1
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the
2
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in the previous videos I showed you how
I take three different images
3
00:00:13,240 --> 00:00:16,279
Anna how I'm going to use the camera
workflow
4
00:00:16,279 --> 00:00:20,310
to made a match similar to what we might
get from Gucci ads
5
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very famous looked at everybody asking
me about now course
6
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it's not just any image it we can do
this to you and it make sense to have
7
00:00:27,680 --> 00:00:29,080
similar type images
8
00:00:29,080 --> 00:00:33,040
that's why I chose does Beach images and
also we can use the corner
9
00:00:33,040 --> 00:00:36,910
website from Adobe to analyze our images
get a better sense on the collar
10
00:00:36,910 --> 00:00:39,320
relationships especially on the color
wheel
11
00:00:39,320 --> 00:00:44,470
and how the match with one another even
has that complimentary local warhorses
12
00:00:44,470 --> 00:00:45,500
call tones
13
00:00:45,500 --> 00:00:49,340
and in order to get that from our own
images they showed you how we can use
14
00:00:49,340 --> 00:00:49,840
different
15
00:00:49,840 --> 00:00:53,059
row conversions and how we can used a
16
00:00:53,059 --> 00:00:57,460
smart object in camera roll to getting
multiple role
17
00:00:57,460 --> 00:01:01,960
conversions together to give us the best
but we can get from our images
18
00:01:01,960 --> 00:01:06,670
no matter what the situation this is
very flexible working but unfortunately
19
00:01:06,670 --> 00:01:09,820
it requires a bit more skill especially
in terms of masking
20
00:01:09,820 --> 00:01:13,880
so I was going over where at various
things that I did to this image in terms
21
00:01:13,880 --> 00:01:14,799
of masking
22
00:01:14,799 --> 00:01:19,830
because i think im asking for any
retoucher is serious about working is
23
00:01:19,830 --> 00:01:20,790
very important
24
00:01:20,790 --> 00:01:25,510
especially if you are proficient at it
now also talked about how
25
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what I did to the image without showing
you how I did
26
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what element today removed from the
image I wanted to do with the color
27
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correction what was my workflow in terms
of layers and groups have layers
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it was more so you can see my way of
thinking she can also get a sense
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alt
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why people love you up to information in
the image will be
31
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then the last video I showed you all the
different ways in which you can speed up
32
00:01:51,490 --> 00:01:52,280
your
33
00:01:52,280 --> 00:01:57,659
workflow using masks can also harm as
certain elements have my mask
34
00:01:57,659 --> 00:02:01,420
in this image which is very important
because if you go to him asking using
35
00:02:01,420 --> 00:02:03,039
keyboard shortcuts in all not
36
00:02:03,039 --> 00:02:06,920
you can spend less time worrying about
how you gonna do something
37
00:02:06,920 --> 00:02:11,930
and more about maker better creative
decisions by focusing more on them
38
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instead of
39
00:02:12,620 --> 00:02:15,840
figuring out how to do something and of
course
40
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also we talked about a how we can use
then does selections with different just
41
00:02:20,840 --> 00:02:22,010
min tools to get
42
00:02:22,010 --> 00:02:27,870
the best Autocar images and in this
video we gonna talk about two things
43
00:02:27,870 --> 00:02:31,780
retouching element to this image exit
expedited what I did
44
00:02:31,780 --> 00:02:36,079
and also Hall I worked on using masks
45
00:02:36,079 --> 00:02:42,049
different color adjustments if you made
it this far congratulations
46
00:02:42,049 --> 00:02:46,250
we are on part 6 believe it or not and
course if this is the first time you're
47
00:02:46,250 --> 00:02:47,280
seeing this video
48
00:02:47,280 --> 00:02:50,319
supported the series so I will post
different
49
00:02:50,319 --> 00:02:54,760
episodes at the bottom you can take a
look and where are my manners
50
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my name is chrysler's he's dead and
welcome to my blog
51
00:02:58,160 --> 00:03:02,569
or if you watching this on my YouTube
channel and more people see this video
52
00:03:02,569 --> 00:03:05,090
the more videos they can make so please
if you
53
00:03:05,090 --> 00:03:09,180
in this is worthy of sharing given a
share give it a like button
54
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let me know what you think I really like
this to be more interactive story you
55
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have any questions
56
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feedback rating
57
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please leave some comments course if you
like to receive more from the series and
58
00:03:20,590 --> 00:03:22,160
for to be as I will be making
59
00:03:22,160 --> 00:03:41,690
please subscribe thank you now let's get
started
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bar to view our job is a professional
61
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will be d adaptability factor the
flexibility factor
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the ability to adapt you work flow to
the ever-changing demands
63
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coming from the client and the quicker
you can make changes
64
00:03:56,500 --> 00:04:00,830
would less work is possible the more
valuable you will be to your clients
65
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sewing ordered and of course the holdout
but it will also save yourself
66
00:04:04,360 --> 00:04:09,320
a lot of headaches is almost unavoidable
that some changes
67
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on projects will happen whether they're
small or big
68
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and sometimes there will be more to put
changes and in certain situations it
69
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will be almost
70
00:04:16,900 --> 00:04:20,070
complete changes in the phylum mean like
180
71
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so in order to get dat
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demand to to meet that demand we should
73
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consider having a workflow daddy's
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flexible and that's what I want to talk
about but to illustrate
75
00:04:33,920 --> 00:04:37,330
how important this might be any what
situations like me
76
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briefly talk about three potential
scenarios when retouching images
77
00:04:41,370 --> 00:04:44,950
such as this one an it is mainly focused
on
78
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fashion beauty and that kinda industry
who however a lot of these
79
00:04:49,340 --> 00:04:52,730
things could happen in other industries
but imagine
80
00:04:52,730 --> 00:04:56,070
for example that you are readily
inexperienced retoucher
81
00:04:56,070 --> 00:04:59,130
and you doing some testing for some
photographers or
82
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def be working on trade for portfolio
83
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and basically what you're trying to do
is don't
84
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you're a little inexperienced as a
retoucher but you're trying to get some
85
00:05:09,160 --> 00:05:12,620
chance to retouch images this is the
first time you working with a client
86
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and the give you instructions you may
not follow ideally the instructions on
87
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because you don't want to but because
you don't have your experience yet
88
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or you have made some changes that they
wanted originally but then they saw how
89
00:05:26,160 --> 00:05:28,260
you made them and they change their mind
right
90
00:05:28,260 --> 00:05:31,880
so that's one scenario where you might
have some changes
91
00:05:31,880 --> 00:05:36,990
not a very popular scenario is doubt but
said this is an editorial
92
00:05:36,990 --> 00:05:41,420
and depending on the situation could be
dad you're working for some client which
93
00:05:41,420 --> 00:05:42,780
will down later
94
00:05:42,780 --> 00:05:46,240
submit the files to the magazine in
which case
95
00:05:46,240 --> 00:05:50,360
there isn't that much pressure on the
deadline typically but they're also
96
00:05:50,360 --> 00:05:51,930
situations where you might
97
00:05:51,930 --> 00:05:55,300
I work for a magazine or somebody in the
need to be published
98
00:05:55,300 --> 00:05:58,750
me know you need to retouch like 10
images and they need to be
99
00:05:58,750 --> 00:06:02,900
polish teen five days or something like
that and those cases
100
00:06:02,900 --> 00:06:07,470
you have to do really quick word there
isn't a lot of time for many changes and
101
00:06:07,470 --> 00:06:09,310
you will have a lot ok we have freedom
102
00:06:09,310 --> 00:06:13,410
typically but then there is the one dot
pays the most
103
00:06:13,410 --> 00:06:17,610
but it usually its too many changes I
mean
104
00:06:17,610 --> 00:06:21,980
depending on depending on are you like
to work but there's so many changes
105
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typically and very little control on
your end
106
00:06:24,370 --> 00:06:29,180
and I imagine this for a moment that
this is a actually ate gucci campaign
107
00:06:29,180 --> 00:06:33,390
right like we talked about so imagine a
dis is actually the job they're working
108
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on
109
00:06:33,680 --> 00:06:36,700
what it is very possible doubt you know
did
110
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good you the client might hire some
advertising agency and then
111
00:06:41,360 --> 00:06:44,540
tell them you know me make this campaign
work for us and ended
112
00:06:44,540 --> 00:06:48,340
agency might hausummi house people or
they might go in
100:00:03,750 --> 00:00:07,839the200:00:07,839 --> 00:00:13,240in the previous videos I showed you howI take three different images300:00:13,240 --> 00:00:16,279Anna how I'm going to use the cameraworkflow400:00:16,279 --> 00:00:20,310to made a match similar to what we mightget from Gucci ads500:00:20,310 --> 00:00:23,820very famous looked at everybody askingme about now course600:00:23,820 --> 00:00:27,680it's not just any image it we can dothis to you and it make sense to have700:00:27,680 --> 00:00:29,080similar type images800:00:29,080 --> 00:00:33,040that's why I chose does Beach images andalso we can use the corner900:00:33,040 --> 00:00:36,910website from Adobe to analyze our imagesget a better sense on the collar1000:00:36,910 --> 00:00:39,320relationships especially on the colorwheel1100:00:39,320 --> 00:00:44,470and how the match with one another evenhas that complimentary local warhorses1200:00:44,470 --> 00:00:45,500call tones1300:00:45,500 --> 00:00:49,340and in order to get that from our ownimages they showed you how we can use1400:00:49,340 --> 00:00:49,840different1500:00:49,840 --> 00:00:53,059row conversions and how we can used a1600:00:53,059 --> 00:00:57,460smart object in camera roll to gettingmultiple role1700:00:57,460 --> 00:01:01,960conversions together to give us the bestbut we can get from our images1800:01:01,960 --> 00:01:06,670no matter what the situation this isvery flexible working but unfortunately1900:01:06,670 --> 00:01:09,820it requires a bit more skill especiallyin terms of masking2000:01:09,820 --> 00:01:13,880so I was going over where at variousthings that I did to this image in terms2100:01:13,880 --> 00:01:14,799of masking2200:01:14,799 --> 00:01:19,830because i think im asking for anyretoucher is serious about working is2300:01:19,830 --> 00:01:20,790very important2400:01:20,790 --> 00:01:25,510especially if you are proficient at itnow also talked about how2500:01:25,510 --> 00:01:28,590what I did to the image without showingyou how I did2600:01:28,590 --> 00:01:33,009what element today removed from theimage I wanted to do with the color2700:01:33,009 --> 00:01:37,659correction what was my workflow in termsof layers and groups have layers2800:01:37,659 --> 00:01:42,119it was more so you can see my way ofthinking she can also get a sense2900:01:42,119 --> 00:01:43,359alt3000:01:43,359 --> 00:01:46,789why people love you up to information inthe image will be3100:01:46,789 --> 00:01:51,490then the last video I showed you all thedifferent ways in which you can speed up3200:01:51,490 --> 00:01:52,280your3300:01:52,280 --> 00:01:57,659workflow using masks can also harm ascertain elements have my mask3400:01:57,659 --> 00:02:01,420in this image which is very importantbecause if you go to him asking using3500:02:01,420 --> 00:02:03,039keyboard shortcuts in all not3600:02:03,039 --> 00:02:06,920you can spend less time worrying abouthow you gonna do something3700:02:06,920 --> 00:02:11,930and more about maker better creativedecisions by focusing more on them3800:02:11,930 --> 00:02:12,620instead of3900:02:12,620 --> 00:02:15,840figuring out how to do something and ofcourse4000:02:15,840 --> 00:02:20,840also we talked about a how we can usethen does selections with different just4100:02:20,840 --> 00:02:22,010min tools to get4200:02:22,010 --> 00:02:27,870the best Autocar images and in thisvideo we gonna talk about two things4300:02:27,870 --> 00:02:31,780retouching element to this image exitexpedited what I did4400:02:31,780 --> 00:02:36,079and also Hall I worked on using masks4500:02:36,079 --> 00:02:42,049different color adjustments if you madeit this far congratulations4600:02:42,049 --> 00:02:46,250we are on part 6 believe it or not andcourse if this is the first time you're4700:02:46,250 --> 00:02:47,280seeing this video4800:02:47,280 --> 00:02:50,319supported the series so I will postdifferent4900:02:50,319 --> 00:02:54,760episodes at the bottom you can take alook and where are my manners5000:02:54,760 --> 00:02:58,160my name is chrysler's he's dead andwelcome to my blog5100:02:58,160 --> 00:03:02,569or if you watching this on my YouTubechannel and more people see this video5200:03:02,569 --> 00:03:05,090the more videos they can make so pleaseif you5300:03:05,090 --> 00:03:09,180in this is worthy of sharing given ashare give it a like button5400:03:09,180 --> 00:03:13,010let me know what you think I really likethis to be more interactive story you5500:03:13,010 --> 00:03:14,049have any questions5600:03:14,049 --> 00:03:15,110feedback rating5700:03:15,110 --> 00:03:20,590please leave some comments course if youlike to receive more from the series and5800:03:20,590 --> 00:03:22,160for to be as I will be making5900:03:22,160 --> 00:03:41,690please subscribe thank you now let's getstarted6000:03:41,690 --> 00:03:44,190bar to view our job is a professional6100:03:44,190 --> 00:03:48,520will be d adaptability factor theflexibility factor6200:03:48,520 --> 00:03:52,800the ability to adapt you work flow tothe ever-changing demands6300:03:52,800 --> 00:03:56,500coming from the client and the quickeryou can make changes6400:03:56,500 --> 00:04:00,830would less work is possible the morevaluable you will be to your clients6500:04:00,830 --> 00:04:04,360sewing ordered and of course the holdoutbut it will also save yourself6600:04:04,360 --> 00:04:09,320a lot of headaches is almost unavoidablethat some changes6700:04:09,320 --> 00:04:12,600on projects will happen whether they'resmall or big6800:04:12,600 --> 00:04:16,010and sometimes there will be more to putchanges and in certain situations it6900:04:16,010 --> 00:04:16,900will be almost7000:04:16,900 --> 00:04:20,070complete changes in the phylum mean like1807100:04:20,070 --> 00:04:23,340so in order to get dat7200:04:23,340 --> 00:04:26,770demand to to meet that demand we should7300:04:26,770 --> 00:04:30,240consider having a workflow daddy's7400:04:30,240 --> 00:04:33,920flexible and that's what I want to talkabout but to illustrate7500:04:33,920 --> 00:04:37,330how important this might be any whatsituations like me7600:04:37,330 --> 00:04:41,370briefly talk about three potentialscenarios when retouching images7700:04:41,370 --> 00:04:44,950such as this one an it is mainly focusedon7800:04:44,950 --> 00:04:49,340fashion beauty and that kinda industrywho however a lot of these7900:04:49,340 --> 00:04:52,730things could happen in other industriesbut imagine8000:04:52,730 --> 00:04:56,070for example that you are readilyinexperienced retoucher8100:04:56,070 --> 00:04:59,130and you doing some testing for somephotographers or8200:04:59,130 --> 00:05:02,410def be working on trade for portfolio8300:05:02,410 --> 00:05:05,740and basically what you're trying to dois don't8400:05:05,740 --> 00:05:09,160you're a little inexperienced as aretoucher but you're trying to get some8500:05:09,160 --> 00:05:12,620chance to retouch images this is thefirst time you working with a client8600:05:12,620 --> 00:05:18,350and the give you instructions you maynot follow ideally the instructions on8700:05:18,350 --> 00:05:21,800because you don't want to but becauseyou don't have your experience yet8800:05:21,800 --> 00:05:26,160or you have made some changes that theywanted originally but then they saw how8900:05:26,160 --> 00:05:28,260you made them and they change their mindright9000:05:28,260 --> 00:05:31,880so that's one scenario where you mighthave some changes9100:05:31,880 --> 00:05:36,990not a very popular scenario is doubt butsaid this is an editorial9200:05:36,990 --> 00:05:41,420and depending on the situation could bedad you're working for some client which9300:05:41,420 --> 00:05:42,780will down later9400:05:42,780 --> 00:05:46,240submit the files to the magazine inwhich case9500:05:46,240 --> 00:05:50,360there isn't that much pressure on thedeadline typically but they're also9600:05:50,360 --> 00:05:51,930situations where you might9700:05:51,930 --> 00:05:55,300I work for a magazine or somebody in theneed to be published9800:05:55,300 --> 00:05:58,750me know you need to retouch like 10images and they need to be9900:05:58,750 --> 00:06:02,900polish teen five days or something likethat and those cases10000:06:02,900 --> 00:06:07,470you have to do really quick word thereisn't a lot of time for many changes and10100:06:07,470 --> 00:06:09,310you will have a lot ok we have freedom10200:06:09,310 --> 00:06:13,410typically but then there is the one dotpays the most10300:06:13,410 --> 00:06:17,610but it usually its too many changes Imean10400:06:17,610 --> 00:06:21,980depending on depending on are you liketo work but there's so many changes10500:06:21,980 --> 00:06:24,370typically and very little control onyour end10600:06:24,370 --> 00:06:29,180and I imagine this for a moment thatthis is a actually ate gucci campaign10700:06:29,180 --> 00:06:33,390right like we talked about so imagine adis is actually the job they're working10800:06:33,390 --> 00:06:33,680on10900:06:33,680 --> 00:06:36,700what it is very possible doubt you knowdid11000:06:36,700 --> 00:06:41,360good you the client might hire someadvertising agency and then11100:06:41,360 --> 00:06:44,540tell them you know me make this campaignwork for us and ended11200:06:44,540 --> 00:06:48,340agency might hausummi house people orthey might go in
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