20900:11:25,740 --> 00:11:30,360tha

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that's my personal opinion on that
matter and commercial versus editorial

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intention

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what is the difference now as I
mentioned earlier on

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and we did come as quite a step
extensively this your shot by Julie L

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shot by Dixie Dixon both fantastic
people and a photographer's

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I'm really good guys just be specific
people that buy my mail see on the left

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is Joey L on the right is dictated
really and thank you so much for that s

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yes so II but is brought these images up
because

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although they both arm 10 tisch can
shoot very

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avaible degree of styles Julie L
typically there's a lot of commercial

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very cinematic

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work on Dixie Dixon also this commercial
work but I think a lot of folks they're

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soft as well and

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learns to love editorial qualities and

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we Asha this image on the right in the
Bahamas recently where

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on the image was quite beautiful on the
camera and after work done

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I thought it was a good image to portray

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as editorial example because this is an
image I would see

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going both ways now the mean difference

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and treatment in regards to both as I
find that commercial work

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is kept a little bit more realistic then
editorial work

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with editorial work you can go a bit
further session could fashion magazines

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you can go a little bit further on the
appeal

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what you triangle thing can put more
artistic integrity

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into it and tell more of the story
sometimes the commercial world

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even though you're telling stories it's
more

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about I'm selling products sometimes
thank you for reading watch campaigns

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it's about making things

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ultra-realistic inkling was a twenty can
go and push things further

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on in God's stalin treatment I think

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as I mentioned commercial stuff is much
cleaner I think there's a

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more fine control their and also with
commercial work

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the more people involved in the
directions you have less

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flexibility to do whatever you want as a
retoucher

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I find with editorial side there's less
people involved

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leading magazines emissions sometime so
gil is not mourn you can make things

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want to stick a more colorful and
vibrant and

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you do all these things aside from that
I don't think there's a particular

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difference in treatment

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it's just be some photographer that's
hired for the job now studio versus work

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at home

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I have contemplated both now have done
both where you'd

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working series work at home working home
has a huge benefit in this sense we can

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cut down on overhead costs you can lower
your prices and so forced into working

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there

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apart as your home can be tax deductible
you working space

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however it lends to distractions

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so if you are easily distracted in you
watching like Seinfeld and fight three

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hours and looking at Cap using YouTube
for the next three hours

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then you then you probably know the
person who should be eaten

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who lent work and home from a
psychologist and play what happens when

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you work at home also

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are you tend to mix your personal life
and private life together

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and you become known as

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somebody who's you know doesn't have a
new visual barrier

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and for example like myself if I'm
working from home also have found

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members comment see all your free right

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because you at home like no I'm not free
I'm working any kind of feels like

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you know you're not working because they
think show home networking

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you get sucked into a lot of things here
and there if you have a studio

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I think it's also good profession
mentally as you're leaving one spacing

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going to another

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its and the psychology principal is when
you enter and even when they're in going

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to the next

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it you have this effect it has an effect
on you change mindsets

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and when you in a working environment
you have a better use of time

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so the pro the pros being aren't you
probably are more efficient

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in regard to time frame but the cons
being in public cost more have a studio

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and just as a retouch as a photographer
from surely

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you obviously needs to do and not to
mention from home if you can't help it

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but retouching this is more topical them
talk dirty

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him but I do know a lot of photographers
associate at home

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even though the on take on the client's

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so it just depends how you only set up
maybe have space for

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I studio army you can get away with it
but

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you know just him some things to
consider I don't think there's a right

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or wrong

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for retouching it's more half-and-half I
know for example

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I work at home most my time because it's
something that I can

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and change from being in my purse left
my private life

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I can switch over quite easily by having
studio space for example

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and and not having the distractions

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but if if I felt like you know I needed
a place to get stuff done

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this is why I like people go to coffee
shop try to get stuff done just get away

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from everything

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so you know studios may not be such a
bad idea now

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retouching healthy I mention this before
know a lot of people use

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the screen to have a lot of glare and
they have

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I issues later on eyestrain and so forth
these classical

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by gunnar Optiks they've reduced the
glaring at you

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have reflected from your monitor and it
reduces eyestrain

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and a few friends test it out and there
was actually really fantastic it's all

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the love that i seven issues

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so I reckon that if you on

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1 intake look into that if you don't
have a matte screen

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up also taking breaks eating right and
mentions because

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this is funny whenever we're working for
hours

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and I don't know if this happens you
guys but sometimes you forget you have a

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drink water for such a long time

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00:16:56,790 --> 00:17:00,300
or you haven't 8 are you missed lunch
for something is actually really common

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scarily enough um to have issues like
that so please

結果 (中文) 3:

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00:11:25740——> 00:11:30360
这是我个人对此事的看法，
商业与编辑

210
00:11:30360——> 00:11:31230
意图

211
00:11:31230——> 00:11:35310
区别现在我
先前提到的

212
00:11:35310——> 00:11:40190
我们确实相当步
广泛这你的射门被朱莉

L 213
00:11:40190——> 00:11:44100
是什么被狄克逊美妙的
迪克西的人和一个摄影师的

214
00:11:44100——> 00:11:48200
我真的好人，只是具体的
人们买我的邮件，看到左边

215
00:11:48200——> 00:11:52460
是Joey我右边是决定
真的谢谢你这是

216
00:11:52460——> 00:11:56040
是我不过是把这些图像
因为

217
00:11:56040——> 00:11：59810
虽然臂10 Tisch可以
拍得很

218
00:11:59810——> 00:12:03770
可选度风格朱莉L
通常有很多商业

219
00:12:03770——> 00:12:04500
非常电影

220
00:12:04500——> 00:12:09060
在迪克西狄克逊也该商业
工作但是我想很多人都

221
00:12:09060——> 00:12:10190
软以及

222
00:12:10，190——> 00:12:13410
学会爱编辑素质和

223
00:12:13410——> 00:12:17140
我们阿莎这个形象在
巴哈马对最近的地方，

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在图像上的
相机后所做的工作

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00:12:21640——> 00:12:23740
我以为这是一个很好的形象塑造

226
00:12:23740——> 00:12:27240
很漂亮作为编辑的例子，因为这是一个
图像我会看到

227
00:12:27240——> 00:12:30700
双向走现在的平均差异

228
00:12:30700——> 00:12:34920
和治疗方面都为我
发现商业工作

229
00:12:34920——> 00:12:39330
保持一点点然后
更现实的编辑工作

230
00:12:39330——> 00:12:43720
与编辑工作，你可以走一点
进一步的会话可以时尚杂志

231
00:12:43720——> 00:12:47170
可以深入一点的
上诉

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00:12:47170——> 00:12:50320
你三角形的东西可以把更多的
艺术完整性

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进去告诉更多的故事
有时商业世界

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00:12:54880——> 00:12:58050
即使你讲故事是
更

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00:12:58050——> 00:13:02000
关于我销售的产品有时
感谢您阅读观看活动

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是使事情

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00:13:03240——> 00:13:07390
超现实的暗示是一二零可以
去推动事情的进一步

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对上帝的斯大林处理我认为

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