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the
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hey welcome back everyone this is part
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10 we already got to bartend can imagine
all
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this series and if you haven't seen the
last one part 9 hourly billing don't do
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as you can check that out
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and this is actually a direct
continuation of the last episode
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now there are some things I still didn't
explain well
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orite did but people wanted to learn
more and also
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I gotta lotta questions so it's all
those I'll try to answer in this one
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I wanted to come to finish up with the
series
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or at least at the part where I use
camera off from work small we still have
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to cover
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Lightroom capture one but what I want to
also talk about his
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someone to cleanup work because that
seems to be the one to popular questions
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so all briefly talk about God and we
move onto
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finishing up the series remember in the
last episode when we did is we
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basically got to a point where out to
different row conversions we got to this
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point
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and we realize not work should I say I
realized not
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the image lacks consistency caller
ringtone
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there are some you know red patches here
there's just
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he's late for example is very very
yellow and very bright compared to
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the rest of his body and there's a skin
complexion difference between the models
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and the list goes on so typically I
would want to create
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a solid foundation to give me a peace of
mind a place where
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I don't have any noticeable color
contamination where I don't have any
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dis considered the inconsistencies
between the color and tone
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and I'll be something like this it
doesn't look great but it's a great
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starting point
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and that's what we covered the last
half-dozen now we're going to talk about
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the other two
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cleanup and color correction we have
covered is
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in a previous episodes but there are few
things I didn't talk about
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you kinda like one mention it here and
also I got some new questions people ask
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me so I'll try to answer not as well
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and then we'll try to finish up diz
series with something she touches
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alright by the way my name is
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chrysler's teeter and welcome to my
youtube or my blog depending on where
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you watching this
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hourly billing for old different
episodes down below sea can check that
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out if this is the first time you're
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coming in contact with this series also
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on if you could do me like I would
appreciate it if you have any questions
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or feedback
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that's also very well much appreciated
and you know if you
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find these were deeply share it with
your friends and because the more people
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see it is the more I'm able to create
new videos
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now course on if you like to receive
more these videos please subscribe and
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not wait will
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get to your inbox in you will be
notified every time I update
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my do pose this on he's looking other
places he could check out dairy
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here you know my friend on Facebook or
follow me somewhere Binayak you
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prefer now be subscribed to YouTube you
can always get
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update where you are so on
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let's get started okay so what are the
first questions I was asked was
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what about the order all Dez two groups
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clean up a notch burn call a correction
and somebody suggested well what if you
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do
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your color correction and everything
inside role
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insert camera roll now let's say that
it's a simple image and you don't have
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to deal on this stock
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Albany the coloring told multiple rocket
words you can get everything you want
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inside iraq
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and then apply clean up to your image in
everything
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well dont could be that thing you can do
when will be
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relatively easy to do easier than what
I'm doing however
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which you dense sacrifice is the
flexibility of the workflow
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because is very possible that we as
retoucher
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gonna deal week changes itself their
images in other words a client might
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show up
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and they say well you know what I like
to
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retouching added to the image in terms
of cleanup and healing but
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ido light your call a correction let's
change it back to the original
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well if I did my clean up
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and dodging and burning you know here
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and den I hate change the caller you can
see that I have a problem
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because the source all the cleanup at
dodging and burning
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was when the image was different in
terms of color Intel
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sold on Woodward I'd so
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year would always be to clean the cleat
to keep the
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cleanup and %ah Jim Byrne group be low
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color correction when I say color
correction I don't mean
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when we got here below these two groups
which are basically
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just creating a foundation for an image
you know collor de commande income
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day D could be color detox
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and I just removing all the
inconsistencies in the collar and
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getting the right times to imagine all
that
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does just creating a good foundation
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I'm talking about these two last steps
more of a creative type color correction
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and cleanup technology and burning so
here's the problem
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if you first do you
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color correction and then clean up a
notch burn he works but only
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we does color combinations and if you
change something because the client
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wanted to change something then you have
a problem
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right you're dodging and burning and all
that will not match any more
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so the way to a point out and to keep it
more flexible
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it is good practice to first do your
cleanup and dodging and burning
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and then on top of that do you call a
correction and this is what I
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typically do when I was doing for quite
a long time
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somebody suggested a potential on
variation on this
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and the other school taught here would
be to
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keep the coat color correction acted
disagree on the image
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just would the color correction folder
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on top and you have something like this
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and now you know do you're dodging and
burning in all not be low
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color correction it do Layers panel
bought
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in terms of visibility in the image we
first see the color correction and then
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we
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work be lowered and video was dot
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if you have an image for example