9500:07:42,800 --> 00:07:47,780step

95
00:07:42,800 --> 00:07:47,780
step then you start worrying about
hyperfocus

96
00:07:47,780 --> 00:07:55,480
so at that point when you've chosen your
your focal length you were to god that's

97
00:07:55,480 --> 00:08:02,590
it you're not going to change it now
it's it's it's a it's 16 ok then you

98
00:08:02,590 --> 00:08:07,020
only have one variable life to worry
about and that's your aperture we

99
00:08:07,020 --> 00:08:10,670
recommend that you start at eight we
sort of done everything for you at this

100
00:08:10,670 --> 00:08:16,520
point you have to choose your own focal
length but we're gonna tell you to start

101
00:08:16,520 --> 00:08:21,080
with FAA and you're ready to your circle
of confusion so that's it

102
00:08:21,080 --> 00:08:27,020
the chart gives you the two variables
are starting out or cold conditions are

103
00:08:27,020 --> 00:08:32,260
worried about that you're gonna go
across your going to choose your

104
00:08:32,260 --> 00:08:38,640
sorry your focal length on the on the
left side so if I have sixteen

105
00:08:38,640 --> 00:08:43,769
millimeter they're gonna start at FAA
not find the numbers here you'll notice

106
00:08:43,769 --> 00:08:49,380
there to numbers listed one is a check
for Hyper focal distance and one is for

107
00:08:49,380 --> 00:08:52,440
near focus distance

108
00:08:52,440 --> 00:08:57,950
hyper focal distance is where you set
your focus I set up my camera I set my

109
00:08:57,950 --> 00:09:07,769
focus to in this case sixteen millimeter
at eight is 5 foot 3 inches so my camera

110
00:09:07,769 --> 00:09:14,079
is set to that distance my focus is set
I'm not talking about only trade out my

111
00:09:14,079 --> 00:09:19,709
camera is low to the ground and I have
an angle down it's possible that the

112
00:09:19,709 --> 00:09:23,959
ground right in front of me is going to
be closer than any foreground object but

113
00:09:23,959 --> 00:09:27,140
it's still in my frame so keep in mind
we're talking about distance from your

114
00:09:27,140 --> 00:09:30,890
sensor imagine that you have a string
tied to your sensor please don't ever do

115
00:09:30,890 --> 00:09:31,790
that

116
00:09:31,790 --> 00:09:35,860
string tied your sense or you know we're
not just talking about straight-out were

117
00:09:35,860 --> 00:09:42,890
talking about down to think about that
distance you set your focus your hyper

118
00:09:42,890 --> 00:09:48,209
focal distance and everything from half
that distance to infinity will be

119
00:09:48,209 --> 00:09:51,959
acceptable as sharp as defined by our
circle of confusion

120
00:09:51,959 --> 00:09:58,029
sharper than world war two and that's
the near focus distance that's listed

121
00:09:58,029 --> 00:10:01,399
just believe anything don't really need
that number because it's really just

122
00:10:01,399 --> 00:10:06,120
half but it worked out really well if
you have that if you have that

123
00:10:06,120 --> 00:10:09,550
information as you don't have to do the
calculation we've done that for you to

124
00:10:09,550 --> 00:10:16,100
first thing you're going to do is choose
your composition second thing you're

125
00:10:16,100 --> 00:10:24,080
going to do is look at the number on
your lands 44 focal length

126
00:10:24,080 --> 00:10:30,090
and then you're gonna start at eight
what if F eight which which gave us

127
00:10:30,090 --> 00:10:36,990
those those five and a half feet of
hyper focal distance what is your your

128
00:10:36,990 --> 00:10:41,550
subject or what if there's something in
your frame that actually closer than

129
00:10:41,550 --> 00:10:45,700
half that distance will be up something
that even closer to you and that's

130
00:10:45,700 --> 00:10:49,640
that's not enough hyper focal distance
well that's where you push your camera

131
00:10:49,640 --> 00:10:55,660
little bit outside its sweet spot of Fe
and bump it up at sixteen that'll give

132
00:10:55,660 --> 00:11:01,090
you a closer hyper focal distance which
means you're near focus distance which

133
00:11:01,090 --> 00:11:05,840
is half your hyper focal distance will
be closer and you can include a subject

134
00:11:05,840 --> 00:11:18,490
that's closer to your Lions questions
before I move on two years

135
00:11:18,490 --> 00:11:23,870
that's a good question I'm glad you
brought that up the question was do you

136
00:11:23,870 --> 00:11:28,160
need to think about crop factor versus
full frame lens if you're calculating

137
00:11:28,160 --> 00:11:31,910
hyperbole distance no you don't have to
worry about it at all

138
00:11:31,910 --> 00:11:36,589
that's that's the simple answer and
that's a really wonderful thing a lot of

139
00:11:36,589 --> 00:11:41,360
people will tell me that you know if
you're using a crop factor camera you're

140
00:11:41,360 --> 00:11:42,830
not a pro

141
00:11:42,830 --> 00:11:46,830
absolutely 100 percent disagree with
that because the fact is I can put a ten

142
00:11:46,830 --> 00:11:51,950
to twenty two millimeter lands on my
crop factor in camera at 16:10

143
00:11:51,950 --> 00:11:56,870
millimeter live lens focal distance is
one foot which means my near focus

144
00:11:56,870 --> 00:12:04,110
distance is six inches from islands that
is awesome right I can't do that with a

145
00:12:04,110 --> 00:12:07,200
full frame camera because they don't
make it ten to twenty two lens for a

146
00:12:07,200 --> 00:12:13,480
full frame camera they make a sixteen
4417 240 Lynn right so it gives me extra

147
00:12:13,480 --> 00:12:24,380
yeah yeah I'm sorry I should say that
they do make they do not make plans for

148
00:12:24,380 --> 00:12:28,709
attended 22 or attend to something lens
for the for the full frame camera but as

149
00:12:28,709 --> 00:12:35,990
more of a fish I look to it so the
questions we usually recommend that

150
00:12:35,990 --> 00:12:40,000
rather than memorizing the whole chart
or carrying it with you you take a look

151
00:12:40,000 --> 00:12:45,490
at your most commonly used wide-angle
lens and you say okay so if mine is that

152
00:12:45,490 --> 00:12:52,240
seventeen 240 lens all memorized it at
17 and all memorized it may be at 24

153
00:12:52,240 --> 00:12:58,040
millimetres for F eight of 16 don't have
to remember a few numbers for numbers in

154
00:12:58,040 --> 00:13:01,649
my head and that's a lot easier than
always driving on a piece of paper

155
00:13:01,649 --> 00:13:04,630
that's gonna get wet and damage but it's
a good place to start

156
00:13:04,630 --> 00:13:08,920
you know gone here mark the ones that
you need to know and it is a great

157
00:13:08,920 --> 00:13:13,390
reference but just a few numbers and and
you're all set I never check a charge

158
00:13:13,390 --> 00:13:17,339
anymore I know what my numbers are for
the most part and when I'm not quite

159
00:13:17,339 --> 00:13:21,820
sure I can estimated because I know
enough to make sure that I've got

160
00:13:21,820 --> 00:13:27,360
winning yeah I saw a lot of you know
sort of confusion about it people

161
00:13:27,360 --> 00:13:31,839
weren't really sure and doesn't feel
solid gotta practice it and get out

162
00:13:31,839 --> 00:13:35,060
there and really think it through
because it's it's a lot easier to hear

163
00:13:35,060 --> 00:13:39,560
it and sort of you know you understand
the theory but then when you try and put

164
00:13:39,560 --> 00:13:46,140
it into practice you kind of forget you
know the search process to it but if you

165
00:13:46,140 --> 00:13:49,949
start out by choosing your composition
and remember that you don't have to

166
00:13:49,949 --> 00:13:54,500
worry about any numbers and tell you
know what your competition is once you

167
00:13:54,500 --> 00:13:58,870
set your composition you already know
what your what your focal length is that

168
00:13:58,870 --> 00:14:03,550
all you have to worry about is your
aperture and then once you've sent these

169
00:14:03,550 --> 00:14:07,430
numbers I should say you know once you
you figured out that the FAA door F

170
00:14:07,430 --> 00:14:11,570
sixteen or whatever it is is is where
you need to be to get everything a sharp

171
00:14:11,570 --> 00:14:18,890
focus the only variable left on your
camera aside from ISO is shuttered so

172
00:14:18,890 --> 00:14:22,899
then you adjust your children to be I've
had people come to me in great confusion

173
00:14:22,899 --> 00:14:26,370
and say don't understand why this isn't
working for me I've been trying it for

174
00:14:26,370 --> 00:14:31,370
hours I cannot get it to work and so I
watch through the whole process and

175
00:14:31,370 --> 00:14:36,890
they'll serve their camera choose their
their focal length shoes there

176
00:14:36,890 --> 00:14:43,959
everything set up and then before they
hit the shutter release the change the

177
00:14:43,959 --> 00:14:47,959
aperture to f22 because somebody years
ago told him to change it

178
00:14:47,959 --> 00:14:52,440
landscapes will have 22 no no no no no
don't do that

179
00:14:52,440 --> 00:14:57,980
chosen your offer to leave it at that
I'm not sure why that was confusing but

結果 (中文) 1:

9500:07:42，800--> 00:07:47，780一步然后你开始担心hyperfocus9600:07:47，780--> 00:07:55，480因此，在这一点当你选择了你你是上帝给你焦距的9700:07:55，480--> 00:08:02，590它你不会去改变它现在它是它有它是 it 的 16 好然后你9800:08:02，590--> 00:08:07，020只有一个变量的生命担心关于这就是你的光圈和我们9900:08:07，020--> 00:08:10，670建议你开始八点我们有点做一切为你在这10000:08:10，670--> 00:08:16，520点你要选择你自己焦长度，但我们要告诉你开始10100:08:16，520--> 00:08:21，080与美国联邦航空局和你准备你的圈子混乱就是这样的10200:08:21，080--> 00:08:27，020图表给你两个变量开始或冷条件10300:08:27，020--> 00:08:32，260担心你会去在你将会选择你10400:08:32，260--> 00:08:38，640抱歉你焦距上上左侧这样有十六岁10500:08:38，640--> 00:08:43，769他们打算开始在美国联邦航空局的毫米波找不到数字在这里你会注意到10600:08:43，769--> 00:08:49，380有数字列出的一个是一张支票对于超焦距，一个是10700:08:49，380--> 00:08:52，440对焦距离附近10800:08:52，440--> 00:08:57，950超焦距是你设置的位置你的焦点我设置我的相机我设置我10900:08:57，950--> 00:09:07，769在这种情况下集中到十六毫米在八个是 5 英尺 3 英寸，所以我的相机11000:09:07，769--> 00:09:14，079那段距离，我将焦点设置到设置我不是只有贸易出我11100:09:14，079--> 00:09:19，709相机是低到地面，我有天使下来，它是可能的11200:09:19，709--> 00:09:23，959就在我正前方地面去更接近比任何前景对象，但11300:09:23，959--> 00:09:27，140其是否仍在我的框架所以牢记我们正在谈论距离你11400:09:27，140--> 00:09:30，890传感器想象你有一个字符串绑定到您的传感器请千万不要11500:09:30，890--> 00:09:31，790那11600:09:31，790--> 00:09:35，860字符串被绑你的感觉，或者你知道我们是不只在谈论坦诚了11700:09:35，860--> 00:09:42，890谈到想想距离你设置集中你超11800:09:42，890--> 00:09:48，209焦距，一切从一半到无穷远的距离将是11900:09:48，209--> 00:09:51，959作为可接受尖锐的定义的我们模糊圈12000:09:51，959--> 00:09:58，029比世界战争两个和那尖锐的近的对焦距离是列出12100:09:58，029--> 00:10:01，399只是相信什么并不真正需要这个数字，因为它是真的只是12200:10:01，399--> 00:10:06，120一半但它工作得很好如果你有，如果你有，12300:10:06，120--> 00:10:09，550信息作为你不需要做我们为你去做那的计算12400:10:09，550--> 00:10:16，100你要做的第一件事就是选择你是你组成第二件事12500:10:16，100--> 00:10:24，080要做的是看人数你土地 44 焦距12600:10:24，080--> 00:10:30，090然后你要在八点开始如果 F，给了我们的八12700:10:30，090--> 00:10:36，990那些的那些五年半英尺超焦距是什么你是你12800:10:36，990--> 00:10:41，550主题或如果有什么东西在你表达你的看法比实际上更接近12900:10:41，550--> 00:10:45，700一半的距离就会出来东西了那甚至接近你的13000:10:45，700--> 00:10:49，640那不是足够超焦距这就是在那里你把你的相机13100:10:49，640--> 00:10:55，660Fe 外其甜蜜点一点和桥头会给的十六岁13200:10:55，660--> 00:11:01，090你更密切的超焦距，意味着你要靠近焦点距离13300:11:01，090--> 00:11:05，840是半你超焦距将是接近并且你可以包括一个主题13400:11:05，840--> 00:11:18，490这就是接近你狮子问题在两年之前13500:11:18，490--> 00:11:23，870这是一个好的问题，我很高兴你带来的问题是你13600:11:23，870--> 00:11:28，160需要好好想想与作物的因素如果要计算的全画幅镜头13700:11:28，160--> 00:11:31，910不，你不必夸张距离在所有担心它13800:11:31，910--> 00:11:36，589这就是这就是简单的答案，这是很奇妙的事情很多的13900:11:36，589--> 00:11:41，360人会告诉我，你知道是否您正在使用一种作物因素相机你14000:11:41，360--> 00:11:42，830不亲14100:11:42，830--> 00:11:46，830绝对 100%不同意因为事实是，我可以把十14200:11:46，830--> 00:11:51，950到二十两毫米的土地上我在 16:10 在相机裁剪因素14300:11:51，950--> 00:11:56，870毫米波活透镜焦距是一只脚，这就意味着我近场聚焦14400:11:56，870--> 00:12:04，110距离是从群岛的六英寸，是令人敬畏的权利不能这样用14500:12:04，110--> 00:12:07，200全画幅相机，因为他们不让它十到二十两个镜头14600:12:07，200--> 00:12:13，480全画幅相机，他们使十六岁4417 琳右所以它给了我额外的 24014700:12:13，480--> 00:12:24，380是的是我很抱歉我应该说他们做为不做计划14800:12:24，380--> 00:12:28，709出席 22 或参加一些镜头为全画幅相机，但作为14900:12:28，709--> 00:12:35，990更多的期待着它的一条鱼那么我们通常建议的问题15000:12:35，990--> 00:12:40，000而不是记忆整个图表或你带你看看15100:12:40，000--> 00:12:45，490在您最常用的广角镜头和你说好吧所以如果我是那15200:12:45，490--> 00:12:52，240十七 240 镜头都能记住它在17 和所有记忆它可能在 2415300:12:52，240--> 00:12:58，040没有为 F 八的 16 毫米要记住几个号码中的数字15400:12:58，040--> 00:13:01，649我的头，那是很容易总是在一张纸上驾驶15500:13:01，649--> 00:13:04，630这去湿和损害但一个好的地方开始15600:13:04，630--> 00:13:08，920你知道离开这里标记的你需要知道，它是一个伟大的15700:13:08，920--> 00:13:13，390引用但只是几个数字和你所有的设置，我永远不会检查充电15800:13:13，390--> 00:13:17，339我不再知道我的号码是什么最部分时我并不很15900:13:17，339--> 00:13:21，820当然我可以估计因为我知道足以确保，已经16000:13:21，820--> 00:13:27，360获奖的是看到了很多的你知道排序的困惑的人16100:13:27，360--> 00:13:31，839并不完全确定，并不觉得固得练习它出去16200:13:31，839--> 00:13:35，060那里，真的认为它通过因为它是很容易听到16300:13:35，060--> 00:13:39，560它和排序的你知道你明白理论，然后当你试着用16400:13:39，560--> 00:13:46，140它付诸实施你有点忘了你知道的搜索过程，但如果你16500:13:46，140--> 00:13:49，949先选择你的作文请记住，你不都到16600:13:49，949--> 00:13:54，500担心任何数字，告诉你知道你的竞争对手是一次你16700:13:54，500--> 00:13:58，870设置你的作文，你已经知道什么你什么那是你的焦距16800:13:58，870--> 00:14:03，550你也不用担心的就是你孔径，然后一次您发送这些16900:14:03，550--> 00:14:07，430我应该说你的号码一次知道你你弄明白了，美国联邦航空局门 F17000:14:07，430--> 00:14:11，570十六岁或不管它是在哪里你必须要做好一切夏普17100:14:11，570--> 00:14:18，890重点唯一的变量留下你关闭相机除了 ISO 所以17200:14:18，890--> 00:14:22，899然后你调整你要我的孩子人进来给我极大的混乱17300:14:22，899--> 00:14:26，370说不明白为什么这不是为我我一直在为它工作17400:14:26，370--> 00:14:31，370几个小时无法工作，所以我通过整个过程的手表和17500:14:31，370--> 00:14:36，890他们会为他们的相机选择他们他们那里的焦距鞋子17600:14:36，890--> 00:14:43，959什么都设置好了，然后在他们之前按下快门的变化17700:14:43，959--> 00:14:47，959光圈 f22 因为有人年前告诉他去改变它17800:14:47，959--> 00:14:52，440风景将有 22 不不不不要那样做17900:14:52，440--> 00:14:57，980选择你的提议，把它留在那里我不知道为什么令人困惑，但

結果 (中文) 3:

95
00:07:42800——> 00:07:47780
步然后你开始担心
超焦距

96
00:07:47780——> 00:07:55480
所以在这一点上，当你选择了你的
你的焦距你是上帝的

97
00:07:55480——> 00:08:02590
它你不会改变现在的
这是它的16那么你

98
00:08:02590——> 00:08:07020
只有一个变量的生命担心
对，你
99
孔径我们
00:08:07020——> 00:08:10670
建议你从八开始我们
在

100
00:08:10670所做的一切为你排序——> 00:08:16520
点你要选择你自己的焦点
长度但我们会告诉你开始

101
00:08:16520——> 00:08:21080
FAA和你准备好你的圈子
混乱就是

102
00:08:21080——> 00:08:27020
图表给你两变量
开始或寒冷的条件下

103
00:08:27020——> 00:08:32260
担心你会
在你要选择你的

104
00:08:32260——> 00:08:38640
对不起你的焦距对
左侧，所以如果我有十六

105
00:08:38640——> 00:08:43769
毫米他们会开始在FAA
没有找到号码在这里你会发现

106
00:08:43769——> 00:08:49380
有号码是检查
超焦距离一是

107
00:08:49380——> 00:08:52440
近对焦距离

108
00:08:52440——> 00:08:57950
超焦距离是你设置你的焦点
设置我的相机设置我

109
00:08:57950——> 00:09:07769
焦点，在这种情况下，十六毫米
八是5英尺3英寸，我的相机

110
00:09:07769——> 00:09:14079
设置为距离我的重点是
我不只是谈论贸易我的

111
00:09:14079——> 00:09:19709
相机是低到地面，我有
角下有可能

112
00:09:19709——> 00:09:23959
地权利在我面前的是要
更比任何前景对象但

113
00:09:23959——> 00:09:27140
它仍在我的框架，所以记住
我们谈论的距离从你的

114
00:09:27140——> 00:09:30890
传感器想象你有一个字符串
绑你的传感器，请不要再做

115
00:09:30890——> 00:09:31790
，

116
00:09:31790——> 00:09:35860
字符串束缚你的感觉或者你知道我们
不仅仅说的是直了

117
00:09:35860——> 00:09:42890
谈下来思考，
距离你集中你的超

118
00:09:42890——> 00:09:48209
焦距和半
距离无限将

119
00:09:48209——> 00:09:51959
接受尖锐的
混乱

120
00:09:51959——> 00:09:58029
清晰比二战，
近焦距，上市

121
00圆定义的一切：09:58029——> 00:10:01399
相信什么真的不需要
，因为这真的只是

122
00:10:01399——> 00:10:06120
一半但它工作的很好，如果
你，如果你有

123
00:10:06120——> 00:10:09550
信息，你不必做
计算我们所做的，你

124
00:10:09550——> 00:10:16100
您首先要做的是选择
你的作文二件你

125
00:10:16100——> 00:10:24080
要做的是看看数对
土地44焦距

126
00:10:24080——> 00:10:30090
然后你会开始在八
如果F八，这给了我们

127
00:10:30090——> 00:10:36990
那些五尺
超焦点距离你的

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00:10:36990——> 00:10:41550
是什么