100:00:02,110 --> 00:00:07,450With

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With older photos, it is quite common to see uneven lighting across the image.

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You can see over on the left side of the image, for example, on the hillside here,

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there's an area that looks a little bit bright.

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And the foreground overall seems a bit bright as well.

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In many cases this might simply be an exposure issue.

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For example a lot of reflected light in the foreground causing the lower half of

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this image seem very bright, but sometimes, it can be caused by problems

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with the printing, or the emulsion, or even the film, and whatever the cause, it

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can be helpful to adjust these areas of the photo.

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And in these types of situations what I'll often do is apply a dodging and

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burning effect to the image, where I can brighten or darken specific areas of the

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photo simply by painting on it. The first step is to create a new layer

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for that dodging and burning, but not just any layer.

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So, instead of just clicking on the Create New Layer button, the blank sheet

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of paper icon at the bottom of the layers panels, I'm going to hold the Alt key on

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Windows, or the Option key on MacIntosh, while clicking on that layer.

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That will cause a new layer dialog to appear, where I can adjust the properties

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for the new layer that I'm adding. I'll go ahead and type a name.

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I'll just call this dodge and burn, and I'm going to change the blend mode to

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overlay and that is perhaps the most important aspect here is changing that

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blend mode to overlay, which will give us the behavior that we're looking for.

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We'll see that in just a moment. I'll go ahead and turn on the check box

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to fill this layer with the overlay neutral color, which is 50% gray.

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And I'll show you the benefit of filling this layer with gray in just a moment.

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First I'll go ahead and click the OK button in order to create this layer that

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again is called dodge and burn, that has a blend mode set to overlay, and thats

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filled with gray. Once I click okay, you'll see that I have

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my dodge and burn layer created on my layers panel.

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It is filled with middle gray, and the blend mode has been changed to overlay.

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The next step is to choose the Brush tool.

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That's right, we're going to use the Brush tool for this dodging and burning technique.

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Rather than the dodge and burn tools that are already included in Photoshop, and so

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I'll choose the Brush tool and then make sure that I'm working with a soft edged brush.

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You can see that I have some circular brushes that are very fuzzy as apposed to

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crisp, I can choose one of those and then make sure that the hardness value is all

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the way to the left at a 0% value. I'll make sure that the blend mode for

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the brush itself is set to normal. The overall blend mode is used for the

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Layer, not for the Brush itself. And then finally, I'll adjust the opacity.

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I can use the pop up here in order to bring up a slider, but I'll generally

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simply press a number on the keyboard. The number one will give me 10%, the

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number two will give me 20%. If I type 15 quickly that will give me

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15%, but in most cases, I'll work with an opacity setting of 10%.

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I'll then make sure that the colors are set to black and white, you can see those

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at the bottom of the tool box. Black for the foreground color, and white

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for the background color. It's a good idea to simply press the

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letter d on your keyboard for defaults so that you have these colors set.

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Sometimes you might have a shade of gray that looks nearly black or white for

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example, and it's best to get a consistent result.

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You can switch between these colors by pressing x, for exchange, on the keyboard.

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In this case I need to darken up some areas of the photo, so I'll make sure

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that the foreground color is set to black.

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I'll then move my mouse out over the image, and adjust the brush size using

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the left and right square bracket keys. The right square bracket will increase

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the brush size and the left square bracket will decrease the brush size.

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And so with black as my foreground color and the opacity at 10%, I can adjust my

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brush size and then paint into this area of the hillside that's looking a little

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bit bright. I can also increase the brush size here

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and paint into the foreground area of the photo.

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Now keep in mind that areas that are white are not going to be affected, and

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areas that are black are not going to be affected.

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We're only adjusting shades of gray, and sometimes the effect might seem a bit subtle.

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You'll notice here, for example, as I'm painting, that we're not really seeing a

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very obvious effect, and yet, if I turn off the visibility for the dodge and burn

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layer, and then turn it back on again, you can see a relatively strong effect.

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Not a huge impact on the image, but certainly, a little bit of a darkening.

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You can always increase the opacity and paint again And in fact, painting

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multiple strokes over the same area will increase the impact in that area.

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That can be a very good thing if you want to paint multiple strokes in order to

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increase the effect in an area. But it's also important to keep in mind,

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that if you want an even effect in the photo, you need to keep that mouse button

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held down while you paint over that entire area before releasing the mouse.

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Now I mentioned that it was helpful to have the layer filled with gray.

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The reason for that is that sometimes you might find it helpful to evaluate the

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areas that you've been painting. And if you have a checkerboard pattern

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that's associated with a transparent layer, it's not quite as easy to see the

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relatively subtle paint strokes that you're painting By having that gray

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background, we're able to very clearly see even areas that did not get much of

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an effect in the photo. I'll go ahead and turn on the visibility

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for the background image layer, and then once again I'll toggle the visibility of

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the dodge and burn layer so that we can see very clearly the effect in the image.

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So by working on a separate layer and by using the overlay blend mode, we're able

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to lighten or darken specific areas of the photo.

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I can paint with white to lighten and black to darken, as I continue fine

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tuning the overall luminance values in my photo.

結果 (中文) 1:

100:00:02，110--> 00:00:07，450与旧的照片，是相当普遍的看到的图像不均匀照明。200:00:07，450--> 00:00:10，024你可以看见在左边的图像，例如，在这里，山坡上300:00:10，024--> 00:00:12，530还有一个看起来有点明亮的领域。400:00:12，530--> 00:00:16，490整体前景以及似乎有点亮。500:00:16，490--> 00:00:19，260在许多情况下这也许只是暴露问题。600:00:19，260--> 00:00:22，824例如很多前景造成低一半的反射光700:00:22，824--> 00:00:26，064这张图片看起来很亮，但有时，它可以引起的问题800:00:26，064--> 00:00:29，628与印刷，或乳液或甚至是电影，和不管原因是什么，它900:00:29，628--> 00:00:35，200可以有助于调整这些地区的照片。1000:00:35，200--> 00:00:38，800这些类型的情况中我经常要做的就是申请回避和1100:00:38，800--> 00:00:42，820燃烧到图像中，在那里我可以变亮或变暗的具体领域的效果1200:00:42，820--> 00:00:48，070仅仅通过画上它的照片。第一步是创建一个新图层1300:00:48，070--> 00:00:51，170为那躲避和燃烧，但不是所有的层。1400:00:51，170--> 00:00:54，572因此，而不只是点击创建新图层按钮，张空白纸1500:00:54，572--> 00:00:58，082我要的纸在图层面板底部的图标，按住 Alt 键，在上1600:00:58，082--> 00:01:04，270Windows 或 Option 键在 MacIntosh 上，同时单击该图层上。1700:01:04，270--> 00:01:07，780这将导致一个新的图层对话框出现的位置，在那里我可以调整属性1800:01:07，780--> 00:01:12，410我添加的新图层。我往前走，键入一个名称。1900:01:12，410--> 00:01:15，758我只是打电话这道奇和烧伤，和我要去改变混合模式为2000:01:15，758--> 00:01:19，160覆盖，也许是最重要的方面就改变这2100:01:19，160--> 00:01:25，010混合模式为叠加，将给我们我们正在寻找的行为。2200:01:25，010--> 00:01:28，732我们可以看到，在稍等。我会往前走，打开复选框2300:01:28，732--> 00:01:33，590填补这一层的叠加的中性色，即 50%灰色。2400:01:33，590--> 00:01:37，400我会告诉你一会儿用灰色填充这一层的好处。2500:01:37，400--> 00:01:40，739第一次我去前方，单击确定按钮以创建此层，2600:01:40，739--> 00:01:44，131再一次被称为减淡和加深，具有混合模式设置为叠加，这就是2700:01:44，131--> 00:01:48，577用灰色填充。一旦单击好吧，你会看到我有2800:01:48，577--> 00:01:51，810我道奇和烧伤层创建我的图层面板上。2900:01:51，810--> 00:01:56，240它充满了中间的灰色，和已更改混合模式为叠加。3000:01:56，240--> 00:01:59，530下一步是选择画笔工具。3100:01:59，530--> 00:02:03，430是的我们要使用画笔工具为此躲避和燃烧技术。3200:02:03，430--> 00:02:07，363而不是已经包含在 Photoshop 中，减淡和加深工具等3300:02:07，363--> 00:02:13，570我会选择画笔工具，然后确保我正与一些软的笔刷。3400:02:13，570--> 00:02:17，026你可以看到我有一些圆形画笔是非常模糊的眷恋3500:02:17，026--> 00:02:20，590脆的我可以选择其中之一，然后确保硬度值是所有3600:02:20，590--> 00:02:26，866到左边在 0%值的方式。我会确保为混合模式3700:02:26，866--> 00:02:30，964笔刷自身设置为正常。整体的混合模式用于3800:02:30，964--> 00:02:35，860层，不是为了刷本身。然后最后，我会调整不透明度。3900:02:35，860--> 00:02:39，282我可以使用 pop 这里来抚养一个滑块，但我一般4000:02:39，282--> 00:02:44，291只需按键盘上的数字。一号会给我 10%4100:02:44，291--> 00:02:49，070第二个会给我 20%。如果我打 15 很快，会给我4200:02:49，070--> 00:02:54，72015%，但在大多数情况下，会使用那 10%的不透明度设置。4300:02:54，720--> 00:02:57，905我然后将确定的颜色设置为黑色和白色，你可以看到那些4400:02:57，905--> 00:03:01，990在工具框的底部。前景颜色，黑色和白色4500:03:01，990--> 00:03:05，413为背景色。它是一个好主意，只需按下4600:03:05，413--> 00:03:10，100字母 d 默认设置的键盘上，所以你有这些颜色集。4700:03:10，100--> 00:03:13，250有时你可能有树荫的灰色，看起来几乎黑色或白色的4800:03:13，250--> 00:03:16，530例如，和它的最好得到一致的结果。4900:03:16，530--> 00:03:21，340您可以按这些颜色之间切换 x，在键盘上的交换。5000:03:21，340--> 00:03:24，290在这种情况下我需要变暗了一些地区的照片，就会使肯定5100:03:24，290--> 00:03:27，330前景颜色设置为黑色。5200:03:27，330--> 00:03:30，380我会将我鼠标移到图像，然后调整使用画笔大小5300:03:30，380--> 00:03:34，948左和右方括号键。右方括号将增加5400:03:34，948--> 00:03:39，150笔刷的大小和左的方括号将减小画笔的大小。5500:03:39，150--> 00:03:42，798所以用黑色作为我的前景颜色和不透明度为 10%，我可以调整我5600:03:42，798--> 00:03:46，560画笔大小和进入这一领域的山坡上，好像有点儿，然后画5700:03:46，560--> 00:03:51，198点亮。我还可以增加画笔大小在这里5800:03:51，198--> 00:03:54，800和油漆成前景区域的照片。5900:03:54，800--> 00:03:58，155现在请记住，是白色的地区不会受到影响，和6000:03:58，155--> 00:04:01，960是黑色的地区不会受到影响。6100:04:01，960--> 00:04:07，460我们只调整色调的灰色，和有时效果可能看起来有点微妙。6200:04:07，460--> 00:04:10，877您会注意到这里，例如，当我画，我们不是真的看到6300:04:10，877--> 00:04:14，243很明显的效果，和然而，如果关闭的道奇的可见性，并且燃烧6400:04:14，243--> 00:04:19，860层，然后轮到它背，你可以看到相对较强的效果。6500:04:19，860--> 00:04:23，780不是很大影响的形象，但当然，一点点的变暗。6600:04:23，780--> 00:04:27，074你总是可以增加不透明度和油漆再次及事实上，绘画6700:04:27，074--> 00:04:32，170在同一地区的多发性中风会增加在这一领域的影响。6800:04:32，170--> 00:04:35，131这可以是非常好的事情，如果您想要绘制多个笔画6900:04:35，131--> 00:04:39，093增加面积的效果。但它也是重要的是要牢记心中，7000:04:39，093--> 00:04:42，357如果您希望在这张照片甚至效果，你需要保持该鼠标按钮7100:04:42，357--> 00:04:48，230当你那整个区域上方进行绘画在释放鼠标之前按住。7200:04:48，230--> 00:04:51，080现在我提到，它是用灰色填充层有帮助的。7300:04:51，080--> 00:04:54，590理由是，有时你会发现它有助于评价7400:04:54，590--> 00:04:58，910你一直在油漆的领域。如果你有一个棋盘图案7500:04:58，910--> 00:05:02，430都有一层透明与其关联，它是不太容易，请参阅7600:05:02，430--> 00:05:05，840你将要画因那灰色的比较含蓄绘画描边7700:05:05，840--> 00:05:09，360背景下，我们能够很清楚地看到甚至得不到很多的地区7800:05:09，360--> 00:05:14，901这张照片中的效果。我会向前走然后在可见性7900:05:14，901--> 00:05:18，097为背景图像图层，然后再一次我会切换可见性8000:05:18 097--> 00:05:23，520减淡和加深层，这样我们可以很清楚看到中图像的效果。8100:05:23，520--> 00:05:27，084所以在单独的图层上工作环境，使用重叠混合模式下，我们能够8200:05:27，084--> 00:05:31，290以变亮或变暗的这张照片的具体领域。8300:05:31，290--> 00:05:34，712我可以用白色绘制可减轻和黑变暗，我仍然很好8400:05:34，712--> 00:05:38，400调整中我的照片的整体亮度值。

結果 (中文) 3:

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老照片，这是很常见的光照不均匀的图像。

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你可以看到在左边的图像，例如，在山坡上，

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有区，看起来有点光亮。

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和前景似乎一点光明也。

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在许多情况下，这可能仅仅是一个暴露的问题。

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例如在前台很多反射光造成

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这个图像看起来非常明亮，但有时，它会引起的问题

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与印刷，或乳液，甚至电影，而不管什么原因，它

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可以调整这些地区的照片。

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在这些类型的情况下，我通常会做的是申请一个躲避和

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燃烧效果的图像，在那里我可以照亮或变暗的

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照片上的照片。第一步是创建一个新层

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，回避和燃烧，但不是任何层。

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所以，而不是点击“创建新的图层”按钮，在空白

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纸图标，我要坚持

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Windows，Macintosh或Option键，同时点击图层。

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将导致一个新的图层对话框出现，在那里我可以调整性能

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为新的层，我添加。我先走一步，键入一个名称。

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我就称这道奇和烧伤，我要改变混合模式为

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覆盖，也许是最重要的方面是不断变化的，

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混合模式为叠加，这将给我们，我们正在寻找的行为。

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我们会看到，在短短的一瞬间。我会去打开复选框

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填补这一层覆盖的中性色，这是50%的灰色。

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我给你填补这一层灰色的只是一时的利益。

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首先我会去点击，OK按钮来创建这一层，

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又称为道奇和烧伤，有一个混合模式设置为叠加，这

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充满了灰色。一旦我点击“好的，你会看到我有

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我的道奇和刻录层我的图层面板创建。

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它充满了灰色的中间，和混合模式更改为叠加。

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下一步是选择画笔工具。

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没错，我们要用画笔工具，这种回避和燃烧技术。

32
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而不是道奇和烧伤，已包括在PS图象处理软件工具，所以

33
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我会选择画笔工具，并确保我用软笔刷工作。

34
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你可以看到我有一些圆形的刷子，很模糊而非

35
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酥，我可以选择其中一个然后确保硬度值都是

36
00:02:20590——> 00:02:26866
路在0%值的左侧。我会确保

37
00:02:26866混合模式——> 00:02:30964
刷本身是正常的。整体的混合模式是用于

38
00:02:30964——> 00:02:35860
层，不刷本身。最后，我会调整不透明度。

39
00:02:35860——> 00:02:39282
我可以使用弹出这里为了造就一个滑块，但我通常会

40
00:02:39282——> 00:02:44，291只需按键盘上的数字。数人会给我10%，41的


00:02:44291——> 00:02:49070
二号会给我20%。如果我15型快，会给我

42
00:02:49070——> 00:02:54720
15%，但在大多数情况下，我会用一个不透明度设置为10%的工作。

43
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然后我会确保颜色设置为黑色和白色，你可以看到那些

44
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在工具盒的底部。黑色为前景色，白色的

45
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的背景颜色。简单地按

46
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字母D在你的键盘，你有这些颜色的默认设置是一个好主意。

47
00:03:10100——> 00:03:13250
有时你可能会有一个灰色的，看起来几乎是黑色或白色

48
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实例，并最好能得到一致的结果。

49
00:03:16530——> 00:03:21340
可以切换这些颜色按X，交换，在键盘上。

50
00:03:21340——> 00:03:24290
在这种情况下，我需要变暗了一些地区的照片，我会让

51
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，前景颜色设置为黑色。

52
00:03:27330——> 00:03:30380
我然后把我的鼠标在图像，并利用

53
00:03:30380——> 00:03:34948
左和右括号键调整笔刷的大小。右括号将增加

54
00:03:34948——> 00:03:39150
画笔的大小和左括号将减小画笔的大小。

55
00:03:39150——> 00:03:42798
等黑色作为我的前景颜色和透明度的10%，我可以调整

56
00:03:42798——> 00:03:46560
笔刷大小，然后画成这一带的山坡上，看起来有点

57
00:03:46560——> 00:03:51198
亮点。我也可以增加画笔的大小在这里

58
00:03:51198——> 00:03:54800
和漆成照片的前景区域。

59
00:03:54800——> 00:03:58155
现在记住，白色区域是不会受到影响，并

60
00:03:58155——> 00:04:01960
区，黑色是不会受到影响。

61
00:04:01960——> 00:04:07460
我们只调整深浅的灰色，有时效果似乎有点微妙。

62
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你会注意到，例如，我的画，我们没有真正看到

63
00:04:10877——> 00:04:14243
非常明显的效果，但是，如果我关掉烧

64
00:04:14243道奇——> 00:04:19860
图层的可见性，然后再重新打开它，你可以看到一个比较强的效果。

65
00:04:19860——> 00:04:23780
不是图像，产生了巨大的影响，但可以肯定的是，一点点变暗。

66
00:04:23780——> 00:04：27074
可以随时增加透明度和重新油漆，事实上，绘画

67
00:04:27074——> 00:04:32170
多笔画在同一地区将增加在该地区的影响。

68
00:04:32170——> 00:04:35131
可以是一件很好的事情如果你想画多笔画顺序对

69
00:04:35131——> 00:04:39093
增加的效果，在一个地区。但同样重要的是要记住，

70
00:04:39093——> 00:04:42357
，如果你想在照片的一个均匀的效果，你需要把鼠标按钮

71
00:04:42357——> 00:04:48230
压低而你画在那整个地区在释放鼠标。

72
00:04:48230——> 00:04:51080
现在我提到这是有帮助的层填充灰色。

73
00:04:51080——> 00：04:54590
原因是，有时你可能会发现它有助于评估

74
00:04:54590——> 00:04:58910
方面你一直画。如果你有一个棋盘

75
00:04:58910——> 00:05:02430
的透明层有关，这是不是很容易看到

76
00:05:02430——> 00:05:05840
比较微妙的笔触，你有灰色

77
00:05:05840——> 00:05:09360
背景画，我们可以很清楚地看到，甚至没有获得太多的

78
00:05:09360——> 00:05:14901
照片中的作用。我会去打开知名度

79
00:05:14901——> 00:05:18097
为背景图层，然后我又会切换

80
00:05:18097能见度——> 00:05:23520
让我们可以在图像非常清晰地看到效果的道奇和烧伤层。

81
00:05:23520——> 00:05:27084
通过工作在一个单独的层，使用叠加混合模式，我们可以

82
00:05:27084——> 00:05:31290
亮或变暗的照片的特定区域。

83
00:05:31290——> 00:05:34，712
我可以用白色来减轻和黑暗的油漆，我继续细

84
00:05:34712——> 00:05:38400
我照片调整整体的亮度值。