100:00:00,020 --> 00:00:15,540the G

1
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the Golden Gate Bridge and San Francisco
is probably one of the most popular

2
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photography spots out in this area I
visited San Francisco few times in the

3
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past but the first time I really have
the chance to photograph it was the

4
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Google Plus photographers com friends in
May 2012 I went out to the bridge with a

5
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few friends and we kind of crime down
this very daunting clip of rocks which

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apparently they were stairs we didn't
know about but we had adventure and we

7
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got to climb down the cliff area and
make it to the speech and i cant getting

8
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closer and closer and closer and closer
until I found a spot where I felt the

9
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composition was really strong now we
don't have any clouds and we didn't have

10
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any fog so I don't have a lot to work
with in the sky so I'm really made the

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focus of water in the bridge now the
first couple frames are actually the

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ones that I ended up liking the best
this is the first image that I took and

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you know I didn't use a filter I just a
straight shot have the Sun setting off

14
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to my left which had a nice or haze but
I really like what's happening in the

15
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sky in the background in the mountains
in the next glow on the actual bridge

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itself and then I forgot the soyuz this
kind of as a baseline for my my long

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exposure with the neutral density filter
and used I believe I used to attend stop

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and maybe even out of the neutral grad
students as well but the neutral density

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filter what it does is it it makes this
water here just completely soft you know

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and and just completely born equal thing
about it is that you can still see some

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of the shadow elements from the rocks as
a sun setting off to the left but I i

22
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decided to go with this image and then
the first image and burn them together

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quickly and show you some of the other
photos from this adventure you can see

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the doctor away from the spot here that
the clouds fog started to roll in I

25
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still kept playing around compositions
in different settings and different

26
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location

27
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ins but then the fog early going over
the bridge and ended up actually being

28
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really need towards the end and i ended
up some photographs and I do like here

29
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but you know ultimately it was those
first couple shots that I really liked

30
00:02:22,150 --> 00:02:28,000
overall so when I'm gonna do is I am
going to use both of these images here

31
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and so I'm actually have a kind of
eliminate a lot of noise and allowed the

32
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other images to filter them I haven't
both flag is flying a lot from my my

33
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picking up my room I'm gonna go ahead
and click on that filters so now all

34
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these two images to work with

35
00:02:42,840 --> 00:02:47,230
can even increase that thumbnail size
little bit know what I want to do is I

36
00:02:47,230 --> 00:02:51,409
want to try and balance the colors of
both of these frames they were

37
00:02:51,409 --> 00:02:57,079
photographed very similarly but when you
add a filter and density filter then

38
00:02:57,079 --> 00:03:02,060
oftentimes you get a color cast from
that filter fact so I'm gonna go into

39
00:03:02,060 --> 00:03:08,010
the development rural and discuss start
playing really kinda wanna match what I

40
00:03:08,010 --> 00:03:11,389
have going on here actually I'm going to
turn this down to bring the blues and a

41
00:03:11,389 --> 00:03:19,419
little bit and I'm gonna go back over to
the sky and bring that yellow up and

42
00:03:19,419 --> 00:03:22,959
play with my tones as well now I'm not
too concerned with getting them

43
00:03:22,959 --> 00:03:27,069
completely identical because I'm really
just taking the sky and the bridge from

44
00:03:27,069 --> 00:03:31,409
this one and I'm using the water from
this one so they don't have to be

45
00:03:31,409 --> 00:03:35,489
exactly the same as my masking and
everything is going to be going to be

46
00:03:35,489 --> 00:03:38,599
pretty simple and it's not gonna make a
huge difference if the colors are

47
00:03:38,599 --> 00:03:43,199
identical as long as they're similar in
a blend together so I just kind of keep

48
00:03:43,199 --> 00:03:47,120
going back and forth to these two images
I can really sink them because they were

49
00:03:47,120 --> 00:03:50,579
photographed in different conditions
with different you know how to filter on

50
00:03:50,579 --> 00:03:54,840
one server to sync them it wouldn't work
so I can't do the same thing that I've

51
00:03:54,840 --> 00:03:58,729
done for some of the other images I have
to do these really you know manual in by

52
00:03:58,729 --> 00:04:06,739
hand back to this coverage here

53
00:04:06,739 --> 00:04:12,160
magenta to someone but

54
00:04:12,160 --> 00:04:20,390
ok that's happening going on there now
gonna play around with some of the

55
00:04:20,390 --> 00:04:29,600
exposure contrast a little bit darkened
the sky little bit when I'm highlights

56
00:04:29,600 --> 00:04:34,340
that's kind of nice bring out some of
the shadows again I'm really only

57
00:04:34,340 --> 00:04:37,340
looking at the sky portion here not
really concerned with what's happening

58
00:04:37,340 --> 00:04:42,020
down below

59
00:04:42,020 --> 00:04:49,350
ok so I can have this guy finished to
the next one right I need to change my

60
00:04:49,350 --> 00:05:01,630
balance was gonna kind of funky

61
00:05:01,630 --> 00:05:07,270
right actually they're really similar ok
keep working on this guy actually gonna

62
00:05:07,270 --> 00:05:11,590
keep messing with my tones a little bit
of good things to be a little bit more

63
00:05:11,590 --> 00:05:21,650
punch in contrast you highlights down
and increase the light in the shadows

64
00:05:21,650 --> 00:05:27,400
and was worried just a nice contrast
maybe even brings most box a little bit

65
00:05:27,400 --> 00:05:34,620
ok ok so I assume just where I want them
to be to start now gonna take these into

66
00:05:34,620 --> 00:05:39,630
the Perfect Photo Suite 7 into Perfect
Layers I'm just gonna do it strains of

67
00:05:39,630 --> 00:05:43,380
Perfect Photo Suite I like to keep my
options open so I got a file plugin

68
00:05:43,380 --> 00:05:54,460
extra Perfect Photo Suite 7 this is
online software Perfect Photo Suite

69
00:05:54,460 --> 00:05:59,340
Perfect Photo Suite does a really good
job of masking in Perfect Layers it's

70
00:05:59,340 --> 00:06:05,479
really simple to do so right here you
can see I have the image of the water I

71
00:06:05,479 --> 00:06:09,380
want to keep the water in this scene and
I want to mask out what I have going on

72
00:06:09,380 --> 00:06:13,009
up here also don't like this little lens
flare sometimes lens for farrakhan look

73
00:06:13,009 --> 00:06:18,270
good but this one has a dot and just
kind of boring also had a lot more light

74
00:06:18,270 --> 00:06:22,639
happening over here on the scene but
even see as I talk to those on and off

75
00:06:22,639 --> 00:06:27,900
that they're not quite even you know
we're actually gonna have to move one of

76
00:06:27,900 --> 00:06:31,979
these images a little bit so what I'm
going to do is I'm going to change the

77
00:06:31,979 --> 00:06:36,729
opacity the top layer I'm gonna move it
down to go somewhere around 54 you 50%

78
00:06:36,729 --> 00:06:41,259
so we can see both images now we kind of
have a double vision thing happening

79
00:06:41,259 --> 00:06:45,349
here I'm going to go up to my
transformed to a laptop and I'm gonna

80
00:06:45,349 --> 00:06:50,820
use my Eric use my up and down arrow
keys to just move that image so it

81
00:06:50,820 --> 00:06:55,940
overlaps perfectly good even zoom in a
little bit and kind of get a better view

82
00:06:55,940 --> 00:06:59,780
here all that space bar to move things
around

83
00:06:59,780 --> 00:07:05,070
ok so it doesn't have to be exactly
perfect and I actually think I have a

84
00:07:05,070 --> 00:07:11,280
pretty close so I'm gonna go ahead and
apply that now going to go over to my

85
00:07:11,280 --> 00:07:17,320
gradient first I'm going to bed at
pasady going back two hundred percent so

86
00:07:17,320 --> 00:07:21,630
what I want to do is I want to remove
the sky on this front image and make it

87
00:07:21,630 --> 00:07:27,349
so I have the sky and the bridge of any
other image so many use the gradient

88
00:07:27,349 --> 00:07:34,150
tool it's a really the bug because the
bug in on software to make sure that my

結果 (中文) 1:

100:00:00，020--> 00:00:15，540金门大桥和 San Francisco可能是最受欢迎之一200:00:15，540--> 00:00:20，820摄影点在这一领域我在几次访问 San Francisco300:00:20，820--> 00:00:25，080过去，但第一次我真的有给它拍照的机会了400:00:25，080--> 00:00:30，630在 Google + 摄影师 com 朋友2012 年 5 月我去桥与500:00:30，630--> 00:00:37，880几个朋友和我们善良的减少犯罪这很令人生畏的剪辑的岩石，600:00:37，880--> 00:00:41，290他们很明显我们没有的楼梯知道，但我们有冒险和我们700:00:41，290--> 00:00:46，290要爬下悬崖地区和向这次演讲，我不能变800:00:46，290--> 00:00:50，000近和接近和更近了直到发现了一个让我感到900:00:50，000--> 00:00:54，790作文是真的强现在我们不要有任何的云层和我们没有1000:00:54，790--> 00:00:59，390所以我没有很多工作要任何雾与在天空所以我是真的1100:00:59，390--> 00:01:04，309水在桥上了焦点第一对夫妇帧实际上是1200:01:04，309--> 00:01:08，619那些我喜欢最好的结束这是我拿的第一个图像和1300:01:08，619--> 00:01:11，859你知道我没有用我只是一个筛选器直杆休息的落日1400:01:11 859--> 00:01:16，069我有一个很好的左或阴霾但我真的很喜欢发生了什么1500:01:16，069--> 00:01:19，950在山中的背景中的天空在上实际桥下的红光1600:01:19，950--> 00:01:26，340本身和忘记 soyuz 这作为基准的什么样的我我长1700:01:26，340--> 00:01:30，630中性密度滤镜曝光用我相信我曾参加过停止1800:01:30，630--> 00:01:34，880甚至从中性的研究生学生，以及但中性密度1900:01:34，880--> 00:01:39，179筛选器所做的是它使这这里的水完全只是软的你知道2000:01:39，179--> 00:01:42，639和只是完全天生平等事是，你仍然可以看到一些2100:01:42，639--> 00:01:47，619从岩石的阴影元素但是我左侧出发我的太阳2200:01:47，619--> 00:01:51，189决定去与这幅图像，然后第一形象，把他一同焚烧2300:01:51，189--> 00:01:56，369快速向你展示其他一些从这次冒险，你可以看到照片2400:01:56，369--> 00:02:03，349从现货这里医生，云中雾开始滚在我2500:02:03，349--> 00:02:07，919依然继续玩周围成分在不同的设置和不同2600:02:07，919--> 00:02:08，679位置2700:02:08，679--> 00:02:12，590但然后雾早复习 ins这座桥和实际上告终2800:02:12，590--> 00:02:16，719真的需要末和我结束把一些照片和喜欢这里，吗2900:02:16，719--> 00:02:22，150但你知道最终这是那些第一次我真的很喜欢的几个镜头3000:02:22，150--> 00:02:28，000总体而言这么何时要做的就是我要使用这些图像都在这里3100:02:28，000--> 00:02:33，000所以我实际上有一种的消除大量的噪音和允许3200:02:33，000--> 00:02:37，409其他图像将它们没过滤这两个国旗很多从我我3300:02:37，409--> 00:02:40，629捡起我的房间我要往前走单击该筛选器上所以现在所有3400:02:40，629--> 00:02:42，840这两个形象与工作3500:02:42，840--> 00:02:47，230甚至可以增加该缩略图的大小小小知道我想做是我3600:02:47，230--> 00:02:51，409想要试着平衡的颜色两个他们这些帧3700:02:51，409--> 00:02:57，079拍照很相似，但当你然后添加一个筛选器和密度滤镜3800:02:57，079--> 00:03:02，060通常情况下你从色所以我要去的筛选事实3900:03:02，060--> 00:03:08，010农村发展和讨论开始玩真的有点儿想要匹配什么我4000:03:08，010--> 00:03:11，389就在这里实际上我要去关闭此输入，使蓝军和4100:03:11，389--> 00:03:19，419稍微想回到天空和造就那黄和4200:03:19，419--> 00:03:22，959现在我不玩我的音调以及让他们太在意4300:03:22，959--> 00:03:27，069完全相同的因为我是真的只考虑了天空和从桥4400:03:27，069--> 00:03:31，409这正在使用的水这一所以他们不一定要4500:03:31，409--> 00:03:35，489完全相同的我掩蔽和一切都要将会4600:03:35，489--> 00:03:38，599十分简单，它不会让巨大的差异，如果有颜色4700:03:38，599--> 00:03:43，199相同，只要他们是类似的揉合在一起，所以我只是有点保持4800:03:43，199--> 00:03:47，120来来回回去这两个形象我真的可以沉他们，因为他们4900:03:47，120--> 00:03:50，579在不同条件下拍摄与不同，你知道如何筛选5000:03:50，579--> 00:03:54，840一台服务器来同步它们它不工作所以我不能做同样的事情，我已经5100:03:54，840--> 00:03:58，729做一些其他的图像我有做这些真的你知道手册中的5200:03:58，729--> 00:04:06，739交回给这种报道在这里5300:04:06，739--> 00:04:12，160向某人洋红色但5400:04:12，160--> 00:04:20，390好它会对那里正在发生要玩一些5500:04:20，390--> 00:04:29，600有点暗的曝光对比天空有点当我突出显示5600:04:29，600--> 00:04:34，340这种好带来一些阴影再一次我是真的只5700:04:34，340--> 00:04:37，340看看这里的天空部分不真的关心发生了什么5800:04:37，340--> 00:04:42，020下面5900:04:42，020--> 00:04:49，350好了可以让这家伙完成对我需要更改下一个权利我6000:04:49，350--> 00:05:01，630平衡去种时髦6100:05:01，630--> 00:05:07，270他们没事权利实际上很相似这人其实会不会继续工作6200:05:07，270--> 00:05:11，590有一点要摆弄我的音调好的东西要多一点点6300:05:11，590--> 00:05:21，650冲垮相比之下你亮点并加大了光的阴影中6400:05:21，650--> 00:05:27，400是担心只是一个很好的对比甚至可能带来一点点的大多数框6500:05:27，400--> 00:05:34，620好的好的所以我假定我所想的地方要开始现在要考虑这些问题6600:05:34，620--> 00:05:39，630完美的照片套房 7 成完美图层我只要去做它株6700:05:39，630--> 00:05:43，380完善照片套房我喜欢保持我选项打开所以我得到了一个文件插件6800:05:43，380--> 00:05:54，460这是额外的完美照片套件 7在线软件完美照片套件6900:05:54，460--> 00:05:59，340完美的照片套件真的很好掩蔽完美层，它的工作的7000:05:59，340--> 00:06:05，479很简单，所以就在这里做你可以看到我有水的形象我7100:06:05，479--> 00:06:09，380想要保持水的这一幕，我想要掩没出甚么下去7200:06:09，380--> 00:06:13，009在这里也不喜欢这个小小的镜头有时 flare 法拉看镜头7300:06:13，009--> 00:06:18，270不错，但这其中有一个点，只是无聊也种了很多更多的光7400:06:18，270--> 00:06:22，639发生在这里的舞台上，但甚至看到我跟那些打开和关闭7500:06:22，639--> 00:06:27，900他们不是相当甚至你知道实际上我们要移动之一7600:06:27，900--> 00:06:31，979这些图像一点点，所以我的是要做的是我要去改变7700:06:31，979--> 00:06:36，729我要去移动它的顶部图层的不透明度下来要去哪里你大约 54 50%7800:06:36，729--> 00:06:41，259所以我们可以看到两个图像现在我们种有复视的事情发生7900:06:41，259--> 00:06:45，349在这里我要去我转化为一台笔记本电脑和我要去8000:06:45，349--> 00:06:50，820使用我的 Eric 使用我的向上和向下箭头键，只是移动该图像所以它8100:06:50，820--> 00:06:55，940重叠完美甚至放大一点点和各种看得更清楚8200:06:55，940--> 00:06:59，780在这里所有的空格键搬东西周围8300:06:59，780--> 00:07:05，070好了，所以它并不一定要完全完美，我觉得我有8400:07:05，070--> 00:07:11，280很接近，所以我要往前走，申请那现在要去我8500:07:11，280--> 00:07:17，320梯度第一，我要去睡觉所以回去百分之两百的 pasady8600:07:17，320--> 00:07:21，630想做什么是我想要删除在这条战线上的天空图像，使它8700:07:21，630--> 00:07:27，349所以我有天空和任何桥其他影像这么多使用渐变8800:07:27，349--> 00:07:34，150工具它有真正的 bug 因为软件以确保虫子在我

結果 (中文) 3:

1
00:00:00020——> 00:00:15540
金门大桥和三藩
可能是一个最受欢迎的

2
00:00:15540——> 00:00:20820
摄影点，在这方面我
去过三藩几次在

3
00:00:20820——> 00:00:25080
过去但我第一次真的有机会拍摄
这是

4
00:00:25080——> 00:00:30630
谷歌加摄影师朋友
COM2012我走到桥与

5
00:00:30630——> 00:00:37880
几个朋友和我们种下
犯罪这非常艰巨的夹岩

6
00:00:37880——> 00:00:41290
显然他们楼梯我们不
知道但我们有冒险，我们

7
00:00:41290——> 00:00:46290
得爬下悬崖地区和
使它的演讲，我不能让

8
00:00:46290——> 00:00：50000
接近近
直到我找到了一个地方，我觉得那里的

9
00:00:50000——> 00:00:54790
成分真的很强，现在我们
没有云，我们没有

10
00:00:54790——> 00:00:59390
任何雾，所以我没有很多工作
在天空所以我真的

11
00:00:59390——> 00:01:04309
重点水桥现在
前几帧实际上是

12
00:01:04309——> 00:01:08619
那些我喜欢的最好的
这是第一形象，我拿

13
00:01:08619——> 00:01:11859
你知道我没有用过滤的我只是一个
直线球让太阳掀起

14
00:01:11859——> 00:01:16069
到我的左边，有一个很好的或
阴霾但我真的很喜欢在

15
00:01:16069发生了什么——> 00：01:19950
天空背景中的山脉
在接下来的辉光在实际桥梁

16
00:01:19950——> 00:01:26340
本身然后我忘了联盟这
类作为基线，我长

17
00:01:26340——> 00:01:30630
暴露与中性密度滤光片
使用我相信我曾经参加

停止18
00:01:30630——> 00:01:34880
甚至从中立研究
学生以及但中性密度

19
00:01:34880——> 00:01:39179
滤波器它的作用是使这
水在这里完全软你知道

20
00:01:39179——> 00:01:42639
和完全平等的事
出世了，你仍然可以看到一些

21
00:01:42639——> 00:01:47619
阴影的元素从岩石
夕阳偏左，但我

22
00:01:47，619——> 00:01:51189
决定用这个图像然后
第一图像和燃烧起来

23
00:01:51189——> 00:01:56369
迅速告诉你一些其他的
照片从这次冒险中你可以看到

24
00:01:56369——> 00:02:03349
医生离开现场，
云卷雾开始在我

25
00:02:03349——> 00:02:07919
仍然围绕组成
玩在不同的环境和不同的

26
00:02:07919——> 00:02:08679
位置

27
00:02:08679——> 00:02:12590
INS然后雾早去
桥竟落得被

28
00:02:12590——> 00:02:16719
真的需要结束和我结束
一些照片和我做喜欢这里

29
00:02:16719——> 00:02:22150
但你知道最终是那些
第一夫妇的镜头，我真的很喜欢

30
00:02:22150——> 00:02:28000
整体所以当我要做的是我
去使用这些图像在这里

31
00:02:28000——> 00:02:33000
所以我竟然有一种
消除很多噪音，让

32
00:02:33000——> 00:02:37409
其他图像过滤他们我没有
旗是我

33
00:02:37409——> 00:02:40飞了很多，