100:00:05,200 --> 00:00:12,330you n

1
00:00:05,200 --> 00:00:12,330
you now know how to use and brown you
want to harness the light a little more

2
00:00:12,330 --> 00:00:16,290
you don't want to like spilling all over
the room where you gonna go for you want

3
00:00:16,290 --> 00:00:22,960
to talk though he had different
diffusion are you can you can have a

4
00:00:22,960 --> 00:00:29,570
battle in the middle is constrained in
their you could have the you know

5
00:00:29,570 --> 00:00:33,570
diffusion on the outside and now your
car simulator little bit more it's

6
00:00:33,570 --> 00:00:36,910
coming out this was not going all over
the place like an umbrella for these

7
00:00:36,910 --> 00:00:40,320
come in all different sorts of shapes
and sizes in the effect the lighting a

8
00:00:40,320 --> 00:00:43,880
little bit differently on the face so
we're gonna try amount in experiment a

9
00:00:43,880 --> 00:00:49,570
little bit and see how they were so I've
gotta ProPhoto you buy to hear it got

10
00:00:49,570 --> 00:00:54,760
tied the Puget got a baffle on the
inside to defuse it even more when I

11
00:00:54,760 --> 00:00:59,070
thrown over that light we're gonna lose
it a couple stops so we're shooting with

12
00:00:59,070 --> 00:01:05,019
the modeling light so I'm gonna have to
beef up the light which is on 9.0 so

13
00:01:05,019 --> 00:01:09,509
we'll just take it all the way up to 10
I might have to increase my ISO a little

14
00:01:09,509 --> 00:01:17,829
bit go up to ten 10 now will take this
off and we're just going to do the same

15
00:01:17,829 --> 00:01:23,840
angle same everything and we're just
gonna take the zoom reflector off and

16
00:01:23,840 --> 00:01:33,030
throw this time I really like the light
had just to come out of the just to be

17
00:01:33,030 --> 00:01:38,209
washed with the speed ring there's a
bunch of numbers on the Profoto system

18
00:01:38,209 --> 00:01:42,600
you guys can fiddle with that to see
what you like it's more important in a

19
00:01:42,600 --> 00:01:46,670
beauty dish or something like that where
you put this kind of stuff but on on the

20
00:01:46,670 --> 00:01:53,909
topics I like it to be flush with the
speed very so now wow I'm just looking

21
00:01:53,909 --> 00:01:57,920
at it I like the softest of that light
that's beautiful alright so let's take a

22
00:01:57,920 --> 00:02:06,139
shot with it now I'm gonna I'm gonna go
to go up my ISO a little bit I'm just

23
00:02:06,139 --> 00:02:12,010
going up the ISO cuz I was at a sixty
let's try this year also

24
00:02:12,010 --> 00:02:19,530
we've also still got the kick in there
so we're gonna see what it does so now

25
00:02:19,530 --> 00:02:24,530
we've got a really solid the difference
with the shadow underneath ok so guys

26
00:02:24,530 --> 00:02:28,500
you know since we're shooting a softbox
here I'm going to just put a softbox I'm

27
00:02:28,500 --> 00:02:32,909
gonna pool strip on the Kickers well so
we're going to soften that late too so

28
00:02:32,909 --> 00:02:49,040
let's see what happens

29
00:02:49,040 --> 00:02:57,069
and we lost we're gonna lose some why
I'm gonna bring it back up we were at

30
00:02:57,069 --> 00:03:05,180
four let's see where we can bring this
to go up three stops 270 too much kick

31
00:03:05,180 --> 00:03:10,939
let's see I think it's nice and soft cuz
of the softbox let's see how we do good

32
00:03:10,939 --> 00:03:17,120
huge difference in light of the shadow
on just the shadow on the chin huge the

33
00:03:17,120 --> 00:03:19,189
kicker difference

34
00:03:19,189 --> 00:03:23,810
softened it right out look at you do
under are you starting to get the sense

35
00:03:23,810 --> 00:03:29,669
of hard and soft like that strip just
basically diffuse the light and opened

36
00:03:29,669 --> 00:03:34,019
it up and it's really nice and even down
down giving her a nice I don't mind

37
00:03:34,019 --> 00:03:38,919
that's really subtle something that I
love so strips are great I mean you I

38
00:03:38,919 --> 00:03:42,290
drew stripped all over the place because
it's giving you a nice little sliver

39
00:03:42,290 --> 00:03:46,280
light that you could put above is a hair
light it'll catch some of the shoulders

40
00:03:46,280 --> 00:03:51,269
if you want to catch the hair it catches
the side really nicely soon and I also

41
00:03:51,269 --> 00:03:58,069
like them as key lights too so strips
are right so just the little they're

42
00:03:58,069 --> 00:04:06,199
they're good what I love is that you can
see the kick out of that soft box but

43
00:04:06,199 --> 00:04:18,459
it's so subtle beautiful let's try it
let's try introducing our are phil was

44
00:04:18,459 --> 00:04:21,440
just get a little bounce in there and
it's going to be less because why

45
00:04:21,440 --> 00:04:27,360
because we we've got less light we've
got a we've got a very subtle soft light

46
00:04:27,360 --> 00:04:31,919
hitting hitting a soft white so we're
just gonna do a little Phil here and you

47
00:04:31,919 --> 00:04:34,400
can watch it you can go in and you can
see it

48
00:04:34,400 --> 00:04:41,979
have you hold it like that perfect venue
for any sort of camera towards here

49
00:04:41,979 --> 00:04:52,120
good team down a little bit down a
little bit like 20 times spooky to the

50
00:04:52,120 --> 00:04:56,220
recent

51
00:04:56,220 --> 00:05:08,640
Spanish ok so look at that now we really
opened up their shadows now we've got a

52
00:05:08,640 --> 00:05:13,570
kicker on the cheek we've opened up that
those shadows more easily because the

53
00:05:13,570 --> 00:05:19,080
lights softer so we've got a softer
light hitting a soft reflector and

54
00:05:19,080 --> 00:05:23,220
really getting some nice light in there
now before we move that kicker just one

55
00:05:23,220 --> 00:05:25,890
of three core Hari and I want to look at
the difference on him

56
00:05:25,890 --> 00:05:35,240
all right there that they could get for
her down towards me a little bit down

57
00:05:35,240 --> 00:05:39,870
from the hold that right there now I
wanted to tell you some I told you this

58
00:05:39,870 --> 00:05:43,620
before you've already heard that did you
see a subtle the kick was uncertain

59
00:05:43,620 --> 00:05:44,320
share

60
00:05:44,320 --> 00:05:49,660
look how strong the kick is on a car
hurry dark skin kicks like you would not

61
00:05:49,660 --> 00:05:54,760
believe you've gotta make sure you
limited if you want that subtlety I like

62
00:05:54,760 --> 00:06:00,550
it more so then I'm gonna limited to
bring this back down to four visits at 7

63
00:06:00,550 --> 00:06:06,780
I'm gonna bring it three stops down and
watch me that's not enough but let's try

64
00:06:06,780 --> 00:06:15,260
it right here and let's see what it does
BC now it's very subtle a little kick in

65
00:06:15,260 --> 00:06:20,560
their very subtle I think I like the
subtleties let's see if we can get it to

66
00:06:20,560 --> 00:06:28,440
where Searcy was almost nonexistent
right let's just turn it off and check

67
00:06:28,440 --> 00:06:37,150
the difference with it off and see if it
actually I'm curious as to whether 4.0

68
00:06:37,150 --> 00:06:48,919
so here we go yeah we did have a little
bit of kicking there was very subtle I

69
00:06:48,919 --> 00:06:52,780
see what I say four men I like to show
my look at when the shadow comes in

70
00:06:52,780 --> 00:06:58,780
really nice soft shadow let's go one
stop Hire move it back a little bit I'm

71
00:06:58,780 --> 00:07:04,830
just looking at the way this is hitting
just see something

72
00:07:04,830 --> 00:07:09,930
it's all in relationship to where the
cameras I can't look at him and see this

73
00:07:09,930 --> 00:07:15,530
I have to look at them from the angle in
order to see a kick properly you have to

74
00:07:15,530 --> 00:07:19,480
look from the angle of the camera
otherwise you're just wasting your time

75
00:07:19,480 --> 00:07:26,140
good car every time I shoot you just do
something that's model II know a little

76
00:07:26,140 --> 00:07:38,170
more modeling that got little that now
we're talking now we're talking really

77
00:07:38,170 --> 00:07:45,960
really subtle really subtle let me just
keep it up a little bit I'm gonna go up

78
00:07:45,960 --> 00:07:51,390
one more stop and bring it in a tangle
that a little bit more behind just to

79
00:07:51,390 --> 00:07:59,710
see what it does make sure it's not the
frame it's okay it's okay as long as it

80
00:07:59,710 --> 00:08:02,890
doesn't his shoulder I can retouch that
out

81
00:08:02,890 --> 00:08:06,820
freed up still insists it straight up
like that bring you down you sit like

82
00:08:06,820 --> 00:08:11,390
you got your soldiers something hold up
they are right there at four head

83
00:08:11,390 --> 00:08:18,050
towards me they go good that sit there
and is nice subtle little hit around

84
00:08:18,050 --> 00:08:24,320
that face really nice and really soft on
that on the from the softbox I get a

85
00:08:24,320 --> 00:08:29,080
really soft shadow under here guys I
don't like I just don't put much feeling

86
00:08:29,080 --> 00:08:34,480
guys I like shadows auld very subtle on
the film on the shadows i watch the

87
00:08:34,480 --> 00:08:36,390
shattered and see I see what I can get

88
00:08:36,390 --> 00:08:41,090
but this can flatten out like those
rough edges that he's got so now it's

89
00:08:41,090 --> 00:08:45,370
just flattening the face a little bit
it's still nice i like it if that's what

結果 (中文) 1:

100:00:05，200--> 00:00:12，330你现在知道如何使用和棕色的你想要多一点利用光200:00:12，330--> 00:00:16，290你不想再喜欢洒遍在那里你要去为你想要的房间300:00:16，290--> 00:00:22，960谈谈虽然他有不同扩散是你可以你可以有400:00:22，960--> 00:00:29，570在中间的战斗是受限制他们你可以让你知道500:00:29，570--> 00:00:33，570在外面的扩散和现在你汽车模拟器一点点更多的是600:00:33，570--> 00:00:36，910走出这都不会这些地方象一把伞的700:00:36，910--> 00:00:40，320在所有不同种类的形状来和尺寸影响照明800:00:40，320--> 00:00:43，880有点不同，脸上如此我们要试着在实验中的金额900:00:43，880--> 00:00:49，570小咬，看看他们是如何，所以我要你买听到它获得的 ProPhoto1000:00:49，570--> 00:00:54，760捆绑 Puget 上车挡板里面，化解它甚至更多的时候我1100:00:54，760--> 00:00:59，070在我们要失去那光引发几个它停止的所以我们正在与射击1200:00:59，070--> 00:01:05，019所以我要去有到建模光牛肉上的光，所以是 9.01300:01:05，019--> 00:01:09，509我们只是将所有的方式最多 10 个我可能要增加我的 ISO 有点1400:01:09，509--> 00:01:17，829位去达十 10 现在将这关闭和我们只要这样做1500:01:17，829--> 00:01:23，840角度相同一切和我们只是就要起飞缩放反射器和1600:01:23，840--> 00:01:33，030抛出这一次我真的很喜欢光只是不得不出来只是为了1700:01:33，030--> 00:01:38，209速度环中有是用清水洗净堆在 Profoto 系统上的数字1800:01:38，209--> 00:01:42，600你们可以拨弄，查看你像是更重要的1900:01:42，600--> 00:01:46，670美的菜或者类似的在哪里你把这种东西但在2000:01:46，670--> 00:01:53，909主题我喜欢它被冲洗速度非常所以现在我只看的哇2100:01:53，909--> 00:01:57，920在这我喜欢柔软的光芒这就是美丽好吧2200:01:57，920--> 00:02:06，139现在我要去要去用它拍摄去我的 ISO 一点点我只是2300:02:06，139--> 00:02:12，010ISO cuz 我当时六十一届会让我们尝试今年也2400:02:12，010--> 00:02:19，530我们还得在那里踢所以我们要看看它现在做2500:02:19，530--> 00:02:24，530我们真正奠定牢固的区别与阴影下面好所以伙计们2600:02:24，530--> 00:02:28，500你知道，因为我们正在射击的柔光在这里，我要去把我的柔光2700:02:28，500--> 00:02:32，909去游泳池很好所以带上踢球我们要去软化，太晚了2800:02:32，909--> 00:02:49，040让我们看看会发生什么2900:02:49，040--> 00:02:57，069我们失去了我们要失去一些为什么我要把它带回来到我们是在3000:02:57，069--> 00:03:05，180四让我们看看，我们可以使这去太多踢了三站 2703100:03:05，180--> 00:03:10，939让我们看看这是好的和软的因为柔光的让我们看看我们是怎么好3200:03:10，939--> 00:03:17，120根据阴影的巨大差异只是巨大的下巴影子3300:03:17，120--> 00:03:19，189喷射器的区别3400:03:19，189--> 00:03:23，810软化它出来看着你做根据你开始感觉到吗3500:03:23，810--> 00:03:29，669硬性和软性像那地带公正基本上弥漫的光和打开3600:03:29，669--> 00:03:34，019起来，真的很好，甚至下下来给她好不在乎3700:03:34 019--> 00:03:38，919这就是很微妙的东西，我如此小条是很大，我的意思是你爱我3800:03:38，919--> 00:03:42，290提请剥离所有的地方因为它给你一个漂亮的小银色3900:03:42，290--> 00:03:46，280你可以把上面的光是一根头发光它会抓住一些肩膀上4000:03:46，280--> 00:03:51，269如果你要想赶上它捕获的头发身边真的很好很快，我也4100:03:51，269--> 00:03:58，069他们像钥匙灯太这么条权利，因此只少他们4200:03:58，069--> 00:04:06，199他们真是我的爱是你可以看到踢的那个软的盒子，但4300:04:06，199--> 00:04:18，459它是如此微妙美丽让我们试一试让我们尝试引入我们菲尔4400:04:18，459--> 00:04:21，440只是在那里得到一点反弹和它将会少因为为什么4500:04:21，440--> 00:04:27，360因为我们我们有少光我们已经有我们有非常微妙的柔和的光线4600:04:27，360--> 00:04:31，919击中击中软的白色，所以我们只要做一个小的 Phil 在这里和你4700:04:31，919--> 00:04:34，400可以看你可以进去，你可以看到它4800:04:34，400--> 00:04:41，979你拿着它那样完美的场地为任何种类的相机转向这里4900:04:41，979--> 00:04:52，120良好团队下来一点点向下一点点喜欢怪异到 20 倍5000:04:52，120--> 00:04:56，220最近5100:04:56，220--> 00:05:08，640西班牙好，就看看，现在我们真的开辟了他们的影子，现在我们有了5200:05:08，640--> 00:05:13，570我们也开放了，脸颊上的喷射器那些阴影更容易，因为5300:05:13，570--> 00:05:19，080较软的所以我们得柔和的灯光光线击中软反光板和5400:05:19，080--> 00:05:23，220真的在那里得到一些好的光现在，我们以前移动那喷射器只是一个5500:05:23，220--> 00:05:25，890三个核心哈里和我想看看在他身上的区别5600:05:25，890--> 00:05:35，240他们可以获得的所有右那里她朝我一点点下来5700:05:35，240--> 00:05:39，870从现在有我的船舱想要告诉你一些我告诉过你5800:05:39，870--> 00:05:43，620之前你已经听说过，是吗看到了一微妙踢是不确定5900:05:43，620--> 00:05:44，320共享6000:05:44，320--> 00:05:49，660看起来多么强大蹬腿就是在一辆车黝黑的皮肤踢像你不会着急6100:05:49，660--> 00:05:54，760相信你得确保你如果你想要我喜欢这些细微之处有限6200:05:54，760--> 00:06:00，550它更多，那么我要去限于把它带回到七点四次访问6300:06:00，550--> 00:06:06，780我要去降低这三个站和看着我，是不够的但是让我们试试6400:06:06，780--> 00:06:15，260它就在这里，让我们看看它做什么现在它是非常微妙的一点踢公元前6500:06:15，260--> 00:06:20，560他们非常微妙的我想我喜欢细微之处让我们看看是否我们能搞到6600:06:20，560--> 00:06:28，440瑟西是几乎不存在就让我们只是把它关掉和检查6700:06:28，440--> 00:06:37，150与它的区别了，看看它其实我很好奇作为是否 4.06800:06:37，150--> 00:06:48，919所以在这里我们去的是我们没有一点有踢的位是很微妙的我6900:06:48，919--> 00:06:52，780看看我说我想展示的四名男子我看看影子进来的时候7000:06:52，780--> 00:06:58，780真的很柔和的阴影让我们去一个停止租用移动这回有点我7100:06:58，780--> 00:07:04，830只看这打的方式只是看到的东西7200:07:04，830--> 00:07:09，930它是所有在关系到哪里照相机不能看看他看看这7300:07:09，930--> 00:07:15，530我要看看他们从在角度为了看到你必须正确地踢7400:07:15，530--> 00:07:19，480从相机的角度看否则你只在浪费你的时间7500:07:19，480--> 00:07:26，140每次我毙了你只是做的好车一种模型 II 知道一点7600:07:26，140--> 00:07:38，170现在更多的建模了一点我们说现在我们说的真的7700:07:38，170--> 00:07:45，960真的微妙真的微妙让我只是保持了一点点，我要走7800:07:45，960--> 00:07:51，390更多一个停止的带来的纠纷中这有点更背后只是为了7900:07:51，390--> 00:07:59，710看到什么它并确保它不是好的是它的框架，只要它是好8000:07:59，710--> 00:08:02，890不他的肩上我可以修饰，出8100:08:02，890--> 00:08:06，820释放醒来仍坚持直线上升像那带你下来，你坐在像8200:08:06，820--> 00:08:11，390你得到了你的东西举起的士兵他们有权在四头8300:08:11，390--> 00:08:18，050朝我他们去好，坐在那里和可爱而又微妙的小打过来8400:08:18，050--> 00:08:24，320真的很好和真的软上那张脸在从我得到的柔光8500:08:24，320--> 00:08:29，080真的很柔和的阴影，在这下面这些家伙我不喜欢把不到太多的感觉8600:08:29，080--> 00:08:34，480我喜欢阴影昔日上非常微妙的家伙阴影我看的那部电影8700:08:34，480--> 00:08:36，390粉碎了，看到自己能得到什么8800:08:36，390--> 00:08:41，090但这可以像那些变平它是粗糙的边缘，所以现在他8900:08:41，090--> 00:08:45，370只有点压扁的脸它是还不错，我喜欢它，如果这是什么

結果 (中文) 3:

1
00:00:05200——> 00:00:12330
现在你知道如何使用和布朗你
想利用轻一点

2
00:00:12330——> 00:00:16290
你不想
洒在你要去争取你想要的

3
00:00:16290——> 00:00:22960
说虽然他有不同的
扩散是你可以有一个

4
00:00:22960——> 00:00:29570
战斗中被限制在
房间他们可以让你知道

5
00:00:29570——> 00:00:33570
扩散在外面和你现在的
汽车模拟器点是

6
00:00:33570——> 00:00:36910
出来这不是在
地方一样，这些

7
00:00:36910伞——> 00:00:40320
在效果的照明

8
00:00:40320——> 00:00:43880
形状和大小都不同
有点不同，所以脸上
我们要量的实验

9
00:00:43880——> 00:00:49570
点看看他们所以我
得ProPhoto你买听了

10
00:00:49570——> 00:00:54760
绑湾上了
内挡板化解它甚至更多的时候，我

11
00:00:54760——> 00:00:59070
扔过来，光我们会失去
这几个站所以我们拍摄

12
00:00:59070——> 00:01:05019
的造型灯，所以我要
牛肉了光，在9

13
00:01:05019——> 00:01:09509
我们就一直到10
我可能增加我的ISO一点

14
00:01:09509——> 00:01:17829
位上升到十10现在将这
下来我们会做同样的

15
00:01:17，829——> 00:01:23840
角相同的一切，我们只是
将变焦反射下来，

16
00:01:23840——> 00:01:33030
把这段时间我真的很喜欢光
刚出来的只是

17
00:01:33030——> 00:01:38209
用速度环有一个
束数对保富系统

18
00:01:38209——> 00:01:42600
你们乱动，看到
你喜欢在一个

19
00:01:42600——> 00:01:46670
美容菜之类的东西，
你把这种东西但对

20
00:01:46670——> 00:01:53909
话题我喜欢它的
速度现在哇我只是看看

21
00:01:53909——> 00:01:57920
它我喜欢温柔的光
的美丽好让

22
00:01:57冲洗更重要，920——> 00:02:06139
拍摄，现在我要去我要去
走我的ISO一点点我只是

23
00:02:06139——> ISO因为我在一六零
让今年也

24
00:02:12010——> 00:02:19530
我们也仍然有在那里踢
所以我们要看看它现在

25
00:02:19530——> 00:02:24530
我们已经有了一个非常坚实的差异
00:02:12010
上去下面好的影子所以你们

26
00:02:24530——> 00:02:28500
你知道自从我们拍摄柔光
这里我要放一个柔光箱，我

27
00:02:28500——> 00:02:32909
会池带踢球，
我们要软化这一晚太

28
00:02:32909——> 00:02:49040
让我们看看会发生什么

29
00:02:49040——> 00:02:57069
，我们失去了我们会失去一些为什么
我要把它带回了我们在

30
00:02:57069——> 00:03:05180
四让我们看到，我们可以把这
走三站270太踢

31
00:03:05180——> 00:03:10939
看看我认为的柔光箱很软因为
咱们看看我们做的好

32
00:03:10939——> 00:03:17120
巨大差异在影子
光只是下巴上的巨大的

33
00:03:17阴影，120——> 00:03:19189
增幅差异

34
00:03:19189——> 00:03:23810
软化它，就看你
下开始意识

35
00:03:23810——> 00:03:29669
像那条硬和软的只是
基本反射光和开

36
00:03:29669——> 00:03:34019
起来真的很好，甚至
下来给她一个好，我不介意

37
00:03:34019——> 00:03：38919
真是微妙的东西，我
爱所以带伟大的我的意思是我

38
00:03:38919——> 00:03:42290
提请剥夺所有的地方因为
它给了你一个漂亮的小银

39
00:03:42290——> 00:03:46280
轻，你可以把上面是一个头发
光它会捕捉一些肩膀

40
00:03:46280——> 00:03:51269
如果你想赶上它抓头发
身边真的很好很快，我也

41
00:03:51269——> 00:03:58069
喜欢他们作为关键灯也带
是正确的那么小他们

42
00:03:58069——> 00:04:06199
他们好我爱的是你可以
看到踢出来，但
软盒
43
00:04:06199——> 00:04:18459
很微妙的美丽让我们试试吧
介绍我是菲尔

44
00:04:18459——> 00:04：21440
只是得到一个小跳在那里
要少因为为什么

45
00:04:21440——> 00:04:27360
因为我们我们不光我们
有我们有一个非常微妙的柔和的光

46
00:04:27360——> 00:04:31919
打击软白所以我们是
只是做一个小小的菲尔在这里和你

47
00:04:31919——> 00:04:34400
可以看你可以去，你可以看到它


48
00:04:34，400——> 00:04:41979
有你这样完美的场地
任何相机到这里

49
00:04:41979——> 00:04:52120
团队下鬼一点下一
点像20倍到50


00:04:52120——> 00:04:56220
最近

51
00:04:56220——> 00:05:08640
西班牙的好，看看现在我们真的
开辟了自己的阴影，我们现在已经有了一个

52
00:05:08640——> 00:05:13570
抓住它踢球者的脸我们已经打开了，
那些阴影更容易因为

53
00:05:13570——> 00:05:19080
灯光柔和，我们已经有了一个更柔和的光线
软镜和

54
00:05:19080——> 00:05:23220
真的得到一些好的光在那里
现在搬家之前，踢球只是一

55
00:05:23220——> 00:05:25890
三核心哈里，我想看看他
差异

56
00:05:25890——> 00:05:35240
没事，他们会用
她朝我点了

57
00:05:35240——> 00:05:39870
从认为就现在我
想告诉你一些我告诉你这

58
00:05:39870——> 00:05:43620
之前你已经听说你
看到微妙的球是不确定的

59
00:05:43620——> 00:05:44320
分享

60
00:05:44320——> 00:05：49660
看汽车
快点黑皮肤开始喜欢你不会

61
00:05:49660——> 00:05:54760
踢是多么强烈相信你得确保你
有限的如果你想要那微妙我喜欢

62
00:05:54760——> 00:06:00550
更所以我要限制
将回落到7

63
00:06:00550——> 00:06:06780
我要把它停下来
四人次三看我这不够而让我们尝试

64
00:06:06780——> 00:06:15260
这里，让我们看看它
BC现在是非常微妙的一个小球，

65
00:06:15260——> 00:06:20560
他们非常微妙，我想我喜欢
细微之处，让我们看看能让它

66
00:06:20560——> 00:06:28440
在瑟西是几乎不存在
权利就把它关掉，检查

67
00:06:28，440——> 00:06:37150
它看差异是否
其实我很好奇是否4

68
00:06:37150——> 00:06:48919
所以我们走啊，我们有一点小
踢有很微妙的我

69
00:06:48919——> 00:06:52780
看到我说的话四我喜欢的男人给我看
当影子来

70
00:06:52780——> 00:06:58780
很好的软阴影让我们去一个
停止雇用向后移动一点点我

71
00:06:58780——> 00:07:04830
看着这样打
刚刚看到的东西

72
00:07:04830——> 00:07:09930
这都是关系到
相机我不能看他看这

73
00:07:09930——> 00:07:15530
我看他们的角度来看
踢好你要

74
00:07:15530——> 00:07:19480
从角度的相机
否则你只是在浪费你的时间

75
00:07:19480——> 00:07:26140
好车每次我拍你做的东西
模型II知道一点

76
00:07:26140——> 00:07:38170
更多的建模，有点，现在
我们现在正在谈论我们说的是真的

77
00:07:38170——> 00:07:45960
真的真的让我
微妙微妙保持了一点点，我去了

78
00:07:45960——> 00:07:51390
一停下来，把它在一个纠结
这一点后面就

79
00:07:51390——> 00:07:59710
看看它确保它不是
框架很好的好吧，只要

80
00:07:59710——> 00:08:02890
不他的肩膀我可以润饰，
出

81
00:08:02890——> 00:08:06820
释放仍然强调，直
那样把你击倒你坐如

82
00:08:06820——> 00:08:11390
你的士兵的东西举起
他们就在四头

83
00:08:11390——> 00:08:18050朝我
他们去好，坐在那里
和微妙的小打在

84
00:08:18050——> 00:08:24320
，脸真的很好，真的很软
在从柔光箱给我

85
00:08:24320——> 00:08:29080
真软阴影下这家伙我
不喜欢我只是不把感情

86
00:08:29080——> 00:08:34480
家伙我喜欢阴影友谊很微妙的阴影在
电影我看

87
00:08:34480——> 00:08:36390
粉碎，看我看我能得到什么

88
00:08:36390——> 00:08:41090
但这能把那些
粗糙的边缘，他现在是

89
00:08:41090——> 00:08:45370
只是平坦的脸有点
还不错的话，是什么