100:00:24,970 --> 00:00:32,669let's

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let's talk about the things that I find
important with photography before I dive

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into fully the different publishers that
i'm gonna take you long for one of these

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things is color now when I first started
photography show a lot of black and

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white and I think the process there is
really seeing shapes first and then as I

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matured I started seeing color better
and then sense very much on iraq has

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been color I think a lot of people
struggling a little bit gonna tell you

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the basics of color it's not that hard
and adobe has extraordinary tall are you

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don't really need to know the RGB and
CMYK sand what's opposite cuz it's all

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there for you visual and they have this
in a way that you could do families of

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colors you can do opposite colors and
then give you a clear visual of what the

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different families are and you look at a
few different things what's

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extraordinary and photography is that
most of the color imagery that really

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strikes people either have a family of
color or they have a posting colors you

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see it a ton of movies but they either
go all warm the perfect example is one

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of my inspirations but just brother
where art thou

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everything was muted and torn down in
the warm colors look at movie posters

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the guys here at RGG showed a few to me
and they're all in the cooler times in

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the shadows and there is a yellowish
tones and higher and whether skin tone

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is set to get this beautiful contrast by
the skin tones pop and then the shadows

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in the background goes to redeploy times
and you can explore this Adobe too

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little bit and you could see how these
things just sit opposite each other so

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let's dive into a little bit so if you
go to colored a little bit of calm it

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will take it to this home page and it's
really quite exquisite it will give you

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a handle it will start you out of the
top here they say color space called

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analogous which will give you a family
or color is

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in RGB or CMYK spectrum so if you follow
the screen

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here's the yellow will follow it into
the red zone Magentis and you could see

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how this changes if you wanna make it
less saturated you can pull it in and

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you see how these kind of shapes changes
can also take it darker down here and

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you can coming to the nighttime images
for our four images for a for

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photoshoots there's a very specific
colors now for one of them all

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conversations but I will show you the
second you live in this color space you

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see on the screen right now it's all
moody living in the blue teal tones of

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my time we are going to take you outside
and work in this color space and the Sun

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gets low on the horizon it gets really
warm and for this image called the train

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we have this color space now you could
work on this in different ways but we

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can go two opposite colors here and the
complementary color space you can see

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that we get opposites I just mentioned
this right now we have the warmer skin

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tones in the cooler shadowlands you see
how this works within this complementary

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color space we did this for this image
called the crash and we're living just

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about in here

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took these green forest pushed a light
back into the moody overcast tones and

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then added a red dress in there is a
perfectly opposite like you see here

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maybe something in here is where the
dress color as and are right about there

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so you should explore this website on
your own it's really quite easy then to

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understand why the color space set
instead of trying to do all the theory

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explore this way easier to learn by
doing and you really quickly get ahold

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of color then restart retouching of Use
curves a lot and they play on the

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opposite colors and if you have any sort
of confusion in the RGB color space

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which I use the curves up and down you
can come in here and see easily that if

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I pull the yellow curve up and also the
blue crab so

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blue spectrum sit at the bottom of the
curse the yellow sit at the top so we'll

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explore that included in be touching but
this is something you can return to get

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an understanding of how it works

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there's two ways really took it color in
photography the first is the light which

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be controlled by the time I David take
the picture and then of course the wavy

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style it so I wanna talk about the first
which is the Sun and how that works and

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then howie style it after if you see a
rainbow in the sky

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you see all the color specter of the Sun
that color spektr creates white light

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now the Sun gets nowhere to the horizon
imagine you have a cooler Spectre oil

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cutoff half of that rainbow colored
background and what you're left with is

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only one towns and that's the reason to
get warm like in the afternoon and that

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they only need the whole rise and the
only thing that shines up is the blue

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and purple tones and that's why you get
really blue light after the Sun Goes

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Down

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you know we need to know the theory
behind it but to know that in the

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evening

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mornings prior after the Sun comes out
you get a blue color palette in the

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mid-range just as the Sun had no rice
and you get a really warm tongue and in

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the middle of the day you get 5500
Calvin I'm mentioning this number not

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because you need to know it but for the
camera should be on when you take

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pictures I truly encourage you to turn
off the auto white balance in your

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camera

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balance will neutralize everything that
you take any time of the day if you're

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inside outside night evening

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always look neutral to you and I think
that is not beneficial at all if you

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want to embrace and work with color you
want to know what kind of color palette

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like gives you and then you can adjust
it afterwards in Photoshop so make sure

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to put your color balance at 5500 which
is neutral daytime light and then you

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could see what the Sun dust your color
palette as a date changes on the screen

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now you see three screen grabs from
capture one

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nothing has been done with these are all
set up fifty five hundred and they are

結果 (中文) 1:

100:00:24，970--> 00:00:32，669让我们来谈谈我所找到的东西重要的摄影之前我潜水200:00:32，669--> 00:00:36，800进入完全不同的出版商，我要你长的其中之一300:00:36，800--> 00:00:41，750事情现在是颜色，当我第一次开始摄影显示有很多黑和400:00:41，750--> 00:00:47，030白色，我认为有的过程真的看到第一次，然后作为我的形状500:00:47，030--> 00:00:51，940成熟的我开始看到颜色更好然后感觉到很大程度上伊拉克已600:00:51，940--> 00:00:55，570被我认为很多人的颜色苦苦挣扎的一点点会告诉你700:00:55，570--> 00:01:02，589基本的颜色并不难adobe 具有非同寻常的高你800:01:02，589--> 00:01:07，110真的不需要知道 RGB 和CMYK 砂什么是相反，因为它是所有900:01:07，110--> 00:01:12，020给你视觉和他们有这你可以做的家庭的方式1000:01:12，020--> 00:01:16，100你可以做相反的颜色的颜色和然后给你一个清晰视觉的什么1100:01:16，100--> 00:01:20，170不同的家庭，你看看一些不同的东西什么的1200:01:20，170--> 00:01:24，970非同寻常，摄影就是，大多数的色彩意象，真的1300:01:24，970--> 00:01:30，620罢工的人要么有一家颜色或他们有张贴你的颜色1400:01:30，620--> 00:01:36，600看到这一吨的电影，但他们要么去所有温暖一个完美的例子是1500:01:36，600--> 00:01:38，700我的灵感，但只是哥哥的你在哪里啊1600:01:38，700--> 00:01:44，270一切都是静音和拆除。温暖的颜色看看电影海报1700:01:44，270--> 00:01:49，380在即捷步达康的家伙已经展示了我他们都在冷却器时报 》1800:01:49，380--> 00:01:54，220阴影和那里是淡黄色色调和高和是否肤色1900:01:54，220--> 00:01:59，240设置要把这美丽的对比流行的皮肤色调，然后阴影2000:01:59，240--> 00:02:03，890在背景中去重新部署时间你也可以探索此 Adobe2100:02:03，890--> 00:02:09，440小一点，你可以看到如何将这些事情只是坐在对面对方如此2200:02:09，440--> 00:02:14，860让我们深入一点所以如果你去色有点平静的咬了一下2300:02:14，860--> 00:02:19，680将带到这个主页，它的真的很精致，它会给你2400:02:19，680--> 00:02:23，750一个句柄，它将开始你出去的顶在这里他们说颜色空间称为2500:02:23，750--> 00:02:27，490类似，将给你一个家或者是颜色2600:02:27，490--> 00:02:33，730在 RGB 或 CMYK 谱所以如果你遵循屏幕2700:02:33，730--> 00:02:37，570这里是黄河将遵循它入Magentis，你可以看到一个红色危险区域2800:02:37，570--> 00:02:41，690这是如何改变如果你想要它不饱和你可以把它和2900:02:41，690--> 00:02:47，090你看看如何将这些种形状变化在这里也可以把它黑暗和3000:02:47，090--> 00:02:52，040你可以来到夜间图像我们的四个图像的为3100:02:52，040--> 00:02:56，610当中有是非常特定的现在所有的其中之一的颜色3200:02:56，610--> 00:03:00，490对话，但将向您展示第二你住在这个色彩空间你3300:03:00，490--> 00:03:05，540现在在屏幕上看到它的全部穆迪在蓝色、 青色、 色调的生活3400:03:05，540--> 00:03:14，500我要带你出去的时间在这个色彩空间和太阳和工作3500:03:14，500--> 00:03:18，670它获取真正的地平线上获取低温暖和这张图片被称为火车3600:03:18，670--> 00:03:24，330我们有这个色彩空间，现在你可以以不同的方式，但我们在这工作3700:03:24，330--> 00:03:29，830可以去两种相反的颜色和你可以看到的互补色空间3800:03:29，830--> 00:03:34，370我们得到我刚才所说的对立现在我们拥有温暖的皮肤3900:03:34，370--> 00:03:38，780在你看到的冷却器 shadowlands 音调这是如何在此补充4000:03:38，780--> 00:03:44，670我们这样做是出于此图像的色彩空间所谓的崩溃，我们只生活4100:03:44，670--> 00:03:45，790关于在这里4200:03:45，790--> 00:03:51，730这些绿色的森林，推光回喜怒无常的阴暗色调和4300:03:51，730--> 00:03:55，980然后加上了一件红色的连衣裙在那里是对立面，就象你在这里看到的完美4400:03:55，980--> 00:04:03，560也许在这里的东西是在哪里说得对，有穿衣服的颜色，4500:04:03，560--> 00:04:08，440所以你应该在浏览本网站你自己，是真的很容易，然后到4600:04:08，440--> 00:04:13，390理解为什么颜色空间设置而不是试图做所有的理论4700:04:13，390--> 00:04:18，940探讨这种方式更容易学会的这样做，你真的很快得到 ahold4800:04:18，940--> 00:04:23，210颜色然后重新修饰的使用很多和他们一起玩的曲线4900:04:23，210--> 00:04:27，420对面的颜色，如果你有任何排序混乱中的 RGB 颜色空间的5000:04:27，420--> 00:04:32，770我用曲线向上和向下你可以过来，很容易看出，如果5100:04:32，770--> 00:04:37，660我拉的黄色的曲线，也所以蓝蟹5200:04:37，660--> 00:04:41，740蓝谱坐在底部所以我们会诅咒顶部的黄色坐5300:04:41，740--> 00:04:45，550探索，其中包括在进行接触，但这是你能回去的东西5400:04:45，550--> 00:04:48，250理解它是如何工作的5500:04:48，250--> 00:04:54，180那里有两种方式真的参加了它颜色第一次摄影是光的5600:04:54，180--> 00:04:58，090由我 David 的时间控制这幅画，然后就是呈波浪形5700:04:58，090--> 00:05:04，320它的样式，所以我想谈谈第一这就是太阳和如何工作，5800:05:04，320--> 00:05:09，680然后伟风格它后如果你看到天空中的彩虹5900:05:09，680--> 00:05:15，340你看到太阳的所有颜色的幽灵那颜色 spektr 创建白光6000:05:15，340--> 00:05:21，510现在太阳一事无成的地平线想象一下你有一种油冷却器，幽灵6100:05:21，510--> 00:05:25，560那彩虹色的截止一半背景和什么留给你的是6200:05:25，560--> 00:05:29，780只有一个城镇，这就是原因在下午，得到像温暖6300:05:29，780--> 00:05:34，020他们只需要整个上升和只照了的事情是蓝色6400:05:34，020--> 00:05:37，970紫色色调和这就是为什么有太阳下山后真的蓝色光6500:05:37，970--> 00:05:38，950向下6600:05:38，950--> 00:05:42，960你知道我们需要知道的理论在它后面，但要知道，在6700:05:42，960--> 00:05:43，760晚上6800:05:43，760--> 00:05:48，590早晨事先后太阳出来你得到一个蓝色颜色调色板6900:05:48，590--> 00:05:53，980就像太阳的中档有没有米饭你得到一个真正温暖的舌头和在7000:05:53，980--> 00:05:59，140中间的一天，你得到 5500我不说这个号码的卡尔文7100:05:59，140--> 00:06:02，919因为你需要知道它，但为当你把相机应该上7200:06:02，919--> 00:06:08，150我真正鼓励您打开的图片关闭自动白平衡在你7300:06:08，150--> 00:06:09，419相机7400:06:09，419--> 00:06:14，610平衡将抵消一切，你采取这一天的任何的时间，如果你7500:06:14，610--> 00:06:17，130夜晚的晚上内外7600:06:17，130--> 00:06:22，940总是看中性到你，我想那根本不是有利如果你7700:06:22，940--> 00:06:26，610想要拥抱，并与颜色你想知道什么样的颜色调色板7800:06:26，610--> 00:06:31，300像给你，然后你可以调整它后来在 Photoshop 中所以确保7900:06:31，300--> 00:06:37，900把你的色彩平衡在 5500，是中性的白天光，然后你8000:06:37，900--> 00:06:43，850可以看到太阳的灰尘你的颜色在屏幕上的日期更改为调色板8100:06:43，850--> 00:06:46，980现在你看到三屏产生饱腹感捕获一个8200:06:46，980--> 00:06:50，640但至今仍未与这些都是建立了五十一五百年和他们

結果 (中文) 3:

1
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让我们谈论的东西，我发现
重要摄影之前我潜水

2
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成完全不同的出版商，
我要你渴望一个

3
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东西是彩色的现在我第一次开始时
摄影显示黑色和

4
00:00:41750很多——> 00:00:47030
白，我认为有
真看到形状先为我

5
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成熟我开始看到颜色更好的
然后感觉非常

伊拉克6
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被颜色我想很多人
挣扎一点点会告诉你

7
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色彩的基础知识不是很难
过程Adobe已经非常高你

8
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真的不需要知道RGB和CMYK砂
什么相反的因为它的所有

9
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在你的视觉和他们有这样的
在某种程度上，你可以做

10
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颜色你可以做相反的颜色和
然后给你一个清晰的视觉是

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不同家庭和你看一
一些不同的东西是什么

12
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非凡和摄影是
大部分的色彩意象，真的

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罢工的人都有一个家庭的
颜色或有张贴颜色你

14
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看一大堆的电影但他们都
去温暖的完美的例子是一个

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我灵感只是哥哥你在哪里


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一切平淡和拆除
暖色看电影海报

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的家伙在这里RGG显示几我
和他们都在凉的时候在

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阴影中，有一个黄色的
音调高，无论肤色

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让这个美丽的皮肤色调的对比
流行然后阴影

20
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背景中去重新部署时间
你可以探索这个Adobe太

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点，你可以看到这些
事情就相对而坐，

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让我们深入一点，如果你
去彩色一点点平静下来

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将这个主页和它的
真的相当精致的它会给你

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手柄将开始你的
上面他们说颜色的空间称为

25
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类似，这将给你一个家庭
或颜色

26
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谱如果你遵循
屏幕

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这里的黄色会跟随到
红区，你可以看到
Magentis
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如何变化，如果你想让它
不饱和可以拉它，

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你看到这种形状的变化
也可以暗下来

30
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你可以来我们的四图像的夜间图像
用于

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拍照有一个非常具体的
颜色之一他们都

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谈话，但我会给你
二你生活在这个色彩空间你

33
00:03:00490——> 00:03:05540
看到屏幕上现在都
穆迪住在蓝绿色色调的

34
00:03:05540——> 00:03:14500
我的时间，我们要带你到外面
和工作在这个色彩空间和太阳

35
00:03:14500——> 00:03:18670
获取低的地平线上真的非常
温暖这个图像称为火车

36
00:03:18670——> 00:03:24330