40900:34:43,330 --> 00:34:47,250moo

409
00:34:43,330 --> 00:34:47,250
moon walk to the site I'm not gonna move
language can point to head into the

410
00:34:47,250 --> 00:34:52,550
corner and we're gonna hit that corner
and now are light source is going to

411
00:34:52,550 --> 00:35:00,610
become that corner and let's see how it
does with him

412
00:35:00,610 --> 00:35:07,170
now we've got a little bit of side like
you can see from underneath the chin

413
00:35:07,170 --> 00:35:10,410
that there's a little bit of shadowing
going on over here but it's so diffuse

414
00:35:10,410 --> 00:35:13,780
the set off to the side is totally gone
cause we're just blessed night all over

415
00:35:13,780 --> 00:35:14,810
the room

416
00:35:14,810 --> 00:35:18,550
alright so we're gonna do air
conditioning lighting here will turn a

417
00:35:18,550 --> 00:35:23,330
little more so its plans the air
conditioner and want to see if we can

418
00:35:23,330 --> 00:35:27,610
get a little bit more side lid on him
just to see what it does I highly

419
00:35:27,610 --> 00:35:30,950
recommend getting an air conditioner in
that is color balance for your studio

420
00:35:30,950 --> 00:35:38,600
alright see outside let so the air
conditioner lighting is fantastic you

421
00:35:38,600 --> 00:35:41,570
just bounce it off there and you get a
little bit more sidelight out of it you

422
00:35:41,570 --> 00:35:45,460
can see is the side of his face gold are
can get a little more shadow pretty cool

423
00:35:45,460 --> 00:35:50,120
guys I'm having fun with this I like
what we've done so far I'm a big fan air

424
00:35:50,120 --> 00:35:55,510
conditioning lighting I want to try and
i wanna try and go we've been flattered

425
00:35:55,510 --> 00:35:59,070
and software so I wanna bouncing around
the room even more so what I'm gonna do

426
00:35:59,070 --> 00:36:03,300
is I'm gonna create a massive softbox
and I'm just gonna point this sucker

427
00:36:03,300 --> 00:36:07,940
right at the back wall actually lower
and little bit now the only thing I

428
00:36:07,940 --> 00:36:11,880
might be concerned of his flair and I
can break think we're ok like this and

429
00:36:11,880 --> 00:36:17,860
I'm gonna get a little bit of balance
off here from the from the direction I'm

430
00:36:17,860 --> 00:36:21,580
pointing it so I'm gonna get a lot of
down like the strongest bounces going to

431
00:36:21,580 --> 00:36:25,060
be right here which is over his head
when I'm gonna get filled from that back

432
00:36:25,060 --> 00:36:31,470
wall with this is really going to look
like an overcast day with light down on

433
00:36:31,470 --> 00:36:36,420
top of them and I'm probably gonna bring
in a little bit this way so we keep we

434
00:36:36,420 --> 00:36:41,620
keep our are the main light source off
to the side so we get we do you see any

435
00:36:41,620 --> 00:36:49,440
shadow be over in here let's try this
case I just love this I mean I so simple

436
00:36:49,440 --> 00:36:53,690
I mean you have to have a way room
obviously and I am getting bounced off

437
00:36:53,690 --> 00:36:57,630
the floor in the floors you know warmer
so that you might have to adjust your

438
00:36:57,630 --> 00:37:02,360
white balance obviously I've got a linen
backdrop here that's getting some

439
00:37:02,360 --> 00:37:06,670
something hit to a two so you going to
depend upon your surroundings you wanna

440
00:37:06,670 --> 00:37:10,430
much would like does when you blow
around the room like this but I'm amazed

441
00:37:10,430 --> 00:37:15,090
at how it looks like like he's outside
on an overcast day really is just super

442
00:37:15,090 --> 00:37:19,330
cool guys bouncing is a tool that we
only use as photographers that can't be

443
00:37:19,330 --> 00:37:20,370
underestimated

444
00:37:20,370 --> 00:37:23,690
I'm bouncing light on the time off
different things off the flats or

445
00:37:23,690 --> 00:37:27,610
ceilings we have the ability to shape
this light to make it look more like

446
00:37:27,610 --> 00:37:32,100
natural light into put it wherever we
wanted on him we're using it very subtly

447
00:37:32,100 --> 00:37:36,750
here and bouncing around the room and
I'm just loving the effect that we got

448
00:37:36,750 --> 00:37:40,180
here in the shop so now I'm gonna put
the light source behind him and take

449
00:37:40,180 --> 00:37:43,660
shots as if the Sun was behind the
subject which I like to do so we can try

450
00:37:43,660 --> 00:37:49,130
that

451
00:37:49,130 --> 00:37:51,620
now I've got the light behind him would
just get tickets

452
00:37:51,620 --> 00:37:55,590
he's gonna go a little bit dark but then
we're gonna bring some fill-in we've got

453
00:37:55,590 --> 00:38:00,200
some bounce off the wall Sutil will
light up slightly but let's just see

454
00:38:00,200 --> 00:38:06,390
what this looks so guys this correctly
exposed shower but it looks like he's

455
00:38:06,390 --> 00:38:10,100
outside right looks like the Sun is just
blasting them and we're over exposing

456
00:38:10,100 --> 00:38:13,470
its just abusing his head

457
00:38:13,470 --> 00:38:16,130
all right we're gonna stop down the
Camry in a darkened him up a little bit

458
00:38:16,130 --> 00:38:20,800
so we get more detail on the side of his
head

459
00:38:20,800 --> 00:38:27,930
let's go down let's go F 11 see what
that does to now we've lost faith in me

460
00:38:27,930 --> 00:38:31,090
up 16 we're gonna bring the beat flat in
and see if we can open up some of those

461
00:38:31,090 --> 00:38:41,930
shadows and then adjust properly in turn
even the south for this example I think

462
00:38:41,930 --> 00:38:47,240
it's great to see how we can feel with
some be flat and you can use reflectors

463
00:38:47,240 --> 00:38:51,770
on both sides or whatever and get them a
little bit closer to your subject and

464
00:38:51,770 --> 00:38:55,390
try something like this I have met
pigmeat flats in the studio so it's kind

465
00:38:55,390 --> 00:38:59,460
of nice to be able to fill and see if we
can get now I can lower the light which

466
00:38:59,460 --> 00:39:04,470
I can't lower the Sun the only way I can
lower the Sun is if I lower my camera

467
00:39:04,470 --> 00:39:10,260
and then I can get the Sun lower on him
by going going down or sky and it's

468
00:39:10,260 --> 00:39:14,010
dependent on what's in the background
outside in the studio we have more

469
00:39:14,010 --> 00:39:18,230
control obviously so I think this is a
great example what it would look like if

470
00:39:18,230 --> 00:39:22,090
the city was outside on a bright sunny
day in the Sun was behind him and we

471
00:39:22,090 --> 00:39:25,830
were filming from the front to simple
technique that you can use outside but

472
00:39:25,830 --> 00:39:29,780
just make sure you have assistance of
reflectors or I used buildings I use

473
00:39:29,780 --> 00:39:35,380
sides of mountains I use it depends on
your environment where you are in but if

474
00:39:35,380 --> 00:39:39,090
you're looking for a good place to shoot
I like big balls that bounce a lot of

475
00:39:39,090 --> 00:39:42,640
light on my subjects and I'll use that
outside should be looking for that it's

476
00:39:42,640 --> 00:39:46,250
rare that I recreate natural light in
the studio but if you wanna be a

477
00:39:46,250 --> 00:39:49,180
well-rounded photographer in this part
of your balancing act you get to know

478
00:39:49,180 --> 00:39:53,720
this stuff you technical in your back
pocket when you're shooting be needed if

479
00:39:53,720 --> 00:39:57,240
a client says hey can you make it look
more like mentally looks too much studio

480
00:39:57,240 --> 00:39:59,830
you have one of these techniques and

481
00:39:59,830 --> 00:40:03,850
so let's get this stuff away and we're
moving as modifiers that I use on a

482
00:40:03,850 --> 00:40:09,680
daily basis in the studio

483
00:40:09,680 --> 00:40:16,220
when you buy a light comes like this
there had nothing on it if you want to

484
00:40:16,220 --> 00:40:21,119
change or modify your was going to add
something like this to change hard light

485
00:40:21,119 --> 00:40:26,170
most of the time it's a it's a simple
reflector to soften the light we're

486
00:40:26,170 --> 00:40:30,349
gonna put something on top of the light
to soften it that it's gonna shoot

487
00:40:30,349 --> 00:40:33,720
through but for hard like we don't want
to shoot do anything we want to shoot it

488
00:40:33,720 --> 00:40:40,300
straight out and just harness it or
focus it with the simple reflector

489
00:40:40,300 --> 00:40:44,380
software I can be really forgiving on
the model and where you place it matters

490
00:40:44,380 --> 00:40:48,740
obviously but it's it's forgiving so you
know if you get it a little bit off you

491
00:40:48,740 --> 00:40:52,490
can always tweak it and you know play
with it and get away with it with

492
00:40:52,490 --> 00:40:57,319
hardline you not get away with anything
hard line is gonna give you some tequila

493
00:40:57,319 --> 00:41:03,099
shadows and some dance shadows so you
have to really watch where you place

494
00:41:03,099 --> 00:41:08,089
this hard like I shoot a lot of soft
light but it is possible to get awesome

495
00:41:08,089 --> 00:41:11,460
shots and obviously people do this all
the time with hard light and i'd like

496
00:41:11,460 --> 00:41:14,299
messing with hard like to see that's
what we're gonna do now

497
00:41:14,299 --> 00:41:19,109
hey guys do now where we're starting a
rock-and-roll we've got the inverse

498
00:41:19,109 --> 00:41:23,349
square law pin down we just figured out
what hard and soft light was we know

499
00:41:23,349 --> 00:41:25,569
that the source real close

500
00:41:25,569 --> 00:41:29,460
softens the light moving it back hardens
it so now we're gonna work on key lights

結果 (中文) 1:

40900:34:43，330--> 00:34:47，250月亮走到我不会移动的网站语言可以指向头成41000:34:47，250--> 00:34:52，550角落里，我们要去打那个角落现在光源去41100:34:52，550--> 00:35:00，610成为那个角落里，让我们看看如何它没有与他41200:35:00，610--> 00:35:07，170现在我们有了一点点的侧面像你可以看到从下面下巴41300:35:07，170--> 00:35:10，410是有一点点的阴影就在这里，但它是如此的弥散41400:35:10，410--> 00:35:13，780到一边掀起是完全消失了因为我们只是都超过幸福的夜41500:35:13，780--> 00:35:14，810房间41600:35:14，810--> 00:35:18，550那好吧，我们要做空气空调照明在这里会变成41700:35:18，550--> 00:35:23，330更多其计划的空气护发素和想要看我们能不能41800:35:23，330--> 00:35:27，610在他身上得到多一点点的侧盖只是为了看看它高度做我41900:35:27，610--> 00:35:30，950建议获取一种空气调节器这就是你的工作室的色彩平衡42000:35:30，950--> 00:35:38，600好吧看到外面让所以空气护发素照明是神奇你42100:35:38，600--> 00:35:41，570只是会被弹开那里，你得到一点点更多侧出来你42200:35:41，570--> 00:35:45，460可以看到他的脸黄金的一侧是可以得到多一点的影子很酷42300:35:45，460--> 00:35:50，120我正在玩这个我喜欢的家伙我们所做的到目前为止我的大风扇空气42400:35:50，120--> 00:35:55，510空调的照明我想尝试和我想要试着要去我们已经受宠若惊42500:35:55，510--> 00:35:59，070和软件，所以我想让蹦跳着房间里更是如此怎么办42600:35:59，070--> 00:36:03，300是我要去创建大量的柔光和我只要去点这个抽油42700:36:03，300--> 00:36:07，940在后面的墙实际上低于右拐和一点点现在唯一我42800:36:07，940--> 00:36:11，880可能是他的天资与有关可以打破认为我们可以像这样和42900:36:11 880--> 00:36:17，860我要去得到一点点的平衡在从这里下车从我的方向43000:36:17，860--> 00:36:21，580指向它，所以要大量的低的就像去最强反弹43100:36:21，580--> 00:36:25，060在这里，是在他的头何时得到填补从那回来43200:36:25 060--> 00:36:31，470这墙真的要看像阴天下灯还亮着43300:36:31，470--> 00:36:36，420顶级的他们和我可能要去带在小咬这种方式使我们保持我们43400:36:36，420--> 00:36:41，620远离我们是主要的光源这样我们得到我们你看到任何43500:36:41，620--> 00:36:49，440影子会结束在这里让我们试试这个我只是爱我的意思是我这么简单的案件43600:36:49，440--> 00:36:53，690我的意思是你必须有一个方式房间很明显又获得反弹43700:36:53，690--> 00:36:57，630在楼层地板你知道温暖所以，您可能必须调整你43800:36:57，630--> 00:37:02，360白平衡很明显我还有一个床单背景，得到了一些43900:37:02，360--> 00:37:06，670有东西打到了两所以你去不去取决于你想要给你周围的环境44000:37:06，670--> 00:37:10，430很多像时会你吹像这个，但房间里我感到很惊讶44100:37:10，430--> 00:37:15，090在如何看起来像他在外面在阴天里真的是只超级44200:37:15，090--> 00:37:19，330酷哥弹跳是一种工具，我们作为摄影师，不能只使用44300:37:19，330--> 00:37:20，370低估了44400:37:20，370--> 00:37:23，690我反射光的时间不同的东西掉在单位或44500:37:23，690--> 00:37:27，610我们有能力向形状的天花板这光，使它看起来更像14S00:37:27，610--> 00:37:32，100天然光成把它放哪里我们他想要我们使用它非常巧妙的44700:37:32，100--> 00:37:36，750这里和弹跳都在房间里和我只爱着我们的影响44800:37:36，750--> 00:37:40，180这里在店里所以现在我要去把后面他和带光源44900:37:40，180--> 00:37:43，660射击就好像太阳背后我想我们可以尝试这样做的主题45000:37:43，660--> 00:37:49，130那45100:37:49，130--> 00:37:51，620现在，我已经在他身后光会只是买到票45200:37:51，620--> 00:37:55，590他要去但后来有点黑我们要带给我们一些填充45300:37:55，590--> 00:38:00，200一些反弹从墙上苏蒂尔将稍亮，但是让我们看看45400:38:00，200--> 00:38:06，390所以这看起来啊这正确暴露的淋浴，但看上去他像得了45500:38:06，390--> 00:38:10，100外面的权利看起来像太阳只是爆破他们我们就会过曝45600:38:10，100--> 00:38:13，470它只滥用他的头45700:38:13，470--> 00:38:16，130好吧我们要停下来凯美瑞在黑暗中的他一点点45800:38:16，130--> 00:38:20，800所以我们得到更多的细节，在他的边头45900:38:20，800--> 00:38:27，930我们走吧，让我们去 F 11 看到什么现在我们已经失去了我的信心，这会对46000:38:27，930--> 00:38:31，09016 起我们要带来打平看看如果我们可以开放一些的那些46100:38:31，090--> 00:38:41，930阴影，然后反过来适当调整我认为即使对于本例南46200:38:41，930--> 00:38:47，240它很高兴看到我们的感受可以用一些平，你可以使用反射器46300:38:47，240--> 00:38:51，770对双方或不管，让他们与你的题目更近一点，46400:38:51，770--> 00:38:55，390试试我遇到这样的事情在工作室里这就有点猪肉单位46500:38:55，390--> 00:38:59，460真好能填满，看看我们可以拿到，现在我可以把灯放低，46600:38:59，460--> 00:39:04，470我不能再低的太阳的唯一的方法我可以如果我把我的相机太阳越低46700:39:04，470--> 00:39:10，260然后我可以得到太阳低上他由走或天空和它的46800:39:10 260--> 00:39:14，010依赖于什么是在背景中外面在工作室里我们有更多46900:39:14，010--> 00:39:18，230明显的控制作用所以我认为这是很好的例子它会是什么样子如果47000:39:18，230--> 00:39:22，090城市在外面明亮晴朗一天在太阳下是他和我们背后47100:39:22，090--> 00:39:25，830从前面拍摄到简单您可以使用的技术而非心理外部47200:39:25，830--> 00:39:29，780只要确保你有的援助我用的建筑用反射或我47300:39:29，780--> 00:39:35，380两边的山我使用它取决于你在哪里在但如果您的环境47400:39:35，380--> 00:39:39，090您正在寻找一个好的地方拍摄我喜欢蹦蹦跳跳的很多的大球47500:39:39，090--> 00:39:42，640光在我的主题会并用，外界应该寻找它了47600:39:42，640--> 00:39:46，250难得我重新创建在自然光线但如果你想要的工作室47700:39:46，250--> 00:39:49，180在这一部分的圆润摄影师你平衡的你要知道47800:39:49，180--> 00:39:53，720这东西你技术在你的背如果口袋里当你拍摄的需要47900:39:53，720--> 00:39:57，240客户端说: 嘿你可以使它看起来更像弱智看起来太多工作室48000:39:57，240--> 00:39:59，830你有一个这些技术和48100:39:59，830--> 00:40:03，850所以让我们把这种东西走了我们移动作为我在使用的修饰符48200:40:03，850--> 00:40:09，680每天在录音室里48300:40:09，680--> 00:40:16，220当你购买一亮，就像这样那里什么也没穿它如果你想48400:40:16，220--> 00:40:21，119更改或修改您要添加这样的事情来改变硬光48500:40:21，119--> 00:40:26，170大多数情况下它是它的一个简单的反射器，以使我们的光线柔和48600:40:26，170--> 00:40:30，349要放点东西在光以软化它，就要拍摄48700:40:30，349--> 00:40:33，720通过而坚硬象我们不想拍摄做任何我们想毙了它48800:40:33，720--> 00:40:40，300直出，只是利用它的或集中与简单反射器48900:40:40，300--> 00:40:44，380我可以真正宽容上的软件模型和放置它的事项49000:40:44，380--> 00:40:48，740很明显，但它是它原谅这样你知道是否你得到它一点点掉你49100:40:48，740--> 00:40:52，490总是可以调整它，你知道玩它与走吧走吧与它与49200:40:52，490--> 00:40:57，319强硬派你逃脱不了任何东西硬线要给你一些龙舌兰酒49300:40:57，319--> 00:41:03，099阴影和一些跳舞阴影所以你要好好看看你的地方49400:41:03，099--> 00:41:08，089这坚硬的象我拍了很多的软光，但它有可能获得令人敬畏49500:41:08，089--> 00:41:11，460镜头和明显的人做这一切时间与硬光和我想49600:41:11，460--> 00:41:14，299摆弄硬喜欢看的我们现在要做什么49700:41:14，299--> 00:41:19，109嘿伙计们做现在在哪里我们开始摇滚我们逆49800:41:19，109--> 00:41:23，349平方律牵制我们只是想出是什么硬性和软性的光是我们知道49900:41:23，349--> 00:41:25，569真正的源关闭50000:41:25，569--> 00:41:29，460移动它回来变硬的光线柔和它所以现在我们要工作路上关键灯

結果 (中文) 3:

409
00:34:43330——> 00:34:47250
月亮走我不会走的
语言网站能点头到

410
00:34:47250——> 00:34:52550
角落，我们会打到角落
现在是光源要

411
00:34:52550——> 00:35:00610
成为角让我们来看看如何
确实与他

412
00:35:00610——> 00:35:07170
现在我们已经有了一点点的侧面像
你可以看到从下面的下巴

413
00:35:07170——> 00:35:10410
，有一点点的阴影
这里发生但很漫

414
00:35:10410——> 00:35:13780
集一边完全消失了
原因我们只是幸福的夜在

415
00:35:13780——> 00:35:14810
房间

416
00:35:14810——> 00:35:18550
好所以我们得空气
空调照明这里会变成一个

417
00:35:18550——> 00:35:23330
点其计划的空气
空调，想看看我们是否能

418
00:35:23330——> 00:35:27610
得到一点点的侧盖在他
只是为了看看它我非常

419
00:35:27610——> 00:35:30950
建议在
，色彩平衡你的工作室

420
00:35:30950——> 00:35:38空调，600
可以看到外面让空气
空调照明棒极了你

421
00:35:38600——> 00:35:41570
刚刚反弹了，你会得到一个
点点滴了你

422
00:35:41570——> 00:35:45460
可以看到他的脸的侧面
可以得到黄金一点影子很酷

423
00:35:45460——> 00:35:50120
家伙我很开心我喜欢
我们所做的到目前为止我是一个大风扇的空气

424
00:35:50120——> 00:35:55510
空调照明我想试试
我想去我们一直奉承

425
00:35:55510——> 00:35:59070
和软件，所以我想跳跃
房间更是如此，我要做

426
00:35:59070——> 00:36:03300
是我要创建一个巨大的柔光箱
和我就点这个吸盘

427
00:36:03，300——>在后墙00:36:07940
权实际上降低
和点点现在我唯一

428
00:36:07940——> 00:36:11880
可能是他的天赋而言，我认为我们可以
可以打破这样

429
00:36:11880——> 00:36:17860
我会得到一点平衡
从这里从我

430
00:36:17860——> 00:36:21580
指向它，我会得到很多
方向像最强反弹去

431
00:36:21580——> 00:36:25060
在这里，在他的头上
当我从后面

432
00:36:25060——> 00:36:31470
墙，这是真的要去看
像

433
00:36:31470——> 00:36:36420
顶部他们和我可能会带来
一点点这样，我们保持我们

434
00:36:36光下阴天了，420——> 00:36:41620
保持我们是主要的光源下
到一边让我们得到我们你看到任何

435
00:36:41620——> 00:36:49440
影子在这里让我们试试这个
案例我爱这我的意思是我这么简单

436
00:36:49440——> 00:36:53690
我意味着你必须有一个明显的房间
我得到反弹

437
00:36:53690——> 00:36:57630
在你温暖的
地板地板所以，你可能需要调整你的

438
00:36:57630——> 00:37:02360
白平衡显然我已经有了一个亚麻
背景在这里得到了

439
00:37:02360——> 00:37:06670
什么东西打到一二所以你要
取决于你周围的环境你想

440
00:37:06670——> 00:37:10430
多希望什么时候你吹
在这样的房间里我很惊讶

441
00:37:10430——> 00：37:15090
如何看起来像他在外面
在阴天里真的是超级

442
00:37:15090——> 00:37:19330
酷家伙弹跳是一个工具，我们
只使用作为摄影师不能

443
00:37:19330——> 00:37:20370
低估

444
00:37:20370——> 00:37:23690
我跳跃的光在时间
不同的东西从单位或

445
00:37:23690——> 00:37:27610
天花板上我们有能力塑造
这光，使它看起来更像

446
00:37:27610——> 00:37:32100
自然光进入的地方放我们
想要他，我们用很巧妙的

447
00:37:32100——> 00:37:36750
这里蹦跳着房间，
我只是爱我们有

448
00:37:36750——> 00:37:40180
在店，所以现在我要把
效果光源在他身后走

449
00:37:40180——> 00:37:43660
镜头就像是太阳背后的
门我喜欢这么做我们可以

450
00:37:43660——> 00:37:49130
，

451
00:37:49130——> 00:37:51620
现在我得到了光在他后面将
刚买到票

452
00:37:51620——> 00:37:55590
他去有点暗但是
我们会带一些填写我们的

453
00:37:55590——> 00:38:00200
一些反弹的墙，苏蒂尔将
光略有上升但让我们看到的只是

454
00:38:00200——> 00:38:06390
这看起来这家伙正确
暴露淋浴但看起来他

455
00:38:06390——> 00:38:10100
右边看起来像太阳只是
爆破，我们在揭露

456
00:38:10100——> 00:38:13470
只是滥用他的头

457
00:38:13470——> 00:38:16130
好我们会停下来
凯美瑞在黑了他一点点

458
00:38:16130——> 00:38:20800
所以我们得到更多的细节在他的
头

459
00:38:20800侧——> 00:38:27930
我们下楼去看看F 11
，到现在我们的信念在我

460
00:38:27930——> 00:38:31090
16我们会在
把拍扁了看看我们能打开一些

461
00:38:31090——> 00:38:41930
阴影，然后适当调整反过来
甚至例如南我想

462
00:38:41930——> 00:38:47240
是杰出的看我们如何能感觉到
一定是平的，你可以使用反射

463
00:38:47240——> 00:38:51770
两侧或什么的，让他们
点点接近你的主题和

464
00:38:51，770——> 00:38:55390
试试这样的东西我见过
猪肉公寓在工作室，所以它是一种

465
00:38:55390——> 00:38:59460
好能够填补，看看我们
可以现在我可以降低光

466
00:38:59460——> 00:39:04470
我不能阳光下的我唯一能
下太阳如果我降低我的相机

467
00:39:04470——> 00:39:10260
然后我就可以得到太阳下他
去走或天空和它的

468
00:39:10260——> 00:39:14010
依赖什么在背景
外面的工作室，我们有更多的

469
00:39:14010——> 00:39:18230
控制明显，所以我认为这是一个
伟大的例子它看起来像什么如果

470
00:39:18230——> 00:39:22090
城市以外的一个阳光明媚的
一天太阳在他背后，我们

471
00:39:22090——> 00:39:25830
拍摄从前面简单的
技术，可以使用外部但

472
00:39:25830——> 00:39:29780
只是确保你有
反射器的援助或我用建筑我用

473
00:39:29780——> 00:39:35380
山坡我使用它取决于你的环境，你在
但如果

474
00:39:35380——> 00：39:39090
你在寻找一个好的拍摄地点
我喜欢大球的反弹，很多

475
00:39:39090——>在我的主题00:39:42640
光，我会用这
外面要寻找它的

476
00:39:42640——> 00:39:46250
稀罕我再现自然光
工作室，但如果你想成为一个

477
00:39:46250——> 00:39:49180
成熟的摄影师在这一部分
你的平衡，你知道

478
00:39:49180——> 00:39:53720
这东西你在你回来
技术的口袋时，你的拍摄需要如果

479
00:39:53720——> 00:39:57240
客户说嘿你能使它看起来更像
精神看起来太多的工作室

480
00:39:57240——> 00:39:59830
你有这些技术和

481
00:39:59830——> 00:40:03850
所以，让我们把这东西和我们
移动为改性剂，我使用一个

482
00:40:03850——>在工作室

483
00:40:09680 00:40:09680
每天——> 00:40:16220
当你买光是这样
有什么如果你想

484
00:40:16220——> 00:40:21119
改变或修改您要添加的
这样改变硬光

485
00:40:21119——> 00:40:26170
大部分的时间，这是一个很简单的
反射柔和的光我们

486
00:40:26170——> 00:40:30349
会把什么东西放在顶部的光
软化它，它会拍

487
00:40:30349——> 00:40:33720
通过但很难像我们不想
拍摄做任何我们想拍它

488
00:40:33720——> 00:40:40300
直出，只是利用它或
专注与简单的反射

489
00:40:40300——> 00:40:44380
软件我可以真的原谅
模型和您的地方事务

490
00:40:44380——> 00:40:48740
明显但它的原谅，所以你
知道你得到一点点你

491
00:40:48740——> 00:40:52490
总是可以调整它，你知道玩
它，摆脱它与

492
00:40:52490——> 00：40:57319
强硬的你没有得到的东西
硬线会给你一些龙舌兰

493
00:40:57319——> 00:41:03099
阴影和一些舞蹈的阴影，所以你
真得看你的地方

494
00:41:03099——> 00:41:08089
这很难像我拍了很多软
轻但有可能得到可怕的

495
00:41:08089——> 00:41:11460
投篮，显然所有的人做到这
时间与硬光，我想

496
00:41:11460——> 00:41:14299
摆弄努力想看的
我们现在要做

497
00:41:14299——> 00:41:19109
嘿现在我们开始
摇滚我们逆

498
00:41:19109——> 00:41:23349
平方律牵制我们刚刚发现
什么硬和软光是我们知道

499
00:41:23349——> 00:41:25569
这源
房近
500
00:41:25569——> 00:41:29460
软化轻搬回变硬
它所以现在我们要重点工作灯