1
00:00:00,670 --> 00:00:07,120
welcome to chapter 3 this is where to
the exciting this is where we get a
2
00:00:07,120 --> 00:00:12,300
start dancin because that's not really
how it ok that is really hard and
3
00:00:12,300 --> 00:00:17,010
actually let's just be honest this is
where we going on and heading out and
4
00:00:17,010 --> 00:00:20,900
doing actual shoots and so it's going to
be really fun and exciting way to show
5
00:00:20,900 --> 00:00:24,240
you a ton of four techniques and this
chapter is focused who primarily
6
00:00:24,240 --> 00:00:30,390
off-camera bear bold / techniques now
what I want to say at this point is that
7
00:00:30,390 --> 00:00:34,749
as you're watching these videos if you
have questions about the gear the
8
00:00:34,749 --> 00:00:40,059
technology those types of things before
back to chapter 2 as needed if you have
9
00:00:40,059 --> 00:00:44,829
questions on foundation lighting
principles soft waivers as hard light
10
00:00:44,829 --> 00:00:51,719
how to defuse vs Greece secular life and
being versus / balancing T durations and
11
00:00:51,719 --> 00:00:55,489
all that other kind of stuff which we're
gonna of course touch on but we assume
12
00:00:55,489 --> 00:00:59,289
that you already are coming into this
course with that basic lighting
13
00:00:59,289 --> 00:01:04,140
foundation knowledge if not refer back
to lighting 101 because that's what we
14
00:01:04,140 --> 00:01:07,939
explain all that in complete detail so
let's talk about what we're doing in
15
00:01:07,939 --> 00:01:12,140
Chapter three we're gonna start things
off with a steps to protecting each shot
16
00:01:12,140 --> 00:01:13,859
and image when using
17
00:01:13,859 --> 00:01:20,159
ok so what does that mean well basically
whenever we take the flash off camera
18
00:01:20,159 --> 00:01:25,350
we're now introducing another complexity
right so enlightened 11 it was all about
19
00:01:25,350 --> 00:01:28,640
shooting with on-camera flash so that we
can kind of focus just on manipulating
20
00:01:28,640 --> 00:01:32,159
light and so forth but now in addition
to manipulate in that light we have to
21
00:01:32,159 --> 00:01:36,280
kind of worried about all the technology
getting it off camera but then also we
22
00:01:36,280 --> 00:01:40,100
have to worry about the additional
shadows and light and highlights and so
23
00:01:40,100 --> 00:01:44,460
far there have been created from the
softer light sources so it creates a
24
00:01:44,460 --> 00:01:48,460
little more complexity and to address
that in every single scene that we walk
25
00:01:48,460 --> 00:01:53,069
through we're gonna give you a steps to
kind of walk through on your shoots to
26
00:01:53,069 --> 00:01:57,049
think through the process of arriving at
that final image so that's going to be
27
00:01:57,049 --> 00:02:01,710
at that first video next we have two
videos on overpowering the Sun part 1
28
00:02:01,710 --> 00:02:05,840
and part 2 why because well we do this
as the very first video because the
29
00:02:05,840 --> 00:02:07,130
question that I
30
00:02:07,130 --> 00:02:11,290
the most when it comes to off-camera
flash is how in the heck do you over
31
00:02:11,290 --> 00:02:15,640
power of the Sun and usually people to
say that you they say hi my backgrounds
32
00:02:15,640 --> 00:02:20,440
are all white and my subjects are all
world when exposed for them the
33
00:02:20,440 --> 00:02:24,180
background is white and when exposed to
the background their dark and so forth
34
00:02:24,180 --> 00:02:27,760
this goes back to you overpowering the
Sun and getting enough light in there
35
00:02:27,760 --> 00:02:31,400
and we're gonna do that starting out
just because I think that's what most of
36
00:02:31,400 --> 00:02:35,819
you wanna know first then go to a
slowing down and watching the details
37
00:02:35,819 --> 00:02:39,980
were gonna take just a minute to kind of
analyte shadows and analyze what makes a
38
00:02:39,980 --> 00:02:45,060
scene and how to kind of find tune and
refiner scene we're going to more power
39
00:02:45,060 --> 00:02:48,630
without the power this is a little trick
compositing trick that we like to use
40
00:02:48,630 --> 00:02:50,190
around demonstrate how we do that
41
00:02:50,190 --> 00:02:55,099
adding light to existing light is one of
my favorite uses a flash is rather than
42
00:02:55,099 --> 00:02:59,660
actually modifying light direction
rather than doing anything in changing
43
00:02:59,660 --> 00:03:03,530
anything that they're all we're doing is
we're amplifying light that's already
44
00:03:03,530 --> 00:03:07,760
existing and it creates a really cool
effect we're going to bear building it
45
00:03:07,760 --> 00:03:10,940
with larger groups ok so bear building
meeting that we're going to basically
46
00:03:10,940 --> 00:03:15,130
use bearable flashes to light an entire
group show you how to feather and set
47
00:03:15,130 --> 00:03:19,600
those up it's not an ideal type of
technique but it works when you're in a
48
00:03:19,600 --> 00:03:23,480
pinch and it's actually fantastic later
on we'll get into our ideal techniques
49
00:03:23,480 --> 00:03:27,930
were in timeout backlighting to create
interest how a simple shot but looks
50
00:03:27,930 --> 00:03:30,639
absolutely boring can look amazing
51
00:03:30,639 --> 00:03:34,810
by just turning your flash into a
backlight and then we're gonna get crazy
52
00:03:34,810 --> 00:03:39,950
with the whip and yeah I'm gonna leave
it at that time you give you any teaser
53
00:03:39,950 --> 00:03:41,590
and what that's about
54
00:03:41,590 --> 00:03:44,980
reasonably director and what's gonna
happen is all going to jump to the last
55
00:03:44,980 --> 00:03:48,970
video in this chapter just to see what
it is I know I know you because that's
56
00:03:48,970 --> 00:03:53,019
what I would do but it's gonna be so
that's it introduction to chapter 3
57
00:03:53,019 --> 00:03:55,400
let's go ahead and move to our first
video and jump in