Reading stuff like this makes me lo

Reading stuff like this makes me long to move to Europe for a few years and just immerse myself in hitting all the Euro fests and soaking in films from so many filmmakers I haven’t even heard of, much less have any knowledge of. We tend to be so mainstream-centric around here, even those of us who regularly attend fests like Sundance and Toronto and Telluride and Cannes.
Even going to the excellent Scarecrow Video here in Seattle overwhelms and humbles me … there are so many films I have yet to see, and ever fewer years left in which to see them all, and never enough time between mothering my brood and working to ever hope to catch up. It reminds me of when I was about 10 or so, really getting into books seriously, and standing in the public library looking at all the books on the shelves and realizing that even if I read at least a book a day every day for the rest of my life, I could never read them all.
I feel that way about film now … there is so much out there from directors I know of and want to see, and so much more from directors I don’t know enough about, and I feel like I will never catch up with everything I want to learn and know, much less ever get to the point where I’m truly writing at the level at which I’d like to write.
None of which is to say that I think you have to write about obscure, artsy films to be a “real” film critic; there is a place for more mainstream critics who write about more mainstream film, and I certainly wouldn’t argue that folks like A.O. Scott, or J. Hoberman, or Roger Ebert, or many, many more colleagues out there, aren’t all doing useful work that contributes to culture overall in reviewing those films. There is a place for writing about the mainstream for the mainstream, and there is a place for writing about the obscure for those who seek to understand art on a different level than the entertainment of the masses that Hollywood, for the most part, generates.
I write about mainstream films out of Hollywood, and I’m fortunate as well to be able to write about some less mainstream films that I see at Sundance, Seattle and Toronto, and for that I count myself truly blessed, but I still hunger, always, for more, more, more. And as for being able to spend my time watching and writing only about the kind of obscure, interesting, fascinating films that truly aspire to be art rather than just entertain? Probably someday I’ll be lying on my deathbed thinking, man, I wish I’d had time and the place in life to get to all that.

結果 (中文) 1:

阅读这样的东西让我长了几年移到欧洲，只是沉浸在击中所有欧元盛会和浸泡在影片从这么多的电影制片人我甚至没有听说过的少得多的任何知识。我们往往会以如此是主流为中心，在这里，即使我们这些人定期参加像圣丹斯和多伦多和碲化物和戛纳的盛会。甚至去优秀的稻草人视频在西雅图压垮了，使我自卑......有这么多部电影，我还没有看到，和越来越少的年离开了在其中看到之间母爱我的巢和努力过希望能赶上他们所有，和从来没有足够的时间。它使我想起当我是大约 10 左右，真的很严重，进入书和站在公共图书馆看看所有货架上的即使我读至少一本书一天每天为我的余生，我可能永远不会实现的书全都读过。我觉得现在这种电影...还有这么多在那里从导演我知道的和想要看到的和更多从董事我不够了解，而我觉得像我永远不会赶上一切我想要了解和知道，去哪里我真正写在一级，我很想写点太过。其中没有一个是说认为你要写关于晦涩，艺术的影片，是"真正的"影评人;还有更多主流的批评家写更多的主流电影，一个地方，我当然不会说人喜欢安诺斯科特或 J.木质或罗杰 · 艾伯特或很多、 很多的同事在那里，更多并不所有做有益的工作，有助于文化整体中那些电影评论。关于为主流，主流写作的地方并写作关于对于那些寻求理解艺术上不同的水平比好莱坞，大多数情况下，生成的群众娱乐晦涩的一席之地。我写的关于主流电影于好莱坞大片，也有幸以及能够写一些主流电影少我看圣丹斯、 西雅图、 多伦多，并为此，我算是真正有福，但我仍然渴望，总是，有更多，更多，更多。至于是否能够用我的时间看，只写的晦涩的、 有趣的、 令人着迷的电影，真正立志成为艺术的事而不是仅仅娱乐？可能某一天我就会躺在我临终前的想法，伙计，我希望我有时间和地点在生活去所有的。

結果 (中文) 3:

读这样的东西让我长到欧洲几年，只是沉浸在打击欧元区所有节和浸泡在电影很多电影我连听都没听过，更没有任何知识。我们往往是主流的中心在这里，即使是那些定期参加派对像圣丹斯和多伦多、特柳赖德和戛纳。即使要在这里优秀的稻草人视频在西雅图淹没和贬低我…有太多的电影，我还没有看到，和越来越少的年离开，看到他们的一切，并永远没有足够的时间之间的母亲我孩子和工作都希望能赶上。它让我想起我10左右的时候，真的很认真地看书，站在公共图书馆看书架上所有的书，并意识到即使我每天至少读一本书，我的生活，我永远不会读他们所有的。我觉得电影现在…有这么多了从导演我知道的和想看到的，和这么多的董事，我不太懂，我觉得我永远赶不上我想学习和了解的一切，更不曾得到的地步，我我真正的写作水平，我想写的。这并不是说我认为你写的模糊，艺术的影片是一个“真实”的电影评论家；有更多的主流评论家更多主流电影的地方，我当然不认为这样的人如史葛，或J. Hoberman，或Roger Ebert，或许多，许多更多的同事那里，不做有用的工作，有助于培养全面回顾那些电影。有一个为主流的主流写作的地方，有一个为那些谁寻求了解艺术在不同的水平比娱乐大众的地方，好莱坞，大多数部分，产生一个地方。我写的是关于主流的好莱坞电影，而我很幸运也能写一些非主流电影，我看到在圣丹斯电影节，西雅图和多伦多，我认为自己非常幸运，但我仍然饥饿，总是更多，更多，更多。至于能把我的时间花在看和写的那种晦涩的，有趣的，迷人的电影，真正渴望成为艺术，而不仅仅是娱乐？也许有一天我会躺在我的临终思考的人，我希望我能有时间和生命中所得到的一切。