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infamous the have the two pictures that
we have been touched in this segment and
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I'm truly happy with the way it turned
out all the small alarms in what was
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supposed to be a really simple
photograph became a lot of compositing a
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lot of a touch but also a lot of lessons
learned so little bit more difficult but
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again I'm super happy with the result
and hopefully you learn something from
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all the mistakes and all the troubles
that I came to be encountering in these
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two photographs so for the assignment of
this photograph i want you to think of
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four things the first is what your story
is this in a lot of aces and color story
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so is it warmer brighter is it cooler or
darker what kind of effect what kind of
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flavor of a kind of tone do you wanna
set to the story that you want to create
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within this background so think about
first what you wanna say what you want
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to tell and then pick one of these two
backgrounds is it media is it brighter
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and then photograph your composite
element this will be the second fine
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what that story is number two
photographs two-person try to do it at
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the same time this can be done in any
open shade almost three and a half more
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of a shame to it if you should this ride
as the Sun go down or after or in this
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case right before the Sun comes up right
after it has come up so just as you see
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here had the top of the mountains so
funny story and then should your story
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it's simple here you can have anything
any story that require someone to stand
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at the edge of a cliff and that is so
metaphorical for a lot of things and can
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be adventurous so does diovan find
element and going photograph it to like
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quality you have the distances and stuff
will provide unit as you go out and
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shoot this it should be very simple and
so may say it's similar to the car crash
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we have the girl in the water in this
case you would seek out a similar
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surface rocky sandy stony and that will
make the composite peace hoe much easier
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that they don't really just cut out the
legs and put it on there
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but the actual blend areas around and
it's a big part of my compositing to not
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cut out legs to not create fake shadows
it never really looks quite right that
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way sometimes it does look almost
perfect it's almost a little sort of
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something something that you've noticed
this way easier to do a composite so
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find the right texture of the ground on
there no light no reflectors nothing
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really but for the time of day and the
color of the light you want to
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accomplish the third thing to this is
this guy really want you to focus on the
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skies for this cause this guy's here's a
little bit trickier gonna give you
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another example in the final touches are
going to start on next year the sky
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matching a sign the here it's a little
bit more subtle there's no Sun won the
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Sun is briefly up on the other so it's a
little bit more delicate than having a
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disguise as I mentioned in the blue
image I had a tough time they're finding
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the right sky and some of them once I
like to be too busy for the last game
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with the person in it it worked
beautifully just as a background played
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just as a landscape that's beautiful to
look at but as soon as he put the person
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end it took over from the person was
just too much going on so keep that in
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mind
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try to find the right guy for these two
photographs are going to shoot something
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on your own in this time of day and see
how the time of day changes have your
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Sky changes with them this is the last
thing that I wanted to mention and bring
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about an assignment in this cause this
is really not about compositing as much
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I needed that but it's chilly not this
is really about understanding the way
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that the Sun changes throughout the
morning and how it changes color that he
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wanted to really focus on color in this
tutorial and this really shows the
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difference in the different color
palette site you can choose to create
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your photographs so the last assignment
to be to go out and shoot
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escape and not just shoot it at one time
when shooting through the time that we
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have this different light qualities so
lou before the Sun comes up really warm
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warmer warmer warmer and then into
neutral as the Sun psoriasis and comes
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first onto the mountains or whatever
landscape you have and then comes higher
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so that it shoots right down on you it's
a really brilliant assignment to go out
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and shoot this and then come back and
look at it like they did in the start of
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this assignment just see frame to frame
to frame to frame the color really
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changes don't change the settings in
your camera did not you used to automate
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balance just see how light changes the
color and the story but you shooting by
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letting the time do its work so that's
different assignment I hope this will be
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amazing I hope to see some of this work
we are going to get on these podcasts
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together so I hope that I get to see
what you do for this too excited this is
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an open-ended story just dive in there
and make it yours
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good luck