81
00:08:13,169 --> 00:08:15,919
now if you're looking back you can
always hit the Shift key and it will
82
00:08:15,919 --> 00:08:20,779
jump in increments as we hold shift so
it's very easy to get back to you a
83
00:08:20,779 --> 00:08:26,499
proper orientation so I think we're
pretty good there with our dodging and
84
00:08:26,499 --> 00:08:31,729
burning for the hair so let's just move
on quickly deal with the eyebrows and
85
00:08:31,729 --> 00:08:40,000
eyelashes witness like burn gonna keep
it at 10 percent protein us a little bit
86
00:08:40,000 --> 00:08:49,490
just to make it easier for me again
we're just gonna make some short strokes
87
00:08:49,490 --> 00:08:56,740
to hear always find that you know better
if the eyelashes are you sure I browse
88
00:08:56,740 --> 00:09:01,380
our little bit darker now obviously if
you've got one person then you may not
89
00:09:01,380 --> 00:09:06,910
want to do this with anybody with you
know survived brunette hair it just
90
00:09:06,910 --> 00:09:12,790
looks pretty good we're gonna go around
the ice here and again I'm just kind of
91
00:09:12,790 --> 00:09:22,220
darkening this up a tiny bit just making
strokes here and we're going to sort of
92
00:09:22,220 --> 00:09:29,500
mix it up with larger and smaller brush
sizes do the same thing on this side of
93
00:09:29,500 --> 00:09:38,400
the road headed back a little bit to
make it a little easier for me to work
94
00:09:38,400 --> 00:09:45,550
this may not seem like you're doing much
not having much effect about it when you
95
00:09:45,550 --> 00:09:52,420
actually go back and toggle on and off
we see that you know it does make a
96
00:09:52,420 --> 00:09:55,690
significant difference so you don't
wanna over do that again he just want to
97
00:09:55,690 --> 00:10:00,380
keep that fairly subtle but you know
just have to kind of stop where you are
98
00:10:00,380 --> 00:10:03,690
talking on and off and just see if it
looked pretty good and as with anything
99
00:10:03,690 --> 00:10:09,580
you know check it out at higher zoom
lens close resume thanks I just to make
100
00:10:09,580 --> 00:10:15,450
sure it looks good in all different ways
so I want to do is just bring out some
101
00:10:15,450 --> 00:10:19,070
of the details on the ice here so we're
not really necessarily dodging and
102
00:10:19,070 --> 00:10:23,000
burning it's a very slight dodging and
burning but what I need to actually deal
103
00:10:23,000 --> 00:10:29,930
is that stuff from what I intend to do
his Dodge inside the actual virus as
104
00:10:29,930 --> 00:10:33,560
well but I'm gonna leave that as our
next step is going to create a new
105
00:10:33,560 --> 00:10:37,840
curves adjustment here so the first
thing to do is gonna pick our elliptical
106
00:10:37,840 --> 00:10:42,900
marquee tool and what I do is I start
from you know just in and around the
107
00:10:42,900 --> 00:10:46,570
center of the people here and just hold
down Option which is going to allow us
108
00:10:46,570 --> 00:10:53,030
to make this election going from the
center of selection like that
109
00:10:53,030 --> 00:11:00,380
over to this side a little bit to find a
good center point to go off of and then
110
00:11:00,380 --> 00:11:06,160
going to kind of use are keys to ship
this into position to do as I'm going to
111
00:11:06,160 --> 00:11:11,160
make sure that we've got this exclusion
or subtraction mode selected for our
112
00:11:11,160 --> 00:11:14,650
selection tool and we're going to start
somewhere
113
00:11:14,650 --> 00:11:18,770
high above where we started regionally
and again we're gonna hold option and
114
00:11:18,770 --> 00:11:22,040
we're gonna create this sort of
selection so now we've created this sort
115
00:11:22,040 --> 00:11:28,390
of crescent moon shape the hipper fine
edge and we're going to just have this
116
00:11:28,390 --> 00:11:36,770
up to around there let's see 67 pixel
you want to keep that fairly soft and
117
00:11:36,770 --> 00:11:41,370
now we're going to create a new curves
adjustment you can use curves or
118
00:11:41,370 --> 00:11:47,290
exposure I just meant to say here
whatever works best for you I tend to
119
00:11:47,290 --> 00:11:52,860
use the KERS and just to add a little
bit of light under the either so we
120
00:11:52,860 --> 00:11:56,360
talked about on and off we see that that
does bright nice quite a bit and we're
121
00:11:56,360 --> 00:12:00,300
gonna probably just the opacity and that
too because we don't want to look right
122
00:12:00,300 --> 00:12:03,090
and to do that you will have to zoom out
so it's just finished up with the other
123
00:12:03,090 --> 00:12:08,190
I hear this one probably not going to
brighten as much simply because this one
124
00:12:08,190 --> 00:12:12,810
is on the late side to side so we just
bring in a little bit like there I think
125
00:12:12,810 --> 00:12:17,010
because it's such a variance of this was
sourced rate on lighting I would
126
00:12:17,010 --> 00:12:19,590
actually make the adjustment on the
scene later but because we've got a
127
00:12:19,590 --> 00:12:23,140
great one and darker one here I'm going
to create separate adjust them they are
128
00:12:23,140 --> 00:12:26,500
so I can control their past these
separately so again we're going to take
129
00:12:26,500 --> 00:12:30,630
the same process here to make a
selection around the eye here using the
130
00:12:30,630 --> 00:12:39,790
elliptical tool option to start from the
center here
131
00:12:39,790 --> 00:12:49,030
going to undo that I want to start maybe
a little bit over the side sometimes it
132
00:12:49,030 --> 00:12:53,459
takes a few tries
133
00:12:53,459 --> 00:12:56,660
get it right you just have to kind of
experiment and see where you're going to
134
00:12:56,660 --> 00:13:10,619
get in shape you're after we can see
that let's try something like this the
135
00:13:10,619 --> 00:13:13,920
reason I wanted to shape like this and
refine a slow but with her brushes
136
00:13:13,920 --> 00:13:17,100
because the latest coming from this
angle the late should be kind of stuff
137
00:13:17,100 --> 00:13:17,670
you know
138
00:13:17,670 --> 00:13:21,509
brightening up over here we don't really
want too much brightness on this sign so
139
00:13:21,509 --> 00:13:27,339
just a kind of match the the lightingled
coming through one thing I made you
140
00:13:27,339 --> 00:13:33,300
actually if we right click this year we
can transform our selection and then if
141
00:13:33,300 --> 00:13:37,439
the Shift key down so this kind of make
sure we transform it uniformly and is
142
00:13:37,439 --> 00:13:42,009
going to shrink this down a little bit
and then use my keys to position into
143
00:13:42,009 --> 00:13:45,309
place i think thats like sinead
originally was a little too big hit
144
00:13:45,309 --> 00:13:50,879
enter to apply that and again I'm going
to use my keys to shift it and then use
145
00:13:50,879 --> 00:14:08,630
your financial offender it to around six
also create a new curves adjustment
146
00:14:08,630 --> 00:14:14,420
and just bring in a little bit like
there
147
00:14:14,420 --> 00:14:20,810
together into a layer will call eyes
148
00:14:20,810 --> 00:14:25,990
let's just zoom out and let's see if we
want to adjust the opacities of these
149
00:14:25,990 --> 00:14:29,460
layers and I think I do this does look a
little bit too bright and overdone for
150
00:14:29,460 --> 00:14:32,900
me so I'm going to just kind of drop
this one down to make sure that that's
151
00:14:32,900 --> 00:14:39,870
the right guy let's take that down to
around 50 let's see her doing I think
152
00:14:39,870 --> 00:14:44,270
that's a good starting point and then
with this one here let's just take that
153
00:14:44,270 --> 00:14:50,550
down to around 50 percent as well I
think that's enough as well it again
154
00:14:50,550 --> 00:14:54,400
it's just a matter of writing it a
little bit to bring more attention into
155
00:14:54,400 --> 00:15:00,680
the ice now the next thing to do is go
in here just play up this catch light a
156
00:15:00,680 --> 00:15:05,790
little bit so I'm going to create a new
blank later here
157
00:15:05,790 --> 00:15:14,190
create a brush gonna make the hardness
of that brush probably around 50% and
158
00:15:14,190 --> 00:15:26,230
then down fair bit our blend mode here
to screen and rotate image of it and we
159
00:15:26,230 --> 00:15:38,620
have these catch flights smaller brush
them that is going to brush in tiny bit
160
00:15:38,620 --> 00:15:43,870
and it's probably gonna be way too great
so we're actually going to take care of
161
00:15:43,870 --> 00:15:56,670
that in a moment sorts spacebar go into
this I hear just adds a little bit and
162
00:15:56,670 --> 00:16:07,890
they are rotating back out so you can
see their punches up that cash little