Dance Brazil performs with flexibil

Dance Brazil performs with flexibility and power, which is evident throughout its entirety. Whether the company is lying on the floor or leaping through the air, they command their space. However, throughout the production they also incorporate one important factor, their culture.
In the introduction of the show, the dancers demonstrate their religious ways by presenting the sign of the cross to the people. Throughout the scene, the costumes that were being worn were all directly related to the colors of various gods.
Throughout one scene, the dancers become possessed, one man loses control of his emotions, and lands into another man’s arms. One could possible interpret that this man is landing into the arms of god.
The following scene featured a woman dressed in blue. I appreciated the way their movements resembled water that recedes after the tide; movements that matched the full and vibrant sound of the band. I also valued the bleak positioning, woman facing forward, man facing away, with their backs against each other. The man repeatedly placed his hand on the woman, only to have her definitively push him away. This control at the beginning contrasted with a kind of compliance at the end, as the woman was carried off on the back of the man. The music pulled their bodies. They were elegant yet powerful at the same time. They had a superior blend of a partnership ,they danced like a partnership without it being a partnership dance.
Overall, I took pleasure in the production “Dance Brazil”. My first thoughts were negative, I did not expect this dance to be as exciting and interesting as it truly was. The things I admired most about the show was the costumes and the choreography. The costumes were not your typical extravagant outfits, they were more casual and contemporary which made the dance unique. Moreover, the movements of the dancers flowed along with the music, which made this experience a memorable one for me.

結果 (繁體中文) 3:

舞蹈巴西表演的靈活性和力量，這是明顯的整個。公司是否躺在地板上，或跨越空氣，他們命令他們的空間。然而，在整個生產中，他們也融入了一個重要的因素，他們的文化。在引進的節目，舞者們展示他們的宗教管道，通過向人們展示十字架的標誌。在整個現場，被磨損的服裝都直接關係到各種神的顏色。在一個場景中，舞者們被附身，一個人失去控制自己的情感，然後進入另一個男人的懷抱。人們可以解釋說，這個人正進入上帝的懷抱。在現場，有一比特身穿藍色衣服的婦女。我欣賞他們的動作象水退去後潮的管道；運動，配合完整的和充滿活力的樂團的聲音。我也看好了這一黯淡的定位，女人向著前方，男人向著距離，用自己的背對著對方。男子多次將手放在女人，只能使她最終把他帶走。這種控制在開始時與一種順從的行為形成對照，因為女人在男人背後被人抬走了。音樂拉著他們的身體。它們在同一時間優雅而有力。他們有一個優越的混合夥伴關係，他們跳舞，就像一個沒有夥伴關係的舞蹈，總的來說，我在製作《巴西舞》中很高興。我的第一個想法是消極的，我沒有想到這個舞蹈是令人興奮和有趣的，因為它確實是。我最欣賞的是服裝和舞蹈表演。服裝不是你典型的奢侈服裝，他們更多的休閒和當代的舞蹈獨特的。此外，舞蹈者的動作伴隨著音樂的流動，這讓我有一個難忘的經歷。