100:00:22,660 --> 00:00:29,450so af

1
00:00:22,660 --> 00:00:29,450
so after that little break we are back
and when I'm done is to go through my

2
00:00:29,450 --> 00:00:35,120
files again to find some pieces that I
think will enhance this composite so

3
00:00:35,120 --> 00:00:38,190
let's just start that this piece right
here

4
00:00:38,190 --> 00:00:41,710
initially I thought you know the carpets
it a lot deeper in the river but this

5
00:00:41,710 --> 00:00:47,430
river is so shallow so what I want to do
is try to just put some water along here

6
00:00:47,430 --> 00:00:51,370
so it feels a little bit more like it's
in the water at least now kind of

7
00:00:51,370 --> 00:00:56,170
floating so instead of using the actual
dorcas I thought the one of you come up

8
00:00:56,170 --> 00:01:00,289
here first and just going to take some
of these pieces just zoom in to this

9
00:01:00,289 --> 00:01:06,560
take some of these pieces in here just
some water sort of bending around at all

10
00:01:06,560 --> 00:01:11,500
and bending around what's in it and put
them around the meal this seems a little

11
00:01:11,500 --> 00:01:17,050
fast as whatever I pick two of these so
this is a little bit faster and this is

12
00:01:17,050 --> 00:01:22,920
a little bit less bubbly so gonna take
either one of those and laid right in

13
00:01:22,920 --> 00:01:27,030
there as it feels like it's in the water
maybe more so that's the purpose of this

14
00:01:27,030 --> 00:01:31,500
piece even though we didn't use the door
much least there's some sense of purpose

15
00:01:31,500 --> 00:01:36,030
to this if this does not work I also
looked at this stuff that goes on right

16
00:01:36,030 --> 00:01:44,099
here and we see wrong file in here to
see this on pages here so maybe I could

17
00:01:44,099 --> 00:01:49,950
use some of these edges here in case the
the door does not work for the purpose

18
00:01:49,950 --> 00:01:55,069
that we want to do so those are those
files then there's the smoke that will

19
00:01:55,069 --> 00:01:59,780
blend from this smoke here in the car
and up into the trees and I got several

20
00:01:59,780 --> 00:02:04,640
levels of this I have this one that's a
little more soft this is a little more

21
00:02:04,640 --> 00:02:09,090
below me so that it can ends right above
the car this will bleed more into it

22
00:02:09,090 --> 00:02:14,610
this is more for granting I thought this
area here looks kind of black and empty

23
00:02:14,610 --> 00:02:19,819
so maybe we could take let me see so you
can take this whole branch in this whole

24
00:02:19,819 --> 00:02:24,370
area i know im ask this out but maybe
this whole thing can sit in there so we

25
00:02:24,370 --> 00:02:28,989
get these are support around these here
and just used to smoke to bleed into the

26
00:02:28,989 --> 00:02:30,470
smoke behind here

27
00:02:30,470 --> 00:02:36,690
but that could be kinda cool to explore
that I looked at a separate left-hand

28
00:02:36,690 --> 00:02:41,260
side of the frame these rocks are
becoming too much so maybe we'll replace

29
00:02:41,260 --> 00:02:45,690
elected stuff coming into the water show
you this stuff is pretty cool

30
00:02:45,690 --> 00:02:52,680
family can use that on the left hand
side waiting here at like these Mossi

31
00:02:52,680 --> 00:02:57,610
things but this area here is just too
much too much now we talked about

32
00:02:57,610 --> 00:03:01,050
reflections right now I think in order
to make this feel like it's in it and

33
00:03:01,050 --> 00:03:05,620
it's reflections in the water I looked
for a leg but we don't really have any

34
00:03:05,620 --> 00:03:10,060
water on the ground right here so and so
is I just wanted a little bit of water

35
00:03:10,060 --> 00:03:16,450
but to what I should have done really is
to just flushed his whole area with

36
00:03:16,450 --> 00:03:21,520
water well it happened then they
believed had perfect reflections for

37
00:03:21,520 --> 00:03:26,980
these lights and had great reflection
for her all this stuff so widely used

38
00:03:26,980 --> 00:03:30,910
these pieces for us just to grab these
reflections here so I have real actual

39
00:03:30,910 --> 00:03:33,630
reflections and just over let him in the
water

40
00:03:33,630 --> 00:03:42,310
beautifully the leg we have to just flop
and trying to blur in there and I like

41
00:03:42,310 --> 00:03:47,080
to do this photographically so I tell
myself next time I'll make sure to get

42
00:03:47,080 --> 00:03:51,459
everything down but for the purpose of
this actually get to you know do two

43
00:03:51,459 --> 00:03:56,060
different things to learn from even
taken this and flipping it over in the

44
00:03:56,060 --> 00:03:59,780
it in and maybe smudging in a bit to get
some water ripples and it will be one

45
00:03:59,780 --> 00:04:04,820
approach and these will be to just don't
know what that is but maybe it's a soft

46
00:04:04,820 --> 00:04:08,200
light or a hard lights are a blend in
here on the water

47
00:04:08,200 --> 00:04:13,130
this one I chose because we have a
decent reflections way right here on the

48
00:04:13,130 --> 00:04:16,760
hubcap and this is the real one again so
maybe I'll just take this piece we're

49
00:04:16,760 --> 00:04:22,610
here and lay that right onto the water
so you have all kinds of stuff here but

50
00:04:22,610 --> 00:04:27,830
I'm not sure if you need all that so
just going to use this piece right in

51
00:04:27,830 --> 00:04:31,430
here that out and I know

52
00:04:31,430 --> 00:04:39,520
do come and eat up my palate and you
need to select this there and just

53
00:04:39,520 --> 00:04:54,280
cropped out right now so this is our
files you gonna come back into our work

54
00:04:54,280 --> 00:04:58,760
in progress file and rename this but we
talked about naming convention so we

55
00:04:58,760 --> 00:05:08,860
call this for WIP one in progress one to
start out so you gonna die then we got

56
00:05:08,860 --> 00:05:13,580
to take a break we have all our files
here and watch me explore it so let's

57
00:05:13,580 --> 00:05:18,320
just let's just start since I crop this
already we could pull this then just

58
00:05:18,320 --> 00:05:26,000
gonna later that on top there just grab
another piece on this one here but that

59
00:05:26,000 --> 00:05:34,770
in there as close this out she don't
want to say that I cropped it this is

60
00:05:34,770 --> 00:05:43,850
our lights so I take this as well that
in there take that out and all this can

61
00:05:43,850 --> 00:05:47,980
take that away too for now all the smoke
is just come back to that list are these

62
00:05:47,980 --> 00:05:53,020
pieces maybe do this piece right here
and then we'll do the smoke the smoke is

63
00:05:53,020 --> 00:05:56,930
gonna sit on top so before we get this
look in their eye doing fine to my

64
00:05:56,930 --> 00:06:00,340
background a little bit more wanna get
that left side in and I need to blend

65
00:06:00,340 --> 00:06:09,180
all these different layers better so a
folder and take this and put it down

66
00:06:09,180 --> 00:06:14,260
here and I'm gonna call this group four
elements

67
00:06:14,260 --> 00:06:29,270
and just start with reflection and this
is cut off by then the half there so you

68
00:06:29,270 --> 00:06:35,430
know either blend it or maybe I'll just
take the whole hubcap and floodlit so

69
00:06:35,430 --> 00:06:39,810
let's see what works best here I always
like to use real photographic elements

結果 (中文) 1:

100:00:22，660--> 00:00:29，450那小小的休息之后我们又回来了和我做的时候是要经过我200:00:29，450--> 00:00:35，120文件再次去找一些片断我认为将因此提高这种复合材料300:00:35，120--> 00:00:38，190让我们只是开始，这一张权在这里400:00:38，190--> 00:00:41，710起初我以为你知道地毯但这河里很多深500:00:41，710--> 00:00:47，430河是这么肤浅的所以想做什么试着只是在这儿放一些水600:00:47，430--> 00:00:51，370所以，感觉有点更像它有在水中至少现在种的700:00:51，370--> 00:00:56，170浮动这样而不使用实际领我以为那个的你来800:00:56，170--> 00:01:00，289在这里第一次只会带一些这些作品只是放大到这900:01:00，289--> 00:01:06，560在这里只是采取一些这些片断一些水有点弯曲周围根本1000:01:06，560--> 00:01:11，500和弯曲周围里又放了什么他们围绕这顿饭，这似乎有点1100:01:11，500--> 00:01:17，050快无论我拿两个这样这是快一点点，这是1200:01:17，050--> 00:01:22，920所以要走少一点香槟其中任一，右躺在1300:01:22，920--> 00:01:27，030有感觉就像是在水中也许更多，所以这就是这样做的目的1400:01:27，030--> 00:01:31，500即使我们没有使用门片多至少还有一些的使命感1500:01:31，500--> 00:01:36，030对此如果这无法工作，我也看着右边的这个东西1600:01:36，030--> 00:01:44，099在这里，我们看到在这里向错误的文件也许我可以在这里的页面上看到这1700:01:44，099--> 00:01:49，950在案例中使用一些这些边缘在这里门不能为宗旨1800:01:49，950--> 00:01:55，069我们想要做到这一点是那些文件就将烟1900:01:55，069--> 00:01:59，780这在车里的烟从混合和到树上，我有几个2000:01:59，780--> 00:02:04，640水平的这个我有这个的小更软，这是多一点2100:02:04，640--> 00:02:09，090下面我，因此，它可以结束正上方这辆车，这将更渗入它2200:02:09，090--> 00:02:14，610这是给予我想这更多这里看起来亲切的黑色而空2300:02:14，610--> 00:02:19，819所以，也许我们可以让我看看这样你在这个整体可以这整个分支2400:02:19，819--> 00:02:24，370地区，我知道我问但也许这出这整件事可以坐在那里等我们2500:02:24，370--> 00:02:28，989得到这些都是支持这些这里只是用来抽烟渗入2600:02:28，989--> 00:02:30，470在这里后面抽烟2700:02:30，470--> 00:02:36，690但这可能是挺酷的探讨我看着一个单独的左手2800:02:36，690--> 00:02:41，260这些岩石是的框架的一侧变得太多所以，也许我们会替换2900:02:41，260--> 00:02:45，690当选的东西进入水展你这种东西很酷3000:02:45，690--> 00:02:52，680家庭可以使用，在左手边一面在这里等待喜欢这些莫西3100:02:52，680--> 00:02:57，610事情，但这一领域在这里是太太多的现在我们谈到3200:02:57，610--> 00:03:01，050现在我想按顺序的思考要使这种感觉就像是在它和3300:03:01，050--> 00:03:05，620它的倒影在水中看一条腿，但我们真的没有任何3400:03:05，620--> 00:03:10，060地面上的水就在这里等我只被想一点点的水吗3500:03:10 060--> 00:03:16，450但我应该做什么真的是要只被刷新他整个地区3600:03:16，450--> 00:03:21，520水好然后发生他们相信有完美的反射3700:03:21，520--> 00:03:26，980这些灯和过大的反映对她来说这一切东西如此广泛的应用3800:03:26，980--> 00:03:30，910我们只是为了攫取这些这些碎片思考在这里真正实际的有3900:03:30，910--> 00:03:33，630思考和只是让他水4000:03:33，630--> 00:03:42，310我们不得不只是翻牌精美腿部并试图模糊在那里，我喜欢4100:03:42，310--> 00:03:47，080做到这一点摄影所以我告诉我下次会一定要得到4200:03:47，080--> 00:03:51，459一切下来但的目的这实际上让你知道做两个4300:03:51，459--> 00:03:56，060不同的东西，甚至从学会这和它翻过来，在采取4400:03:56，060--> 00:03:59，780它在和也许涂抹在有点让一些水的涟漪，它将是4500:03:59，780--> 00:04:04，820方法和这些将会只是不知道什么，那就是，但也许它是一种软4600:04:04，820--> 00:04:08，200光或硬的灯是在混合制成这里水面上4700:04:08，200--> 00:04:13，130因为我们选择了这一体面的思考方式就在这里4800:04:13，130--> 00:04:16，760毂盖，这是真正的再一次所以也许只是要我们这片4900:04:16，760--> 00:04:22，610在这里，躺在水面上的权利所以你有各种各样的东西在这里但5000:04:22，610--> 00:04:27，830我不确定如果你需要所有这样只要用这片在右5100:04:27，830--> 00:04:31，430在这里，和我知道5200:04:31，430--> 00:04:39，520过来吃掉我的口味和你需要选择此选项，只是5300:04:39，520--> 00:04:54，280现在裁剪，所以这是我们你要回到我们的工作文件5400:04:54，280--> 00:04:58，760在进度文件和重命名此但我们所以谈到命名约定我们5500:04:58，760--> 00:05:08，860这呼吁 WIP 在进步一到开始了，你去死然后我们得到了5600:05:08，860--> 00:05:13，580休息一下，我们有我们的所有文件在这里看着我探索它吧5700:05:13，580--> 00:05:18，320只是让我们刚开始因为我裁剪这我们已经可以拉这然后只是5800:05:18，320--> 00:05:26，000稍后，最上边的那只抓住对这一在这里，但，另一片5900:05:26，000--> 00:05:34，770这出她不在这里作为结束想要说我裁剪它这是6000:05:34，770--> 00:05:43，850我们的灯，所以我把这也，在那里拿出来，而这一切都可以6100:05:43，850--> 00:05:47，980带走，也现在所有的烟雾是刚回来到该列表中的这些6200:05:47，980--> 00:05:53，020碎片可能做这件就在这里然后我们会做的烟雾是烟6300:05:53，020--> 00:05:56，930我们打算坐在上面所以之前得到这看着他们的眼睛做得很好，给我6400:05:56，930--> 00:06:00，340背景多一点想要得到在左边，我需要混合6500:06:00，340--> 00:06:09，180所有这些不同的图层会更好所以文件夹和采取这和把它放下6600:06:09，180--> 00:06:14，260在这里，我要去叫这四组元素6700:06:14，260--> 00:06:29，270和与反射，这只是开始被切断关闭届时半那里所以你6800:06:29，270--> 00:06:35，430知道或混合它就的也许把整个轮毂和泛光灯照明这样6900:06:35，430--> 00:06:39，810让我们看看这里什么最适合我总是喜欢用真实摄影元素

結果 (中文) 3:

1
00:00:22660——> 00:00:29450
这样短暂的休息之后，我们回到
当我做的是通过我的

2
00:00:29450——> 00:00:35120
文件再次找到一些作品，我
认为可以增强复合所以

3
00:00:35120——> 00:00:38190
让刚刚开始这件正确的
这里

4
00:00:38190——> 00:00:41710
最初我以为你知道地毯
很多更深的河但这

5
00:00:41710——> 00:00:47430
河水太浅所以我想做什么
试图把一些水在这里

6
00:00:47430——> 00:00:51370
这样感觉有点像是
在水中至少现在种

7
00:00:51370——> 00:00:56170
所以使用实际的
多卡斯我以为你来

8
00:00:56170——> 00:01浮动：00289
这里首先就要采取一些
这些碎片只是放大这个

9
00:01:00289——> 00:01:06560
采取这些碎片在这里只是
一些水种弯曲周围的所有

10
00:01:06560——> 00:01:11500
弯曲周围什么呢把
他们在吃饭这似乎有点

11
00:01:11500——> 00:01:17050
快，无论我选择两个这些
这是快一点，这是

12
00:01:17050——> 00:01:22920
一点点泡沫较少所以要
是那种放在

13
00:01:22920——> 00:01:27030
那里就像在水
也许更是本文的目的

14
00:01:27030——> 00:01:31500
片即使我们不使用门
多至少有目的感

15
00:01:31，500——> 00:01:36030
这如果不工作，我也
看着这东西对

16
00:01:36030——> 00:01:44099
这里，我们看到了错误的文件来
看到这页在这里，也许我可以

17
00:01:44099——> 00:01:49950
使用我们想要的这样做是
这些边缘在箱门的
不为目的

18
00:01:49950工作——> 00:01:55069
文件还有烟，

19
00:01:55069——> 00:01:59780
混合这烟在车
和成的树木，我有几

20
00:01:59780——> 00:02:04640
水平这个我有这一个，是一个
点软这一点

21
00:02:04640——> 00:02:09090
下面我可就上述
车这会流血更

22
00:02:09，090——> 00:02:14610
这是授予我以为这
这里更像黑空

23
00:02:14610——> 00:02:19819
这样也许我们可以让我看看你
可以把整支在这整个

24
00:02:19819——> 00:02:24370
地区我知道我问这也许
这整个事情可以坐在那里，所以我们

25
00:02:24370——> 00:02:28989
把这些都支持在这里
只是用来烟渗入

26
00:02:28989——> 00:02:30470
烟雾后面

27
00:02:30470——> 00:02:36690
但可能挺酷的探索
，我看着一个单独的左手

28
00:02:36690——>的框架这些岩石00:02:41260
侧
变得太多，也许我们会取代

29
00:02:41260——> 00:02:45690
选的东西进入水
你这个东西是很酷

30
00:02:45690——> 00:02:52680
家庭可以使用，在左手边等在
像莫西

31
00:02:52680——> 00:02:57610
东西但是这里太
太多现在我们谈论

32
00:02:57610——> 00:03:01050
思考现在我认为为了
让这感觉它和

33
00:03:01050——> 00:03:05620
它的倒影我看
一腿但我们真的没有任何

34
00:03:05620——> 00:03:10060
水在地上权等等
是我只想要一点点水

35
00:03:10060——> 00:03:16450
但我所应该做的是
才使他的整个地区

36
00:03:16450——> 00:03:21520
水它发生在他们
相信有完善的思考

37
00:03:21520——> 00:03:26980
这些灯有伟大的反射
她所有的东西如此广泛使用

38
00:03:26980——> 00:03:30910
这件为我们抓住这些
思考这里所以我有真正的实际

39
00:03:30910——> 00:03:33630
反射和仅仅让他在
水

40
00:03:33630——> 00：03:42310
漂亮的腿我们只能失败
试图模糊在那里，我喜欢

41
00:03:42310——> 00:03:47080
为此照相所以我告诉
自己下次我一定要得到

42
00:03:47080——> 00:03:51459
一切但对于
这实际上目的要你知道做两

43
00:03:51459——>从甚至
学习不同的00:03:56060
东西这和翻过来在

44
00:03:56060——> 00:03:59780
它也许不会在有点让
水涟漪，这将是一个

45
00:03:59780——> 00:04:04820
方法，这些将是不
知道是什么，但也许这是一个软

46
00:04:04820——> 00:04:08200
光或硬光在这里
混合在水

47
00:04:08200——> 00:04:13130
这一次我选择了因为我们有一个
像样的思考方式就在

48
00:04:13130——> 00:04:16760
轮毂罩，这是真的又那么
也许我会把这一块我们

49
00:04:16760——> 00:04:22610
这里躺到水
所以你有各种各样的东西在这里，但

50
00:04:22610——> 00:04:27830
我不确定你是否需要这样的
会用这件

51
00:04:27830权——> 00:04:31430
这里，我知道

52
00:04:31430——> 00:04:39520
做来吃了我的口味，你
需要选择这只

53
00:04:39520——> 00:04:54280
出现现在这样是我们的
文件你会回到我们的工作

54
00:04:54280——> 00:04:58760
进行文件重命名这可是我们
谈到的命名惯例，所以我们

55
00:04:58760——> 00:05:08860
称这一进展
在制品一开始你会死然后我们就

56
00:05:08860——> 00:05:13580
休息我们有我们所有的文件
这里看我探索它，让我们

57
00:05:13580——> 00:05:18320
只是我们刚开始从我这
作物已经可以把这就

58
00:05:18320——> 00:05：26000
会以后，顶上就抢
另一块在这里的这一但

59
00:05:26000——> 00:05:34770
那里接近了她不
想说我剪了它这是

60
00:05:34770——> 00:05:43850
我们的灯，我把这个也这
那里拿出来，这一切都可以

61
00:05:43850——> 00:05:47980
拿走太现在所有的烟
刚刚回来，这些

列表62
00:05:47980——> 00:05:53020
件也许做这一块就在这里
然后我们烟烟

63
00:05:53020——> 00:05:56930
会坐在上面，在我们得到这个
看着他们的眼睛做的很好，我

64
00:05:56930——> 00:06:00340
背景一点点想
左侧，我需要把

65
00:06:00340——> 00：所有这些不同的层06:09180
更好所以
文件夹，把这个放

66
00:06:09180——> 00:06:14260
这里我要把这四组
元素

67
00:06:14260——>刚开始00:06:29270
和反思这
是那时有一半你

68
00:06:29270——> 00:06:35430
知道混合，或者我只是
把整个轮毂和灯光，

切断69
00:06:35430——> 00:06:39810
让我们看到什么是最好的在这里，我总是
像使用真正的摄影元素