100:00:00,000 --> 00:00:13,710we're

1
00:00:00,000 --> 00:00:13,710
we're not going to go into too much

2
00:00:11,670 --> 00:00:16,470
detail about how the curves adjustment

3
00:00:13,710 --> 00:00:17,730
works in terms of you know the inner

4
00:00:16,470 --> 00:00:18,869
workings of it we're going to assume

5
00:00:17,730 --> 00:00:20,970
that you already know that because again

6
00:00:18,869 --> 00:00:22,320
this isn't the Foundation's course but

7
00:00:20,970 --> 00:00:24,240
essentially you know we're going to

8
00:00:22,320 --> 00:00:26,369
manipulate the luminosity of the image

9
00:00:24,240 --> 00:00:27,359
by moving the sort of points and

10
00:00:26,369 --> 00:00:29,220
typically speaking we're going to be

11
00:00:27,359 --> 00:00:31,289
moving point somewhere in the middle of

12
00:00:29,220 --> 00:00:32,460
this line as opposed to the outer edges

13
00:00:31,289 --> 00:00:33,930
of and the reason for that is that we

14
00:00:32,460 --> 00:00:35,730
you know let's say we want the shadows

15
00:00:33,930 --> 00:00:37,710
brighter we don't really want to grab

16
00:00:35,730 --> 00:00:39,090
this end point and start pulling it up

17
00:00:37,710 --> 00:00:40,950
and the reason for that is that if we

18
00:00:39,090 --> 00:00:43,260
pull it to hear you can see what happens

19
00:00:40,950 --> 00:00:45,510
to the histogram is that effectively on

20
00:00:43,260 --> 00:00:48,210
the left-hand side where we had this

21
00:00:45,510 --> 00:00:50,340
information shifted all the way to the

22
00:00:48,210 --> 00:00:52,530
left side were you know this indicates a

23
00:00:50,340 --> 00:00:54,149
black point effectively it's just pure

24
00:00:52,530 --> 00:00:55,710
black in there we haven't really

25
00:00:54,149 --> 00:00:57,870
recovered any detail from that we

26
00:00:55,710 --> 00:01:00,480
haven't flatten this information out and

27
00:00:57,870 --> 00:01:02,399
sort of stretched in we really just done

28
00:01:00,480 --> 00:01:05,670
is shifted the histogram so we've taken

29
00:01:02,399 --> 00:01:07,290
contrast out of the image by you know

30
00:01:05,670 --> 00:01:10,110
taking the Black Point and making it

31
00:01:07,290 --> 00:01:12,119
less black so we you know we effectively

32
00:01:10,110 --> 00:01:13,740
kind of turn black little more gray and

33
00:01:12,119 --> 00:01:15,119
so that's not actually recover any

34
00:01:13,740 --> 00:01:16,290
details if we wanted more detail and

35
00:01:15,119 --> 00:01:18,630
they're the best thing of course to do

36
00:01:16,290 --> 00:01:20,850
would be to do that within the raw file

37
00:01:18,630 --> 00:01:22,770
itself either by doing a local

38
00:01:20,850 --> 00:01:25,200
adjustment with in capture one and just

39
00:01:22,770 --> 00:01:27,960
bring some shadow detail out or creating

40
00:01:25,200 --> 00:01:30,450
you know multiple variants of that file

41
00:01:27,960 --> 00:01:31,920
and then blending them together to you

42
00:01:30,450 --> 00:01:34,140
know once we actually get in Photoshop

43
00:01:31,920 --> 00:01:36,540
masking in certain areas that we want to

44
00:01:34,140 --> 00:01:38,070
have a little bit more information it so

45
00:01:36,540 --> 00:01:40,530
generally speaking to stay away from

46
00:01:38,070 --> 00:01:42,299
these powerpoints same thing goes over

47
00:01:40,530 --> 00:01:44,130
here you know we're not going to recover

48
00:01:42,299 --> 00:01:45,659
any detail in the highlights this way

49
00:01:44,130 --> 00:01:47,909
again all were doing is just shifting

50
00:01:45,659 --> 00:01:49,259
the histogram over from the right-hand

51
00:01:47,909 --> 00:01:51,930
side to the left hand side and just

52
00:01:49,259 --> 00:01:53,040
injecting some greatness into the

53
00:01:51,930 --> 00:01:55,890
highlights but we're not actually

54
00:01:53,040 --> 00:01:56,729
retrieving any more detail in there so

55
00:01:55,890 --> 00:01:58,290
generally speaking we're gonna be

56
00:01:56,729 --> 00:02:00,329
keeping our point somewhere in here now

57
00:01:58,290 --> 00:02:02,009
let's say we want to create a slightly

58
00:02:00,329 --> 00:02:03,479
more moody image by darkening it down so

59
00:02:02,009 --> 00:02:04,920
we can do is we can pull this down a

60
00:02:03,479 --> 00:02:07,439
little bit and of course you have to be

61
00:02:04,920 --> 00:02:08,970
mindful of the fact that you're going to

62
00:02:07,439 --> 00:02:11,220
lose a little bit of information and the

63
00:02:08,970 --> 00:02:13,300
process so so any adjustments you do

64
00:02:11,220 --> 00:02:14,740
have to be fairly minor in nature

65
00:02:13,300 --> 00:02:18,700
if you do want to make a big adjustment

66
00:02:14,740 --> 00:02:20,710
you can always do that at the end using

67
00:02:18,700 --> 00:02:22,750
you know if we can essentially group all

68
00:02:20,710 --> 00:02:24,520
of this together into a smart object and

結果 (中文) 1:

100:00:00，000--> 00:00:13，710我们不会去太多200:00:11，670--> 00:00:16，470详细地介绍如何曲线调整300:00:13，710--> 00:00:17，730工程按你知道内400:00:16，470--> 00:00:18，869我们要去承担它的运作500:00:17，730--> 00:00:20，970你已经知道，因为再一次600:00:18，869--> 00:00:22，320这不是基础课程，但700:00:20，970--> 00:00:24，240基本上，你知道我们要去800:00:22，320--> 00:00:26，369操作图像的亮度900:00:24，240--> 00:00:27，359通过移动的点排序和1000:00:26，369--> 00:00:29，220通常讲我们要1100:00:27，359--> 00:00:31，289移动点在某个地方的中间1200:00:29，220--> 00:00:32，460这条线而不是外边缘1300:00:31，289--> 00:00:33，930原因就是我们1400:00:32，460--> 00:00:35，730你知道吧说我们想要的阴影1500:00:33，930--> 00:00:37，710光明，我们真的不想抢1600:00:35，730--> 00:00:39，090此终结点和开始拔1700:00:37，710--> 00:00:40，950其理由是，如果我们1800:00:39，090--> 00:00:43，260拉它能听到你可以看到发生了什么1900:00:40，950--> 00:00:45，510对直方图的实际上是对2000:00:43，260--> 00:00:48，210我们在那里，这在左手边2100:00:45,510 --> 00:00:50,340information shifted all the way to the2200:00:48,210 --> 00:00:52,530left side were you know this indicates a2300:00:50,340 --> 00:00:54,149black point effectively it's just pure2400:00:52,530 --> 00:00:55,710black in there we haven't really2500:00:54,149 --> 00:00:57,870recovered any detail from that we2600:00:55,710 --> 00:01:00,480haven't flatten this information out and2700:00:57,870 --> 00:01:02,399sort of stretched in we really just done2800:01:00,480 --> 00:01:05,670is shifted the histogram so we've taken2900:01:02,399 --> 00:01:07,290contrast out of the image by you know3000:01:05,670 --> 00:01:10,110taking the Black Point and making it3100:01:07,290 --> 00:01:12,119less black so we you know we effectively3200:01:10,110 --> 00:01:13,740kind of turn black little more gray and3300:01:12,119 --> 00:01:15,119so that's not actually recover any3400:01:13,740 --> 00:01:16,290details if we wanted more detail and3500:01:15,119 --> 00:01:18,630they're the best thing of course to do3600:01:16,290 --> 00:01:20,850would be to do that within the raw file3700:01:18,630 --> 00:01:22,770itself either by doing a local3800:01:20,850 --> 00:01:25,200adjustment with in capture one and just3900:01:22,770 --> 00:01:27,960bring some shadow detail out or creating4000:01:25,200 --> 00:01:30,450你知道该文件的多个变种4100:01:27，960--> 00:01:31，920再给你一起对他们进行混合4200:01:30，450--> 00:01:34，140知道我们一旦实际上在 Photoshop 中4300:01:31，920--> 00:01:36，540在某些领域，我们想要的掩蔽4400:01:34，140--> 00:01:38，070有多一点点信息它所以4500:01:36，540--> 00:01:40，530一般来说要远离4600:01:38，070--> 00:01:42，299同样的事情超出这些幻灯片4700:01:40，530--> 00:01:44，130在这里，你知道我们不打算恢复4800:01:42，299--> 00:01:45，659高光这种方式中的任何细节4900:01:44，130--> 00:01:47，909所有被再一次做只转移5000:01:45，659--> 00:01:49，259从右手在直方图5100:01:47，909--> 00:01:51，930侧边到左手和公正5200:01:49，259--> 00:01:53，040注射到一些伟大5300:01:51 930--> 00:01:55，890亮点，但我们其实不是5400:01:53，040--> 00:01:56，729所以检索任何更多的细节在那里5500:01:55，890--> 00:01:58，290一般来说，我们要5600:01:56，729--> 00:02:00，329保持我们点在某个地方在这里现在5700:01:58，290--> 00:02:02，009我们想要创建略5800:02:00，329--> 00:02:03，479更喜怒无常图像由暗它如此失望5900:02:02，009--> 00:02:04，920我们可以做我们可以放下这6000:02:03，479--> 00:02:07，439小一点，当然你一定要6100:02:04，920--> 00:02:08，970注意到你要去的事实6200:02:07，439--> 00:02:11，220失去了一些有用的信息和6300:02:08，970--> 00:02:13，300处理你做如此所以任何调整6400:02:11，220--> 00:02:14，740必须是性质相当轻微6500:02:13，300--> 00:02:18，700如果你想要作大的调整6600:02:14，740--> 00:02:20，710你总是那样做 — — 在结束使用6700:02:18，700--> 00:02:22，750你知道是否我们基本上可以将所有组合6800:02:20，710--> 00:02:24，520这在一起成一个智能对象和

結果 (中文) 3:

一00:00: 00000 --> 00:00:13710我们不会去太多二00:00:11670 --> 00:00:16470关于如何调整曲线的细节三00:00:13710 --> 00:00:17730在你的作品中知道内心四00:00:16470 --> 00:00:18869它的运作，我们将承担五00:00:17730 --> 00:00:20970你已经知道，因为再次六00:00:18869 --> 00:00:22320这不是基础的课程，但七00:00:20970 --> 00:00:24240从本质上说，你知道我们要八00:00:22320 --> 00:00:26369操纵图像的亮度九00:00:24240 --> 00:00:27359通过移动点和十00:00:26369 --> 00:00:29220通常来说，我们将是十一00:00:27359 --> 00:00:31289移动点在中间的十二00:00:29220 --> 00:00:32460这条线，而不是外边缘十三00:00:31289 --> 00:00:33930我们的原因是，我们十四00:00:32460 --> 00:00:35730你知道，让我们说，我们想要的阴影十五00:00:33930 --> 00:00:37710更明亮，我们真的不想抓住十六00:00:35730 --> 00:00:39090这一结束点，并开始拉起来十七00:00:37710 --> 00:00:40950而原因是，如果我们十八00:00:39090 --> 00:00:43260拉它听你可以看到发生了什么十九00:00:40950 --> 00:00:45510到直方图是有效的二十00:00:43260 --> 00:00:48210我们有这个的左手边二十一00:00:45510 --> 00:00:50340信息一路转移到二十二00:00:48210 --> 00:00:52530左边是你知道这表明了一个二十三00:00:50340 --> 00:00:54149有效地它只是纯粹的二十四00:00:52530 --> 00:00:55710我们还没有真的在那里二十五00:00:54149 --> 00:00:57870从我们的任何细节二十六00:00:55710 --> 00:01:00480没有把这个信息和二十七00:00:57870 --> 00:01:02399我们真的刚刚做了一点二十八00:01:00480 --> 00:01:05670是移动的直方图，所以我们已经采取二十九00:01:02399 --> 00:01:07290对比的图像由你知道三十00:01:05670 --> 00:01:10110带布莱克波因特，使它三十一00:01:07290 --> 00:01:12119少了黑色，所以我们你知道我们有效三十二00:01:10110 --> 00:01:13740那种变成黑色的多灰色和三十三00:01:12119 --> 00:01:15119所以这并没有真正恢复三十四00:01:13740 --> 00:01:16290细节，如果我们想要更多的细节和三十五00:01:15119 --> 00:01:18630他们是最好的事情当然要做三十六00:01:16290 --> 00:01:20850将在原始文件中这样做三十七00:01:18630 --> 00:01:22770本身可以通过做一个本地三十八00:01:20850 --> 00:01:25200在捕获一个调整和公正三十九00:01:22770 --> 00:01:27960带来一些阴影细节或创造四十00:01:25200 --> 00:01:30450你知道这个文件的多个变种四十一00:01:27960 --> 00:01:31920然后将它们混合在一起四十二00:01:30450 --> 00:01:34140一旦我们在PS图象处理软件知道四十三00:01:31920 --> 00:01:36540掩蔽在某些区域，我们要四十四00:01:34140 --> 00:01:38070有一点点更多的信息，所以四十五00:01:36540 --> 00:01:40530一般来说远离四十六00:01:38070 --> 00:01:42299这些幻灯片一样走四十七00:01:40530 --> 00:01:44130在这里，你知道我们不会恢复四十八00:01:42299 --> 00:01:45659任何细节，以这种方式四十九00:01:44130 --> 00:01:47909再次，所有的一切都只是转移五十00:01:45659 --> 00:01:49259从右边的直方图五十一00:01:47909 --> 00:01:51930侧到左手边，只是五十二00:01:49259 --> 00:01:53040向一些伟大注入五十三00:01:51930 --> 00:01:55890亮点，但我们实际上不是五十四00:01:53040 --> 00:01:56729在那里检索任何更详细的五十五00:01:55890 --> 00:01:58290一般来说，我们会是五十六00:01:56729 --> 00:02:00329保持我们的观点在这里的某个地方五十七00:01:58290 --> 00:02:02009让我们说，我们要创建一个稍微五十八00:02:00329 --> 00:02:03479通过加深了所以更加情绪化的图像五十九00:02:02009 --> 00:02:04920我们能做的就是把这下一个六十00:02:03479 --> 00:02:07439有一点，当然你必须六十一00:02:04920 --> 00:02:08970考虑到你要去的事实六十二00:02:07439 --> 00:02:11220失去一点点的信息和六十三00:02:08970 --> 00:02:13300过程，所以你做任何调整六十四00:02:11220 --> 00:02:14740必须在本质上是相当小的六十五00:02:13300 --> 00:02:18700如果你想做一个大调整六十六00:02:14740 --> 00:02:20710你可以一直这样做，在最终使用六十七00:02:18700 --> 00:02:22750你知道，如果我们基本上都可以六十八00:02:20710 --> 00:02:24520这一起成为一个智能对象和