11100:06:16,340 --> 00:06:20,419let

111
00:06:16,340 --> 00:06:20,419
let me create a adjustment layer here so
I'll demonstrate what I mean

112
00:06:20,419 --> 00:06:24,139
if you have an image which is this kind
of the nature when I exaggerate here

113
00:06:24,139 --> 00:06:24,909
just to show you

114
00:06:24,909 --> 00:06:27,800
right if you have an image which is that
disc on the

115
00:06:27,800 --> 00:06:31,360
nature for example very dark

116
00:06:31,360 --> 00:06:34,639
and the problem with his be God

117
00:06:34,639 --> 00:06:38,229
if you have an image it is dark well den

118
00:06:38,229 --> 00:06:41,979
removing the little details in the
shadows

119
00:06:41,979 --> 00:06:46,240
wouldn't be something you would have to
do right because the color correction

120
00:06:46,240 --> 00:06:47,419
are ready to care about

121
00:06:47,419 --> 00:06:50,879
in other words we don't have much hurt
his ability to hear

122
00:06:50,879 --> 00:06:55,330
on the other hand if we had a color
correction in TN which is

123
00:06:55,330 --> 00:06:59,729
raising the brightness of the image all
the Sun all these details into

124
00:06:59,729 --> 00:07:03,900
in the image have to be worked on
because you gonna be done much visible

125
00:07:03,900 --> 00:07:07,340
and the idea was that

126
00:07:07,340 --> 00:07:10,830
because it does pretty

127
00:07:10,830 --> 00:07:15,190
big factors you should have a color
correction active

128
00:07:15,190 --> 00:07:18,990
create an you layer below it lets
headline player

129
00:07:18,990 --> 00:07:22,669
and then start you dodging and burning
in your clean up in everything

130
00:07:22,669 --> 00:07:26,280
and your was done while you have your
color correction active

131
00:07:26,280 --> 00:07:31,190
ninety you would have a better sense of
whether or not you need to spend more

132
00:07:31,190 --> 00:07:31,919
time

133
00:07:31,919 --> 00:07:35,380
on the shadows and highlights because
you know there is a very good

134
00:07:35,380 --> 00:07:39,259
possibility that if you have a dark
image or bright image doubt

135
00:07:39,259 --> 00:07:43,779
highlights and shadows might to care for
themselves simply by being darker or

136
00:07:43,779 --> 00:07:44,340
brighter

137
00:07:44,340 --> 00:07:48,419
and you don't have as much work in terms
of doe cleanup work

138
00:07:48,419 --> 00:07:52,349
there is one drawback to this week's

139
00:07:52,349 --> 00:07:55,659
one particular 21 that something I will
talk about in a minute but done is

140
00:07:55,659 --> 00:07:57,250
certainly one way you can work

141
00:07:57,250 --> 00:08:00,680
the other way would be to deactivate
coloration completely

142
00:08:00,680 --> 00:08:04,919
and start from scratch and just fix the
image you it is and then apply with

143
00:08:04,919 --> 00:08:07,949
carefree call a correction at the end

144
00:08:07,949 --> 00:08:11,000
so let's examined both of those options

145
00:08:11,000 --> 00:08:15,650
alright so we have to potential ideas we
can approach the image here right

146
00:08:15,650 --> 00:08:19,669
one would be dot we have color
correction

147
00:08:19,669 --> 00:08:23,270
activated while we're doing our dodging
and burning and cloning and healing

148
00:08:23,270 --> 00:08:26,319
the other method is to you have it
deactivated

149
00:08:26,319 --> 00:08:28,200
furs do your cleanup and

150
00:08:28,200 --> 00:08:32,620
dodging and burning and then apply color
correction at the end so

151
00:08:32,620 --> 00:08:36,530
want are sold the pros and cons and ways
to work around it

152
00:08:36,530 --> 00:08:40,410
my luxury so the first minted

153
00:08:40,410 --> 00:08:44,500
would be trying to add more flexibly now
will be to have

154
00:08:44,500 --> 00:08:47,840
a just a blank layer and then on top of
that

155
00:08:47,840 --> 00:08:51,820
activity color correction like we see
here and as explained

156
00:08:51,820 --> 00:08:54,860
the idea behind this is not dan we would
hang out

157
00:08:54,860 --> 00:09:00,170
already you know contrast %um saturation
all those adjustments applied so we

158
00:09:00,170 --> 00:09:03,480
would see better where we need more or
less work

159
00:09:03,480 --> 00:09:07,680
in certain shadows highlights and so on
and this could save us some time

160
00:09:07,680 --> 00:09:12,720
however there is a problem when he
worked like this and there are a few

161
00:09:12,720 --> 00:09:13,670
workarounds

162
00:09:13,670 --> 00:09:17,250
so before we continue this one also
point out dot

163
00:09:17,250 --> 00:09:20,710
one showing you is a good practice

164
00:09:20,710 --> 00:09:24,210
to learn however depending on the
severity of

165
00:09:24,210 --> 00:09:28,910
the coverage Osmond's you may you all
may not have to worry as much about

166
00:09:28,910 --> 00:09:32,520
the order of different layers you can
get away with sometimes we

167
00:09:32,520 --> 00:09:36,010
not being so careful but I think it's
good practice to learn right from the

168
00:09:36,010 --> 00:09:36,500
start

169
00:09:36,500 --> 00:09:42,340
okay so I assumed to this area here and
let's say I wanna

170
00:09:42,340 --> 00:09:45,530
clone out this little patch here okay

171
00:09:45,530 --> 00:09:50,260
well I have my color correction active I
have my black player

172
00:09:50,260 --> 00:09:53,280
below it and this is the 1 I'm gonna be
working on

173
00:09:53,280 --> 00:09:56,830
now course if I choose my clone stamp
tool

174
00:09:56,830 --> 00:09:59,910
have here on their auction sample

175
00:09:59,910 --> 00:10:03,100
all layers which means visible and
everything too low in

176
00:10:03,100 --> 00:10:07,200
about it sentiments visible how current
ad below

177
00:10:07,200 --> 00:10:10,410
which is basically work on this later
and

178
00:10:10,410 --> 00:10:15,200
take into account anything that words to
load and then we have a current layer

179
00:10:15,200 --> 00:10:18,120
which doesn't make sense because we're
working on a black players we don't

180
00:10:18,120 --> 00:10:19,880
really have anything to source from

181
00:10:19,880 --> 00:10:24,400
so let's start with all layers and see
how that works now remember

182
00:10:24,400 --> 00:10:28,050
I'm working on a blank lehrer which is
below the collar correction group

183
00:10:28,050 --> 00:10:31,700
but the group it's all is up to and
exaggerated is

184
00:10:31,700 --> 00:10:35,760
I'm going out create really wacky
adjustment here just to give you

185
00:10:35,760 --> 00:10:39,350
a more clear view of what I'm doing go
back to me

186
00:10:39,350 --> 00:10:42,110
black player and all sample going here

187
00:10:42,110 --> 00:10:45,480
and I'll paint over the Syria

188
00:10:45,480 --> 00:10:50,160
and here's the problem personable we
consider the comment not match

189
00:10:50,160 --> 00:10:54,750
detection very much more saturated so if
i deactivate my color correction can see

190
00:10:54,750 --> 00:10:56,800
just how severe the problem is

191
00:10:56,800 --> 00:11:00,690
so why is that well as because it also
samples

192
00:11:00,690 --> 00:11:04,450
and the color correction it's just not
working so I'm gonna match well

193
00:11:04,450 --> 00:11:08,580
now there is an option to avoid this so
if I

194
00:11:08,580 --> 00:11:11,840
go back there is an option

195
00:11:11,840 --> 00:11:16,460
you might have missed this icon and if I
hopper already should give me a pop-up

196
00:11:16,460 --> 00:11:20,250
turn on to eat more adjustment layers
when cloning

197
00:11:20,250 --> 00:11:23,890
on this could be something right so
let's see how does it work

198
00:11:23,890 --> 00:11:27,920
i click on that knowledge you get more
the color correction

199
00:11:27,920 --> 00:11:32,880
someone click again like it did before
to sample a point and I'm gonna

200
00:11:32,880 --> 00:11:36,380
been over this and you can see how much
bettered its most are

201
00:11:36,380 --> 00:11:39,450
much more this is right like the Oct 28
my

202
00:11:39,450 --> 00:11:43,680
color correction and work really well
you just ignore completely all the color

203
00:11:43,680 --> 00:11:44,520
correction stop

204
00:11:44,520 --> 00:11:49,380
which isn't exactly what we want right
so let me go back

205
00:11:49,380 --> 00:11:52,430
one more time and let's go back to
original state

206
00:11:52,430 --> 00:11:56,210
but this time told you activate ignore
just layers

207
00:11:56,210 --> 00:12:00,490
not use current below sold out two
different sample point

208
00:12:00,490 --> 00:12:04,970
now I should sample everything that's on
this layer and the lowest but not a

209
00:12:04,970 --> 00:12:05,420
party

210
00:12:05,420 --> 00:12:08,760
so if I click here and I paint

211
00:12:08,760 --> 00:12:11,950
when I see now is that I don't

212
00:12:11,950 --> 00:12:15,890
I'd how to dis auction deactivated turn
on King or just

213
00:12:15,890 --> 00:12:20,550
there's but I didn't create got problem
of color discoloration my

214
00:12:20,550 --> 00:12:24,680
if i deactivate you can see it pretty
decent job so ducking

215
00:12:24,680 --> 00:12:28,140
work as well so by combining either
current elo

216
00:12:28,140 --> 00:12:32,890
or this auction for turn on to ignore
adjustment layers when cloning

結果 (中文) 1:

11100:06:16，340--> 00:06:20，419让我如此创建调整图层在这里我的意思是，我将演示11200:06:20，419--> 00:06:24，139如果你有的形象，是这种当夸大了这里的性质11300:06:24，139--> 00:06:24，909只是让你11400:06:24，909--> 00:06:27，800如果你有的形象，是，吧光盘上11500:06:27，800--> 00:06:31，360例如很暗的性质11600:06:31，360--> 00:06:34，639和他的问题是上帝11700:06:34，639--> 00:06:38，229如果你有图像，它是黑暗的井穴11800:06:38，229--> 00:06:41，979删除中的小细节阴影11900:06:41，979--> 00:06:46，240不是你想把我的东西做没关系，因为颜色校正12000:06:46，240--> 00:06:47，419准备好要关心12100:06:47，419--> 00:06:50，879换句话说，我们没有太多的伤害他倾听的能力12200:06:50，879--> 00:06:55，330另一方面如果我们有一种颜色在 TN 是校正12300:06:55，330--> 00:06:59，729提高所有图像的亮度所有这些细节到太阳12400:06:59，729--> 00:07:03，900在图像中要做的因为你要做多少明显12500:07:03，900--> 00:07:07，340想法是，12600:07:07，340--> 00:07:10，830因为它不漂亮12700:07:10，830--> 00:07:15，190你应该有一种颜色的大因素积极的校正12800:07:15，190--> 00:07:18，990创建你的图层下面它让标题的球员12900:07:18，990--> 00:07:22，669然后开始你躲避和燃烧在你清理的一切13000:07:22，669--> 00:07:26，280和你做而你有你积极的色彩校正13100:07:26，280--> 00:07:31，190九十你会感到更好的是否你需要花更多13200:07:31，190--> 00:07:31，919时间13300:07:31，919--> 00:07:35，380对阴影和高光因为你知道那里是一个很好13400:07:35，380--> 00:07:39，259可能性，如果你有一片黑暗图像或明亮的影像怀疑13500:07:39，259--> 00:07:43，779高光和阴影可能照顾自己只是被暗或13600:07:43，779--> 00:07:44，340光明13700:07:44，340--> 00:07:48，419和你没有尽可能多方面的工作美国能源部的清理工作的13800:07:48，419--> 00:07:52，349还有一个缺点对本周的13900:07:52，349--> 00:07:55，659一个特定 21 我将那东西谈论一分钟的时间，但做的是14000:07:55，659--> 00:07:57，250当然你可以工作的一个方式14100:07:57，250--> 00:08:00，680其他方式将停用着色完全14200:08:00，680--> 00:08:04，919和从零开始，只是修复你它是图像，然后应用与14300:08:04，919--> 00:08:07，949无忧无虑打电话一个校正在结束了14400:08:07,949 --> 00:08:11,000so let's examined both of those options14500:08:11,000 --> 00:08:15,650alright so we have to potential ideas wecan approach the image here right14600:08:15,650 --> 00:08:19,669one would be dot we have colorcorrection14700:08:19,669 --> 00:08:23,270activated while we're doing our dodgingand burning and cloning and healing14800:08:23,270 --> 00:08:26,319the other method is to you have itdeactivated14900:08:26,319 --> 00:08:28,200furs do your cleanup and15000:08:28,200 --> 00:08:32,620dodging and burning and then apply colorcorrection at the end so15100:08:32,620 --> 00:08:36,530want are sold the pros and cons and waysto work around it15200:08:36,530 --> 00:08:40,410my luxury so the first minted15300:08:40,410 --> 00:08:44,500would be trying to add more flexibly nowwill be to have15400:08:44,500 --> 00:08:47,840a just a blank layer and then on top ofthat15500:08:47,840 --> 00:08:51,820activity color correction like we seehere and as explained15600:08:51,820 --> 00:08:54,860the idea behind this is not dan we wouldhang out15700:08:54,860 --> 00:09:00,170already you know contrast %um saturationall those adjustments applied so we15800:09:00,170 --> 00:09:03,480would see better where we need more orless work15900:09:03,480 --> 00:09:07,680in certain shadows highlights and so onand this could save us some time16000:09:07，680--> 00:09:12，720不过还有一个问题时他就像这工作和有几个16100:09:12，720--> 00:09:13，670变通方法16200:09:13，670--> 00:09:17，250所以在之前我们也继续这一指出了点16300:09:17，250--> 00:09:20，710一个显示你是一个好习惯16400:09:20，710--> 00:09:24，210学习然而取决于严重性16500:09:24，210--> 00:09:28，910覆盖范围奥斯蒙德你可能你所有可能不需要担心一样16600:09:28，910--> 00:09:32，520你可以的不同图层的顺序有时我们逃脱16700:09:32，520--> 00:09:36，010没有那么小心，但我认为它有良好的做法，学会从权利16800:09:36，010--> 00:09:36，500开始16900:09:36，500--> 00:09:42，340好吧所以我以为到这里这个地区和让我们说我想要17000:09:42，340--> 00:09:45，530克隆出这一小片在这里好了17100:09:45，530--> 00:09:50，260嗯，我有我色彩校正活跃我有我黑色的球员17200:09:50，260--> 00:09:53，280它的下面，这是我要的 1工作上17300:09:53，280--> 00:09:56，830现在当然如果我选择我仿制图章工具17400:09:56，830--> 00:09:59，910这里有关于他们的拍卖样品17500:09:59，910--> 00:10:03，100这意味着可见的所有图层和一切太低17600:10:03，100--> 00:10:07，200关于它可见的情绪如何当前下面广告17700:10:07，200--> 00:10:10，410这是对此基本上工作后和17800:10:10，410--> 00:10:15，200考虑到对词语的任何东西负载，然后我们有当前的图层17900:10:15，200--> 00:10:18，120这毫无意义，因为我们对黑人球员我们不工作18000:10:18，120--> 00:10:19，880真的有什么要来源于18100:10:19，880--> 00:10:24，400因此，让我们开始与所有图层和见怎么做到现在还记得18200:10:24，400--> 00:10:28，050我正在进行空白的主持人，这是衣领校正组下18300:10:28，050--> 00:10:31，700但是它所有的组是达和夸张的是18400:10:31，700--> 00:10:35，760我要创造真古怪这里的调整只是为了给你18500:10:35，760--> 00:10:39，350更清楚自己在做什么去回到我身边18600:10:39，350--> 00:10:42，110黑色的球员和这里的所有示例18700:10:42，110--> 00:10:45，480我会画在叙利亚18800:10:45，480--> 00:10:50，160这里是风度翩翩的问题我们考虑该注释不匹配18900:10:50，160--> 00:10:54，750检测非常更加饱和这样如果我停用我的颜色校正可以看到19000:10:54，750--> 00:10:56，800是多么严重的问题是19100:10:56，800--> 00:11:00，690所以这是为什么以及因为它也样本19200:11:00，690--> 00:11:04，450和它只是不是颜色校正工作，所以我要去很相配19300:11:04，450--> 00:11:08，580现在还有一个选项，以避免这样如果我19400:11:08，580--> 00:11:11，840回去还有一个选项19500:11:11，840--> 00:11:16，460你可能已经错过了这个图标，如果我料斗已经应该给我一个弹出窗口19600:11:16，460--> 00:11:20，250打开要吃更多的调整图层当克隆19700:11:20，250--> 00:11:23，890这可能是一些权利因此让我们看看它如何工作19800:11:23，890--> 00:11:27，920我点击你得到更多的知识颜色校正19900:11:27，920--> 00:11:32，880有人再次单击像以前一样对样本点和我要去20000:11:32，880--> 00:11:36，380一直在这，你可以看到多少改善其大多数是20100:11:36，380--> 00:11:39，450这更多是对像 Oct 28我20200:11:39，450--> 00:11:43，680颜色校正和工作真的很好你只是忽略完全所有的颜色20300:11:43，680--> 00:11:44，520校正停止20400:11:44，520--> 00:11:49，380不完全是我们想要的正确所以让我回去20500:11:49，380--> 00:11:52，430一个更多的时间，让我们回到原始状态20600:11:52，430--> 00:11:56，210但这一次告诉你激活忽略只是图层20700:11:56，210--> 00:12:00，490不使用当前下面卖完了两个不同的样本点20800:12:00，490--> 00:12:04，970现在我应该样本上的一切这一层和最低但不是20900:12:04，970--> 00:12:05，420一方21000:12:05，420--> 00:12:08，760所以，如果我点击这里和我画21100:12:08，760--> 00:12:11，950当我现在看到的是我不21200:12:11，950--> 00:12:15，890我曾如何存款保险拍卖停用轮在国王或只是21300:12:15，890--> 00:12:20，550有，但我创造不了的问题颜色变色的我21400:12:20，550--> 00:12:24，680如果我停用你可以看到它很体面的工作，所以回避21500:12:24，680--> 00:12:28，140工作也因此受到结合要么当前 elo21600:12:28，140--> 00:12:32，890或为此拍卖该轮忽略调整图层时克隆

結果 (中文) 3:

111
00:06:16340——> 00:06:20419
让我创建一个调整图层在这里
我会证明我说的是什么意思

112
00:06:20419——> 00:06:24139
如果你有一个图像，这种性质的
当我夸大这里

113
00:06:24139——> 00:06:24909
给你

114
00:06:24909——> 00:06:27800
吧如果你有一个图像，在

115
00:06:27800——> 00:06:31360
，
盘自然例如非常黑暗的

116
00:06:31360——> 00:06:34639
和问题他是上帝

117
00:06:34639——> 00:06:38229
如果你有一个像是黑暗的那么

118
00:06:38229——> 00:06:41979
去除小的细节在
阴影

119
00:06:41979——> 00:06:46240
不会的东西你会
做正确的因为颜色校正

120
00:06:46240——> 00:06:47419
准备关心

121
00:06:47419——> 00:06:50879
换句话说我们没有太多的伤害
他的能力听

122
00:06:50879——> 00:06:55330
另一方面，如果我们有一个彩色
校正TN是

123
00:06:55330——> 00:06:59729
提高亮度所有的图像
太阳所有这些细节的

124
00:06:59729——> 00:07:03900
图像中有很
因为你要做多少可见

125
00:07:03900——> 00:07:07340
和想法是

126
00:07:07340——> 00:07:10830
因为它漂亮的

127
00:07:10830——> 00:07:15190
大因素，你应该有一个颜色
校正活性

128
00:07:15190——> 00:07:18990
创建一个你下面那层让
标题球员

129
00:07:18990——> 00:07:22669
然后你开始回避和燃烧
你收拾一切

130
00:07:22669——> 00:07:26280
和你在你的
色彩校正活性

131
00:07:26280——> 00:07:31190
九十你会有更好的感觉
是否你需要花更多的

132
00:07:31190——> 00:07:31919
时间

133
00:07:31919——> 00:07:35380
的阴影，因为
做集锦你知道有一个很好的

134
00:07:35380——> 00:07:39259
可能性，如果你有一个黑暗的
图像或图像明亮怀疑

135
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集锦和阴影会照顾
自己只是被黑暗或

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亮

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和你没有太多的工作在
DOE的清理工作

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还有一个缺点是本周的

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某21的东西我会
谈一分钟但是做的是

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肯定的一种方式你可以

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另方法将停用
着色完全

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从头开始，刚修好的
形象你是然后用

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无忧无虑的呼叫结束时

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让我们检查了这些选项

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好所以我们有潜在的想法我们
可以形象的方法在这里

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校正一个会点我们有颜色
校正

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激活，而我们正在躲避
、燃烧和愈合

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的另一种方法是你的克隆有
停用

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毛皮做清理和

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回避和燃烧，然后将最后的颜色
校正，

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想要出售的利弊和方式
围绕它的工作

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我奢侈所以第一铸造

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会尝试添加更加灵活，现在
将有

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只是一个空白层，然后在顶部的
，

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活动色彩校正，就像我们看到的
这里解释

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这背后的想法是不是我们会
挂出

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你已经知道对比%嗯饱和
所有适用的调整所以我们

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会看到更好的，我们需要更多或更少的工作


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在某些阴影集锦等
这可以节省一些时间

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但是有一个问题，当他
这么干的，有几

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变通

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所以之前我们一点也
指出

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一显示你是一个很好的实践

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学习然而根据
严重

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覆盖奥斯蒙德的你可能你都
可能不需要担心

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顺序不同层可以
逃脱，有时我们

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00:09:32520——> 00:09:36010
不那么小心，但我认为这是
好实践学习从

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开始

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00:09:36500——> 00:09:42340
好所以我认为这里和
我想

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克隆出这片小
这里好
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我有我的色彩校正活动我
有我的黑人球员

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到它的下面，这是我要
工作

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00:09:53 1，280——> 00:09:56830
当然现在如果我选择仿制图章工具


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00:09:56830——>这里有00:09:59910
在拍卖样品

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00:09:59910——> 00:10:03100
所有层即可见
一切

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00:10:03100太低——> 00:10:07200
一下情绪怎样目前
广告下面

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00:10:07200——> 00:10:10410
基本上是工作在这以后
和

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00:10：10410——> 00:10:15200
考虑什么话
负荷，然后我们有一个当前层

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00:10:15200——> 00:10:18120
这没有意义，因为我们
工作在一个黑人球员我们不

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真有什么来源

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让我们开始与各层看
怎样记住

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00:10：24400——> 00:10:28050
我工作在一个空白的主持人是
衣领下方修正集团

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00:10:28050——> 00:10:31700
但集团都是由和
夸张的

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00:10:31700——> 00:10:35760
我要创造真正古怪的
调整来给你

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更清楚我在做什么，去
还给我

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黑人球员和所有的样本去这里

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我会画在叙利亚

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和问题来考虑我们
风度翩翩的评论不匹配

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检测非常饱和，如果
我关闭我的色彩校正可以看到

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是多么严重的问题是