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of the details that you know well that
wasn't inherently there in that first
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file
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well it isn't here and there it just
didn't show in the Rafah we preserved
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some more detail
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alright but if we zoom in we can still
see these highlight edges are just a bit
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strong we have a little bit of highlight
as it looks like almost took a marker
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and just drew white around the end of
the boom that just area that's we've
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lost total information that kind of
stuff is going to happen with an
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overexposed image you're also going to
see that we have a little bit of extra
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blooming along the edge of her arms
we're kind of getting out of focus and
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and losing detail on the edge this these
are things are going naturally occur but
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what else can I do to the image let's go
ahead and scroll down because of the
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overexposure were also losing a lot of
detail a lot of sharpening detail ok so
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what we need to do is actually over
sharp in this image a bit I'm gonna
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bring much better probably 90 on this
image bring the radius up bring the
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detail up and actually I'm going to use
any masking is gonna have a pretty
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strong sharp effect I'm gonna bring in
the noise reduction a little bit just to
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kind of soften the grain along her skin
from the increased noise
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increase sharpening they were doing but
you see we brought back a lot of detail
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their hair and you can see that if I
flip this on and off as go ahead and
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flip that panel off the cialis soft it
was to begin with vs after that
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over shopping and just helps also
correct the lines against the background
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we're getting some blooming going on we
do have quite a bit of chromatic
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aberration
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that's kind of a issue we can try and
fix but that's just gonna happen when
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you're shooting with a non so great lens
over a super bright background and plus
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we didn't really help anything else over
exposing let's go ahead and and naval
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profile corrections and see what it does
you can see how it's distorting this is
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on a 35 million Orleans look what it
does to her legs and her body see that
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that's the kind of distortion that we
want to avoid so I'm not gonna use
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automatic profile correction this what a
minute ago to color and we're gonna say
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remove dramatic aberration and what we
can do is also added a little bit of D
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fringing so we assume into this area
code 321 we haven't demonstrate this yet
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but see this little pink dramatic
aberration we have here longer than that
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color doesn't actually it's not actually
there it's a lens artifact that we're
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getting an expensive lenses are going to
have this artifact more kind of are
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currently or more frequently I make up
all sorts of awesome words during these
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tutorials hope you enjoy that but
regardless it'll end if you're cheating
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against the super bright background
against the highlight background and
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your subjects a lot darker there's a
good chance you're going to get some
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sort of dramatic aberration ok so the
way we fix that we gotta be frigid we
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get addy fringed so select the orange
color selector and bring it right over
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that little pink area on that line and
you're gonna click it and what it does
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is it shift that line adds a little bit
of difference in effect it sort of
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mitigated a little bit her movie
completely if we want to remove it
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completely we really need to go into
Photoshop and just basically mask it out
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or try and create I'm asked about the
trying to clone the skin tones over it
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is rather difficult to do but if we get
kind of right on or at least we get a
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close we can do a good job at least
reducing a lot of its ok so I'm gonna
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get it actually was good where it was a
second ago man I mean it worse
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ok that's pretty decent let's go ahead
and zoom out you can see zoomed out it
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looks ok when we assume into that close
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yeah you will be able to notice a little
bit but at least it's a lot better than
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where it was ok that's much much better
than wet weather that super pink edge
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ok sweetie fringe day we've done
everything there let's go in reverse
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vignettes the tiny bit
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in Brighton particularly tones going
into her legs down here and we're going
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to the skies with a dark in a little bit
I think we've done everything we need
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you down here let's go to our local area
adjustments we're gonna do is grab a
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grand jury filter and this is what
awesome you know we talked about having
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basically a different tool
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different different tools we have a
different tool to apply the exact same
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settings that we have down here in these
local adjustments so why wouldn't I use
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they graduated brush sorry just
adjustment brush to paint this effect in
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00:09:01,800 --> 00:09:06,250
the promise that was an adjustment brush
by want to add just kind of feather or
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00:09:06,250 --> 00:09:10,400
where it goes in where comes out to do
this like painting job back and forth
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it's not very easy in this kind of
situation surely doesn't russia's great
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when I want to be more precise but when
I want to follow a very graduate tone
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then obviously the best tool for the job
is a graduate of filter so what I have
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selected is I'm gonna go to a point five
stop burn this is just going to reduce
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00:09:27,430 --> 00:09:32,150
the exposure by point five so just go
ahead and down that in and what we do is
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start from the grave gonna hold down
shift so it constrains to the vertical
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to horizontal line and it was gonna pull
it straight down ok we can pull down
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quite far I'm gonna go down to about
right here and I might just pull up a
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little bit on the midpoint and maybe
also constrain a little bit on the on
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the feather so right about there is
pretty solid happily so what's happening
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now is that we get a nice subtle kind of
darkening effect in the sky which sort
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00:10:00,210 --> 00:10:03,510
of mirrors the ocean so we have kind of
equal blues on each side and looks
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00:10:03,510 --> 00:10:09,070
really nice in my opinion I like the way
this looks ok let's go ahead and see
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00:10:09,070 --> 00:10:11,960
what wanted on white balance now for
white balance I'm gonna go ahead and put