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- 歷史
16600:10:30,490 --> 00:10:34,190I c
166
00:10:30,490 --> 00:10:34,190
I could turn this off you can see that
look at how much better god we we didn't
167
00:10:34,190 --> 00:10:37,060
lose a lot of detail because we balanced
out with sharpening we have a little bit
168
00:10:37,060 --> 00:10:40,199
of smoothing going on with the rocks but
that's okay it's going to happen with
169
00:10:40,199 --> 00:10:43,750
that much noise reduction we did it
looks better than having this nasty of
170
00:10:43,750 --> 00:10:47,820
colorized grain that we would have an
image but just give it a look over and
171
00:10:47,820 --> 00:10:51,420
if you feel like there is what's
actually from the panel you feel like
172
00:10:51,420 --> 00:10:55,120
there is not enough detail yes can
always balance I think it's a good
173
00:10:55,120 --> 00:10:58,240
mixture right here is particularly this
goes to print you're not going to notice
174
00:10:58,240 --> 00:11:01,899
that the fine detail was lost in the
rocks unless they said they would like a
175
00:11:01,899 --> 00:11:06,410
magnifying glass and I want to really
worry about skin tones because skin is
176
00:11:06,410 --> 00:11:09,800
where I'm most worried about it over the
skin looks pretty solid looks pretty
177
00:11:09,800 --> 00:11:13,190
good their clothing let's get to what I
might do is drop in noise reduction of
178
00:11:13,190 --> 00:11:18,100
about 250 and then bring the sharpening
down just a tiny tiny tiny got on the 60
179
00:11:18,100 --> 00:11:23,350
that's great so looks like we did a
great job with this let's go and check
180
00:11:23,350 --> 00:11:28,570
out the before and the after and need to
do any other manual lens correction
181
00:11:28,570 --> 00:11:32,290
anything like that to be had on the
original image so here is that before
182
00:11:32,290 --> 00:11:37,660
and here is the after we brought back a
lot of that tone with a really nice job
183
00:11:37,660 --> 00:11:41,800
and we've helped to preserve detail with
that balance between sharpening and
184
00:11:41,800 --> 00:11:47,829
noise reduction yeah I wanted to take
this a step further
185
00:11:47,829 --> 00:11:52,660
yes I do let's do one thing I do a grab
a graduate of brush and what we're gonna
186
00:11:52,660 --> 00:11:56,569
do here is where the dial in ascending
that I use for sky cloud ocean it's one
187
00:11:56,569 --> 00:12:01,449
of the detail enhance settings that's
available in the process is done this if
188
00:12:01,449 --> 00:12:04,310
you don't have it and you're gonna do
this in its negative point to an
189
00:12:04,310 --> 00:12:09,740
exposure contrast and 40 highlights at
35 shatter the negative 10 clearly at 35
190
00:12:09,740 --> 00:12:14,269
saturation of 2010 what's happening is
that weird arcing it down a little bit
191
00:12:14,269 --> 00:12:18,569
we're adding contrast to the more
popular also adding highlights to give a
192
00:12:18,569 --> 00:12:22,170
little more popular highlights we're
subtracting shadow the kind of dark and
193
00:12:22,170 --> 00:12:26,670
download again critical or contrast
adding clarity again for contrast color
194
00:12:26,670 --> 00:12:30,430
with saturation in little bit of
sharpness for detail this is a general
195
00:12:30,430 --> 00:12:34,550
enhancer that I use over water and it
actually looks really really nicely
196
00:12:34,550 --> 00:12:38,910
painted in over water or sky or clouds
and you can see how with that highlight
197
00:12:38,910 --> 00:12:42,329
boost it gives it like a little pop and
it was a shadow boosting makes the
198
00:12:42,329 --> 00:12:46,180
shadows in the water also have a little
bit of an edge to him so I'm just gonna
199
00:12:46,180 --> 00:12:50,040
paint this over the background we're
going to dial it back a little bit which
200
00:12:50,040 --> 00:12:53,699
is why I'm not too concerned with
getting a close to his legs I don't want
201
00:12:53,699 --> 00:12:57,110
to get over her skin that's one area
that I don't want to put it also don't
202
00:12:57,110 --> 00:13:01,220
want to really drive over land because
over land content too dark and down in
203
00:13:01,220 --> 00:13:05,500
the area a lil bit too much I'm really
trying to preserve it keep it over the
204
00:13:05,500 --> 00:13:10,120
water going to make any modifications I
can hit 02 bring up my overlay and I can
205
00:13:10,120 --> 00:13:13,910
just go ahead and just plain out the
area's by holding down option and pain
206
00:13:13,910 --> 00:13:18,510
you know this way remember from my
settings for my standard brush I have a
207
00:13:18,510 --> 00:13:24,380
hundred 400 410 see when I hit all hold
option I have the same thing hundredth
208
00:13:24,380 --> 00:13:28,670
hundred flow and we don't have density
control with the eraser because you're
209
00:13:28,670 --> 00:13:34,149
removing vs adding ok I'm going to go
ahead and bring this out of there and
210
00:13:34,149 --> 00:13:39,640
they were going to paint off his pants a
little bit and just pointed out these
211
00:13:39,640 --> 00:13:44,290
rocks little bit and they want to do is
dial back adjustment just a little bit
212
00:13:44,290 --> 00:13:50,089
too tiny bit more subtle in effect so
when I dial back in turn off the overlay
213
00:13:50,089 --> 00:13:53,760
right now looks like it pops a little
bit too much grimmer to adjust that out
214
00:13:53,760 --> 00:13:57,390
you gonna click on it and you're gonna
drag over to the left and adjust
215
00:13:57,390 --> 00:14:01,079
everything incremental as if you're
adjusting opacity I'm gonna take it over
216
00:14:01,079 --> 00:14:04,390
to maybe have power and it looks pretty
good a half hour I'm also going to
217
00:14:04,390 --> 00:14:07,709
remove it actually from these little
tiny rocks I'm going to shrink down the
218
00:14:07,709 --> 00:14:12,640
brush by using the mouse button my mouse
wheel removed from these said iraq's
219
00:14:12,640 --> 00:14:17,699
over here to do they darken little bit
too much like that darkened effect in
220
00:14:17,699 --> 00:14:19,990
kind of painted in federal around it
221
00:14:19,990 --> 00:14:24,200
doesn't need to be perfect we've done it
back a lot so you know that way it kind
222
00:14:24,200 --> 00:14:25,160
of helps us out
223
00:14:25,160 --> 00:14:28,770
doesn t be perfect and it's going to be
nice if we could do the exact same thing
224
00:14:28,770 --> 00:14:32,330
for the sky everyone we can add another
one we can go in the sky the difference
225
00:14:32,330 --> 00:14:34,899
with this guy though is that we
generally when a painted in and add a
226
00:14:34,899 --> 00:14:40,620
little bit more of a of a darkening
effect with the exposure what I can do
227
00:14:40,620 --> 00:14:45,459
here is let me show you something if
anything goes wrong when you see me in
228
00:14:45,459 --> 00:14:49,920
person at time come say hello and tell
me where and I'll feel like I'm not that
229
00:14:49,920 --> 00:14:55,470
old because I feel like it's ok so we're
going to his paintings over the sky
230
00:14:55,470 --> 00:14:57,959
against the overlay right now but to get
it
231
00:14:57,959 --> 00:15:02,980
precise since this situation deals with
kind of a very high contrast said I can
232
00:15:02,980 --> 00:15:06,600
use something called the autumn asked
the armistice this lofty have down here
233
00:15:06,600 --> 00:15:10,380
when it does it'll actually find these
edges that are high contrast and will
234
00:15:10,380 --> 00:15:15,240
help you to pay in a more precise mask
here's the thing though it has to be a
235
00:15:15,240 --> 00:15:18,880
high-contrast edge so for example them
against the the bright sky this is a
236
00:15:18,880 --> 00:15:23,320
hike on rescheduling can do is paint and
if you notice when we go to the brush
237
00:15:23,320 --> 00:15:27,329
and we are the overlay you can actually
see that is doing a really good job of
00:10:30,490 --> 00:10:34,190
I could turn this off you can see that
look at how much better god we we didn't
167
00:10:34,190 --> 00:10:37,060
lose a lot of detail because we balanced
out with sharpening we have a little bit
168
00:10:37,060 --> 00:10:40,199
of smoothing going on with the rocks but
that's okay it's going to happen with
169
00:10:40,199 --> 00:10:43,750
that much noise reduction we did it
looks better than having this nasty of
170
00:10:43,750 --> 00:10:47,820
colorized grain that we would have an
image but just give it a look over and
171
00:10:47,820 --> 00:10:51,420
if you feel like there is what's
actually from the panel you feel like
172
00:10:51,420 --> 00:10:55,120
there is not enough detail yes can
always balance I think it's a good
173
00:10:55,120 --> 00:10:58,240
mixture right here is particularly this
goes to print you're not going to notice
174
00:10:58,240 --> 00:11:01,899
that the fine detail was lost in the
rocks unless they said they would like a
175
00:11:01,899 --> 00:11:06,410
magnifying glass and I want to really
worry about skin tones because skin is
176
00:11:06,410 --> 00:11:09,800
where I'm most worried about it over the
skin looks pretty solid looks pretty
177
00:11:09,800 --> 00:11:13,190
good their clothing let's get to what I
might do is drop in noise reduction of
178
00:11:13,190 --> 00:11:18,100
about 250 and then bring the sharpening
down just a tiny tiny tiny got on the 60
179
00:11:18,100 --> 00:11:23,350
that's great so looks like we did a
great job with this let's go and check
180
00:11:23,350 --> 00:11:28,570
out the before and the after and need to
do any other manual lens correction
181
00:11:28,570 --> 00:11:32,290
anything like that to be had on the
original image so here is that before
182
00:11:32,290 --> 00:11:37,660
and here is the after we brought back a
lot of that tone with a really nice job
183
00:11:37,660 --> 00:11:41,800
and we've helped to preserve detail with
that balance between sharpening and
184
00:11:41,800 --> 00:11:47,829
noise reduction yeah I wanted to take
this a step further
185
00:11:47,829 --> 00:11:52,660
yes I do let's do one thing I do a grab
a graduate of brush and what we're gonna
186
00:11:52,660 --> 00:11:56,569
do here is where the dial in ascending
that I use for sky cloud ocean it's one
187
00:11:56,569 --> 00:12:01,449
of the detail enhance settings that's
available in the process is done this if
188
00:12:01,449 --> 00:12:04,310
you don't have it and you're gonna do
this in its negative point to an
189
00:12:04,310 --> 00:12:09,740
exposure contrast and 40 highlights at
35 shatter the negative 10 clearly at 35
190
00:12:09,740 --> 00:12:14,269
saturation of 2010 what's happening is
that weird arcing it down a little bit
191
00:12:14,269 --> 00:12:18,569
we're adding contrast to the more
popular also adding highlights to give a
192
00:12:18,569 --> 00:12:22,170
little more popular highlights we're
subtracting shadow the kind of dark and
193
00:12:22,170 --> 00:12:26,670
download again critical or contrast
adding clarity again for contrast color
194
00:12:26,670 --> 00:12:30,430
with saturation in little bit of
sharpness for detail this is a general
195
00:12:30,430 --> 00:12:34,550
enhancer that I use over water and it
actually looks really really nicely
196
00:12:34,550 --> 00:12:38,910
painted in over water or sky or clouds
and you can see how with that highlight
197
00:12:38,910 --> 00:12:42,329
boost it gives it like a little pop and
it was a shadow boosting makes the
198
00:12:42,329 --> 00:12:46,180
shadows in the water also have a little
bit of an edge to him so I'm just gonna
199
00:12:46,180 --> 00:12:50,040
paint this over the background we're
going to dial it back a little bit which
200
00:12:50,040 --> 00:12:53,699
is why I'm not too concerned with
getting a close to his legs I don't want
201
00:12:53,699 --> 00:12:57,110
to get over her skin that's one area
that I don't want to put it also don't
202
00:12:57,110 --> 00:13:01,220
want to really drive over land because
over land content too dark and down in
203
00:13:01,220 --> 00:13:05,500
the area a lil bit too much I'm really
trying to preserve it keep it over the
204
00:13:05,500 --> 00:13:10,120
water going to make any modifications I
can hit 02 bring up my overlay and I can
205
00:13:10,120 --> 00:13:13,910
just go ahead and just plain out the
area's by holding down option and pain
206
00:13:13,910 --> 00:13:18,510
you know this way remember from my
settings for my standard brush I have a
207
00:13:18,510 --> 00:13:24,380
hundred 400 410 see when I hit all hold
option I have the same thing hundredth
208
00:13:24,380 --> 00:13:28,670
hundred flow and we don't have density
control with the eraser because you're
209
00:13:28,670 --> 00:13:34,149
removing vs adding ok I'm going to go
ahead and bring this out of there and
210
00:13:34,149 --> 00:13:39,640
they were going to paint off his pants a
little bit and just pointed out these
211
00:13:39,640 --> 00:13:44,290
rocks little bit and they want to do is
dial back adjustment just a little bit
212
00:13:44,290 --> 00:13:50,089
too tiny bit more subtle in effect so
when I dial back in turn off the overlay
213
00:13:50,089 --> 00:13:53,760
right now looks like it pops a little
bit too much grimmer to adjust that out
214
00:13:53,760 --> 00:13:57,390
you gonna click on it and you're gonna
drag over to the left and adjust
215
00:13:57,390 --> 00:14:01,079
everything incremental as if you're
adjusting opacity I'm gonna take it over
216
00:14:01,079 --> 00:14:04,390
to maybe have power and it looks pretty
good a half hour I'm also going to
217
00:14:04,390 --> 00:14:07,709
remove it actually from these little
tiny rocks I'm going to shrink down the
218
00:14:07,709 --> 00:14:12,640
brush by using the mouse button my mouse
wheel removed from these said iraq's
219
00:14:12,640 --> 00:14:17,699
over here to do they darken little bit
too much like that darkened effect in
220
00:14:17,699 --> 00:14:19,990
kind of painted in federal around it
221
00:14:19,990 --> 00:14:24,200
doesn't need to be perfect we've done it
back a lot so you know that way it kind
222
00:14:24,200 --> 00:14:25,160
of helps us out
223
00:14:25,160 --> 00:14:28,770
doesn t be perfect and it's going to be
nice if we could do the exact same thing
224
00:14:28,770 --> 00:14:32,330
for the sky everyone we can add another
one we can go in the sky the difference
225
00:14:32,330 --> 00:14:34,899
with this guy though is that we
generally when a painted in and add a
226
00:14:34,899 --> 00:14:40,620
little bit more of a of a darkening
effect with the exposure what I can do
227
00:14:40,620 --> 00:14:45,459
here is let me show you something if
anything goes wrong when you see me in
228
00:14:45,459 --> 00:14:49,920
person at time come say hello and tell
me where and I'll feel like I'm not that
229
00:14:49,920 --> 00:14:55,470
old because I feel like it's ok so we're
going to his paintings over the sky
230
00:14:55,470 --> 00:14:57,959
against the overlay right now but to get
it
231
00:14:57,959 --> 00:15:02,980
precise since this situation deals with
kind of a very high contrast said I can
232
00:15:02,980 --> 00:15:06,600
use something called the autumn asked
the armistice this lofty have down here
233
00:15:06,600 --> 00:15:10,380
when it does it'll actually find these
edges that are high contrast and will
234
00:15:10,380 --> 00:15:15,240
help you to pay in a more precise mask
here's the thing though it has to be a
235
00:15:15,240 --> 00:15:18,880
high-contrast edge so for example them
against the the bright sky this is a
236
00:15:18,880 --> 00:15:23,320
hike on rescheduling can do is paint and
if you notice when we go to the brush
237
00:15:23,320 --> 00:15:27,329
and we are the overlay you can actually
see that is doing a really good job of
0/5000
16600:10:30，490--> 00:10:34，190我可以把它关闭，你可以看到，看看多少更好的上帝，我们我们没有16700:10:34，190--> 00:10:37，060失去很多的细节，因为我们平衡出与锐化我们有一点点16800:10:37，060--> 00:10:40，199平滑与岩石下去但没关系，这会发生的16900:10:40，199--> 00:10:43，750那么多噪音减少我们做到了看上去比这讨厌的17000:10:43，750--> 00:10:47，820彩色粮食，我们将有图像，但只是给它的外观和17100:10:47，820--> 00:10:51，420如果你觉得还有什么的其实从小组你感觉像17200:10:51，420--> 00:10:55，120不是足够细节是可以总是考虑，我认为它是一个很好17300:10:55，120--> 00:10:58，240这特别是混合物就在这里去打印你不会注意到17400:10:58，240--> 00:11:01，899那精细的细节迷失在除非他们说他们想要的岩石17500:11:01，899--> 00:11:06，410放大镜和我真的想去因为皮肤是担心皮肤色调17600:11:06，410--> 00:11:09，800我在哪里最担心它在皮肤看起来很实看起来很漂亮17700:11:09，800--> 00:11:13，190好他们的服装让我们到达什么我可能做是放置在降噪17800:11:13，190--> 00:11:18，100约 250，然后再把锐化下来只做了一点点小小上车 6017900:11:18，100--> 00:11:23，350这就是伟大所以看起来像我们一样大工作与这让我们去和检查18000:11:23，350--> 00:11:28，570出去之前和之后，需要做任何其他手动镜头校正18100:11:28，570--> 00:11:32，290什么这样了因此，在这里，之前的原始图像18200:11:32，290--> 00:11:37，660这里是我们带回来后那口气与非常好的工作很多18300:11:37，660--> 00:11:41，800我们从而得以保留详细锐化的平衡和18400:11:41，800--> 00:11:47，829我想要的噪音减少是这一步18500:11:47，829--> 00:11:52，660是啊让我们做一件事我做抓斗毕业于画笔和我们要去18600:11:52，660--> 00:11:56，569做在这里正是升序拨号我使用的天空云海洋它是其中一个18700:11:56，569--> 00:12:01，449详细信息增强设置的可在过程中是这样做如果18800:12:01，449--> 00:12:04，310你不把它和你要做这在其负面的指向18900:12:04，310--> 00:12:09，740曝光对比度和 40 亮点35 粉碎显然在 35 负 1019000:12:09，740--> 00:12:14，269饱和度 2010 年发生的是电弧下来一点点那么奇怪19100:12:14，269--> 00:12:18，569我们都在对比增添更多流行也添加高光给19200:12:18，569--> 00:12:22，170我们的小更流行亮点减去阴影的黑暗和19300:12:22，170--> 00:12:26，670再一次关键的下载或对比添加再次为对比颜色清晰19400:12:26，670--> 00:12:30，430在一点点的饱和度锐利的细节，这是一般19500:12:30，430--> 00:12:34，550我用水和它的增强其实看起来真的很好19600:12:34，550--> 00:12:38，910画在水或天空或云你可以看到如何使用那突出显示19700:12:38，910--> 00:12:42，329它给它像一个小的弹出式的刺激和它是提高使阴影19800:12:42，329--> 00:12:46，180阴影在水中的也有一点比较明显的边缘到他所以我只要去19900:12:46，180--> 00:12:50，040这在我们的背景上绘画要拨回一点点，20000:12:50，040--> 00:12:53，699就是为什么我不太关心越来越接近他的双腿不要20100:12:53，699--> 00:12:57，110忘了她是一个区域的皮肤我不想把它也不要20200:12:57，110--> 00:13:01，220想要真的开过土地，因为内容太暗为了争夺土地和在下20300:13:01，220--> 00:13:05，500地区 lil 咬了太多我是真的试图保存它保持它20400:13:05，500--> 00:13:10，120水会做出任何修改我可以命中的 02 造就我覆盖，我可以20500:13:10，120--> 00:13:13，910只是去前面，出来只是平原地区通过按住选项和痛苦20600:13:13，910--> 00:13:18，510你知道这种方式，记得从我我有我标准笔刷的设置20700:13:18，510--> 00:13:24，380百 400 410 看到拥有的一切的时候我有同样的事情一百的选项20800:13:24，380--> 00:13:28，670百流和我们没有密度因为你用橡皮擦控制20900:13:28，670--> 00:13:34，149删除 vs 添加好我要去前方和带来这离开那里，21000:13:34，149--> 00:13:39，640他们要画下他的裤子小咬，只是指出这些21100:13:39，640--> 00:13:44，290岩石一点和他们想要做是拨回调整只是一点点21200:13:44，290--> 00:13:50，089太小位更微妙的影响如此当我拨回在关闭覆盖21300:13:50，089--> 00:13:53，760现在看起来它有点持久性有机污染物有点太多严峻调整出21400:13:53，760--> 00:13:57，390你会去点击它，你要去向左拖动和调整21500:13:57，390--> 00:14:01，079增量仿佛你的一切调整不透明度要接管它21600:14:01，079--> 00:14:04，390也许有力量和它看起来很漂亮好半小时我也要去21700:14:04，390--> 00:14:07，709删除它实际上从这些小小我要去缩减的小岩21800:14:07，709--> 00:14:12，640通过使用鼠标按钮我的鼠标刷删除从这些说伊拉克的车轮21900:14:12，640--> 00:14:17，699在这里要做他们变暗一点太多像那样黑暗的效应22000:14:17，699--> 00:14:19，990在它周围的联邦种绘22100:14:19，990--> 00:14:24，200不需要完美我们做到了很多回，让你知道这种方式挺22200:14:24，200--> 00:14:25，160帮我们的忙22300:14:25，160--> 00:14:28，770并不是完美，它要好的如果我们能做同样的事情22400:14:28，770--> 00:14:32，330对于天空每个人我们可以添加另一个一个我们可以在天空中的差异22500:14:32，330--> 00:14:34，899这家伙虽然是我们一般当画中并添加32W00:14:34，899--> 00:14:40，620再高一点的的变暗影响接触我可以做什么22700:14:40，620--> 00:14:45，459这里是让我给你看点东西如果当你看到我在有任何差错。22800:14:45，459--> 00:14:49，920人在的时候会说你好，告诉我在哪里，我会觉得我并不是22900:14:49，920--> 00:14:55，470因为我觉得它是好的所以我们老去他的画在天空23000:14:55，470--> 00:14:57，959针对现在但是如果要覆盖它23100:14:57，959--> 00:15:02，980精确的因为这种情况处理高对比度的说我可以23200:15:02，980--> 00:15:06，600使用一种叫做秋问在这里有这崇高停战23300:15:06，600--> 00:15:10，380当它，它实际上会找到这些边缘，高对比度并将23400:15:10，380--> 00:15:15，240帮你支付在一个更精确的面具虽然它必须要在这里是23500:15:15，240--> 00:15:18，880高对比度边缘那么例如他们对这是明亮的天空33W00:15:18，880--> 00:15:23，320重新安排徒步可以做是油漆和如果你注意到当我们去刷23700:15:23，320--> 00:15:27，329我们，你们就可以实际上覆盖看看这很好做的
正在翻譯中..
166
00:10:30490——> 00:10:34190
我可以关闭你可以看到
看看如何更好的神，我们不
167
00:10:34190——> 00:10:37060
因为我们平衡了
锐化我们有一点点
168
00:10:37060——> 00:10:40199
平滑的岩石上但
没事就要与
169
00:10:40199——> 00:10:43750
发生丢失了大量的细节那么多的噪声降低我们做的
看起来比这个讨厌的
170
00:10:43750——> 00:10:47820
彩色粮食，我们将有一个
图像只是给它看，
171
00:10:47820——> 00:10:51420
如果你觉得有什么
实际上从面板你感觉像
172
00:10:51420——> 00:10:55120
没有足够的细节是可以
总是平衡，我认为这是个好
173
00:10:55120——> 00:10:58240
混合物在这里特别这
去打印你不会注意到
174
00:10:58240——> 00:11:01899
，失去了精致的细节在
岩除非他们说他们想要一
175
00:11:01899——> 00:11:06410
放大镜，我想真的
担心肤色，因为皮肤是
176
00:11:06410——> 00:11:09800
在我最担心的
皮肤看起来相当结实看起来很
177
00:11:09800——> 00:11:13190
好衣服让我
可能做的是在
178
00:11:13190降噪——> 00:11:18100
250然后把锐化
下来只是一个很小的小小上了60
179
00:11:18100——> 00:11:23350
，杰出的看来我们做了一个
滴这让我们伟大的工作去检查
180
00:11:23350——> 00:11:28570
出前、后需要
做任何其他手动镜头校正
181
00:11:28570——> 00:11:32290
这样的事情是对
原始图像，所以这里是前182
00:11:32290——> 00:11:37660
这里是我们带回来的
很多这样的语气跟一个很好的工作
183
00:11:37，660——> 00:11:41800
我们已经帮助保护细节之间的平衡
，锐化和
184
00:11:41800——> 00:11:47829
降噪是的我想
这一步
185
00:11:47829——> 00:11:52660
是我让我们做一件事，我做了一个抢
毕业刷，我们要
186
00:11:52660——>在这里做00:11:56569
是提升
拨号我用天空云的海洋是一
187
00:11:56569——> 00:12:01449
的细节增强设置的
可用的过程是这样做如果
188
00:12:01449——> 00:12:04310
你不拥有它，你要做的
这负面指向一个
189
00:12:04310——> 00:12:09740
曝光对比度和40在
集锦35粉碎负10清楚地在35
190
00:12:09，740——> 00:12:14269
饱和2010所发生的事情是
奇怪的弧下来一点点
191
00:12:14269——> 00:12:18569
我们增加对比更
流行也给
192
00:12:18569——> 00:12:22170
点流行集锦我们
减去阴影类黑暗和
193
00:12:22170——> 00:12:26670
再次下载临界或对比添加
集锦再加入清晰的对比色
194
00:12:26670——> 00:12:30430
在点点
锐度饱和度细节，这是一个普遍的
195
00:12:30430——> 00:12:34550
增强剂，我用过水和它
实际上看起来真的真的很好
196
00:12:34550——> 00:12:38910
画在水和天空或云层
你可以看到，突出
197
00:12:38910——> 00:12：42329
刺激使它像一个小的流行和
是阴影增加使
198
00:12:42329——> 00:12:46180
阴影中的水也有点
点边他，所以我要
199
00:12:46180——> 00:12:50040
油漆这个背景我们
要拨回去一点，
200
00:12:50040——> 00:12:53699
是为什么我不太关心
00:10:30490——> 00:10:34190
我可以关闭你可以看到
看看如何更好的神，我们不
167
00:10:34190——> 00:10:37060
因为我们平衡了
锐化我们有一点点
168
00:10:37060——> 00:10:40199
平滑的岩石上但
没事就要与
169
00:10:40199——> 00:10:43750
发生丢失了大量的细节那么多的噪声降低我们做的
看起来比这个讨厌的
170
00:10:43750——> 00:10:47820
彩色粮食，我们将有一个
图像只是给它看，
171
00:10:47820——> 00:10:51420
如果你觉得有什么
实际上从面板你感觉像
172
00:10:51420——> 00:10:55120
没有足够的细节是可以
总是平衡，我认为这是个好
173
00:10:55120——> 00:10:58240
混合物在这里特别这
去打印你不会注意到
174
00:10:58240——> 00:11:01899
，失去了精致的细节在
岩除非他们说他们想要一
175
00:11:01899——> 00:11:06410
放大镜，我想真的
担心肤色，因为皮肤是
176
00:11:06410——> 00:11:09800
在我最担心的
皮肤看起来相当结实看起来很
177
00:11:09800——> 00:11:13190
好衣服让我
可能做的是在
178
00:11:13190降噪——> 00:11:18100
250然后把锐化
下来只是一个很小的小小上了60
179
00:11:18100——> 00:11:23350
，杰出的看来我们做了一个
滴这让我们伟大的工作去检查
180
00:11:23350——> 00:11:28570
出前、后需要
做任何其他手动镜头校正
181
00:11:28570——> 00:11:32290
这样的事情是对
原始图像，所以这里是前182
00:11:32290——> 00:11:37660
这里是我们带回来的
很多这样的语气跟一个很好的工作
183
00:11:37，660——> 00:11:41800
我们已经帮助保护细节之间的平衡
，锐化和
184
00:11:41800——> 00:11:47829
降噪是的我想
这一步
185
00:11:47829——> 00:11:52660
是我让我们做一件事，我做了一个抢
毕业刷，我们要
186
00:11:52660——>在这里做00:11:56569
是提升
拨号我用天空云的海洋是一
187
00:11:56569——> 00:12:01449
的细节增强设置的
可用的过程是这样做如果
188
00:12:01449——> 00:12:04310
你不拥有它，你要做的
这负面指向一个
189
00:12:04310——> 00:12:09740
曝光对比度和40在
集锦35粉碎负10清楚地在35
190
00:12:09，740——> 00:12:14269
饱和2010所发生的事情是
奇怪的弧下来一点点
191
00:12:14269——> 00:12:18569
我们增加对比更
流行也给
192
00:12:18569——> 00:12:22170
点流行集锦我们
减去阴影类黑暗和
193
00:12:22170——> 00:12:26670
再次下载临界或对比添加
集锦再加入清晰的对比色
194
00:12:26670——> 00:12:30430
在点点
锐度饱和度细节，这是一个普遍的
195
00:12:30430——> 00:12:34550
增强剂，我用过水和它
实际上看起来真的真的很好
196
00:12:34550——> 00:12:38910
画在水和天空或云层
你可以看到，突出
197
00:12:38910——> 00:12：42329
刺激使它像一个小的流行和
是阴影增加使
198
00:12:42329——> 00:12:46180
阴影中的水也有点
点边他，所以我要
199
00:12:46180——> 00:12:50040
油漆这个背景我们
要拨回去一点，
200
00:12:50040——> 00:12:53699
是为什么我不太关心
正在翻譯中..
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