100:00:03,080 --> 00:00:06,300you c

1
00:00:03,080 --> 00:00:06,300
you can add another dimension to your
limousine mask adjustments with the use

2
00:00:06,300 --> 00:00:07,280
a blending modes

3
00:00:07,280 --> 00:00:10,769
blending modes determine how any
particular layer will be blended with

4
00:00:10,769 --> 00:00:11,630
the layers below it

5
00:00:11,630 --> 00:00:14,679
there are many different blending modes
that you can experiment with

6
00:00:14,679 --> 00:00:19,099
but the main blending modes that I use
are

7
00:00:19,099 --> 00:00:22,269
multiply screen

8
00:00:22,269 --> 00:00:25,550
overlay saw flight

9
00:00:25,550 --> 00:00:29,229
color and luminosity

10
00:00:29,229 --> 00:00:33,970
we can observe the effective each of
these binding modes using the gradient

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00:00:33,970 --> 00:00:37,370
you can change the blending mode

12
00:00:37,370 --> 00:00:41,370
anywhere both pics /a layers and
adjustment layers for now

13
00:00:41,370 --> 00:00:44,450
or use a Curves adjustment layer

14
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the default blending mode setting is
normal

15
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this doesn't apply any changes to how
the layers blended

16
00:00:50,740 --> 00:00:55,150
changing the blending mode to Multiply

17
00:00:55,150 --> 00:00:59,440
causes the layer to darken the image
shifting luminosity values toward the

18
00:00:59,440 --> 00:01:09,860
darker tones

19
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the screen blending mode heightens the
image shifting the luminosity values

20
00:01:13,770 --> 00:01:15,040
toward the lighter tones

21
00:01:15,040 --> 00:01:22,100
saw flight

22
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blending mode increases contrast
shifting luminosity biased toward both

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the darks

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00:01:27,300 --> 00:01:30,510
and the lights but it's weighted more
towards the darks

25
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this produces a more subtle contrast the
overlay blending modes also increases

26
00:01:38,330 --> 00:01:39,220
contrast

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but it does some more aggressively and
ships the town's towards both the lights

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and the darks evenly producing a
brighter contrast

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00:01:45,580 --> 00:01:54,340
I also use the color luminosity blending
modes

30
00:01:54,340 --> 00:01:59,060
but we'll need a color image to see how
they work now let's apply blending modes

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00:01:59,060 --> 00:02:01,530
to some images just miss with luminosity
masks

32
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blending modes are excellent for giving
your adjustment a two-pronged approach

33
00:02:06,360 --> 00:02:10,880
I for shoes the blending mode to make a
desired luminosity adjustment that I use

34
00:02:10,880 --> 00:02:13,780
the controls of the adjustment layer to
make a second adjustment

35
00:02:13,780 --> 00:02:17,959
for example with the curves adjustment
layer and a light sleeper non-ac mask

36
00:02:17,959 --> 00:02:21,040
I can use the multiply blending mode to
darken the lights

37
00:02:21,040 --> 00:02:28,000
and then I can use the curve in the
curves adjustment layer

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00:02:28,000 --> 00:02:39,500
to just the contrast in the lights

39
00:02:39,500 --> 00:02:43,000
I could also make a Curves adjustment
layer with the darks mask

40
00:02:43,000 --> 00:02:48,230
and use the screen

41
00:02:48,230 --> 00:02:51,680
blending mode to lighten the darks

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00:02:51,680 --> 00:02:55,990
and then use the curve in the curves
adjustment layer

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00:02:55,990 --> 00:03:09,860
to work with the contrast the darks

44
00:03:09,860 --> 00:03:16,100
in a low contrast image

45
00:03:16,100 --> 00:03:19,280
I could decide to generate a lights
selection

46
00:03:19,280 --> 00:03:23,160
and then create a huge saturation
adjustment layer

47
00:03:23,160 --> 00:03:27,680
with that lights mask attached and then
use the

48
00:03:27,680 --> 00:03:31,430
soft light blending mode to increase
contrast

49
00:03:31,430 --> 00:03:35,660
in the lights and then use the
saturation adjustment layer

50
00:03:35,660 --> 00:03:46,720
to increase saturation in the lights

51
00:03:46,720 --> 00:03:49,860
considering all the blending modes an
adjustment layers in Photoshop

52
00:03:49,860 --> 00:03:53,489
they're quite a few blending mode
adjustment layer combinations available

53
00:03:53,489 --> 00:03:57,540
and when you add in luminosity masks the
options become unlimited

54
00:03:57,540 --> 00:04:00,970
you can experiment with various
combinations to find ones that work best

55
00:04:00,970 --> 00:04:01,470
for you

56
00:04:01,470 --> 00:04:05,459
now demonstrate the color in them and
ask the blending modes

57
00:04:05,459 --> 00:04:09,940
we usually think

58
00:04:09,940 --> 00:04:13,440
have certain adjustments as being
luminosity adjustments and others as

59
00:04:13,440 --> 00:04:14,739
being color adjustments

60
00:04:14,739 --> 00:04:18,720
but most adjustments actually affect
both color and luminosity

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00:04:18,720 --> 00:04:22,199
for example may use a levels adjustment
layer

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00:04:22,199 --> 00:04:30,750
to increase contrast there's also a
boost in saturation

63
00:04:30,750 --> 00:04:36,840
and when I make you set your Asian
adjustment

64
00:04:36,840 --> 00:04:39,970
to increase the saturation

65
00:04:39,970 --> 00:04:49,870
there's also a change in contrast the
color luminosity blending modes are

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00:04:49,870 --> 00:04:50,669
great for getting

67
00:04:50,669 --> 00:04:54,330
individual control over color and
luminosity adjustments

68
00:04:54,330 --> 00:05:01,520
me delete these two layers leaving us
with the original to

69
00:05:01,520 --> 00:05:05,030
curves adjustment layers with the lights
mask in a darts mass that we made

70
00:05:05,030 --> 00:05:05,760
previously

71
00:05:05,760 --> 00:05:11,669
a turn on the lights mask and set the
blending mode back to normal

72
00:05:11,669 --> 00:05:15,750
tunnel reset the curve

73
00:05:15,750 --> 00:05:18,910
and then use the curve to

74
00:05:18,910 --> 00:05:31,130
darken the highlights and also maintain
contrast in the highlights

75
00:05:31,130 --> 00:05:34,870
and affecting the luminosity and the
contrast but I'm also increasing

76
00:05:34,870 --> 00:05:35,780
saturation

77
00:05:35,780 --> 00:05:39,860
if I wanna do darken the highlights and
increase contrast

78
00:05:39,860 --> 00:05:43,960
without changing the color saturation I
could set the blending mode to

79
00:05:43,960 --> 00:05:44,800
luminosity

80
00:05:44,800 --> 00:05:48,190
you can see now that that's having the

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00:05:48,190 --> 00:05:51,290
contrast and

82
00:05:51,290 --> 00:05:55,720
luminosity adjustment effect without
changing the saturation up the image

83
00:05:55,720 --> 00:05:58,980
if I want to control my

84
00:05:58,980 --> 00:06:01,980
color saturation separately I would next

85
00:06:01,980 --> 00:06:07,360
controller command click on the lights
channel and create a huge saturation

86
00:06:07,360 --> 00:06:11,550
adjustment layer and this layer I will
set to

87
00:06:11,550 --> 00:06:16,010
color and now I will only be affecting
color

88
00:06:16,010 --> 00:06:21,220
and not luminosity or contrast so now I
can work with the saturation slider

89
00:06:21,220 --> 00:06:25,040
and increase the saturation to exactly
the point that I feel

90
00:06:25,040 --> 00:06:28,050
that its cracked without adjusting

91
00:06:28,050 --> 00:06:31,810
the overall contrast the image and now I
can go back and forth

92
00:06:31,810 --> 00:06:35,140
between those two adjustments and get
just the right amount

93
00:06:35,140 --> 00:06:40,560
the contrast and darkening without
worrying about

94
00:06:40,560 --> 00:06:44,030
overdoing the saturation and I can

95
00:06:44,030 --> 00:06:48,060
further adjust the saturation and even
go into

96
00:06:48,060 --> 00:06:52,510
individual colors and I can do that
individually

97
00:06:52,510 --> 00:06:58,020
without worrying about how my color
adjustments will affect the contrast

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00:06:58,020 --> 00:07:01,410
I is blending modes all the time and
they have many uses outside

99
00:07:01,410 --> 00:07:05,270
luminosity mass techniques as well you
can see that in conjunction with

100
00:07:05,270 --> 00:07:09,570
luminosity masks blending modes give you
another level variables and flexibility

101
00:07:09,570 --> 00:07:13,590
line for even more creativity and find
controlling your image developing

結果 (中文) 1:

100:00:03，080--> 00:00:06，300您可以添加另一个维度到你豪华轿车掩码调整与使用200:00:06，300--> 00:00:07，280混合模式300:00:07，280--> 00:00:10，769混合模式确定如何任何特定的层将与混合400:00:10，769--> 00:00:11，630它下面的层500:00:11，630--> 00:00:14，679有许多不同的混合模式你可以尝试用600:00:14，679--> 00:00:19，099但主要混合使用的模式都是700:00:19，099--> 00:00:22，269乘以屏幕800:00:22，269--> 00:00:25，550叠加看到飞行900:00:25，550--> 00:00:29，229颜色和亮度1000:00:29，229--> 00:00:33，970我们可以观察到有效的每个利用梯度这些绑定模式1100:00:33，970--> 00:00:37，370您可以更改混合模式1200:00:37，370--> 00:00:41，370任何两个照片 /a 图层和现在的调整图层1300:00:41，370--> 00:00:44，450或使用曲线调整图层1400:00:44，450--> 00:00:47，710混合模式设置的默认值是正常1500:00:47，710--> 00:00:50，740这不适用于任何更改如何混合图层1600:00:50，740--> 00:00:55，150改变混合模式为正片叠底1700:00:55，150--> 00:00:59，440使图像变暗的层移向亮度值1800:00:59，440--> 00:01:09，860暗色调1900:01:09，860--> 00:01:13，770屏幕混合模式加剧了转移的明度值的图像2000:01:13，770--> 00:01:15，040对浅色调2100:01:15，040--> 00:01:22，100看到飞行2200:01:22，100--> 00:01:26，630混合模式增加对比度移偏向于两者的亮度2300:01:26，630--> 00:01:27，300深色2400:01:27，300--> 00:01:30，510和灯光，但它的加权更多对暗部2500:01:30，510--> 00:01:38，330这就产生了一个更微妙的对比混合模式也增加覆盖2600:01:38，330--> 00:01:39，220对比2700:01:39，220--> 00:01:42，700但它更积极一些，船镇朝这两个灯2800:01:42，700--> 00:01:45，580亮部与暗部均匀生产亮度对比度2900:01:45，580--> 00:01:54，340我还使用颜色亮度混合模式3000:01:54，340--> 00:01:59，060但我们需要一种彩色图像，请参阅如何他们让我们工作现在应用混合模式3100:01:59，060--> 00:02:01，530到一些图像只是错过了与亮度面具3200:02:01，530--> 00:02:06，360混合模式是非常优秀的给予你调整双管齐下3300:02:06，360--> 00:02:10，880我的鞋的混合模式，使我使用的所需的亮度调整3400:02:10 880--> 00:02:13，780对调整图层的控件第二次调整3500:02:13，780--> 00:02:17，959例如以曲线调整图层和睡觉轻非交流蒙版3600:02:17，959--> 00:02:21，040我可以用乘法混合模式与调暗灯光3700:02:21，040--> 00:02:28，000然后我可以使用中的曲线曲线调整图层3800:02:28，000--> 00:02:39，500只是在灯光下对比3900:02:39，500--> 00:02:43，000我还可以曲线调整层与深色面具4000:02:43，000--> 00:02:48，230然后使用屏幕4100:02:48，230--> 00:02:51，680混合模式，以减轻，黑暗势力4200:02:51，680--> 00:02:55，990然后使用曲线的曲线调整图层4300:02:55，990--> 00:03:09，860上班，黑暗势力与对比4400:03:09，860--> 00:03:16，100在低对比度图像4500:03:16，100--> 00:03:19，280我可以决定生成一盏灯选择4600:03:19，280--> 00:03:23，160然后创建庞大的饱和度调整图层4700:03:23，160--> 00:03:27，680与附加的灯面具，然后使用4800:03:27，680--> 00:03:31，430柔和的光线混合模式，以增加对比4900:03:31，430--> 00:03:35，660在灯，然后使用饱和度调整图层5000:03:35，660--> 00:03:46，720以增加饱和度的灯光中5100:03:46，720--> 00:03:49，860考虑到所有混合模式在 Photoshop 中调整图层5200:03:49，860--> 00:03:53，489他们是相当多的混合模式调整图层组合可用5300:03:53，489--> 00:03:57，540当您添加在光度面具选项成为无限5400:03:57，540--> 00:04:00，970你可以尝试用各种组合，以找出最好的工作5500:04:00，970--> 00:04:01，470给你的5600:04:01，470--> 00:04:05，459现在展示在他们的颜色和问混合模式5700:04:05，459--> 00:04:09，940我们通常认为5800:04:09，940--> 00:04:13，440有某些调整值作为亮度调整和其他人作为5900:04:13，440--> 00:04:14，739被颜色调整6000:04:14，739--> 00:04:18，720但大多数调整实际上影响颜色和亮度6100:04:18，720--> 00:04:22，199例如可以使用色阶调整图层6200:04:22，199--> 00:04:30，750为了加大的对比还有在饱和度提高6300:04:30，750--> 00:04:36，840当我让你设置你的亚洲调整6400:04:36，840--> 00:04:39，970以增加饱和度6500:04:39，970--> 00:04:49，870还有一个变化是相反颜色亮度混合模式是6600:04:49，870--> 00:04:50，669伟大的获得6700:04:50，669--> 00:04:54，330颜色的个别控制权和亮度调整6800:04:54，330--> 00:05:01，520我删除这些给我们留下的两个图层与原6900:05:01，520--> 00:05:05，030开着灯的曲线调整图层在我们作出的飞镖大量的面具7000:05:05，030--> 00:05:05，760以前7100:05:05，760--> 00:05:11，669打开灯面具和集混合模式切换回正常7200:05:11，669--> 00:05:15，750隧道重置曲线7300:05:15，750--> 00:05:18，910然后使用到曲线7400:05:18，910--> 00:05:31，130使高光变暗，同时维护对比中凸显7500:05:31，130--> 00:05:34，870和影响亮度和对比，但我也在增加7600:05:34，870--> 00:05:35，780饱和度7700:05:35，780--> 00:05:39，860如果我想要做使高光变暗和增加对比度7800:05:39，860--> 00:05:43，960而无需更改颜色饱和度我可以将混合模式设置为7900:05:43，960--> 00:05:44，800亮度8000:05:44，800--> 00:05:48，190你现在可以看到这种情况正在8100:05:48，190--> 00:05:51，290对比度和8200:05:51，290--> 00:05:55，720没有亮度调节效应改变了图像的饱和度8300:05:55，720--> 00:05:58，980如果我想控制我8400:05:58，980--> 00:06:01，980色彩饱和度分别我会下一步8500:06:01，980--> 00:06:07，360控制器命令单击灯通道，并创造巨大的饱和度8600:06:07，360--> 00:06:11，550调整图层和我将这层设置为8700:06:11，550--> 00:06:16，010颜色和现在我仅会影响颜色8800:06:16，010--> 00:06:21，220和不亮度或对比度所以我现在可以使用饱和度滑块8900:06:21，220--> 00:06:25，040和增加饱和度到完全我觉得点9000:06:25，040--> 00:06:28，050其裂纹无需调整9100:06:28，050--> 00:06:31，810整体对比度的图像，现在我可以来回走9200:06:31，810--> 00:06:35，140那些两个调整和得到之间只是适量9300:06:35，140--> 00:06:40，560对比和不变暗担心9400:06:40，560--> 00:06:44，030矫枉过正的饱和度和我可以9500:06:44，030--> 00:06:48，060进一步调整饱和度甚至走进9600:06:48，060--> 00:06:52，510单个颜色和我能做到单独地9700:06:52，510--> 00:06:58，020而不必担心如何我的颜色调整将影响对比度9800:06:58，020--> 00:07:01，410我混合模式，所有的时间和他们有很多用途之外的其他9900:07:01，410--> 00:07:05，270作为你的光度大规模技术可以看到，在一起10000:07:05，270--> 00:07:09，570混合模式的亮度面具给你另一个级别的变量和灵活性10100:07:09，570--> 00:07:13，590为更多的创造力和查找行控制你的图像发展

結果 (中文) 3:

1
00:00:03080——> 00:00:06300
你可以添加另一个维度来调整您的
1轿车面膜用的使用

2
00:00:06300——> 00:00:07280
一混合模式

3
00:00:07280——>
00:00:10769混合模式确定如何任何
特定层将混合

4
00:00:10769——> 00:00:11630
层下面

5
00:00:11630——> 00:00:14679
有许多不同的混合模式
你可以尝试

6
00:00:14679——> 00:00:19099
但主要混合模式，我用
是

7
00:00:19099——> 00:00:22269
乘屏幕

8
00:00:22269——看见> 00:00:25550
覆盖飞行

9
00:00:25550——> 00:00:29229
颜色和亮度

10
00:00:29229——> 00:00:33970
我们可以观察有效每个这些结合的模式，使用梯度

11
00:00:33970——> 00:00
37370
你可以改变混合模式

12
00:00:37370——> 00:00:41370
地方两个图片/层、调整层现在

13
00:00:41370——> 00:00:44450
或使用曲线调整层

14
00:00:44450——
正常

15
00:00:47710——> 00:00:50740
这并不适用于任何的变化，如何
层混合

16
00:00:50740——> 00:00:55 > 00:00:47710
默认混合模式设置，
150改变混合模式繁殖

17
00:00:55150——> 00:00:59440
变暗图像
移光度值对的

18
00:00:59440——>
00:01:09860暗色调

19
00:01:09860——> 00:01:13770
屏幕混合模式加剧了
图像转移光度值

20
00:01:13770——> 00:01:15040
向打火机色调

2
00:01:15040——> 00:01:22造成的层，
100看到飞行

22
00:01:22100——> 00:01:26630
混合模式增加对比
移光度偏向是

23
00:01:26630——> 00:01:27300
深色

24
00:01:27300——> 00:01:30510
和的灯，但它的加权更多
对深色

25
00:01:30510——
> 00:01:38330产生一个更微妙的对比
覆盖混合模式也增加了

26
00:01:38330——> 00:01:39，220
对比

27
00:01:39220——> 00:01:42700
，但它一些更积极和
镇的船舶向是灯光

28
00:01:42700——> 00:01:45580
和深色均匀生产
明亮对比

29
00:01:45580——> 00:01:54340
我也使用的颜色亮度混合
模式

3
00:01:54340——> 00:01:59060
，但我们会需要一个彩色图像到看到如何
他们的工作，现在让我们用混合模式

31
00:01:59060——> 00:02:01530
给一些图片只是思念与亮度掩盖了


32
00:02:01530——给
你调整一个双管齐下

33
00:02:06360——> 00:02:10880
我鞋的混合模式，以使
想要的亮度调整，我使用

34
00:02:10880——
> 00:02:13780 > 00:02:06360
的混合模式是最好的的控制调整层到
做一第二调整

35
00:02:13780——> 00:02:17959
例如与曲线调整层
和一个光轨枕非交流面膜

36
00:02:17959——> 00:02:21040
我可以使用的乘法混合模式对
变暗的灯光

37
00:02:21040——> 00:02:28000
，然后我可以使用曲线
曲线调整层

38
00:02:28000——> 00:02:39500
对刚刚对比在灯光

39
00:02:39500——> 00:02:43000
我还可以创建一个曲线调整
层与深色面具

40
00:02:43000——> 00:02:48230
和使用的屏幕

41
00:02:48230——> 00:02:51680
混合模式来减轻深色
42

00:02:51680——> 00:02:55990
，然后使用曲线曲线
调整层

43
00:02:55990——> 00:03:09860
工作与对比明暗

44
00:03:09860——> 00:03:16100

00:03:16100 45低对比度图像

——> 00:03:19280
我可以决定生成一个灯
选择

46
00:03:19280——> 00:03:23160
和然后创造巨大饱和
调整层

47
00:03:23160——> 00:03:27680
，灯光面膜贴，然后
使用48


00:03:27680——
> 00:03:31430柔光混合模式增加
对比

49
00:03:31430——> 00:03:35660
在的灯光和然后使用
饱和度调整层

50
00:03:35660——> 00:03:46720
增加饱和度

51
00:03:46720——> 00:03:49860
考虑所有的混合模式PS图象处理软件

52
00:03:49860——> 00:03:53489
他们相当多的混合模式

调整层的灯调整层组合可用

53
00:03:53489——> 00:03:57540
，当您添加在光度面具
选项成为无限

54
00:03:57540——> 00:04:00970
你可以试验各种
组合来找到的工作，最好

55
00:04:00970——> 00:04:01470
为你

56
00:04:01470——> 00:04:05459
现在展示颜色在他们和
问混合模式

57
00:04:05，