100:00:23,760 --> 00:00:30,420so he

1
00:00:23,760 --> 00:00:30,420
so here we are in capture one and what
we gonna focus on this time it's the

2
00:00:30,420 --> 00:00:34,900
practicality of the changing color of
light we talked about this in the

3
00:00:34,900 --> 00:00:39,530
prerequisites talked about the different
color temperatures on the sun in a

4
00:00:39,530 --> 00:00:43,070
different times of the day and it's
pretty obvious in the capture of the

5
00:00:43,070 --> 00:00:47,330
open mister image so I'm just going to
scroll through this a little bit for you

6
00:00:47,330 --> 00:00:51,320
so that you could see what's happening
to the light color now all of these

7
00:00:51,320 --> 00:00:56,739
pictures have the Calvin said at 5500
and we have zero point one tenth of its

8
00:00:56,739 --> 00:01:02,280
doesn't really do much at all so just go
through these real quick

9
00:01:02,280 --> 00:01:06,909
this is very early when we got there
this is ISO 3200 just want to capture

10
00:01:06,909 --> 00:01:11,280
some of these stars and you see the
mountain range is right here right in

11
00:01:11,280 --> 00:01:15,510
here is some warm spillage from the car
lights that was right next to us so

12
00:01:15,510 --> 00:01:22,500
obviously its darkest night on was this
a really dark dark blue sky and that's

13
00:01:22,500 --> 00:01:26,530
the color temperature of the light as
I'm gonna scroll through this real quick

14
00:01:26,530 --> 00:01:30,980
obviously this is a brighter exposure
but its analogy of this is still quite

15
00:01:30,980 --> 00:01:38,640
blue and then as we move forward you
could see that it gets warmer and warmer

16
00:01:38,640 --> 00:01:44,580
now into magenta tones still not in
direct Sun it in the mountains but we're

17
00:01:44,580 --> 00:01:50,570
getting a really warm and gentle tone to
it and as high school through these are

18
00:01:50,570 --> 00:01:54,320
common in here you can just exporters
are skipping a little bit here but you

19
00:01:54,320 --> 00:02:00,160
can just tell that it's going from cool
to warm to warm air and even warmer so

20
00:02:00,160 --> 00:02:05,020
I'm just gonna go down a little bit and
now that you see the getting into the

21
00:02:05,020 --> 00:02:10,769
exposures were gettin son in the top of
the mountains and it still getting even

22
00:02:10,769 --> 00:02:13,319
warmer and from here on out

23
00:02:13,319 --> 00:02:17,300
you get into here you see it's getting
really a neutral color on the back

24
00:02:17,300 --> 00:02:21,720
mountains so in a pic of you example
just so that you could see these next to

25
00:02:21,720 --> 00:02:42,400
each other we have the mountain ranges
all lined up

26
00:02:42,400 --> 00:02:50,970
early morning on the top right

27
00:02:50,970 --> 00:02:54,120
still early morning right before the Sun
has come up so what is happening in the

28
00:02:54,120 --> 00:02:59,049
top right image is essentially that the
Sun is not quite hitting the landscape

29
00:02:59,049 --> 00:03:03,340
but it's coming up and bounces back down
from the atmosphere and it gives us this

30
00:03:03,340 --> 00:03:08,750
really beautiful pink low now this is
happening only for very few minutes

31
00:03:08,750 --> 00:03:13,780
right after the Sun Goes Down or in this
case right before the Sun comes up this

32
00:03:13,780 --> 00:03:18,829
is a really beautiful pink ish sort of
balance it gets more into the yeltsin's

33
00:03:18,829 --> 00:03:24,049
here in the bottom left and still
obviously warmer but more yellowish

34
00:03:24,049 --> 00:03:28,909
rather than the pink magenta town and
then on the bottom right you see the Sun

35
00:03:28,909 --> 00:03:32,889
is up in the mountains straight on and
even if it's a little bit overexposed in

36
00:03:32,889 --> 00:03:38,150
there you can see that the caller is
absolutely neutral so these are the

37
00:03:38,150 --> 00:03:42,519
different color technologies of lights
and having an awareness of this is truly

38
00:03:42,519 --> 00:03:46,489
important as it set out to create the
color technologies of your photographs

39
00:03:46,489 --> 00:03:51,819
so it's gonna focus on in this part of
the tutorial is to retouch the picture

40
00:03:51,819 --> 00:03:54,250
in two different color palettes

41
00:03:54,250 --> 00:03:59,169
take one image in this area and we
touched that incredibly nighttime scene

42
00:03:59,169 --> 00:04:04,530
and then we're gonna take different
exposures from this time of day and he

43
00:04:04,530 --> 00:04:08,519
gonna create another warmer picture and
you saw in the introduction to this

44
00:04:08,519 --> 00:04:13,010
chapter what I'd done to prepare for
this where the first image is really

45
00:04:13,010 --> 00:04:16,829
blew in town and the second is really
warm so they're going to dive into the

46
00:04:16,829 --> 00:04:20,209
retouch have been through capture and a
couple of times now so I'm not gonna do

47
00:04:20,209 --> 00:04:24,659
much more than this to show you the
different color all of these is again

48
00:04:24,659 --> 00:04:30,240
set at 5500 Calvin and again encourage
you to do so on your camera so that you

49
00:04:30,240 --> 00:04:33,740
could see the light changed without
having all about balance so when you

50
00:04:33,740 --> 00:04:37,650
comin look at your pictures that capture
one they all look the same so get a

51
00:04:37,650 --> 00:04:41,400
sense of what the light doesn't it comes
to color work without you taking

52
00:04:41,400 --> 00:04:45,490
pictures and set the college analogy
that really really resonates with you

53
00:04:45,490 --> 00:04:50,779
and your style of photography so that is
the message of this dive into the

54
00:04:50,779 --> 00:04:51,580
retouch

55
00:04:51,580 --> 00:04:54,819
and see if we can put this pictures
together on CSI

結果 (中文) 1:

100:00:23，760--> 00:00:30，420所以在这里我们是在捕获一个和什么我们会集中在这时间它了200:00:30，420--> 00:00:34，900变化万千的色彩的实用性光我们谈到这300:00:34，900--> 00:00:39，530谈到不同的系统必备组件颜色在太阳上的温度400:00:39，530--> 00:00:43，070这一天的不同时间很明显在捕获500:00:43，070--> 00:00:47，330所以我只要去打开先生图像通过这一点滚动为你600:00:47，330--> 00:00:51，320这样你能看到发生了什么光的颜色现在所有这些700:00:51，320--> 00:00:56，739图片有卡尔文说在 5500和我们有零点十分之一的其800:00:56，739--> 00:01:02，280实际上并不多，所以去通过这些真正的快900:01:02，280--> 00:01:06，909这是很早，当我们到达那里时这是 ISO 3200 只想捕获1000:01:06，909--> 00:01:11，280一些这些星星和你看看山脉是正确的1100:01:11，280--> 00:01:15，510这里是一些温暖的溢出的车在我们旁边这样的灯1200:01:15，510--> 00:01:22，500显然对其黑暗的夜晚真的很暗的暗蓝的天空和那的1300:01:22，500--> 00:01:26，530作为光的色温我要去这个真正的快速滚动1400:01:26，530--> 00:01:30，980很明显这是一个明亮的曝光但其类比的这仍然是非常1500:01:30，980--> 00:01:38，640蓝色，然后作为我们前进你可以看到，它变得越来越暖和1600:01:38，640--> 00:01:44，580现在到洋红色音调仍然不在直接将其孙在山中，但我们1700:01:44，580--> 00:01:50，570变得充满了温暖和温柔的口气，到它和通过这些高中正1800:01:50，570--> 00:01:54，320共同在这里你可以只是出口商但你有一点在这里跳1900:01:54，320--> 00:02:00，160可以只是告诉它正从酷以如此温暖，温暖的空气和甚至更温暖2000:02:00，160--> 00:02:05，020我只要去走一点点，现在，你看到进入2100:02:05，020--> 00:02:10，769风险敞口们在顶部的儿子山和它仍然得到甚至2200:02:10，769--> 00:02:13，319温暖，从这里开始了2300:02:13，319--> 00:02:17，300你进入这里你看到天色真的一种中性色的背面2400:02:17，300--> 00:02:21，720山这么在 pic 您的示例只是，这样你能看到这些下一步2500:02:21，720--> 00:02:42，400每个其他我们有山脉所有排队2600:02:42，400--> 00:02:50，970右上角的清晨2700:02:50，970--> 00:02:54，120还是清晨前太阳已达到那么发生了什么在2800:02:54，120--> 00:02:59，049右上角的形象，实质上是太阳不很打的景观2900:02:59，049--> 00:03:03，340但它快来了，反弹下来从到的气氛，它给了我们这3000:03:03，340--> 00:03:08，750真的很漂亮的粉色低，现在这是仅为短短几分钟之内发生的事情3100:03:08，750--> 00:03:13，780右后太阳走下来或在这就在太阳升起的时候这之前的案例3200:03:13，780--> 00:03:18，829是一种非常漂亮的粉红色 ish平衡它获取到叶利钦的更多3300:03:18，829--> 00:03:24，049在底部左和仍然在这里很明显温暖但更多的淡黄3400:03:24，049--> 00:03:28，909而不是粉红色的洋红色镇和然后在右下角你看见太阳3500:03:28，909--> 00:03:32，889是在直上高山和即使它有点曝光中3600:03:32，889--> 00:03:38，150那里你可以看到来电者绝对中立等这些都是3700:03:38，150--> 00:03:42，519不同颜色的灯技术和真正意识到这一点是3800:03:42，519--> 00:03:46，489重要的因为它设置为创建颜色技术的你的照片3900:03:46，489--> 00:03:51，819所以它集中谈谈在这部分本教程是修饰图片4000:03:51，819--> 00:03:54，250在两个不同的颜色调色板4100:03:54，250--> 00:03:59，169拍摄一幅画面，在这一领域，我们触摸那令人难以置信夜间场景4200:03:59，169--> 00:04:04，530然后我们就会采取不同从这一天和他的一次曝光4300:04:04，530--> 00:04:08，519要创建另一个温暖的图片和你看见在介绍到这4400:04:08，519--> 00:04:13，010第二章为筹备了做这第一幅图像在哪里真的4500:04:13，010--> 00:04:16，829吹在小镇，第二个是真的温暖的所以他们打算潜入4600:04:16，829--> 00:04:20，209润饰已经通过捕获和所以我不打算做几次，现在4700:04:20，209--> 00:04:24，659更多比这要给你看不同的颜色，所有这些都是再一次4800:04:24，659--> 00:04:30，240设置在 5500 卡尔文和再次鼓励你要做所以，等等你的相机，你4900:04:30，240--> 00:04:33，740可以看到光无改变在所有关于平衡时你5000:04:33，740--> 00:04:37，650来看看您捕获的图片一个看起来都一样所以得到5100:04:37，650--> 00:04:41，400意义上的光线不是来自没有你考虑的调色工作5200:04:41，400--> 00:04:45，490图片和集大学类比这真的真的与你产生共鸣5300:04:45，490--> 00:04:50，779和你的所以这就是摄影风格此潜入的消息5400:04:50，779--> 00:04:51，580润饰5500:04:51，580--> 00:04:54，819看看如果我们可以把这张图片在一起对 CSI

結果 (中文) 3:

1
00:00:23760——> 00:00:30420
所以我们在捕捉一个什么
我们会专注于这次的

2
00:00:30420——> 00:00:34900
实用性
光变色我们谈到这个在

3
00:00:34900——> 00:00:39530
前提谈论不同的
色温度对太阳在一个

4
00:00:39530——>的一天00:00:43070
不同时代和它的
在

5
00:00:43070捕获很明显——> 00:00:47330先生
打开图像所以我会
滚动这一点你

6
00:00:47330——> 00:00:51320
以便你能看到发生了什么
到光的颜色现在所有这些

7
00:00:51320——> 00:00:56739
图片有加尔文的5500
说我们有零点十分之一的

8
00:00:56739——> 00:01:02，280
并不多所以就去
通过这些真正的快速

9
00:01:02280——> 00:01:06909
这是很早就有
这是ISO 3200只是想捕捉

10
00:01:06909——> 00:01:11280
这些星星和你看到的
山脉

11
00:01:11280——> 00:01:15510
这里是从车
灯，旁边的我们，

一些温暖的溢出在这里是正确的12
00:01:15510——> 00:01:22500
显然其黑暗的夜晚，在这个
很黑的暗蓝色的天空，那是

13
00:01:22500——> 00:01:26530
光的色温为
我翻阅这真正的快速

14
00:01:26530——> 00:01:30980
显然这是一个光明的曝光
但其类比这仍然是相当

15
00:01:30980——> 00:01:38640
蓝色然后我们前进，你
可以看到，天气越来越暖和

16
00:01:38640——> 00:01:44580
现在还没有
山区直接太阳洋红音调但我们

17
00:01:44580——> 00:01:50570
得到一个真正的温暖柔和的色调，如
学校通过这些

18
00:01:50570——> 00:01:54320
共同在这里你可以
出口商跳过这里一点点但你

19
00:01:54320——> 00:02:00160
可以看出那是从酷
温暖温暖的空气和温暖，甚至

20
00:02:00160——> 00:02:05020
我要下去一点，
现在你看到进入

21
00:02:05020——> 00:02:10769
暴露了儿子在
山顶还越来

22
00:02:10，769——> 00:02:13319
温暖，从这里出发

23
00:02:13319——> 00:02:17300
你进入这里，你看它变得
真的中性色的背

24
00:02:17300——> 00:02:21720
山在你的PIC的例子
只是让你能看到这一

25
00:02:21720——> 00:02:42400
彼此我们有山脉
都排队

26
00:02:42400——> 00:02:50970
清晨的右上

27
00:02:50970——> 00:02:54120
还是清晨就在太阳
发生了什么是在

28
00:02:54120发生——> 00:02:59049
右图像本质上是，太阳是不是打
景观

29
00:02:59049——> 00:03:03340但它的到来
上反弹下来
从大气和它给我们这

30
00:03:03340——> 00：03:08750
真正美丽的粉红色的低这是
发生只有很少几分钟

31
00:03:08750——> 00:03:13780
右太阳下山后或在这
权案在太阳出来之前这

32
00:03:13780——> 00:03:18829
真是一个美丽的粉红色的杂交种
平衡它在叶利钦的

33
00:03:18829——> 00:03:24049
在左下方还有
很明显回暖但更黄

34
00:03:24049——> 00:03:28909
而不是粉红色洋红镇
然后在右下角你看到太阳

35
00:03:28909——> 00:03:32889
是上山直上，
即使它有点过

36
00:03:32889——> 00:03:38150
那里你可以看到来电者
绝对中立，这是

37
00:03:38150——> 00:03：42519
不同颜色灯光
技术具有这种意识是真正的

38
00:03:42519——> 00:03:46489
重要因为它创造的
彩色技术你的照片

39
00:03:46489——> 00:03:51819
所以要集中在这部分的教程是
修整图40


00:03:51819——> 00:03:54250
在两个不同的调色板

41
00:03:54，250——> 00:03:59169
采取一个图像在这方面我们
感动难以置信的夜间场景

42
00:03:59169——> 00:04:04530
然后我们就从这个时间采取不同的
暴露和他

43
00:04:04530——> 00:04:08519
会创建另一个温暖的画面和
你看到的介绍这44


00:04:08519——> 00:04:13010
章我都做了些什么准备
这其中的第一印象是真的

45
00:04:13010——> 00:04:16829
吹在城里，二是真的
温暖所以他们打算潜入

46
00:04:16829——> 00:04:20209
润饰已通过捕获和
几次，所以我不会做

47
00:04:20209——> 00:04:24659
比这更多的展现你的
不同的颜色，这些都是再

48
00:04:24659——> 00:04：30240
设定在5500加尔文再次鼓励
你对相机这么做让你

49
00:04:30240——> 00:04:33740
可以看见光变无
有关于平衡的所以当你

50
00:04:33740——> 00:04:37650
来看看你的照片，捕捉一个看起来都
同样的，得到一个

51
00:04:37650——> 00:04:41400
感觉光不涉及
颜色没有你的工作以

52
00:04:41400——> 00:04:45490
图片和设置大学类比
，真的与你共鸣

53
00:04:45490——> 00:04:50779
和你的摄影风格，这是
潜水消息进入

54
00:04:50779——> 00:04:51580
润饰

55
00:04:51580——> 00:04:54819
看看我们是否可以把这照片
在CSI