100:00:07,790 --> 00:00:09,920so af

1
00:00:07,790 --> 00:00:09,920
so after all

2
00:00:09,920 --> 00:00:12,849
you for

3
00:00:12,849 --> 00:00:15,460
what adoptions force here we could have
chosen

4
00:00:15,460 --> 00:00:18,500
different images but I think the reason
I want to go with this one

5
00:00:18,500 --> 00:00:22,490
is because it gives us an interesting
opportunity to try blending the hair

6
00:00:22,490 --> 00:00:23,350
from the two

7
00:00:23,350 --> 00:00:26,680
together I because it is something that
you will do every now and then so it's

8
00:00:26,680 --> 00:00:27,230
it's good

9
00:00:27,230 --> 00:00:31,560
for you to learn how to do that and also
because I like the fact the street on

10
00:00:31,560 --> 00:00:33,630
because it allows us to really look at

11
00:00:33,630 --> 00:00:36,880
some things as far as contouring

12
00:00:36,880 --> 00:00:40,160
dodging and burning are concerned I'm
whereas when the model is position to

13
00:00:40,160 --> 00:00:42,130
the side it makes it a little bit harder
to you

14
00:00:42,130 --> 00:00:45,190
understand that aspect writing is going
to be a good example

15
00:00:45,190 --> 00:00:48,809
for us to work on now before we actually
jump in

16
00:00:48,809 --> 00:00:53,079
to Photoshop we have to go ahead make a
couple of adjustments to this now

17
00:00:53,079 --> 00:00:56,440
I'm luckily for us we've people that
this perfectly

18
00:00:56,440 --> 00:01:00,699
hun not tooting my own horn here but I
think we really don't have to do it on

19
00:01:00,699 --> 00:01:02,199
as far as exposure

20
00:01:02,199 --> 00:01:05,990
adjustments in recovery it is pretty
well let so i mean

21
00:01:05,990 --> 00:01:09,409
if we wanted to we could take this just
as it is morning some minor tweaks

22
00:01:09,409 --> 00:01:13,060
just make things a little bit better so
first thing I wanna do is go into the

23
00:01:13,060 --> 00:01:14,530
exposure time over here and

24
00:01:14,530 --> 00:01:17,200
I'm not going up there with the export
it as you can see if I put you know even

25
00:01:17,200 --> 00:01:18,240
a quarter of a stop

26
00:01:18,240 --> 00:01:21,899
this way it's just get too bright and
then this way we really don't want it

27
00:01:21,899 --> 00:01:22,899
that dark to begin with

28
00:01:22,899 --> 00:01:26,509
I may end up going I with more moody
look at the end

29
00:01:26,509 --> 00:01:29,460
but but honestly wanna start there I
wanna make sure I have all the

30
00:01:29,460 --> 00:01:32,590
information I need I wanna well-balanced
well exposed shot

31
00:01:32,590 --> 00:01:36,700
and I can start my work of art in
Photoshop and we can darken down later

32
00:01:36,700 --> 00:01:37,560
if we need to

33
00:01:37,560 --> 00:01:41,140
now one thing that you may notice if
you're using capture want to use the

34
00:01:41,140 --> 00:01:41,710
Lightroom

35
00:01:41,710 --> 00:01:45,159
in like you can double-click on the
title and it will reset

36
00:01:45,159 --> 00:01:49,789
20 up it doesn't work in capturing your
shit double click on the bar itself

37
00:01:49,789 --> 00:01:52,869
and then it will reset so in case you're
wondering how do then catch on

38
00:01:52,869 --> 00:01:57,189
that's the trick on to do here is just
recover the highlights a little bit like

39
00:01:57,189 --> 00:01:57,950
we can see

40
00:01:57,950 --> 00:02:01,079
you know that's gonna do its just gonna
bring back some detail in

41
00:02:01,079 --> 00:02:04,000
serve these highlights in the nose I
don't obviously want like that is that

42
00:02:04,000 --> 00:02:04,409
looks

43
00:02:04,409 --> 00:02:08,630
ridiculously flat and do want highlights
so I'm just gonna get a little bit

44
00:02:08,630 --> 00:02:09,899
information back they're not

45
00:02:09,899 --> 00:02:14,590
not a whole heck of a lot to me got to
fight here and with the shadows I just

46
00:02:14,590 --> 00:02:16,280
want to get some %uh this detail here

47
00:02:16,280 --> 00:02:19,980
that we've lost behind hair again that
may end up getting dark and down but

48
00:02:19,980 --> 00:02:22,780
let's just get as much detail as we can
and other raw file

49
00:02:22,780 --> 00:02:26,030
now we often lean towards a more flat
file

50
00:02:26,030 --> 00:02:27,519
but alas contrast

51
00:02:27,519 --> 00:02:31,780
before we get into Photoshop so as not
to touch things like contrast sliders

52
00:02:31,780 --> 00:02:35,690
we just want at this stage to get as
much information as we can have the raw

53
00:02:35,690 --> 00:02:36,239
file

54
00:02:36,239 --> 00:02:40,319
so that we have a lot to work with
inside Photoshop so for that reason to

55
00:02:40,319 --> 00:02:41,730
pull a little bit this detail

56
00:02:41,730 --> 00:02:45,000
out that's not to say that it looks bad
now but I just want that information

57
00:02:45,000 --> 00:02:49,370
some believe everybody'd here and that
that makes me happy I got enough here we

58
00:02:49,370 --> 00:02:51,080
can see somebody tell it's there

59
00:02:51,080 --> 00:02:55,349
and then the only other thing I wanna do
at this point is going to Marlins

60
00:02:55,349 --> 00:02:56,190
correction tab

61
00:02:56,190 --> 00:02:59,879
its are making us like the profile for
the lens week used so for this one this

62
00:02:59,879 --> 00:03:02,930
is the look we shot with the 85 14 lands

63
00:03:02,930 --> 00:03:06,980
on with the three stop ND filter now we
have another look where we use the 200

64
00:03:06,980 --> 00:03:07,280
mil

65
00:03:07,280 --> 00:03:11,030
without an ND filter arm reason we're
looking at these ones is cuz I just

66
00:03:11,030 --> 00:03:12,420
kinda like the way they look to with

67
00:03:12,420 --> 00:03:16,109
I'm the wind and I also like the fact
that because he went to 100 millimetres

68
00:03:16,109 --> 00:03:18,569
we have slightly wider shots

69
00:03:18,569 --> 00:03:22,750
the other ones were much tighter so well
overall look at the two were actually

70
00:03:22,750 --> 00:03:26,650
com very similar to be honest with you
if you're wondering whether you should

71
00:03:26,650 --> 00:03:28,099
get the $200 million spend

72
00:03:28,099 --> 00:03:31,280
I'm half thousand dollars on I
personally didn't find that much of a

73
00:03:31,280 --> 00:03:32,470
difference to justify

74
00:03:32,470 --> 00:03:35,940
and its size and weight price so I'll 85

75
00:03:35,940 --> 00:03:39,049
1.4 or 1.8 perfect for these locks

76
00:03:39,049 --> 00:03:43,959
so with aggression and let's go ahead
and just make this last pics here so

77
00:03:43,959 --> 00:03:47,109
and by default in Lightroom it
automatically

78
00:03:47,109 --> 00:03:50,500
applies some corrections for you when
you select profile and corrections

79
00:03:50,500 --> 00:03:54,250
here it asks you how much like what
percentage in that direction you want

80
00:03:54,250 --> 00:03:54,730
applied

81
00:03:54,730 --> 00:03:58,430
so for example I wanted to fix like all
of which is usually the vignetting on

82
00:03:58,430 --> 00:03:59,019
the lens

83
00:03:59,019 --> 00:04:02,019
and you're always gonna get some
vignetting when you're shooting wide

84
00:04:02,019 --> 00:04:02,790
open like this

85
00:04:02,790 --> 00:04:06,760
so I'm do expect to have a natural but
getting there if you want to correct

86
00:04:06,760 --> 00:04:07,030
this

87
00:04:07,030 --> 00:04:10,299
I can take this all the way to 100
percent to try and remove it completely

88
00:04:10,299 --> 00:04:13,940
a personally I think that it looks more
flat when I do that

結果 (中文) 1:

100:00:07，790--> 00:00:09，920所以毕竟200:00:09，920--> 00:00:12，849你为300:00:12，849--> 00:00:15，460我们本来可以收养这里的势力选择400:00:15，460--> 00:00:18，500不同的图像，但认为的原因我想要去与这一个500:00:18，500--> 00:00:22，490是的因为它给了我们一个有趣的试着调配头发的机会600:00:22，490--> 00:00:23，350从这两个700:00:23，350--> 00:00:26，680在一起我因为它是东西，你会时不时做，所以它是800:00:26，680--> 00:00:27，230很好900:00:27，230--> 00:00:31，560你学会如何做到这一点，也因为我喜欢这个事实的街道上1000:00:31，560--> 00:00:33，630因为它可以让我们好好看看1100:00:33，630--> 00:00:36，880轮廓的一些事情1200:00:36，880--> 00:00:40，160躲避和燃烧来说我而当模型是对位置1300:00:40，160--> 00:00:42，130这将使得它有点难侧给你1400:00:42，130--> 00:00:45，190理解方面写作会要很好的例子1500:00:45，190--> 00:00:48，809我们对现在工作之前我们实际上在跳1600:00:48，809--> 00:00:53，079我们要到 Photoshop 前进让现在调整到这对夫妇1700:00:53，079--> 00:00:56，440我很幸运的是我们，我们已经人，这完全1800:00:56，440--> 00:01:00，699不自夸在这里的匈奴，但认为我们真的不必这样做1900:01:00，699--> 00:01:02，199至于曝光2000:01:02，199--> 00:01:05，990在恢复调整很漂亮所以我的意思是这样吧2100:01:05，990--> 00:01:09，409如果我们想我们可以理解这只是因为它是早上一些轻微的调整2200:01:09，409--> 00:01:13，060只是让事情所以有点更好我想要做的第一件事是走进2300:01:13 060--> 00:01:14，530在这里的曝光时间和2400:01:14，530--> 00:01:17，200我不会，那里与出口您可以看到是否我把你甚至知道2500:01:17，200--> 00:01:18，240四分之一的停止2600:01:18，240--> 00:01:21，899只是这种方式得到太亮了，然后通过这种方式我们真的不想要它2700:01:21，899--> 00:01:22，899那黑暗开始2800:01:22，899--> 00:01:26，509最终的结果可能更多跟我喜怒无常看看末2900:01:26，509--> 00:01:29，460但老实说想要开始那里我想要确保我拥有一切3000:01:29，460--> 00:01:32，590我需要的信息我想要到均衡很好的曝光3100:01:32，590--> 00:01:36，700我的艺术作品可以在Photoshop 和我们可以变暗下来以后3200:01:36，700--> 00:01:37，560如果我们需要3300:01:37，560--> 00:01:41，140现在，你可能会注意到，如果一件事你正在使用捕获想要使用3400:01:41，140--> 00:01:41，710Lightroom3500:01:41，710--> 00:01:45，159在像你可以双击标题和它将重置3600:01:45，159--> 00:01:49，78920 起它不工作在捕捉你狗屎双栏上单击本身3700:01:49，789--> 00:01:52，869然后它才将你的情况下的重置这样想知道如何接住3800:01:52，869--> 00:01:57，189这就是伎俩做完这里只是恢复有点像的亮点3900:01:57，189--> 00:01:57，950我们可以看到4000:01:57，950--> 00:02:01，079你知道这就是要做的只去带回的一些细节4100:02:01，079--> 00:02:04，000服务于这些亮点的鼻子我显然不想就是这样4200:02:04，000--> 00:02:04，409看起来4300:02:04，409--> 00:02:08，630可笑平，希望亮点所以，我只要去得到一点点4400:02:08，630--> 00:02:09，899信息回他们不是4500:02:09，899--> 00:02:14，590不全好多好多我到达战斗在这里，我只是阴影4600:02:14，590--> 00:02:16，280想要得到一些 %呃这一细节在这里4700:02:16，280--> 00:02:19，980我们失去了后面的头发再一次，最终可能越来越黑上下移动，但4800:02:19，980--> 00:02:22，780只是让我们可以详细的信息和其他的原始文件4900:02:22，780--> 00:02:26，030现在我们往往倾向于更多的单位文件5000:02:26，030--> 00:02:27，519但是唉对比5100:02:27，519--> 00:02:31，780我们在进入 Photoshop 之前不去触摸东西像对比度滑块5200:02:31，780--> 00:02:35，690我们只是想在这一阶段要作为很多信息，我们可以有原始5300:02:35，690--> 00:02:36，239文件5400:02:36，239--> 00:02:40，319所以，我们有很多的工作Photoshop 里面的话到那原因5500:02:40，319--> 00:02:41，730拉有点这个细节5600:02:41，730--> 00:02:45，000那并不是说它看起来不错现在，但只是想要的信息5700:02:45，000--> 00:02:49，370有些人认为每个人都将在这里，这让我很高兴自己够在这里我们5800:02:49，370--> 00:02:51，080可以看到别人告诉它是那里5900:02:51，080--> 00:02:55，349然后其他的事情我想做在这一点上去马林鱼6000:02:55，349--> 00:02:56，190校正选项卡6100:02:56，190--> 00:02:59，879它是让我们喜欢的配置文件镜头一周使用这样为这一个这6200:02:59，879--> 00:03:02，930是的看我们拍摄与 85 14 土地6300:03:02，930--> 00:03:06，980在三站 ND 过滤现在我们看另一个地方我们使用 2006400:03:06，980--> 00:03:07，280mil6500:03:07，280--> 00:03:11，030ND 滤镜手臂无缘无故的我们看着这些人是的因为我只是6600:03:11，030--> 00:03:12，420挺喜欢他们与期待的方式6700:03:12，420--> 00:03:16，109我是风，我也喜欢这一事实因为他去 100 毫米6800:03:16，109--> 00:03:18，569我们有稍宽镜头6900:03:18，569--> 00:03:22，750其他的都更严格得这么好总体看看这两个其实是7000:03:22，750--> 00:03:26，650com 非常相似，跟你说实话如果你想知道是否你应该7100:03:26，650--> 00:03:28，099get $ 2 亿花7200:03:28，099--> 00:03:31，280我只有一半对我几千美元个人找不到那么多的7300:03:31，280--> 00:03:32，470证明的区别7400:03:32，470--> 00:03:35，940其大小和重量的价格，所以我会 857500:03:35，940--> 00:03:39，0491.4 或 1.8 适合这些锁7600:03:39，049--> 00:03:43，959所以与侵略和吧只是让这最后的照片所以7700:03:43，959--> 00:03:47，109和由默认在 Lightroom 它自动7800:03:47，109--> 00:03:50，500适用于一些更正为你时您选择的配置文件和更正7900:03:50，500--> 00:03:54，250在这里，它要求你多么喜欢什么在你想要那个方向的百分比8000:03:54，250--> 00:03:54，730应用8100:03:54，730--> 00:03:58，430举个例子，我想要像所有修复其中是通常晕上8200:03:58，430--> 00:03:59，019镜头8300:03:59，019--> 00:04:02，019和你总是会要些晕当你拍摄的宽8400:04:02，019--> 00:04:02，790像这样的开放8500:04:02，790--> 00:04:06，760所以我希望呢自然的但到达那里，如果你想要纠正8600:04:06，760--> 00:04:07，030这8700:04:07，030--> 00:04:10，299我可以带这一路到 100%，试着将其完全删除8800:04:10，299--> 00:04:13，940我个人认为它看起来更多执行该操作时的公寓

結果 (中文) 3:

1预热器07790 00: 00: 00：00 - >：我知道你知道，对吧…



在2 00：00 - > 00：：你知道，对吧12849 00：You for预热器预热器预热器3：00：00 - > 00：00 12849 460平方adoptions队：这里我们可以得到什么4预热器预热器预热器chosen 460 00：00 - > 00：00：：不同的图像18500预热器预热器the reason but I认为我想要去与这一个预热器预热器5：00：00 - > 00：00 18500：因为它是22490预热器预热器安机会给美国的兴趣的尝试混合茶的头发

6：00：00 - > 00：2249000:23350
从两个

7
00:00:23350——> 00:00:26680
一起我因为它是什么，
你会做每现在，然后所以它的
8

00:00:26680——> 00:00:27230
这是好

9
00:00:27230——> 00:00:31560
为你来学习如何来做到这一点，
也因为我喜欢街上

10
00:00:31560——> 00:00:33630
，因为它允许我们真的看

11
00:00:33630——
> 00:00:36880有些事情尽轮廓

12
00:00:36880——> 00:00:40160
回避和燃烧有关我
而当模型位置

13
00:00:40160——
> 00:00:42130侧它一点点努力
你

14
00:00:42130——> 00:00:45190
明白写方面会是一个好例子

15
00:00:45190——> 00:00:48809我们对现在的工作之前，我们其实


跳

16
00:00:48809——> 00:00:53079
到PS图象处理软件我们来继续做
夫妇的调整到这个现在

17
00:00:53079——> 00:00:56440
我幸运的是我们我们已经人
这完美

18
00:00:56440——> 00:01:00699
匈奴不吹响自己的号角在这里，但我认为我们真的不必做

19
00:01:00699——> 00:01:02199
远曝光

2
00:01:02199——> 00:01:05，990
调整恢复它是漂亮嘛
让所以我的意思是

2
00:01:05990——> 00:01:09409
如果我们希望对我们可以把这只是
这是早晨一些微小的改动

2
00:01:09409——> 00:01:13060
让事情更好一点，所以进入的

23
00:01:13060——> 00:01:14530
曝光时间在这里

24
00:01:14530——
> 00:01:17200
第一件事我想做的我不会有出口
这正如你可以看到，如果我让你知道即使

25
00:01:17200——> 00:01:18240
季度26停止


00:01:18240——这
> 00:01:21899它只是得到太亮，
然后这样，我们真的不希望它

27
00:01:21899——> 00:01:22899
，黑暗

28
00:01:22899——> 00:01:26509
我可能最终会我更喜怒无常
看结束

29
00:01开始：26509——> 00:01:29460
，但但诚实地想从那里开始我想确保我有所有的

30
00:01:29460——> 00:01:32590
信息我需要我想
均衡暴露镜头

31
00:01:32590——> 00:01:36700
我可以开始我的工作艺术在
PS图象处理软件我们可以变暗下来以后

32
00:01:36700——> 00:01:37560
如果我们需要

33
00:01:37560——
> 00:01:41140现在一事，你可以通知如果
你使用捕获想要到使用的

34
00:01:41140——> 00:01:41710
Lightroom

35
00:01:41710——> 00:01:45159
像你可以双击
标题，它将复位

36
00:01:45159——> 00:01:49789
20它不工作在捕获您的
1屎双击在酒吧本身

37
00:01:49789——> 00:01:52869
，那么它将复位所以如果你
想怎么做然后赶在

38
00:01:52869——> 00:01:57189
的伎俩在这里做恢复只是
的集锦一点位喜欢

39
00:01:57189——> 00:01:57950
我们可以看到

40
00:01:57950——> 00:02:01079
你知道，要做的只是要
带回一些细节

41
00:02:01079——> 00:02:04000
服务这些集锦的鼻子我
不明显想，是42


00:02:04000——看起来> 00:02:04409


43
00:02:04409——做> 00:02:08630
可笑的平和想要集锦
所以我只会得到一点点

44
00:02:08630——> 00:02:09899
信息他们不
45

00:02:09899——> 00:02:14590
不能整体赫克了很多我有到打击
这里的阴影我只是

46
00:02:14590——
> 00:02:16280想得到一些%呃这个细节在这里

47
00:02:16280——> 00:02:19980
，我们已经失去了后面的头发再次
可能最终得到黑了下来但

48
00:02:19980——> 00:02:22780
让的只是得到尽可能多的细节，因为我们可以
和其他原文件

49
00:02:22780——> 00:02:26030
现在我们经常精益迈向一个更加扁平
文件

50
00:02:26030——> 00:02:27519
但哀哉对比

51
00:02:27519——> 00:02：31780
之前让我们进入PS图象处理软件，不
来触摸东西像对比度滑块

2
00:02:31780——> 00:02:35690
我们只是想在这个阶段以得到
多信息作为我们可以有的生

53
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文件

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，我们有很多对工作
内PS图象处理软件所以，理由

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> 00:02:41730拉一点点这细节

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的不说，它看起来坏
现在但我只是想，信息

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> 00:02:49370相信一些人人都会在这里
，让我很高兴我有足够我们

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可以看到有人告诉你它的存在

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00:02:51080——> 00:02:55349然后唯一的另一件事我想做

在这一点上是去马林鱼

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校正标签

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其让我们喜欢
用镜头周所以这一这

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看我们拍摄85 14土地

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与三个站ND滤镜现在我们
有另一看，我们使用200

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00:03:06剖面，980——> 00:03:07280

MIL 65

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没有ND滤镜臂原因我们
看着这些人是因为我只是

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有点儿像它们看起来与

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我是风，我也喜欢
，因为他去了100毫米

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我们稍宽镜头

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其它的更严格的这么好
整体看两个实际上是

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COM非常相似，要老实跟你说、如果你想知道你是否应该

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得到的美元200万花

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我几千美元的一半我
亲自找不到那么多的

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差异证明

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和它的大小和重量的价格，所以我会85

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1.4或1.8完善这些锁

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所以侵略，咱们走
，让这最后的照片所以这里

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，默认情况下在Lightroom
自动

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03:50500应用一些更正你当
你选择剖面和更正

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这里它要求你有多么喜欢什么
百分比在方向你想要

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00:03:54250——应用

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所以例如我想要解决像所有
通常是渐晕

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> 00:03:59019 83透镜


00:03 > 00:03:54730
：59019——> 00:04:02019
，你总是会得到一些
晕当你拍摄宽

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打开，就像这

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所以我希望有一个自然但
到达那里，如果你想纠正

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> 00:04:07030这87


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我可以采取这一路
100%的尝试删除它完全

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一个人我认为它看起来更
平当我做