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we're using have to look at I have to
tell you
2
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and using a phase 1 body with the
3
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and IQ 250 back I think that's a new one
petty megapixel at fifty
4
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yeah 50 megapixel more little bit about
the d800e
5
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a little bit of hair with an
eight-millimeter lands on the front
6
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I would actually like to go a little bit
longer but that's what I have and that's
7
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what happens in your kit bag anyway when
you like I share
8
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make it work and and this particular
model says 645
9
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DF plus bank has and
10
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museum PocketWizard to trigger the
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Ellen crumb digital packs John which
apps which show the pack
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yeah of the tiny and opa it wasn't
yellow
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poor conspicuous the second
inconspicuous
14
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and I eg up this is my
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on crime pack so this is the capacitor
that powers
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the flash every time the flash fires
lotta
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stuff happens in that and it recharges
and it goes quite hostile act like to
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see
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now now had on Speedman
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it is on yes here we can we had a good
people at three so this isn't
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a crazy expensive pack this is
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in a I can like I like that I was buying
a
23
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some other package I like I and that's
the main advantage like I'm gonna get
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that Palin consistency out if this
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if you are setting up a home studio all
wanted to see some basic stuff
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and that's what I is I don't use this
crazy equipment it's not that
27
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at now you do with anything basic
meaning a
28
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network cameras you could finish as that
we did on SES class you could do is be
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like
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yeah long as you get it the fuse long
the principles are the same
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exactly understand principles you said I
know what he is net
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have given that back in I'm anything at
extra small chimera softbox
33
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these that great for beauty just
wonderful and
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yeah let's try I
35
00:02:02,750 --> 00:02:05,880
change the light run I actually like
what's coming up the screen here
36
00:02:05,880 --> 00:02:10,649
and we have nothing to and I can just
also go in and check HERE if the
37
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highlights
38
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I may be too like but they're not so
that'll left for retouching
39
00:02:15,190 --> 00:02:18,560
and plus a histogram also be able to
give indication right there
40
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exact says you have mostly highlight the
top there so it's yeah and I expect
41
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a little bit a shadow here that's fine
is complete let simply falling off
42
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and that's what's reading in that really
deep end and that histogram is so
43
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important because what happens
44
00:02:30,849 --> 00:02:34,540
I when you look at the camera or the
screen sometimes just clean up
45
00:02:34,540 --> 00:02:37,730
may not be calibrated so it may look
blown-out
46
00:02:37,730 --> 00:02:41,650
when you going histogram it may show
that you have you been cast their
47
00:02:41,650 --> 00:02:47,360
that's why it's ok I'm still really
important to check I think and nothing I
48
00:02:47,360 --> 00:02:47,819
can do
49
00:02:47,819 --> 00:02:52,129
is there's a lot of spread a flight on
hand so I'm can actually take
50
00:02:52,129 --> 00:02:56,769
this light source away a little bit and
that's gonna give me more contractors
51
00:02:56,769 --> 00:02:58,190
gonna give me a more focused like
52
00:02:58,190 --> 00:03:01,890
so min to bring it up and
53
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a blank some movement
54
00:03:05,109 --> 00:03:08,510
a thing that every life
55
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benefit from and
56
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to and let's try that so we should get a
little focus not taking away a little
57
00:03:15,540 --> 00:03:15,810
bit
58
00:03:15,810 --> 00:03:20,300
someone asked on already just turn it up
a that ever stopped to stop
59
00:03:20,300 --> 00:03:24,420
in which I we r and yes I could go back
to my meter
60
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but I'm nomming range so as long as a
kind of them that I
61
00:03:27,470 --> 00:03:30,550
I'll be alright get pretty
62
00:03:30,550 --> 00:03:34,080
can I ask wall hard and a couple other
people are wondering about
63
00:03:34,080 --> 00:03:37,650
hot spots and how much man issue does
are four you
64
00:03:37,650 --> 00:03:40,819
and is there any suggestions that you
have
65
00:03:40,819 --> 00:03:44,850
I like how how bad is too bad for you to
deal with
66
00:03:44,850 --> 00:03:49,370
I'm a lot I'm really glad I'm glad you
asked because what happened to hot spots
67
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is the I guess
68
00:03:52,400 --> 00:03:57,000
are prone to having low not here is that
the skin now when I recommend
69
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its this is light and want to make sure
make a parcel sunset
70
00:04:00,660 --> 00:04:05,549
because she can powder the Met model up
and reduce tagliere so there's less
71
00:04:05,549 --> 00:04:09,489
have an issue there secondly what can
happen is you can change at the lighting
72
00:04:09,489 --> 00:04:10,599
to be more diffuse
73
00:04:10,599 --> 00:04:14,160
see you don't have to contrast that
bounced off you know the angular part so
74
00:04:14,160 --> 00:04:14,650
the head
75
00:04:14,650 --> 00:04:17,919
and stuff like that so in
post-production its sometimes very
76
00:04:17,919 --> 00:04:20,320
difficult to get her heart part if you
don't know what you doing
77
00:04:20,320 --> 00:04:23,830
take a look awful hike um
78
00:04:23,830 --> 00:04:27,289
because hot spots also contrast the
marsh Adaline
79
00:04:27,289 --> 00:04:30,350
contrast there's on face so number one
80
00:04:30,350 --> 00:04:33,770
make sure make a farce is there keep
checking for the shoot that