100:00:05,340 --> 00:00:09,320all r

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all right we are in an awesome room here
in gary indiana in the abandoned

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cathedral we've got some just fantastic
graffiti behind us we found this nice

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prop to work with again the some store
had another segment we're now we've got

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Lauren on top of it and i wanna talk to
you about one of my favorite lighting

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patterns we talk about Access Lighting
where you've got lights on and access

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not on the cameras access but an access
to each other where there one is facing

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the other hand you can switch that
around like so ok so it could be this

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way facing each other in that way facing
each other that's one light pattern

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that's one that I like a lot and they
use a lot too because it creates

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opposing highlight an opposing shadows
which are awesome and you'll see a lot

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of that as well

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the other light patter another one of my
go-to light patterns is something that I

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call wedge lighting it's so I simply
call it that because the lights are

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arranged in almost like a pie shaped
wedge right here we've got our two

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lights set up we've got our key light
right here let's assume 200 millimetres

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have you been doing for most of the
shoot it's bare flesh and it is glorious

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oriented vertically right because I
wanted to create a column of light like

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this and we've got this light our accent
light doing the same exact thing 200

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millimetres vertically oriented and
that's our accent light and that's going

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to give us a beautiful highlight right
here along Lauren so that's typically

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the orientation or Wed have a beautiful
thing about wedge lighting is you can

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use it obviously with the modifiers you
can soften it right now we're going with

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a really cool greedy edgy fashion look
but I could go with something much

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softer if I modified the light and what
you can also do is you can modify the

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wedge so right now it's at this angle
but if I wanted I could swing it the

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whole way around like so and I have more
of a kind of a beauty look I could

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tighten the wage too and I have a more
no more tightly pattern so the wedges

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variable and extremely flexible way to
shoot so let's talk about camera

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settings for the shoot I met a sixteenth
of a second at F nine two hundred and

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fifty years

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250 ISO and my power from my flashes I
am at a

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corner power on my accent light and a
half power on my key light and I'm

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working in manual and triggering
wirelessly Canon 600 X artis with ste

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three RT transmitter a working
wirelessly and again we've talked before

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about the advantages of wireless over
optical so I I really prefer it when I'm

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shooting and let's make some pictures
using wedge light the deal are some nice

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beautiful

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excellent jacket that's killer nice
lighting very dramatic very cool edgy

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beautiful let's take a look and show you
what we're getting a couple more I think

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probably be good

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bring this over to the camera for you
guys to see on the iPad we go we're

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picking up a lot of that information in
the back cause I'm at the 60th of a

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second so that I'm catching some of the
ambient light coming in but also dark

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enough what we've done is we've moved
that create off the wall and we're not

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letting the white spill onto the wall so
that's really helping us to keep the

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dark round back in moody dark and moody
rather and give us this kind of edgy

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cool look and you can see that we're
picking up this beautiful edge light on

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the side and then we're getting the
directional light which will highlight

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on the fish and shadow on the other side
of the face so those kinds of things

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that I look for when I when I want when
I'm one that look that's where which

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waiting really comes in grateful issued
a couple more pictures and then we're

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ready to move on to our next location

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beautiful actually what you know what
I'm seeing this box thinking how cool it

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would be if we throw a speedlight up
inside their try a few different things

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while we're here we might as well try
and do some different creative stuff

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throw some color gels on it and see what
we get to shoot just a few more of these

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numbers change it up good I love it

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alright perfect so let's wrap it up with
that looks good lighting is killing it

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and right now will change up with Rose
Speedlite in there will throw some color

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gels on there and see we got right back

結果 (中文) 1:

100:00:05，340--> 00:00:09，320好吧我们处在一个令人敬畏的房间加里在废弃的印第安纳200:00:09，320--> 00:00:13，780大教堂我们有一些太棒后面我们我们发现这漂亮的涂鸦300:00:13，780--> 00:00:21，580支柱与再一些存储工作有我们现在我们已经得到的另一段400:00:21，580--> 00:00:25，650在这和我想要跟劳伦你关于我最喜欢的照明之一500:00:25，650--> 00:00:29，949我们谈论访问照明模式你在哪里上有灯和访问600:00:29，949--> 00:00:34，530不上摄像机访问，但访问在那里那里一个人面对彼此700:00:34，530--> 00:00:38，920你可以把那个换成另一只手大约这么好，就像它可以是这个800:00:38，920--> 00:00:42，350面对对方的方式面对的方式对方是一个光模式900:00:42，350--> 00:00:45，070这是一个很喜欢和他们也使用了很多因为它创建1000:00:45，070--> 00:00:49，640反对突出显示反对阴影哪些是真棒，你会看到很多1100:00:49，640--> 00:00:50，760，以及1200:00:50，760--> 00:00:54，120其他光淅沥的另一个我走到光的模式是什么，我1300:00:54，120--> 00:00:58，329打电话给楔照明就这样我只是称它是因为灯光1400:00:58，329--> 00:01:03，289安排在几乎像形馅饼楔入右我们这儿有我们两个1500:01:03，289--> 00:01:08，710灯光设置，我们有我们的钥匙灯就在这里让我们假设 200 毫米1600:01:08，710--> 00:01:13，910你做了大部分的射击是赤裸的肉体，才是光荣1700:01:13，910--> 00:01:18，259垂直排列没关系，因为我想要创建轻得像一列1800:01:18，259--> 00:01:22，590这和我们有这种光我们的口音光做同样的事 2001900:01:22，590--> 00:01:26，360毫米垂直导向和这就是我们的口音光和那2000:01:26，360--> 00:01:30，530给我们一个美丽的亮点正确这里沿着劳伦所以这就是通常2100:01:30，530--> 00:01:34，990定位或星期三有一个美丽的楔形照明的事情是你可以2200:01:34，990--> 00:01:38，039很明显与修饰符一起使用它你可以软化它现在我们会怎样2300:01:38，039--> 00:01:41，450真的很酷的贪婪前卫时尚外观但可以用的东西多2400:01:41，450--> 00:01:46，979如果我修改的光和更柔软您也可以是您可以修改2500:01:46，979--> 00:01:51，880楔块，所以现在正是在这个角度来看但是，如果我想我可以摆动它2600:01:51，880--> 00:01:56，500全程约喜欢这样，我有更多一种美看我可以2700:01:56，500--> 00:02:01，940太紧的工资还有更多no more tightly pattern so the wedges2800:02:01,940 --> 00:02:06,610variable and extremely flexible way toshoot so let's talk about camera2900:02:06,610 --> 00:02:11,160settings for the shoot I met a sixteenthof a second at F nine two hundred and3000:02:11,160 --> 00:02:11,849fifty years3100:02:11,849 --> 00:02:17,330250 ISO and my power from my flashes Iam at a3200:02:17,330 --> 00:02:22,500corner power on my accent light and ahalf power on my key light and I'm3300:02:22,500 --> 00:02:28,300working in manual and triggeringwirelessly Canon 600 X artis with ste3400:02:28,300 --> 00:02:32,030three RT transmitter a workingwirelessly and again we've talked before3500:02:32,030 --> 00:02:36,590about the advantages of wireless overoptical so I I really prefer it when I'm3600:02:36,590 --> 00:02:42,960shooting and let's make some picturesusing wedge light the deal are some nice3700:02:42,960 --> 00:02:45,120beautiful3800:02:45,120 --> 00:02:55,190excellent jacket that's killer nicelighting very dramatic very cool edgy3900:02:55,190 --> 00:03:00,760beautiful let's take a look and show youwhat we're getting a couple more I think4000:03:00,760 --> 00:03:04,100probably be good4100:03:04,100 --> 00:03:11,200bring this over to the camera for youguys to see on the iPad we go we're4200:03:11,200 --> 00:03:14,730picking up a lot of that information inthe back cause I'm at the 60th of a4300:03:14,730 --> 00:03:19,150second so that I'm catching some of theambient light coming in but also dark4400:03:19,150 --> 00:03:23,470enough what we've done is we've movedthat create off the wall and we're not4500:03:23,470 --> 00:03:28,060letting the white spill onto the wall sothat's really helping us to keep the4600:03:28,060 --> 00:03:33,510dark round back in moody dark and moodyrather and give us this kind of edgy4700:03:33,510 --> 00:03:37,470cool look and you can see that we'repicking up this beautiful edge light on4800:03:37,470 --> 00:03:41,800the side and then we're getting thedirectional light which will highlight4900:03:41,800 --> 00:03:45,750on the fish and shadow on the other sideof the face so those kinds of things5000:03:45,750 --> 00:03:49,820that I look for when I when I want whenI'm one that look that's where which5100:03:49,820 --> 00:03:53,060waiting really comes in grateful issueda couple more pictures and then we're5200:03:53,060 --> 00:03:56,220ready to move on to our next location5300:03:56,220 --> 00:04:03,030beautiful actually what you know whatI'm seeing this box thinking how cool it5400:04:03,030 --> 00:04:07,050would be if we throw a speedlight upinside their try a few different things5500:04:07,050 --> 00:04:11,209while we're here we might as well tryand do some different creative stuff5600:04:11,209 --> 00:04:15,880throw some color gels on it and see whatwe get to shoot just a few more of these5700:04:15,880 --> 00:04:22,520numbers change it up good I love it5800:04:22,520 --> 00:04:35,360alright perfect so let's wrap it up withthat looks good lighting is killing it5900:04:35,360 --> 00:04:39,330and right now will change up with RoseSpeedlite in there will throw some color6000:04:39,330 --> 00:04:42,069gels on there and see we got right back

結果 (中文) 3:

1预热器05340 00: 00: 00：00 - > 09320预热器：我们是很好的在这里安室在印第安纳州加里abandoned预热器预热器预热器在2 00：00：00：00 - > 09320：我们有一些教堂13780预热器预热器在美国我们只是神奇涂鸦found this好

3：00：00 - > 00：00 13780道具：工作与21580预热器预热器有了the some商店一段我们现在我们有预热器预热器4：00：00 - > 00：00 21580：25650预热器劳伦在上面，我想告诉你我最喜欢的
照明

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模式我们谈论接入照明
你从哪里得到的灯和访问

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不是摄像机接入而接入
彼此的地方有一个面临

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另一方面你可以切换，
像这样好的可这

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方式面对这样面对
对方的，一个光模式

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那是一个我很喜欢和他们
使用很多，因为它创造了

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反对突出相对的阴影
是可怕的，你会看到很多

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彼此这也

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其他光模式的另一个我的
去光模式是我

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楔形灯泡这样我只是
调用它，因为灯是

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安排在几乎像一个饼状
楔在这里我们得到了两

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灯光设置我们的主光
这里假设200毫米

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你做了大部分的
拍摄它的赤裸的肉是光荣的

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垂直吧因为我
想创建一列光像

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这我们这光我们的口音
光做同样的事情200

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毫米垂直
我们口音的光，会

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给我们一个美丽的亮点吧
这里沿着劳伦这样的典型

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的取向或嫁给一个美丽的
楔照明东西是你可以

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使用显然与你
软化它现在我们

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超酷前卫时尚的外观
贪婪但我能去更

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柔软如果我改性光
还可以做的是什么你可以修改

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楔，所以现在在这个角度
修饰但如果我想我可以把它的

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整个周围像这样和我有更多的
一种美，看我能

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收紧工资也和我有一个更
没有更严格的模式，
楔子
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可变的和非常灵活的方式来
拍摄让摄像机

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说话设置为十六分之一
拍我遇到的第二个F九二名

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五十年

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ISO 250和我的力量从我的闪烁，我
是在一

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角功率对我的口音轻和我的钥匙灯一
半功率和我

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手动触发工作