30900:18:28,040 --> 00:18:31,550wat

309
00:18:28,040 --> 00:18:31,550
wat you go in and the principles will
still apply let's say you love me

310
00:18:31,550 --> 00:18:32,410
touching

311
00:18:32,410 --> 00:18:35,970
I wanna dodge and burn everything you
can you can go in

312
00:18:35,970 --> 00:18:39,220
zoom in and the same principles
literally start

313
00:18:39,220 --> 00:18:42,960
on lighting up every little da care that
you see

314
00:18:42,960 --> 00:18:46,020
so what happens is you light it up to
master s

315
00:18:46,020 --> 00:18:50,480
the image it's nothing that that I do
per se because again I don't have that

316
00:18:50,480 --> 00:18:51,630
much time and working

317
00:18:51,630 --> 00:18:54,930
or La Senza budgets aren't really there
issue

318
00:18:54,930 --> 00:19:00,140
qualify for me to expense that much time
is process off to a very efficiently as

319
00:19:00,140 --> 00:19:01,030
pick my battles

320
00:19:01,030 --> 00:19:04,580
I have to dodge what i think is really
important right now

321
00:19:04,580 --> 00:19:07,680
the things again there are most
important and blend

322
00:19:07,680 --> 00:19:12,170
in the transitions as clean as possible
so

323
00:19:12,170 --> 00:19:16,020
see here and also onto some the makeup

324
00:19:16,020 --> 00:19:20,440
here for makeup

325
00:19:20,440 --> 00:19:24,840
Eunos also interesting to note that when
you look at makeup on Sat

326
00:19:24,840 --> 00:19:28,240
things that really good right something
kids don't know the tests anything wrong

327
00:19:28,240 --> 00:19:32,370
but you notice when you go back home
look at the screen because the way the

328
00:19:32,370 --> 00:19:34,200
light interprets makeup is interesting

329
00:19:34,200 --> 00:19:37,460
whenever we have really harsh lights
really specular lights

330
00:19:37,460 --> 00:19:42,660
than like tends to pierce makeup and
their flexion

331
00:19:42,660 --> 00:19:46,180
that is captured something that is much
different than what we see

332
00:19:46,180 --> 00:19:50,170
under ambient light is also I stage
makeup sometimes much heavier

333
00:19:50,170 --> 00:19:53,890
then make up time you know elsewhere
like on for should

334
00:19:53,890 --> 00:19:57,530
stuff also why make a purse apply makeup

335
00:19:57,530 --> 00:20:00,990
and you get the pictures back it doesn't
look the same

336
00:20:00,990 --> 00:20:04,330
as went they took the photo which is
also I

337
00:20:04,330 --> 00:20:07,350
I think it's great as a photographer
sure you make up artist

338
00:20:07,350 --> 00:20:10,940
what the makeup is reading on camera
because then the cover skin

339
00:20:10,940 --> 00:20:12,450
over-compensated necessary

340
00:20:12,450 --> 00:20:15,850
to get a look that you want because

341
00:20:15,850 --> 00:20:19,300
always better to try and get as exact on
Sat

342
00:20:19,300 --> 00:20:22,510
than it is to to its on

343
00:20:22,510 --> 00:20:27,230
afterwards so same thing here is to make
I'm gonna try

344
00:20:27,230 --> 00:20:31,360
even out the transitions as much as
possible without going to in-depth

345
00:20:31,360 --> 00:20:35,230
and little bit more here

346
00:20:35,230 --> 00:20:39,240
national some

347
00:20:39,240 --> 00:20:42,740
times it happens when I'm you work in a
mask my

348
00:20:42,740 --> 00:20:46,610
can brush is also black so I'm painting
black-on-black in nothing's happening

349
00:20:46,610 --> 00:20:52,580
but sometimes I think hotness that's
really good and then

350
00:20:52,580 --> 00:20:56,110
a minute later I catch myself thinking
nothing's happening idiot

351
00:20:56,110 --> 00:21:00,220
okay so i turn on and off

352
00:21:00,220 --> 00:21:04,460
see if you the transitions and here's a
really important to me

353
00:21:04,460 --> 00:21:10,059
my girl i sympathize with that as well
just by taking care of the car the ice

354
00:21:10,059 --> 00:21:13,650
I don't typically like to lighten
lighting lights lies I think that it

355
00:21:13,650 --> 00:21:14,540
looks fine

356
00:21:14,540 --> 00:21:18,890
from each other camera because we need
adjust luminosity values for particular

357
00:21:18,890 --> 00:21:19,809
is the image

358
00:21:19,809 --> 00:21:22,920
through the view of thinking that

359
00:21:22,920 --> 00:21:26,090
you know I think luminosity valuation
increase

360
00:21:26,090 --> 00:21:29,850
together across the whole image so effin
I is using one thing

361
00:21:29,850 --> 00:21:34,240
your mind knows that every other product
image have particular really just by

362
00:21:34,240 --> 00:21:37,850
looking at somebody threw subliminal
when you white in the eyes

363
00:21:37,850 --> 00:21:41,500
really what happens the rest the station
also be fighting accordingly

364
00:21:41,500 --> 00:21:44,700
match if the eye is the price point and
image

365
00:21:44,700 --> 00:21:48,230
chances or something is done and you can
tell

366
00:21:48,230 --> 00:21:52,200
however is not to say that it's wrong a
ganar is a very subjective think that's

367
00:21:52,200 --> 00:21:53,179
just my take on it

368
00:21:53,179 --> 00:21:56,620
but I would do the same way out I'll be
to start time and

369
00:21:56,620 --> 00:22:00,880
even at the car and things like that
caissons wondering why I'm just doing

370
00:22:00,880 --> 00:22:06,559
you know the color I and again

371
00:22:06,559 --> 00:22:10,299
just a little bit to bring in some added
detail nothing crazy

372
00:22:10,299 --> 00:22:13,360
that would take me arm ever to do

373
00:22:13,360 --> 00:22:17,090
I think this

374
00:22:17,090 --> 00:22:19,990
you know getting to see the behind the
scenes have homework is fun because you

375
00:22:19,990 --> 00:22:21,950
can see me talk a lot and see what

376
00:22:21,950 --> 00:22:25,840
areas that I focus and don't otherwise
we watched it all sometimes you don't

377
00:22:25,840 --> 00:22:29,620
necessarily get a behind-the-scenes view
what artists thinking

378
00:22:29,620 --> 00:22:33,009
you know with their what they wanna talk
for sin y

379
00:22:33,009 --> 00:22:37,460
it today to be folks on the technique
itself an

380
00:22:37,460 --> 00:22:41,809
not necessarily anything else and this
is great because you got to see that

381
00:22:41,809 --> 00:22:42,610
earlier

382
00:22:42,610 --> 00:22:46,909
portion where it talks about my settings
and why that's relevant so now you can

383
00:22:46,909 --> 00:22:48,570
see why I am playing to the image

384
00:22:48,570 --> 00:22:51,580
without asking yourself what he said
what do you do

385
00:22:51,580 --> 00:22:54,860
or on you know what was sure cause I
houdini

386
00:22:54,860 --> 00:22:59,619
get to that point the quick I am by
released a video once just something

387
00:22:59,619 --> 00:23:02,330
combine the scenes look at house
retouching without saying anything

388
00:23:02,330 --> 00:23:06,809
confuse people so badly so this is
fantastic because it really puts

389
00:23:06,809 --> 00:23:07,740
together

390
00:23:07,740 --> 00:23:11,169
retouching other psychology a bit more
so than just

391
00:23:11,169 --> 00:23:14,619
the techniques because without
understanding

392
00:23:14,619 --> 00:23:19,929
the principles you kind of get lost okay

393
00:23:19,929 --> 00:23:23,559
so I said she took out any in the areas
that

394
00:23:23,559 --> 00:23:27,139
relieve the dark and then the blended it
in accordingly

395
00:23:27,139 --> 00:23:35,820
mingle with on the neck area here and
start doing diesel patches here

396
00:23:35,820 --> 00:23:38,850
can just two major ones

397
00:23:38,850 --> 00:23:42,759
not gonna go in depth sign any super
precise

398
00:23:42,759 --> 00:23:52,059
I'm going to choir effective job take to
the expulsion

399
00:23:52,059 --> 00:23:53,499
right weekend here

400
00:23:53,499 --> 00:23:57,409
and you'll notice this every here's a
lot of my career transitions going on

401
00:23:57,409 --> 00:23:58,850
here a tunnel on right

402
00:23:58,850 --> 00:24:02,039
and this will take forever even now

403
00:24:02,039 --> 00:24:05,899
he literally have to go in there and
license every little bit

404
00:24:05,899 --> 00:24:09,409
as I mention and do it accordingly

405
00:24:09,409 --> 00:24:13,299
I'm not right now I'll show you why next

406
00:24:13,299 --> 00:24:20,129
don't leave but it's also okay to go
ahead and

407
00:24:20,129 --> 00:24:23,860
globally even you know I just lighting
area in general

結果 (中文) 1:

30900:18:28 040--> 00:18:31，550扫管笏你进去和原则将仍然适用让我们说你爱我31000:18:31，550--> 00:18:32，410触摸31100:18:32，410--> 00:18:35，970我想要道奇和烧伤的一切你可以你可以进去吗31200:18:35，970--> 00:18:39，220放大和相同的原则从字面上开始31300:18:39，220--> 00:18:42，960照亮了每一个小小的大街上照顾，你看看31400:18:42，960--> 00:18:46，020所以会发生什么是你点亮达主 s31500:18:46，020--> 00:18:50，480形象的它是什么，我做本身是因为再一次我没有，31600:18:50，480--> 00:18:51，630很多的时间和工作31700:18:51，630--> 00:18:54，930或 La Senza 预算并不是真的在那里问题31800:18:54，930--> 00:19:00，140我要费用，很多时间限定是过程关闭非常有效地为31900:19:00，140--> 00:19:01，030拿我的战斗32000:19:01，030--> 00:19:04，580我不得不躲闪我认为是真的现在重要的权利32100:19:04，580--> 00:19:07，680事情再有大多数重要和混合32200:19:07，680--> 00:19:12，170在过渡时期尽可能干净所以32300:19:12，170--> 00:19:16，020看到这里，还到一些化妆32400:19:16，020--> 00:19:20，440这里的化妆32500:19:20，440--> 00:19:24，840友诺士也有趣地注意到，当你看看化妆 Sat32600:19:24，840--> 00:19:28，240things that really good right somethingkids don't know the tests anything wrong32700:19:28,240 --> 00:19:32,370but you notice when you go back homelook at the screen because the way the32800:19:32,370 --> 00:19:34,200light interprets makeup is interesting32900:19:34,200 --> 00:19:37,460whenever we have really harsh lightsreally specular lights33000:19:37,460 --> 00:19:42,660than like tends to pierce makeup andtheir flexion33100:19:42,660 --> 00:19:46,180that is captured something that is muchdifferent than what we see33200:19:46,180 --> 00:19:50,170under ambient light is also I stagemakeup sometimes much heavier33300:19:50,170 --> 00:19:53,890then make up time you know elsewherelike on for should33400:19:53,890 --> 00:19:57,530stuff also why make a purse apply makeup33500:19:57,530 --> 00:20:00,990and you get the pictures back it doesn'tlook the same33600:20:00,990 --> 00:20:04,330as went they took the photo which isalso I33700:20:04,330 --> 00:20:07,350I think it's great as a photographersure you make up artist33800:20:07,350 --> 00:20:10,940what the makeup is reading on camerabecause then the cover skin33900:20:10,940 --> 00:20:12,450over-compensated necessary34000:20:12,450 --> 00:20:15,850to get a look that you want because34100:20:15,850 --> 00:20:19,300always better to try and get as exact onSat34200:20:19,300 --> 00:20:22,510than it is to to its on34300:20:22,510 --> 00:20:27,230afterwards so same thing here is to makeI'm gonna try34400:20:27,230 --> 00:20:31,360even out the transitions as much aspossible without going to in-depth34500:20:31,360 --> 00:20:35,230and little bit more here34600:20:35,230 --> 00:20:39,240national some34700:20:39,240 --> 00:20:42,740times it happens when I'm you work in amask my34800:20:42,740 --> 00:20:46,610can brush is also black so I'm paintingblack-on-black in nothing's happening34900:20:46,610 --> 00:20:52,580but sometimes I think hotness that'sreally good and then35000:20:52,580 --> 00:20:56,110a minute later I catch myself thinkingnothing's happening idiot35100:20:56,110 --> 00:21:00,220okay so i turn on and off35200:21:00,220 --> 00:21:04,460see if you the transitions and here's areally important to me35300:21:04,460 --> 00:21:10,059my girl i sympathize with that as welljust by taking care of the car the ice35400:21:10,059 --> 00:21:13,650I don't typically like to lightenlighting lights lies I think that it35500:21:13,650 --> 00:21:14,540looks fine35600:21:14,540 --> 00:21:18,890from each other camera because we needadjust luminosity values for particular35700:21:18,890 --> 00:21:19,809is the image35800:21:19,809 --> 00:21:22,920through the view of thinking that35900:21:22,920 --> 00:21:26,090you know I think luminosity valuationincrease36000:21:26,090 --> 00:21:29,850together across the whole image so effinI is using one thing36100:21:29,850 --> 00:21:34,240your mind knows that every other productimage have particular really just by36200:21:34,240 --> 00:21:37,850looking at somebody threw subliminalwhen you white in the eyes36300:21:37,850 --> 00:21:41,500really what happens the rest the stationalso be fighting accordingly36400:21:41,500 --> 00:21:44,700match if the eye is the price point andimage36500:21:44,700 --> 00:21:48,230chances or something is done and you cantell36600:21:48,230 --> 00:21:52,200however is not to say that it's wrong aganar is a very subjective think that's36700:21:52,200 --> 00:21:53,179just my take on it36800:21:53,179 --> 00:21:56,620but I would do the same way out I'll beto start time and36900:21:56,620 --> 00:22:00,880even at the car and things like thatcaissons wondering why I'm just doing37000:22:00,880 --> 00:22:06,559you know the color I and again37100:22:06,559 --> 00:22:10,299just a little bit to bring in some addeddetail nothing crazy37200:22:10,299 --> 00:22:13,360that would take me arm ever to do37300:22:13,360 --> 00:22:17,090I think this37400:22:17,090 --> 00:22:19,990you know getting to see the behind thescenes have homework is fun because you37500:22:19,990 --> 00:22:21,950can see me talk a lot and see what37600:22:21,950 --> 00:22:25,840areas that I focus and don't otherwisewe watched it all sometimes you don't37700:22:25,840 --> 00:22:29,620necessarily get a behind-the-scenes viewwhat artists thinking37800:22:29,620 --> 00:22:33,009you know with their what they wanna talkfor sin y37900:22:33,009 --> 00:22:37,460it today to be folks on the techniqueitself an38000:22:37,460 --> 00:22:41,809not necessarily anything else and thisis great because you got to see that38100:22:41,809 --> 00:22:42,610earlier38200:22:42,610 --> 00:22:46,909portion where it talks about my settingsand why that's relevant so now you can38300:22:46,909 --> 00:22:48,570see why I am playing to the image38400:22:48,570 --> 00:22:51,580without asking yourself what he saidwhat do you do38500:22:51,580 --> 00:22:54,860or on you know what was sure cause Ihoudini38600:22:54,860 --> 00:22:59,619get to that point the quick I am byreleased a video once just something38700:22:59,619 --> 00:23:02,330combine the scenes look at houseretouching without saying anything38800:23:02,330 --> 00:23:06,809confuse people so badly so this isfantastic because it really puts38900:23:06,809 --> 00:23:07,740together39000:23:07,740 --> 00:23:11,169retouching other psychology a bit moreso than just39100:23:11,169 --> 00:23:14,619the techniques because without理解39200:23:14，619--> 00:23:19，929你好像迷路好原则39300:23:19，929--> 00:23:23，559所以我说她拿出任何领域那39400:23:23，559--> 00:23:27，139减轻黑暗，然后混合它在相应39500:23:27，139--> 00:23:35，820在颈部区域在这里交织在一起，开始做柴油补丁在这里39600:23:35，820--> 00:23:38，850可以只是两个主要的39700:23:38，850--> 00:23:42，759不会去深入签署任何超精确39800:23:42，759--> 00:23:52，059我要去唱诗班有效工作带给驱逐39900:23:52，059--> 00:23:53，499对这里的周末40000:23:53，499--> 00:23:57，409您会注意到这每个在这里很多会我的职业生涯转换40100:23:57，409--> 00:23:58，850在这里右边的隧道40200:23:58，850--> 00:24:02，039这将永远甚至现在40300:24:02，039--> 00:24:05，899他从字面上都走在那里，许可每一点40400:24:05，899--> 00:24:09，409以及提到照着做它40500:24:09，409--> 00:24:13，299我不是对现在我会告诉你为什么下一个40600:24:13，299--> 00:24:20，129不要离开，但也是可以去的未来和40700:24:20，129--> 00:24:23，860全球连你也知道我只照明在一般地区

結果 (中文) 3:

309
00:18:28040——> 00:18:31550
你进去的原则将
仍然适用，让我们说你爱我

310
00:18:31550——> 00:18:32410
触摸

311
00:18:32410——> 00:18:35970
我想道奇和刻录你的一切
可以你可以去

312
00:18:35970——> 00:18:39220
放大和相同的原则
字面上开始

313
00:18:39220——> 00:18:42960
在每一个小大保健照明
你看

314
00:18:42960——> 00:18:46020
所以你光了
师父

315
00:18:46020——> 00:18:50480
图像是什么，我所做的
本身又因为我没有

316
00:18:50480——> 00:18:51630
多时间和工作

317
00:18:51630——> 00:18:54930
或La Senza的预算是不是真的有问题


318
00:18:54，930——> 00:19:00140
符合我费那么多时间
过程开了一个非常有效的

319
00:19:00140——> 00:19:01030
挑我的战斗

320
00:19:01030——> 00:19:04580
我不得不躲开我的想法真的是
重要现在

321
00:19:04580——> 00:19:07680
的事情又有最
重要和混合

322
00:19:07680——> 00:19:12170
在过渡尽可能
干净所以

323
00:19:12170——> 00:19:16020
看到这里也到一些化妆

324
00:19:16020——> 00:19:20440
这里化妆

325
00:19:20440——> 00:19:24840
俊朗也有趣地注意到，当你看
妆坐

326
00:19:24840——> 00:19:28240
事情真的好东西
孩子不知道测试什么错

327
07-08 00:19：28240——> 00:19:32370
但你注意到当你回家
看屏幕，因为这样

328
00:19:32370——> 00:19:34200
光解释化妆是有趣的

329
00:19:34200——> 00:19:37460
每当我们真
镜面灯刺眼的灯光真

330
00:19:37460——> 00:19:42660
不是像趋于皮尔斯化妆和
屈

331
00:19:42660——> 00:19:46180
这是非常
不同所做的事比我们所看到的

332
00:19:46180——> 00:19:50170
在环境光也是我阶段
化妆有时更重的

333
00:19:50170——> 00:19:53890
然后弥补时间你知道其他地方
喜欢上应该

334
00:19:53890——> 00:19:57530
东西为什么让一个钱包化妆

335
00:19:57530——> 00:20:00990
和你的照片回来没
看起来一样

336
00:20:00990——> 00:20:04330
为他们拍的照片，我也


337
00:20:04330——> 00:20:07350
我认为伟大的作为一个摄影师，
肯定你的化妆师

338
00:20:07350——> 00:20:10940
什么妆是看相机
因为覆盖的皮肤

339
00:20:10940——> 00:20:12450
过补偿必要的

340