15700:09:42,900 --> 00:09:45,960and

157
00:09:42,900 --> 00:09:45,960
and you don't necessarily want that for
example the eyes

158
00:09:45,960 --> 00:09:49,770
you don't want the the eyes and the
pupils which already dark to be darker

159
00:09:49,770 --> 00:09:53,860
you want to brighten those so by adding
contrast you'll make your job a lot

160
00:09:53,860 --> 00:09:54,589
harder

161
00:09:54,589 --> 00:09:58,130
and other hand clair de I do like using

162
00:09:58,130 --> 00:10:02,360
because clearly work slightly different
than contrast let's go ahead and try

163
00:10:02,360 --> 00:10:03,210
both of them

164
00:10:03,210 --> 00:10:06,710
that at some contrast here and you could
see how it crushed up

165
00:10:06,710 --> 00:10:09,730
colors and the lighting of her face
let's

166
00:10:09,730 --> 00:10:15,940
turn this back to zero and then

167
00:10:15,940 --> 00:10:19,480
jump back you could see how it really

168
00:10:19,480 --> 00:10:24,820
are saturated her skin and it it brings
out the flaws a lot more

169
00:10:24,820 --> 00:10:28,529
so we don't want to use contrast black
contrast to the image

170
00:10:28,529 --> 00:10:31,589
through other methods but not the
contrast lighter

171
00:10:31,589 --> 00:10:35,290
clarity on the other hand I really like
using

172
00:10:35,290 --> 00:10:36,579
because it just makes the M

173
00:10:36,579 --> 00:10:41,559
pop contrast it take ATM the darker side
it makes a darker anything on the

174
00:10:41,559 --> 00:10:43,059
lighter side to make the later

175
00:10:43,059 --> 00:10:47,249
clearly however takes just that few tiny
pieces amid

176
00:10:47,249 --> 00:10:52,239
in the shadows in a few pixels and that
highlights and just separates those

177
00:10:52,239 --> 00:10:57,139
and exaggerates those so you don't have
as much of a crazy effect as you do with

178
00:10:57,139 --> 00:10:59,769
contrast let's go ahead and add some
clarity

179
00:10:59,769 --> 00:11:02,980
now that's too much as you can see
because it really

180
00:11:02,980 --> 00:11:06,049
brought out flaws in the skin so

181
00:11:06,049 --> 00:11:09,779
let me show you why like clarity but
zoom into the hair

182
00:11:09,779 --> 00:11:13,269
but I'm gonna do is leave the Clare

183
00:11:13,269 --> 00:11:17,170
bring the clarity back to zero let's
study the hair if you take a look at the

184
00:11:17,170 --> 00:11:17,819
hair

185
00:11:17,819 --> 00:11:22,220
you can see that it's soft right now
compared to

186
00:11:22,220 --> 00:11:25,720
here where suddenly

187
00:11:25,720 --> 00:11:29,519
the hair became a lot sharper that will
clearly does it really

188
00:11:29,519 --> 00:11:34,220
brings out detail and sharpens but the
problem is if you do too much

189
00:11:34,220 --> 00:11:37,899
this is how the skin looks which is way
too rough

190
00:11:37,899 --> 00:11:42,529
this is how it was before we added that
collect thirty

191
00:11:42,529 --> 00:11:45,879
thats and thats after

192
00:11:45,879 --> 00:11:49,049
and this is making the skin far too
rough

193
00:11:49,049 --> 00:11:52,689
so what I like doing is going into the
face and

194
00:11:52,689 --> 00:11:56,689
a star of the clearly a zero and I
slowly start adding clarity

195
00:11:56,689 --> 00:12:01,119
until I see the skin becoming too rough
and once it becomes too rough I stop

196
00:12:01,119 --> 00:12:06,480
suffer this image of the lots around 14
generally don't exceed

197
00:12:06,480 --> 00:12:10,919
10 to 15 so 14 as a good amount for this
image

198
00:12:10,919 --> 00:12:15,829
let's go ahead and zoom back up by
Everton saturation

199
00:12:15,829 --> 00:12:20,230
I leave alone we don't mess around with
colors here and that we don't want

200
00:12:20,230 --> 00:12:22,549
anything to be more colorful than it is

201
00:12:22,549 --> 00:12:26,160
for a landscape maybe I would touch the
vibrant a little bit

202
00:12:26,160 --> 00:12:29,519
but for a portrait on never do that
because it makes the skin more arms in

203
00:12:29,519 --> 00:12:31,069
red and we don't want to do this

204
00:12:31,069 --> 00:12:35,669
the last thing we're gonna do before we
jump into the fourth have

205
00:12:35,669 --> 00:12:39,509
is turn this preview on our so this is
before

206
00:12:39,509 --> 00:12:42,540
we did any camera adjustments and that

207
00:12:42,540 --> 00:12:48,180
after let's zoom then and you could see
how the lady on her face became

208
00:12:48,180 --> 00:12:51,310
a few notches better so that's before

209
00:12:51,310 --> 00:12:55,970
where the the skin look a little bit
flat compared to here where skin

210
00:12:55,970 --> 00:13:00,160
jumps out at us a little bit more so as
you can see we believed it

211
00:13:00,160 --> 00:13:03,350
anything in this image we all we did was

212
00:13:03,350 --> 00:13:06,840
at some white and a touch of clarity
along with her white balance

213
00:13:06,840 --> 00:13:10,090
so just because the sliders are here
doesn't mean you have to use it

214
00:13:10,090 --> 00:13:13,450
let's jump over to are HS out have which
is

215
00:13:13,450 --> 00:13:17,240
the fourth have over they just sell is

216
00:13:17,240 --> 00:13:23,080
extremely powerful an often overlook
that go to Hughes and talk about

217
00:13:23,080 --> 00:13:26,470
use so I just saw stands for a few
saturation and luminance

218
00:13:26,470 --> 00:13:31,160
Hughes is when you take a specific color
any change it to a different color

219
00:13:31,160 --> 00:13:35,440
so for example that is someone skin is
really red for has a lot of pink in it

220
00:13:35,440 --> 00:13:38,590
what I would do is come here the hughes
go to a red slider

221
00:13:38,590 --> 00:13:41,940
and move it towards the our side this
will take anything

222
00:13:41,940 --> 00:13:45,210
and the more red and pink side and make
it more a brown

223
00:13:45,210 --> 00:13:49,180
orange color which is a lot more a
pleasing skin tone

224
00:13:49,180 --> 00:13:53,590
now obviously this is very general and
its gonna change the lips

225
00:13:53,590 --> 00:13:56,870
their her fingernails and Dom other

226
00:13:56,870 --> 00:14:00,300
Reds as well so you wanna

227
00:14:00,300 --> 00:14:03,720
make sure to use lips as a guideline
when you're

228
00:14:03,720 --> 00:14:06,970
changing this color and this again is a
very general

229
00:14:06,970 --> 00:14:10,200
adjustment so later I'm in Photoshop

230
00:14:10,200 --> 00:14:15,000
weaker do %uh a much more perfect way of
doing this

231
00:14:15,000 --> 00:14:18,860
but this is just a quick adjustment you
could do to take away a little bit the

232
00:14:18,860 --> 00:14:19,450
redness

233
00:14:19,450 --> 00:14:22,820
in the skin the next thing we're gonna
do is jump over

234
00:14:22,820 --> 00:14:27,400
saturation and go straight to luminance
alone it is probably my key secret

235
00:14:27,400 --> 00:14:30,750
to really bringing out the light in the
skin without

236
00:14:30,750 --> 00:14:33,910
affecting anything else in the image
luminance

237
00:14:33,910 --> 00:14:37,460
stands for lighting lighting meaning

238
00:14:37,460 --> 00:14:41,260
you could choose a specific color over
here and make that color

239
00:14:41,260 --> 00:14:45,000
brighter so say we want to make the skin

240
00:14:45,000 --> 00:14:49,510
a little bit brighter in this image
without affecting anything else such as

241
00:14:49,510 --> 00:14:50,280
the background

242
00:14:50,280 --> 00:14:53,490
all we would need a deal is bring up the
red

243
00:14:53,490 --> 00:14:57,470
and arms is let's say you're not sure
which one to do

244
00:14:57,470 --> 00:15:00,730
or how much I've which one to do so

245
00:15:00,730 --> 00:15:05,690
Photoshop cammarata has this tool right
here which is called the target

246
00:15:05,690 --> 00:15:06,600
adjustment tool

247
00:15:06,600 --> 00:15:09,640
and shorter for that is key so I just
hit T

248
00:15:09,640 --> 00:15:13,900
and what you do the click down on the
skin and as you move it to the right

249
00:15:13,900 --> 00:15:17,110
you could see how are ready oranges are
moving

250
00:15:17,110 --> 00:15:21,620
and you could see how it moves arms is
more than the Reds because Kameron knows

251
00:15:21,620 --> 00:15:25,300
that there's more orange in the skin
then there is red

252
00:15:25,300 --> 00:15:28,740
and this and the specific subjects skin

253
00:15:28,740 --> 00:15:31,890
Sony come up slightly there we go

254
00:15:31,890 --> 00:15:35,130
and if you bring this doctrine is
preview on in our

255
00:15:35,130 --> 00:15:39,680
as previously only showing us the before
and after for the current have a rounder

256
00:15:39,680 --> 00:15:43,370
so if we're going to show us what we did
in the basic is just showing us what we

257
00:15:43,370 --> 00:15:44,840
did in the HS out how

258
00:15:44,840 --> 00:15:49,600
so it's gonna happen hit the Key button
on your keyboard that's before we did

259
00:15:49,600 --> 00:15:53,580
the luminance and the hue adjustment and
that's after

260
00:15:53,580 --> 00:15:57,380
any kitty Howard brought more light into
her face and skin

261
00:15:57,380 --> 00:16:01,320
now I feel it's too much summoning bring
it back down over here

262
00:16:01,320 --> 00:16:05,540
but you could see

263
00:16:05,540 --> 00:16:08,970
that how useful this tool is

264
00:16:08,970 --> 00:16:13,130
for other edits this and it doesn't need
as much because their skin is pretty

265
00:16:13,130 --> 00:16:13,560
good

266
00:16:13,560 --> 00:16:17,550
and we don't need to make any brighter
at this point so

267
00:16:17,550 --> 00:16:21,150
this wraps it up for cammarata so let's
go ahead

268
00:16:21,150 --> 00:16:24,760
open this image and in the next segment

269
00:16:24,760 --> 00:16:30,170
we're gonna go ahead and start
retouching this image in Photoshop

270
00:16:30,170 --> 00:16:31,460
dull

結果 (中文) 1:

15700:09:42，900--> 00:09:45，960你一定不想这样的示例的眼睛15800:09:45，960--> 00:09:49，770你不想要的眼睛和学生，已经黑是暗的15900:09:49，770--> 00:09:53，860你想要照亮那些如此通过添加你会让你的工作很多的对比16000:09:53，860--> 00:09:54，589更加努力16100:09:54，589--> 00:09:58，130和其他手克莱尔德我喜欢使用16200:09:58，130--> 00:10:02，360因为清楚的工作方式略有不同比对比吧，然后再试16300:10:02，360--> 00:10:03，210他们两个16400:10:03，210--> 00:10:06，710在一些对比在这里，你可以看看它是如何摧毁了16500:10:06，710--> 00:10:09，730颜色和她脸上的照明让我们16600:10:09，730--> 00:10:15，940轮到这回零，然后16700:10:15，940--> 00:10:19，480跳回你可以看到如何它真的16800:10:19，480--> 00:10:24，820饱和的她的皮肤，它带来了出很多缺陷16900:10:24，820--> 00:10:28，529所以，我们不想使用对比度黑色图像的对比17000:10:28，529--> 00:10:31，589通过其他方法但不是更轻的对比17100:10:31，589--> 00:10:35，290清晰度另一方面我真的很喜欢使用17200:10:35，290--> 00:10:36，579因为它只是让 M17300:10:36，579--> 00:10:41，559它采取 ATM 的黑暗面的流行对比它使暗什么上17400:10:41，559--> 00:10:43，059轻松的一面，使晚17500:10:43，059--> 00:10:47，249显然不过需要只是几个小碎片17600:10:47，249--> 00:10:52，239在几个像素，在阴影中突出，只是分离那些17700:10:52，239--> 00:10:57，139和那些夸大，这样你就不会尽可能多的为你疯狂的效果跟17800:10:57，139--> 00:10:59，769对比吧和添加一些清晰度17900:10:59，769--> 00:11:02，980现在，这是太多你可以看到因为它真的18000:11:02，980--> 00:11:06，049带出皮肤的缺陷所以18100:11:06，049--> 00:11:09，779让我告诉你为什么喜欢清晰但缩放到头发18200:11:09，779--> 00:11:13，269但我要做的是假，克莱尔18300:11:13，269--> 00:11:17，170让我们回到零带来清晰研究头发，如果你看看18400:11:17，170--> 00:11:17，819头发18500:11:17，819--> 00:11:22，220你可以看到它现在是软相比18600:11:22，220--> 00:11:25，720这里的地方突然18700:11:25，720--> 00:11:29，519头发变得敏锐得多，将显然没有它真的18800:11:29，519--> 00:11:34，220带来了的细节和锐化但问题是如果你做的太多18900:11:34，220--> 00:11:37，899这是如何的皮肤看起来是的方式太粗糙19000:11:37，899--> 00:11:42，529这是怎么回事之前我们补充说，收集三十19100:11:42，529--> 00:11:45，879这就是这是后19200:11:45，879--> 00:11:49，049这是使皮肤太粗糙19300:11:49，049--> 00:11:52，689所以我的喜欢做的将进入脸和19400:11:52，689--> 00:11:56，689一位明星显然是一个零和我慢慢地开始添加清晰19500:11:56，689--> 00:12:01，119直到我看到变得太粗糙的皮肤一旦它变得太粗糙了，我停下来19600:12:01，119--> 00:12:06，480遭受很多大约 14 此图像一般不超过19700:12:06，480--> 00:12:10，91910 到 15 所以 14 为这好金额图像19800:12:10，919--> 00:12:15，829让我们继续和缩放备份埃弗顿的饱和度19900:12:15，829--> 00:12:20，230我独自一人离开我们不要摆弄这里的颜色，我们不想20000:12:20，230--> 00:12:22，549任何事情都要比它更加丰富多彩20100:12:22，549--> 00:12:26，160对于风景也许能触碰充满活力一点点20200:12:26，160--> 00:12:29，519但上画像永远不会做，因为它能让肌肤更多武器20300:12:29，519--> 00:12:31，069红色和我们不想这样做20400:12:31，069--> 00:12:35，669我们要在我们之前做的最后一件事跳转到第四个有20500:12:35，669--> 00:12:39，509此预览该轮到上我们所以这是之前20600:12:39，509--> 00:12:42，540我们没有任何相机调整，而且所20700:12:42，540--> 00:12:48，180之后让我们放大然后，你可以看到她脸上的那位女士是如何成为20800:12:48，180--> 00:12:51，310几个凹槽更好所以这就是之前20900:12:51，310--> 00:12:55，970在那里皮肤看起来有点单位在这里那里皮肤进行比较21000:12:55，970--> 00:13:00，160多一点所以我们跳出来作为你可以看到我们相信它21100:13:00，160--> 00:13:03，350任何在此图像中我们所有我们做的是21200:13:03，350--> 00:13:06，840在一些白和清晰触摸随着她的白平衡21300:13:06，840--> 00:13:10，090所以不要因为滑块的在这里并不意味着你必须使用它21400:13:10，090--> 00:13:13，450让我们直接跳到是 HS 出来了是21500:13:13，450--> 00:13:17，240第四对他们只是卖的是21600:13:17，240--> 00:13:23，080极其强大经常忽略那去休斯和谈21700:13:23，080--> 00:13:26，470使用所以我只是看到几个站饱和度和亮度21800:13:26，470--> 00:13:31，160休斯是当你抽一种特定颜色任何将其更改为不同的颜色21900:13:31，160--> 00:13:35，440举个例子是与人的皮肤真红，有很多粉红色的在它22000:13:35，440--> 00:13:38，590我会做的就是来这里休斯转到一个红色的滑块22100:13:38，590--> 00:13:41，940并移动它朝我们这边这将任何东西22200:13:41，940--> 00:13:45，210更多红色和粉色侧和使它更布朗22300:13:45，210--> 00:13:49，180橙色，是更多令人愉快的肤色22400:13:49，180--> 00:13:53，590现在很明显，这是非常普遍和要更改的嘴唇22500:13:53，590--> 00:13:56，870其她的指甲和 Dom 其他22600:13:56，870--> 00:14:00，300红军一样很好，所以你想要22700:14:00，300--> 00:14:03，720请确保使用的嘴唇作为一个指导原则当你22800:14:03，720--> 00:14:06，970改变这种颜色，这又是很一般22900:14:06，970--> 00:14:10，200所以后来我在 Photoshop 中的调整23000:14:10，200--> 00:14:15，000弱做 %嗯的一个更完美的方式这样做23100:14:15，000--> 00:14:18，860但这是只是一个快速的调整你怎么才能带走一点点23200:14:18，860--> 00:14:19，450发红23300:14:19，450--> 00:14:22，820在皮肤下一件事我们要去做是跳过23400:14:22，820--> 00:14:27，400饱和度和亮度直走独自一人，这可能是我关键的秘密23500:14:27，400--> 00:14:30，750真的给出在光皮肤没有23600:14:30，750--> 00:14:33，910影响别的图像中亮度23700:14:33，910--> 00:14:37，460站在灯光照明的意义23800:14:37，460--> 00:14:41，260您可以在选择一种特定颜色在这里，使那种颜色23900:14:41，260--> 00:14:45，000光明所以说我们想要让皮肤24000:14:45，000--> 00:14:49，510一点点光明在此图像而不会影响别的如24100:14:49，510--> 00:14:50，280背景24200:14:50，280--> 00:14:53，490所有我们需要达成共识将是造就红色24300:14:53，490--> 00:14:57，470武器是说吧你不知道哪一个做的人24400:14:57，470--> 00:15:00，730或多少我要这样做哪一24500:15:00，730--> 00:15:05，690Photoshop cammarata 有此工具正确这里号称是目标24600:15:05，690--> 00:15:06，600调整工具24700:15:06，600--> 00:15:09，640和更短的这才是关键，所以我只是打 T24800:15:09，640--> 00:15:13，900和你做什么，只需单击皮肤，当你向右移动24900:15:13，900--> 00:15:17，110你可以看到如何准备橘子是移动25000:15:17，110--> 00:15:21，620你可以看到它是如何移动武器是更多比红军因为卡梅伦知道25100:15:21，620--> 00:15:25，300是有更多橙色的皮肤然后是红色25200:15:25，300--> 00:15:28，740这和特定主题皮肤25300:15:28，740--> 00:15:31，890索尼来稍那里一下25400:15:31，890--> 00:15:35，130如果你带这一学说是在预览中的我们25500:15:35，130--> 00:15:39，680作为以前只显示我们之前后为当前有一个酒鬼25600:15:39，680--> 00:15:43，370所以，如果我们要向我们展示我们做了什么在基本只向我们展示什么我们25700:15:43，370--> 00:15:44，840中房协如何做25800:15:44，840--> 00:15:49，600所以它就要发生撞到关键按钮之前我们做了你键盘上25900:15:49，600--> 00:15:53，580亮度和色相调整和这就是后26000:15:53，580--> 00:15:57，380Howard 带来更多的光进入任何凯蒂她的脸和皮肤26100:15:57，380--> 00:16:01，320现在它感到太多召唤带它在这里退缩26200:16:01，320--> 00:16:05，540但是你可以看到26300:16:05，540--> 00:16:08，970这个工具是多么的有用26400:16:08，970--> 00:16:13，130对于其他编辑这和它并不需要一样多，因为他们的皮肤是漂亮26500:16:13，130--> 00:16:13，560好26600:16:13，560--> 00:16:17，550我们不需要做任何光明在这一点这样26700:16:17，550--> 00:16:21，150这让我们将其包装为 cammarata继续26800:16:21，150--> 00:16:24，760打开此图像和在下一段26900:16:24，760--> 00:16:30，170我们要往前走，开始修饰这在 Photoshop 中的图像27000:16:30，170--> 00:16:31，460乏味

結果 (中文) 3:

157
00:09:42900——> 00:09:45960
，你不一定要，例如
眼睛

158
00:09:45960——想要的眼睛，
学生已经暗是黑暗

159
00:09:49770——> 00:09:53860
你想要照亮那些加入
对比你会使你的工作有很多

160
00:09:53860——> 00:09:54589
难

161
00:09:54589——
> 00:09:58130 > 00:09:49770
，你不而另一方面Clair de我喜欢使用

162
00:09:58130——> 00:10:02360
因为清楚工作略有不同
比对比让我们先走，并尝试

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00:10:02360——> 00:10:03210
他们

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00:10:03210——> 00:10:06710
，在这里的一些对比，你可以
看到它如何粉碎

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00:10:06710——> 00:10:09730
颜色和她的脸
吧

166
00:10:09照明，730——> 00:10:15940
转回来到零，然后

167
00:10:15940——> 00:10:19480
往后一跳，你可以看到如何真正

168
00:10:19480——> 00:10:24820
饱和她的皮肤和它带来
缺陷更多169


00:10:24820——> 00:10:28529
所以我们不想使用对比度的黑色
对比的图像

170
00:10:28529——> 00:10:31589
通过其他方法而不是
对比打火机

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00:10:31589——> 00:10:35290
清晰，另一方面我真的很喜欢用


172
00:10:35290——> 00:10:36579
，因为它只是使173米


00:10:36579——> 00:10:41559
流行对比以ATM的阴暗面
它使一个黑暗的东西的

174
00:10:41559——> 00:10:43059
轻松的一面使后来的

175
00:10:43059——
> 00:10:47249显然然而以只是几个小
件在

176
00:10:47249——在几个像素的阴影> 00:10:52239
和，
集锦才分开那些

177
00:10:52239——> 00:10:57139
和夸大这些所以你不
尽可能多的疯狂的影响作为你

178
00:10:57139——> 00:10:59769
反差让先走一步，添加一些
清晰

179
00:10:59769——
> 00:11:02980现在的太多你可以看到
因为真的

180
00:11:02980——> 00:11:06049
了皮肤缺陷所以

181
00:11:06049——> 00:11:09779
让我告诉你为什么像的清晰度，但变焦
头发

182
00:11:09779——> 00:11:13269
，但我要做的就是离开的克莱尔

183
00:11:13269——> 00:11:17170
带来清晰回零吧
研究头发如果你看看在

184
00:11:17170——> 00:11:17819
头发

185
00:11:17819——> 00:11:22220
你可以看到，它的软现在
相比

186
00:11:22220——> 00:11:25720
这里，突然

187
00:11:25720——
> 00:11:29519头发成为了很多尖锐，
清楚它是否真的

188
00:11:29519——> 00:11:34220
提出详细和敏锐但
问题是如果你做太多

189
00:11:34，220——> 00:11:37899
这是如何的皮肤看起来是
太粗糙了

190
00:11:37899——
> 00:11:42529这是如何这是之前我们添加，收集
三十

191
00:11:42529——> 00:11:45879
那就是后这个> 00:11:49049


192
00:11:45879——使皮肤太
粗糙

193
00:11:49049——> 00:11:52689
所以我所喜欢做的事情是去到的面对

194

00:11:52，689——> 00:11:56689
明星的显然是一个零和我
慢慢开始添加清晰

195
00:11:56689——> 00:12:01119
，直到我看到皮肤变得太粗糙
，一旦它变得太粗糙我停止

196
00:12:01119——> 00:12:06480
遭受这一形象的地段，周围
14一般都不超过

197
00:12:06480——> 00:12:10919
10至15 14所以一定量的该图像


198
00:12:10，
919——> 00:12:15829让的前进和变焦备份的
埃弗顿饱和

199
00:12:15829——> 00:12:20230
我独自离开我们也不能乱周围与
颜色这里和，我们不想

2
00:12:20230——> 00:12:22549
什么更加丰富多彩比

201
00:12:22549——> 00:12:26160
景观的也许我会触摸
活力一点

202
00:12:26160——
> 00:12:29519但从不做
肖像因为它使皮肤更多的武器

203
00:12:29519——> 00:12:31069
红，我们不想做这

204
00:12:31069——> 00:12:35669
过去的事情我们会之前做我们
跳到第四

205
00:12:35669——> 00:12:39509
转这个预览我们所以这是
在

206
00:12:39509——> 00:12:42540
我们做任何调整相机，