119
00:09:03,910 --> 00:09:04,680
secure
120
00:09:04,680 --> 00:09:08,060
some getting it in here nice and tight
121
00:09:08,060 --> 00:09:11,279
again you don't know what you're gonna
wind up with
122
00:09:11,279 --> 00:09:17,320
in a restaurant space so you gotta be
able to adapt and kinda move
123
00:09:17,320 --> 00:09:26,529
fairly click quickly with it
124
00:09:26,529 --> 00:09:28,260
yeah
125
00:09:28,260 --> 00:09:32,440
way cooler
126
00:09:32,440 --> 00:09:36,510
third guide to me it's going to be
interesting had you don't exactly know
127
00:09:36,510 --> 00:09:37,610
where you're going to wind up
128
00:09:37,610 --> 00:09:41,589
you have a vision in your head and
that's what the direction that you go
129
00:09:41,589 --> 00:09:43,079
down the path and you take
130
00:09:43,079 --> 00:09:46,190
but you gotta let this the food speak
you you gotta let
131
00:09:46,190 --> 00:09:50,240
it tell u how it used to be photographed
and you do that by
132
00:09:50,240 --> 00:09:54,630
starting a composition and taking a look
at the food in how the highest blowing
133
00:09:54,630 --> 00:09:59,190
if the I get hung up if it's going into
debt areas it just doesn't have volume
134
00:09:59,190 --> 00:10:00,720
it doesn't have doubt that doesn't move
135
00:10:00,720 --> 00:10:03,550
when you know you've got to make a
budget changes which is what I just
136
00:10:03,550 --> 00:10:04,790
given this testing phase
137
00:10:04,790 --> 00:10:07,880
yeah
138
00:10:07,880 --> 00:10:16,790
well so very quickly I'm gonna bring in
this
139
00:10:16,790 --> 00:10:25,310
additional bounce car just to work with
this light a little bit
140
00:10:25,310 --> 00:10:29,649
still like to tighter without a doubt I
like coming in tighter on the shot and
141
00:10:29,649 --> 00:10:31,080
I'm going to continue to do so
142
00:10:31,080 --> 00:10:34,760
I keep going back and key point back
warning the show the environment it's a
143
00:10:34,760 --> 00:10:35,410
really
144
00:10:35,410 --> 00:10:39,779
intricate plate of food in fact so
intricate I just have to get in there
145
00:10:39,779 --> 00:11:02,199
tighter so that's what I'm gonna do
146
00:11:02,199 --> 00:11:14,170
get everything locked down nice tight
refocus
147
00:11:14,170 --> 00:11:18,009
looking better just a little sensitive
environment a little sense a place
148
00:11:18,009 --> 00:11:21,889
not a ton
149
00:11:21,889 --> 00:11:26,290
but you know you're in a location you
know you're in a restaurant and you know
150
00:11:26,290 --> 00:11:38,490
you wanna see more
151
00:11:38,490 --> 00:11:41,460
so what I'm doing right now as I'm just
looking at some in the lines
152
00:11:41,460 --> 00:11:44,670
alike some this high like coming through
his
153
00:11:44,670 --> 00:11:48,520
darks has little to highlight its kinda
pushing my eye back down
154
00:11:48,520 --> 00:11:54,500
unfocused right here on this guy kind of
an interesting shot see if we can get
155
00:11:54,500 --> 00:12:01,640
this a little better
156
00:12:01,640 --> 00:12:05,440
and again I change my crop on this so
instead of shooting vertical I'm
157
00:12:05,440 --> 00:12:06,150
shooting my
158
00:12:06,150 --> 00:12:14,269
11 are my fourteen by 22 horizontal shot
just trying to mix it up a little bit
159
00:12:14,269 --> 00:12:17,690
I need to bring my focus forward and
quite honestly I want increased by DEP
160
00:12:17,690 --> 00:12:18,690
the field on this guy
161
00:12:18,690 --> 00:12:23,519
I think that to this could this could
lend itself to being a little bit
162
00:12:23,519 --> 00:12:24,170
sharper
163
00:12:24,170 --> 00:12:28,370
soma do that right now
164
00:12:28,370 --> 00:12:31,389
backers really simple
165
00:12:31,389 --> 00:12:35,190
don't have to do a lot I'm gonna come up
a little bit in fact let's see if we can
166
00:12:35,190 --> 00:12:47,889
do that with the crop
167
00:12:47,889 --> 00:12:58,589
yes we can
168
00:12:58,589 --> 00:13:03,239
I'm it took my camera up just a hair to
get rid of some in the foreground
169
00:13:03,239 --> 00:13:07,119
get a little bit more the on you know
the background as I like it I think it's
170
00:13:07,119 --> 00:13:07,729
nice
171
00:13:07,729 --> 00:13:14,499
pop another
172
00:13:14,499 --> 00:13:19,160
too much
173
00:13:19,160 --> 00:13:29,490
for house have a crop on its worst a
quick look at my crop
174
00:13:29,490 --> 00:13:33,259
alright like that couple more
adjustments
175
00:13:33,259 --> 00:13:37,560
McKenna break this up a little bit here
it's a little bit clumps and that radish
176
00:13:37,560 --> 00:13:40,790
I think I wanna put some that down on
there as well cuz all
177
00:13:40,790 --> 00:13:44,360
in the back to see if I can just fine
tune the food a little bit
178
00:13:44,360 --> 00:14:14,120
and we should have our hero shot
179
00:14:14,120 --> 00:14:22,500
I'm just kind delicately doing this
bringing these guys in here
180
00:14:22,500 --> 00:14:25,940
truth of the matter is I had a whole
pile on a min back
181
00:14:25,940 --> 00:14:29,130
and I'm not seeing and I want to do so
182
00:14:29,130 --> 00:14:34,300
I'm gonna steal some as we don't see 'em
183
00:14:34,300 --> 00:14:43,149
know kinda like this
184
00:14:43,149 --> 00:14:49,620
might be kinda true to what the chef
once in knowing that
185
00:14:49,620 --> 00:14:58,889
these things kinda live in a pile
186
00:14:58,889 --> 00:15:02,369
wants to see if I can bring these
forward just a little bit all over
187
00:15:02,369 --> 00:15:07,250
this leave
188
00:15:07,250 --> 00:15:11,450
so want to create a little bit more
visual interest there so again I'm just
189
00:15:11,450 --> 00:15:11,880
kinda
190
00:15:11,880 --> 00:15:21,190
I'm leading the I I'm just kinda pulling
out his details just a little bit
191
00:15:21,190 --> 00:15:24,650
down to the two-minute warning this is
definitely much better without question
192
00:15:24,650 --> 00:15:27,770
and I like what's going on up here in
this rat it's better to
193
00:15:27,770 --> 00:15:31,470
just a little bit a break a little bit a
curve that's kinda going I don't think I
194
00:15:31,470 --> 00:15:32,050
helped
195
00:15:32,050 --> 00:15:36,670
this leave at all in fact I think it's
kinda diminish from 10 was
196
00:15:36,670 --> 00:15:40,110
which is not what I intended to do so
let's see if we can fluff it up a little
197
00:15:40,110 --> 00:15:41,180
bit may go the better
198
00:15:41,180 --> 00:16:04,250
and then we'll be done
199
00:16:04,250 --> 00:16:05,340
that's better
200
00:16:05,340 --> 00:16:14,090
to break it up a little bit more and I
think I got it
201
00:16:14,090 --> 00:16:17,000
okay last thing I wanna do little bit of
Phil
202
00:16:17,000 --> 00:16:20,470
way
203
00:16:20,470 --> 00:16:24,560
good
204
00:16:24,560 --> 00:16:32,190
moving fast
205
00:16:32,190 --> 00:16:36,390
find that guy
11900:09:03,910--> 00:09:04,680安全12000:09:04,680--> 00:09:08,060有些人很好,紧绷在这里得到它12100:09:08,060--> 00:09:11,279再次,你不知道你要去与风12200:09:11,279--> 00:09:17,320在短短的餐厅,所以你必须能够适应并有点儿移动12300:09:17,320--> 00:09:26,529相当快速地单击它12400:09:26,529--> 00:09:28,260是的12500:09:28,260--> 00:09:32,440冷却器的方式12600:09:32,440--> 00:09:36,510第三个指南对我这要有趣的了你不确切地知道12700:09:36,510--> 00:09:37,610在那里你要去风12800:09:37,610--> 00:09:41,589你在你的头脑有远景和这是什么你走的方向12900:09:41,589--> 00:09:43,079下来的路径和你采取13000:09:43,079--> 00:09:46,190但是你得让这食物说话你你一定要让13100:09:46,190--> 00:09:50,240它告诉你如何用于拍照和你这样13200:09:50,240--> 00:09:54,630开始一篇作文并考虑看看如何在最高的食物在吹13300:09:54,630--> 00:09:59,190如果我得到挂了,如果它进入它只是没有体积的债务领域13400:09:59,190--> 00:10:00,720它没有怀疑,不能移动13500:10:00,720--> 00:10:03,550当你知道你必须做预算的变化,这是什么我只是13600:10:03,550--> 00:10:04,790given this testing phase13700:10:04,790 --> 00:10:07,880yeah13800:10:07,880 --> 00:10:16,790well so very quickly I'm gonna bring inthis13900:10:16,790 --> 00:10:25,310additional bounce car just to work withthis light a little bit14000:10:25,310 --> 00:10:29,649still like to tighter without a doubt Ilike coming in tighter on the shot and14100:10:29,649 --> 00:10:31,080I'm going to continue to do so14200:10:31,080 --> 00:10:34,760I keep going back and key point backwarning the show the environment it's a14300:10:34,760 --> 00:10:35,410really14400:10:35,410 --> 00:10:39,779intricate plate of food in fact sointricate I just have to get in there14500:10:39,779 --> 00:11:02,199tighter so that's what I'm gonna do14600:11:02,199 --> 00:11:14,170get everything locked down nice tightrefocus14700:11:14,170 --> 00:11:18,009looking better just a little sensitiveenvironment a little sense a place14800:11:18,009 --> 00:11:21,889not a ton14900:11:21,889 --> 00:11:26,290but you know you're in a location youknow you're in a restaurant and you know15000:11:26,290 --> 00:11:38,490you wanna see more15100:11:38,490 --> 00:11:41,460so what I'm doing right now as I'm justlooking at some in the lines15200:11:41,460 --> 00:11:44,670alike some this high like coming throughhis15300:11:44,670 --> 00:11:48,520darks has little to highlight its kindapushing my eye back down15400:11:48,520 --> 00:11:54,500unfocused right here on this guy kind ofan interesting shot see if we can get15500:11:54,500 --> 00:12:01,640this a little better15600:12:01,640 --> 00:12:05,440and again I change my crop on this soinstead of shooting vertical I'm15700:12:05,440 --> 00:12:06,150shooting my15800:12:06,150 --> 00:12:14,26911 are my fourteen by 22 horizontal shotjust trying to mix it up a little bit15900:12:14,269 --> 00:12:17,690I need to bring my focus forward andquite honestly I want increased by DEP16000:12:17,690 --> 00:12:18,690the field on this guy16100:12:18,690 --> 00:12:23,519I think that to this could this couldlend itself to being a little bit16200:12:23,519 --> 00:12:24,170sharper16300:12:24,170 --> 00:12:28,370soma do that right now16400:12:28,370 --> 00:12:31,389backers really simple16500:12:31,389 --> 00:12:35,190don't have to do a lot I'm gonna come upa little bit in fact let's see if we can16600:12:35,190 --> 00:12:47,889do that with the crop16700:12:47,889 --> 00:12:58,589yes we can16800:12:58,589 --> 00:13:03,239I'm it took my camera up just a hair toget rid of some in the foreground16900:13:03,239 --> 00:13:07,119get a little bit more the on you knowthe background as I like it I think it's17000:13:07,119 --> 00:13:07,729nice17100:13:07,729 --> 00:13:14,499pop another17200:13:14,499--> 00:13:19,160太多了17300:13:19,160--> 00:13:29,490房子有一种作物上最坏的情况快看我的作物17400:13:29,490--> 00:13:33,259好吧这样情侣更多调整17500:13:33,259--> 00:13:37,560麦肯纳打破这一点在这里它是有点团块和那萝卜17600:13:37,560--> 00:13:40,790我想把一些放在作为所有是因为那里17700:13:40,790--> 00:13:44,360在回头看看是否我可以只是罚款稍微调整食物17800:13:44,360--> 00:14:14,120我们应该有我们拍摄的英雄17900:14:14,120--> 00:14:22,500我只是好心微妙地做这件事在这里把这些家伙18000:14:22,500--> 00:14:25,940事实是真相的,我有一个整体桩在民背上18100:14:25,940--> 00:14:29,130我不能看到和我想要这样做18200:14:29,130--> 00:14:34,300我要去偷一些我们看不到他们18300:14:34,300--> 00:14:43,149知道有点儿像这样18400:14:43,149--> 00:14:49,620可能有点忠于什么厨师一次是在知道18500:14:49,620--> 00:14:58,889这些东西还挺住在一堆18600:14:58,889--> 00:15:02,369想要看看是否我可以带来这些期待只是一点点都超过18700:15:02,369--> 00:15:07,250这种假18800:15:07,250--> 00:15:11,450所以想要创建多一点点视觉上的趣味性有再一次我只是18900:15:11,450--> 00:15:11,880有点儿19000:15:11,880--> 00:15:21,190我我我我只是有点拉领导他详细介绍了只是一点点19100:15:21,190--> 00:15:24,650到两分钟警告这是肯定好多了,没有问题19200:15:24,650--> 00:15:27,770等在这里什么这只老鼠更好19300:15:27,770--> 00:15:31,470只是一点点一点点的休息有点事我不觉得我的曲线19400:15:31,470--> 00:15:32,050帮助19500:15:32,050--> 00:15:36,670这种假根本其实我觉得它有从 10 有点减少了19600:15:36,670--> 00:15:40,110这是我不打算这样做让我们看看是否我们可以抖它有点19700:15:40,110--> 00:15:41,180位可以走得更好19800:15:41,180--> 00:16:04,250然后我们会做19900:16:04,250--> 00:16:05,340这就是更好20000:16:05,340--> 00:16:14,090分手一阵子更而想我了20100:16:14,090--> 00:16:17,000我想要做的一点点好最后一件事Phil20200:16:17,000--> 00:16:20,470方式20300:16:20,470--> 00:16:24,560好20400:16:24,560--> 00:16:32,190运动速度过快20500:16:32,190--> 00:16:36,390找到那个家伙
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