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so we are ready to dive into the last
retouch for this tutorial and we've been
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through this several times now the whole
process so I think you will buy now
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recognize a lot of the tools and a lot
of the ways that we do these composites
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this image may be my favorite from the
whole series and even the outside look
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maybe the most complex of the four it
actually turned out to be the one that
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might be the easiest great planning
great locations that Billy despair
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stunning and then the talent that really
just looked amazing I thought a
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character that just was so intriguing
and beautiful woman in and Kim so
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everything just came together here some
issues between the gravel and the grass
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work on that ended up shooting some
place for it but instead ended up just
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blending it in their feeling it looked
fine enough to be sitting in the
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landscape quite beautifully so this
don't have a lot of surprises as I
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mentioned I was on location we explored
what they can add of elements we talked
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about the river in the left side we
talked about larger mountains in the end
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the thing that ended up using and
building this composite that you see in
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front of you
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was really the back up late and my
favorite light took the mountains from a
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little bit higher light for mixing and
matching and as I mentioned then almost
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painting with the different pieces out
of the cloud and I put them in the only
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work that I didn't really was to use one
select for Kim's body and face and then
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one for the dressed make it flow a
little bit better I added some grass on
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the right to help the composition of
birds but decided not to make the
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mountains a lot bigger and also decided
not at the Riv
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left all those elements you know that I
see you think of really come to
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responding to what I see when I look at
the location now when you put the
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picture together and we want the focus
to be on the people adding elements in
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some cases just confused it so in this
case the only going to use the
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background plate which is the state's
like you seen before and mountains
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little bit higher light just to add a
little bit more density and texture to
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it at this light level the mountains
just got to blown out and then adding
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the people in there and that the
measurements in the high quality that
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behind everything just fell into place
so it's a little bit of an issue in the
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train tracks which we talked about the
new video having the clutter and stuff
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in front but it just falls right into
place pretty much all of it so this last
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one will be an easy one and this is the
way to truly should be then we'll plan
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it right all just falls into place so we
gonna run through this hopefully not
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spending too much time on it came here
because he's here because I had some
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grass here and there so there will be
some masking in this awhile but no big
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surprises as a dive into this gonna have
a few different chapters in this is
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going to look at the captures no
surprises there really and captured on
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everything is processed out the light
gave us there's absolutely no changes
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and for sure nothing dramatic like we
didn't conversation series so it is
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going to scroll through its you can see
some of those captures and then start
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building the file from the bottom of my
calves done in this previous chapters so
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far less even me look at capture one