Our twice-told tale takes readers into the consciousness of nine storytellers, almost all of whom define ourselves as autoethnographers who write about personal experiences.Engaged in a perceived emergency, we are observant ofwhat is going on around us and perhaps less defended andmore willing to be vulnerable and open than others. Wenarrate from different subject positions, in juxtaposedaccounts, and through short stories and fragmentedaccounts. These stories provide not just my description andinterpretation of what happened but entry into how othersperceive the events, view certain participants, act, com-pare, and reflect on their lives as a result. The analysis ofwhat happened comes from a collage of frames foundamong the many voices, rather than being told from and ina traditional authorial voice.