11300:04:03,689 --> 00:04:06,299adj

113
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adjustment layers or maybe not all of

114
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them but a good chunk of them in terms

115
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of you know what I commonly used to

116
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color grade the images and generally

117
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speaking there's not a ton of them and

118
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you'd be surprised how far you can get

119
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with just a few and then also we're

120
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going to talk about

121
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the different blending modes in the

122
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context of these adjustment layers here

123
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so i will look at a variety of

124
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combinations there and and you know how

125
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you can use those to quickly color braid

126
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your images so that is basically you

127
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know what we're going to touch on the

128
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primary elements of you know practical

129
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applications can be practically threw

130
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these tools

131
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this is how we call a great image and

132
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then in addition to that we're going to

133
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start off at sort of the raw level and

134
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talk about where does color grading

135
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really begin and you know how does our

136
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work on the raw file affect our color

137
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grading down the road once you actually

138
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get into Photoshop and then once we've

139
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kind of gotten those two major things

140
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out of the way which is you know the raw

141
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file processing and the various tools we

142
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have at our disposal then we're going to

143
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look at a couple of sample images and

144
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we're actually in a color grade those

145
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and my goal with the sample images is to

146
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provide you with sort of a broad

147
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spectrum of of images so we can see how

148
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the starting point of an image will

149
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affect what we can do with it in color

150
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grading and lastly when we look at color

151
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grading it's also important to always

152
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remember that your color grading if

153
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you're wanting single shots you can kind

154
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of make it whatever you'd like it to be

155
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but if you are working on editorial

156
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shoot in fashion for example we have a

157
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series of images as part of a commercial

158
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assignment

159
00:05:38,380 --> 00:05:42,310
generally speaking the goal is to have a

160
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similar feel throughout the images so

161
00:05:42,310 --> 00:05:47,080
always keep in mind that color grading

162
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doesn't necessarily live inside a vacuum

163
00:05:47,080 --> 00:05:49,960
there's often a couple of images

164
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associated together so you have to make

165
00:05:49,960 --> 00:05:54,190
sure that the color grading choice you

166
00:05:51,669 --> 00:05:56,350
make will work throughout the series of

167
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images and not just within the one image

168
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you're working on

169
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so again we're going to touch upon that

170
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when we look at the raw file shortly

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within this lesson actually

結果 (中文) 1:

11300:04:03，689--> 00:04:06，299调整图层或也许不是所有的11400:04:05，040--> 00:04:09，000但好一块他们的条款11500:04:06，299--> 00:04:11，939你知道的通常习惯于11600:04:09，000--> 00:04:13，829颜色等级图像和一般11700:04:11，939--> 00:04:15，090有说并不是一吨这样的和11800:04:13，829--> 00:04:17，340你会惊讶你能走多远11900:04:15，090--> 00:04:18，970只有很少几，然后我们也12000:04:17，340--> 00:04:20，440要谈12100:04:18，970--> 00:04:22，660在不同的混合模式12200:04:20，440--> 00:04:24，880这些调整图层这里的上下文12300:04:22，660--> 00:04:26，470所以我会看看各种12400:04:24，880--> 00:04:28，180那里的组合和你知道如何12500:04:26，470--> 00:04:31，180你可以使用那些对快速颜色编织12600:04:28，180--> 00:04:32，590您的图像，所以这基本上就是你12700:04:31，180--> 00:04:34，600知道我们要谈什么12800:04:32，590--> 00:04:36，520主要元素的你知道实际12900:04:34，600--> 00:04:37，750应用程序可以几乎扔了13000:04:36，520--> 00:04:39，820这些工具13100:04:37，750--> 00:04:41，980这就是我们如何说一个伟大的形象和13200:04:39，820--> 00:04:44，380然后，除此之外我们去13300:04:41,980 --> 00:04:45,790start off at sort of the raw level and13400:04:44,380 --> 00:04:48,070talk about where does color grading13500:04:45,790 --> 00:04:51,070really begin and you know how does our13600:04:48,070 --> 00:04:52,180work on the raw file affect our color13700:04:51,070 --> 00:04:54,880grading down the road once you actually13800:04:52,180 --> 00:04:56,980get into Photoshop and then once we've13900:04:54,880 --> 00:04:58,420kind of gotten those two major things14000:04:56,980 --> 00:05:00,370out of the way which is you know the raw14100:04:58,420 --> 00:05:01,960file processing and the various tools we14200:05:00,370 --> 00:05:03,580have at our disposal then we're going to14300:05:01,960 --> 00:05:04,930look at a couple of sample images and14400:05:03,580 --> 00:05:07,270we're actually in a color grade those14500:05:04,930 --> 00:05:08,680and my goal with the sample images is to14600:05:07,270 --> 00:05:11,530provide you with sort of a broad14700:05:08,680 --> 00:05:15,160spectrum of of images so we can see how14800:05:11,530 --> 00:05:17,440the starting point of an image will14900:05:15,160 --> 00:05:20,650affect what we can do with it in color15000:05:17,440 --> 00:05:22,660grading and lastly when we look at color15100:05:20,650 --> 00:05:25,090grading it's also important to always15200:05:22,660 --> 00:05:27,430remember that your color grading if15300:05:25,090 --> 00:05:28,930you're wanting single shots you can kind15400:05:27,430 --> 00:05:31,990of make it whatever you'd like it to be15500:05:28,930 --> 00:05:34,780but if you are working on editorial15600:05:31,990 --> 00:05:37,030shoot in fashion for example we have a15700:05:34,780 --> 00:05:38,380series of images as part of a commercial15800:05:37,030 --> 00:05:40,450assignment15900:05:38,380 --> 00:05:42,310generally speaking the goal is to have a16000:05:40,450 --> 00:05:44,110similar feel throughout the images so16100:05:42,310 --> 00:05:47,080always keep in mind that color grading16200:05:44,110 --> 00:05:48,490doesn't necessarily live inside a vacuum16300:05:47,080 --> 00:05:49,960there's often a couple of images16400:05:48,490 --> 00:05:51,669associated together so you have to make16500:05:49,960 --> 00:05:54,190sure that the color grading choice you16600:05:51,669 --> 00:05:56,350make will work throughout the series of16700:05:54,190 --> 00:05:57,130images and not just within the one image16800:05:56,350 --> 00:05:58,300you're working on16900:05:57,130 --> 00:06:01,240so again we're going to touch upon that17000:05:58,300 --> 00:06:07,440when we look at the raw file shortly17100:06:01,240 --> 00:06:07,440within this lesson actually

結果 (中文) 3:

一百一十三00:04:03689 --> 00:04:06299调整层，也许不是所有的一百一十四00:04:05040 --> 00:04:09000他们，但他们的一个很好的词块一百一十五00:04:06299 --> 00:04:11939你知道我常用什么一百一十六00:04:09000 --> 00:04:13829颜色等级的图像一般一百一十七00:04:11939 --> 00:04:15090说没有一吨的他们和一百一十八00:04:13829 --> 00:04:17340你会惊讶你能得到多远一百一十九00:04:15090 --> 00:04:18970只有少数，然后我们也一百二十00:04:17340 --> 00:04:20440要谈论一百二十一00:04:18970 --> 00:04:22660中的不同的混合模式一百二十二00:04:20440 --> 00:04:24880这里的这些调整层的背景一百二十三00:04:22660 --> 00:04:26470所以我会看看各种各样的一百二十四00:04:24880 --> 00:04:28180组合在那里，你知道如何一百二十五00:04:26470 --> 00:04:31180你可以用那些很快的彩色编一百二十六00:04:28180 --> 00:04:32590你的图像，所以基本上是你一百二十七00:04:31180 --> 00:04:34600知道我们要接触的一百二十八00:04:32590 --> 00:04:36520你知道实际的基本要素一百二十九00:04:34600 --> 00:04:37750应用程序可以实际投掷一百三十00:04:36520 --> 00:04:39820这些工具一百三十一00:04:37750 --> 00:04:41980这就是我们所说的一个伟大的形象和一百三十二00:04:39820 --> 00:04:44380然后，除了我们要一百三十三00:04:41980 --> 00:04:45790开始在排序的原水平和一百三十四00:04:44380 --> 00:04:48070谈论哪里做颜色分级一百三十五00:04:45790 --> 00:04:51070真的开始了，你知道我们的一百三十六00:04:48070 --> 00:04:52180对原始文件的工作影响我们的颜色一百三十七00:04:51070 --> 00:04:54880一旦你真的把这条路评分一百三十八00:04:52180 --> 00:04:56980进入PS图象处理软件，然后一旦我们一百三十九00:04:54880 --> 00:04:58420一种得到了这两个主要的东西一百四十00:04:56980 --> 00:05:00370从你知道原始的方式一百四十一00:04:58420 --> 00:05:01960文件处理和我们的各种工具一百四十二00:05:00370 --> 00:05:03580有在我们的处置，然后我们要一百四十三00:05:01960 --> 00:05:04930看几个样本图像和一百四十四00:05:03580 --> 00:05:07270我们实际上是在一个颜色等级一百四十五00:05:04930 --> 00:05:08680我的目标是用样本图像一百四十六00:05:07270 --> 00:05:11530为你提供一个广泛的一百四十七00:05:08680 --> 00:05:15160频谱的图像，以便我们可以看到如何一百四十八00:05:11530 --> 00:05:17440图像的起始点一百四十九00:05:15160 --> 00:05:20650影响我们能用它做的颜色一百五十00:05:17440 --> 00:05:22660分级和最后，当我们看颜色一百五十一00:05:20650 --> 00:05:25090评分也很重要，总是一百五十二00:05:22660 --> 00:05:27430请记住，你的颜色分级一百五十三00:05:25090 --> 00:05:28930你想要的是你可以种的单杆一百五十四00:05:27430 --> 00:05:31990无论你希望它是什么一百五十五00:05:28930 --> 00:05:34780但如果你是在编辑工作一百五十六00:05:31990 --> 00:05:37030以时尚为例，我们有一个一百五十七00:05:34780 --> 00:05:38380系列图像作为商业的一部分一百五十八00:05:37030 --> 00:05:40450分配一百五十九00:05:38380 --> 00:05:42310一般来说，目标是有一个一百六十00:05:40450 --> 00:05:44110类似的感觉在整个图像一百六十一00:05:42310 --> 00:05:47080始终记住颜色分级一百六十二00:05:44110 --> 00:05:48490不一定生活在真空中一百六十三00:05:47080 --> 00:05:49960通常有两个图像一百六十四00:05:48490 --> 00:05:51669关联在一起，所以你必须作出一百六十五00:05:49960 --> 00:05:54190肯定颜色分级选择你一百六十六00:05:51669 --> 00:05:56350使将工作在整个系列一百六十七00:05:54190 --> 00:05:57130图像和不只是在一个图像一百六十八00:05:56350 --> 00:05:58300你在工作一百六十九00:05:57130 --> 00:06:01240所以，我们将再次接触一百七十00:05:58300 --> 00:06:07440当我们很快看原始文件一百七十一00:06:01240 --> 00:06:07440实际上在这一课