早期是以傳統的南管音樂、潮調音樂作為主軸，用固定的曲牌、唱腔搭配戲偶演

早期是以傳統的南管音樂、潮調音樂作為主軸，用固定的曲牌、唱腔搭配戲偶演出；中期則改變為節奏變化多的北管音樂與平劇音樂；一九五0年以後為適應商業劇場的演出，便引進錄音配樂；到了一九七0年代電視布袋戲興起後，除用剪輯配樂外，更針對劇中角色創作歌曲、配樂，來烘托、渲染角色的夢幻色彩。

結果 (英文) 1:

Early nanguan based on traditional music, tide tone music as a spindle, fixed tunes, singing with a puppet show; mid-tempo number is changed to change beiguan music and Peking opera music; after one hundred ninety-five Year 0 to adapt commercial theater performances, will be the introduction of recording music; to the 1970's after the rise of TV puppet shows, music clips except with more songs for the characters, the music, to contrast, color rendering dream role.

結果 (英文) 2:

In the early days, the traditional Southern Tube music, tidal music as the main axis, with fixed music cards, singing voice with the puppet performance; More for the characters in the play to create songs, soundtracks, to bake, render the character's dream colors.

結果 (英文) 3:

In the early stage, traditional Nanguan music and chaodiao music were used as the main axis, and fixed tunes and singing tunes were used to match puppet performances; in the middle stage, Beiguan music and Pingju music were changed to have more rhythm changes; after 1950, in order to adapt to the performance of commercial theater, recording music was introduced; after the rise of TV bag plays in the 1970s, in addition to editing music, it was more aimed at the characters in the play Create songs and music to set off and render the dreamlike color of characters.