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in the spring tutorial I'll be showing
you how you can wait in the way to the
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eye using phase one capture one pro
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hi Michael should have a cheer from
vibrant shown you can find me on
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Facebook at facebook.com / by man shot
and also of Arkansas Telcom so in this
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tutorial it's gonna be similar to the
Photoshop tutorial any of scene where we
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waitin the whites of the eyes but this
time I am going to show you how to do it
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inside of capture one so if you wanna do
it inside iraq processor rather than
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going hand to Photoshop and this is the
way I typically do it so we use the same
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source file this works pretty much any
case I figure you know just keep it nice
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and similar and we think the same
process we may use these ones a layer
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tools to mask in the way to the eye and
then we're going to use some slightly
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different adjustments because I was so
we don't have a selective color
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adjustment to actually make the
corrections so the first thing to do
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especially after i fix this
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it looks like this so as you can see
just taking away some of that blue and
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green color that's in there and so we
did that has really create a new layer
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here that's essentially are adjustment
layer we can just call this I and ran
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aground are drawn masked also the first
one here and we had the ANP so that we
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can see what we're drawing a resume in a
little bit here and we're gonna start
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drawing late now as a reference I've
gone to harness over 50% and I am 100%
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opacity so just make sure that you have
a hundred percent opacity they're just
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makes things a little bit easier to just
pick the appropriate brush size and
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we're going to start kind of going over
this obviously we don't have the last
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photo here so we're gonna just be kinda
messy with this and that's okay cause
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I'm gonna show you were gonna fix it
afterwards we want just more or less get
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you know coverage over this thing and
then we're going to make a little
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adjustment before we finalize this so
just going on here
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worried about being super precise with
this
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because we're gonna do now is we're
gonna grab this photo to the erase mask
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and with the store here we're just gonna
go around the edges here kinda soften
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them and refine them a little bit around
the inside bottom portion here
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and right click again and I'm just going
to soften this I'm going to keep a city
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down to forty percent or so going to
enlarge this we're just gonna daven the
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corners here which is gonna just helped
to erase a little bit essentially just
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like we did inside Photoshop just don't
want to fully apply the effect in these
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quarters here
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Ehmke just hide that cause we are done
with it and obviously again we don't
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have to like the color to also cast cast
really is almost like white balance
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that's why do we use the white balance
tools the trial practice with capture
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one pro 8 we do have the option of
adjusting white balance locally so if
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you don't have this tool open underneath
your local adjustments Tam I just right
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click and save had to land just make
sure that white balance is actually
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available so we're gonna just gonna play
around here so we can know that we had
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little bit too much sign in a little bit
too much green so toxic green we can use
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tent because tend to lose between sort
of magenta and green and then or blue we
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have the Calvin which is going to kind
of go between blue and yellow so when i
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find some sort of combination that
essentially it looks good so I think the
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first thing they do is just nudge it up
so that we have more yellow in here so I
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went from 5,000 to 5,500 and then next
thing I want to do is go up in my tend
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to know if I cranked it up like crazy
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starts to look to magenta so easy it
back until it starts to look good and
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maybe a little bit more in somewhere
around four or so that's pretty darn
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close and I can see you really simple
possibly even easier than in Photoshop
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now obviously you could potentially do
this inside of Photoshop using the
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camera raw filter and just kind of mask
that area in an obviously as easy to
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mask it in because you have to jump
between camera filter
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and the layers below it so you know
obviously a lot easier to do here
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instead of capture one so if you're
using the reprocessing you can do this
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before you even get your file into
Photoshop as you can see it really easy
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fix and if we talk about this on and off
theirs are before there's our after so
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really simple fix and again leads are I
looking a lot more pleasing while once
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again retaining some of the redness of
the veins and leaving it looking nice
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natural so profound that helpful again
be sure to subscribe to our YouTube
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