个地区我
其实并不太高兴怎么

108
00:07:54490——> 00:07:55360
下来有

109
00:07:55360——> 00:07:58750
又另一个原因为什么它的
重要拨动你的图层上

110
00:07:58750——
> 00:08:02960远
我们感觉为我带来一点太
多在黑暗或所以我想做

111
00:08:02960——去> 00:08:04610
想回到哪里，

112
00:08:04610——> 00:08:08170
，当样品是打火机色调倍
去重铸

113
00:08:08170——> 00:08:21669
一点点浅色调为
这里30

114
00:08:21669——> 00:08:24169
它看起来好非常重要
总是

115
00:08:24169——> 00:08:28050
切换开/关，确保事情
好看现在我们也有这

116
00:08:28050——> 00:08:34079的肩膀这里

地区认为我们有一个点位的谭线

117
00:08:34079——> 00:08:34769
有

118
00:08:34769——> 00:08:38060
我们可以处理内部频率、分离或我们可以处理

119
00:08:38060——> 00：08:38800
与它使用

120
00:08:38800——
> 00:08:43009调整层，但看到我们如何做
频率分离如果给我们

121
00:08:43009——> 00:08:44630
的太多麻烦，然后我会只是一个

122
00:08:44630——> 00:08:49889
使用曲线调整专家但我
认为看上去不太坏内

123
00:08:49889——> 00:09:08680
频率分离

124
00:09:08680——> 00:09：12440
，她谈了很多我个人
不太高兴与我想我

125
00:09:12440——> 00:09:13670
喜欢，126


00:09:13670——> 00:09:17509
的领袖，当我们和内裤和颜色
校正什么的要修复它使用一个

127
00:09:17509——> 00:09:18250
简单曲线

128
00:09:18250——> 00:09:21970
一般的方式我可以修复。如果我的方法看到一个大面积这样

129
00:09:21970——> 00:09:25430
很少灯具内
频率分离通常会结束

130
00:09:25430——
> 00:09:25769了

131
00:09:25769——> 00:09:29870
我去工作曲线调整
或色相饱和度就像这才

132
00:09:29870做，使用
一个画笔工具

133
00:09:33699——> 00——> 00:09:33699
太难你在：
09:37329你从来就没有真正在它保持
秃鹰正确在

134
00:09:37329——> 00:09:40769
如何它的安全使用调整
层，而不是一个135频率分离


00:09:40769——> 00:09:44660
反对被很多人去
的频率分离136


00:09:44660——> 00:09:48740
看到这样神奇的工具修

137
00:09:48
一切，740——> 00:09:52040
你知道你可以解决几乎所有
与它但

138
00:09:52040——> 00:09:55800
意味着，你应该这样我们会
离开这里> 00:10:12520


139
00:09:55800——中，我们将告诉你如何到做它的
老式的方式

140
00:10:12520——> 00:10:15040《公民凯恩》起源的我创造一个更层

141
00:10:15040——看到> 00:10:20970
便池多远我们可以得到这些
杂散头发这里会做我认为

142
00:10:20970——> 00:10:24070
最终要以获得摆脱当然我
不想让他们有永久

143
00:10:24070——> 00:10:27070
所以我们得到我们会看到什么我们可以做
摆脱他们

144
00:10:27070——> 00:10:30650
频率分离的内部只是
会是我们更容易如果我们做这里

145
00:10:30650——
> 00:10:35430我做的第一件事是只是
刷牙的肤色在他们

146
00:10:35430——> 00:10:41160
的去到使头发感觉
细化，基本上不太明显，

147
00:10:41160——> 00:10:44300
，然后我们会看到如果我们可以接枝

148
00:10:44300——> 00:10:47590
的顶部文本早些时候在上空

149
00:10:47590——> 00:10:51180
K

150
00:10:51180——
> 00:10:54110所以我们谈论很多的问题，的
做它只是一种我们移动与

151
00:10:54110——
> 00:10:54840 152影子


00:10:54840——> 00:10:59060
，但下面那些头发
技术上，它应该是一个点位

153
00:10:59060——> 00:10:59590
暗

154
00:10:59590——> 00:11:03550
因为我我们确实有乐趣是一个
曲率

155
00:11:03550——
> 00:11:06690在头所以我们可以你尝试和
恢复他们的的

156
00:11:06690——> 00:11:10290
做调整在这层本身
或在的结束

157
00:11:10290——> 00:11:13230
当我们开始做躲闪燃烧
我可以烧掉后，

158
00:11:13230——> 00:11:14150
大概什么我会做

159
00:11:14150——> 00:11:17670
整体更多烧伤他们恢复旅游


160
00:11:17670——> 00:11:22690
这是在我的额头不
有一分钟做我认为这是一个

161
00:11:22690——> 00:11:25150
威胁切换高度她
一点点

162
00:11:25150——> 00:11:28420
和复制任何我如此高的控制J

163
00:11:28420——>
00:11:32070一盎司夹回去，所以它的
看上去正常

164
00:11:32070——> 00:11:35320
去这里抓住我愈合刷

165
00:11:35320——> 00:11:39080
，真的像目前唯一的，然后我们
要他允许这一

166
00:11:39080——> 00:11:43180
的家伙在这里我不会做他们所有
个别，但仅此一因为167


00:11:43180——> 00:11:47920
伸出更多，这会是我们试图掩盖它，

168
00:11:47920——> 00:11更多
工作：51600
，我想他的方式摆脱它是
只会是他奠定了单独

169
00:11:51600——> 00:12:00329
这样

170
00:12:00329——> 00:12:03339
现在当我真正想要做的是

171
00:12:03339——> 00:12:06529
上希望我们能取代所有

172
00:12:06529——> 00:12:10850
球，我们会看到，其实可以
我之前做的，虽然我想做的只是

173
00:12：10850——> 00:12:11910
有点儿修理

174
00:12:11910——> 00:12:16170
峰会高频信息在
我们已经在这里，购物者

175
00:12:16170——> 00:12:21180
看起来不太完美的为我
它想所以既然我们实际使用这些

176
00:12:21180——> 00:12:23399
源。我希望此区域像素
看

177
00:12:23399——> 00:12:53220
好

178
00:12:53220——> 00:12：
56269重新：我认为应该做的伎俩
父母只是
179

00:12:56269——> 00:12:59529
季度该地区在这里，然后

180
00:12:59529——> 00:13:03879
这里，我想去
好足够的疼痛，所以它的相当语法

181
00:13:03879——> 00:13:04860
套索工具

182
00:13:04860——> 00:13:08060
，我们要抓住一个地区的

183
00:13:08060——
> 00:13:16329再次的地方盖
来到

184
00:13:16329——> 00:13:19810
，让我们刚刚很抱歉听到我不
认为我们需要它

185
00:13:19810——> 00:13:26759
波莉的吉祥物，她不会让我删除


186
00:13:26759——> 00:13:30300
和我们走太远它所以我


187
00:13:30300——> 00:13:34189
和现场不认为需要

188
00:13:34189——> 00:13:38减法的形状，339
好了，现在我们要右键单击

189
00:13:38339——> 00:13:42100
说变换选择风险和我
字符选择

190
00:13:42100——> 00:13:46750
和本质上抓住从一个供区

191
00:13:46750——> 00:13:54089
酒吧纹理应该
不错

192
00:13:54089——> 00:13:59630
地方抓斗从一分钟或J

193
00:13:59630——
> 00:14:03900，然后再把下来我们会
移动纹理在

194
00:14:03900——> 00:14:07210
所以，它涵盖那些头发
195

00:14:07210——> 00:14:12420
，我总是想去一点点

196
00:14:12420——> 00:14:16360
更远比我想我做
然后我们会最终掩模区域

197
00:14:16360——> 00:14:17260
总之

198
00:14:17260——
> 00:14:21030让吧按住ALT或
Option键，在面膜上面，

199
00:14:21030——> 00:14:22590
格拉巴画笔工具

2
00:14:22590——> 00:14:27820
，我们可以去10%流量
这里我们只会减少我们的