100:00:24,970 --> 00:00:32,669let's

1
00:00:24,970 --> 00:00:32,669
let's talk about the things that I find
important with photography before I dive

2
00:00:32,669 --> 00:00:36,800
into fully the different publishers that
i'm gonna take you long for one of these

3
00:00:36,800 --> 00:00:41,750
things is color now when I first started
photography show a lot of black and

4
00:00:41,750 --> 00:00:47,030
white and I think the process there is
really seeing shapes first and then as I

5
00:00:47,030 --> 00:00:51,940
matured I started seeing color better
and then sense very much on iraq has

6
00:00:51,940 --> 00:00:55,570
been color I think a lot of people
struggling a little bit gonna tell you

7
00:00:55,570 --> 00:01:02,589
the basics of color it's not that hard
and adobe has extraordinary tall are you

8
00:01:02,589 --> 00:01:07,110
don't really need to know the RGB and
CMYK sand what's opposite cuz it's all

9
00:01:07,110 --> 00:01:12,020
there for you visual and they have this
in a way that you could do families of

10
00:01:12,020 --> 00:01:16,100
colors you can do opposite colors and
then give you a clear visual of what the

11
00:01:16,100 --> 00:01:20,170
different families are and you look at a
few different things what's

12
00:01:20,170 --> 00:01:24,970
extraordinary and photography is that
most of the color imagery that really

13
00:01:24,970 --> 00:01:30,620
strikes people either have a family of
color or they have a posting colors you

14
00:01:30,620 --> 00:01:36,600
see it a ton of movies but they either
go all warm the perfect example is one

15
00:01:36,600 --> 00:01:38,700
of my inspirations but just brother
where art thou

16
00:01:38,700 --> 00:01:44,270
everything was muted and torn down in
the warm colors look at movie posters

17
00:01:44,270 --> 00:01:49,380
the guys here at RGG showed a few to me
and they're all in the cooler times in

18
00:01:49,380 --> 00:01:54,220
the shadows and there is a yellowish
tones and higher and whether skin tone

19
00:01:54,220 --> 00:01:59,240
is set to get this beautiful contrast by
the skin tones pop and then the shadows

20
00:01:59,240 --> 00:02:03,890
in the background goes to redeploy times
and you can explore this Adobe too

21
00:02:03,890 --> 00:02:09,440
little bit and you could see how these
things just sit opposite each other so

22
00:02:09,440 --> 00:02:14,860
let's dive into a little bit so if you
go to colored a little bit of calm it

23
00:02:14,860 --> 00:02:19,680
will take it to this home page and it's
really quite exquisite it will give you

24
00:02:19,680 --> 00:02:23,750
a handle it will start you out of the
top here they say color space called

25
00:02:23,750 --> 00:02:27,490
analogous which will give you a family
or color is

26
00:02:27,490 --> 00:02:33,730
in RGB or CMYK spectrum so if you follow
the screen

27
00:02:33,730 --> 00:02:37,570
here's the yellow will follow it into
the red zone Magentis and you could see

28
00:02:37,570 --> 00:02:41,690
how this changes if you wanna make it
less saturated you can pull it in and

29
00:02:41,690 --> 00:02:47,090
you see how these kind of shapes changes
can also take it darker down here and

30
00:02:47,090 --> 00:02:52,040
you can coming to the nighttime images
for our four images for a for

31
00:02:52,040 --> 00:02:56,610
photoshoots there's a very specific
colors now for one of them all

32
00:02:56,610 --> 00:03:00,490
conversations but I will show you the
second you live in this color space you

33
00:03:00,490 --> 00:03:05,540
see on the screen right now it's all
moody living in the blue teal tones of

34
00:03:05,540 --> 00:03:14,500
my time we are going to take you outside
and work in this color space and the Sun

35
00:03:14,500 --> 00:03:18,670
gets low on the horizon it gets really
warm and for this image called the train

36
00:03:18,670 --> 00:03:24,330
we have this color space now you could
work on this in different ways but we

37
00:03:24,330 --> 00:03:29,830
can go two opposite colors here and the
complementary color space you can see

38
00:03:29,830 --> 00:03:34,370
that we get opposites I just mentioned
this right now we have the warmer skin

39
00:03:34,370 --> 00:03:38,780
tones in the cooler shadowlands you see
how this works within this complementary

40
00:03:38,780 --> 00:03:44,670
color space we did this for this image
called the crash and we're living just

41
00:03:44,670 --> 00:03:45,790
about in here

42
00:03:45,790 --> 00:03:51,730
took these green forest pushed a light
back into the moody overcast tones and

43
00:03:51,730 --> 00:03:55,980
then added a red dress in there is a
perfectly opposite like you see here

44
00:03:55,980 --> 00:04:03,560
maybe something in here is where the
dress color as and are right about there

45
00:04:03,560 --> 00:04:08,440
so you should explore this website on
your own it's really quite easy then to

46
00:04:08,440 --> 00:04:13,390
understand why the color space set
instead of trying to do all the theory

47
00:04:13,390 --> 00:04:18,940
explore this way easier to learn by
doing and you really quickly get ahold

48
00:04:18,940 --> 00:04:23,210
of color then restart retouching of Use
curves a lot and they play on the

49
00:04:23,210 --> 00:04:27,420
opposite colors and if you have any sort
of confusion in the RGB color space

50
00:04:27,420 --> 00:04:32,770
which I use the curves up and down you
can come in here and see easily that if

51
00:04:32,770 --> 00:04:37,660
I pull the yellow curve up and also the
blue crab so

52
00:04:37,660 --> 00:04:41,740
blue spectrum sit at the bottom of the
curse the yellow sit at the top so we'll

53
00:04:41,740 --> 00:04:45,550
explore that included in be touching but
this is something you can return to get

54
00:04:45,550 --> 00:04:48,250
an understanding of how it works

55
00:04:48,250 --> 00:04:54,180
there's two ways really took it color in
photography the first is the light which

56
00:04:54,180 --> 00:04:58,090
be controlled by the time I David take
the picture and then of course the wavy

57
00:04:58,090 --> 00:05:04,320
style it so I wanna talk about the first
which is the Sun and how that works and

58
00:05:04,320 --> 00:05:09,680
then howie style it after if you see a
rainbow in the sky

59
00:05:09,680 --> 00:05:15,340
you see all the color specter of the Sun
that color spektr creates white light

60
00:05:15,340 --> 00:05:21,510
now the Sun gets nowhere to the horizon
imagine you have a cooler Spectre oil

61
00:05:21,510 --> 00:05:25,560
cutoff half of that rainbow colored
background and what you're left with is

62
00:05:25,560 --> 00:05:29,780
only one towns and that's the reason to
get warm like in the afternoon and that

63
00:05:29,780 --> 00:05:34,020
they only need the whole rise and the
only thing that shines up is the blue

64
00:05:34,020 --> 00:05:37,970
and purple tones and that's why you get
really blue light after the Sun Goes

65
00:05:37,970 --> 00:05:38,950
Down

66
00:05:38,950 --> 00:05:42,960
you know we need to know the theory
behind it but to know that in the

67
00:05:42,960 --> 00:05:43,760
evening

68
00:05:43,760 --> 00:05:48,590
mornings prior after the Sun comes out
you get a blue color palette in the

69
00:05:48,590 --> 00:05:53,980
mid-range just as the Sun had no rice
and you get a really warm tongue and in

70
00:05:53,980 --> 00:05:59,140
the middle of the day you get 5500
Calvin I'm mentioning this number not

71
00:05:59,140 --> 00:06:02,919
because you need to know it but for the
camera should be on when you take

72
00:06:02,919 --> 00:06:08,150
pictures I truly encourage you to turn
off the auto white balance in your

73
00:06:08,150 --> 00:06:09,419
camera

74
00:06:09,419 --> 00:06:14,610
balance will neutralize everything that
you take any time of the day if you're

75
00:06:14,610 --> 00:06:17,130
inside outside night evening

76
00:06:17,130 --> 00:06:22,940
always look neutral to you and I think
that is not beneficial at all if you

77
00:06:22,940 --> 00:06:26,610
want to embrace and work with color you
want to know what kind of color palette

78
00:06:26,610 --> 00:06:31,300
like gives you and then you can adjust
it afterwards in Photoshop so make sure

79
00:06:31,300 --> 00:06:37,900
to put your color balance at 5500 which
is neutral daytime light and then you

80
00:06:37,900 --> 00:06:43,850
could see what the Sun dust your color
palette as a date changes on the screen

81
00:06:43,850 --> 00:06:46,980
now you see three screen grabs from
capture one

82
00:06:46,980 --> 00:06:50,640
nothing has been done with these are all
set up fifty five hundred and they are

結果 (中文) 1:

100:00:24，970--> 00:00:32，669让我们来谈谈我所找到的东西重要的摄影之前我潜水200:00:32，669--> 00:00:36，800进入完全不同的出版商，我要你长的其中之一300:00:36，800--> 00:00:41，750事情现在是颜色，当我第一次开始摄影显示有很多黑和400:00:41，750--> 00:00:47，030白色，我认为有的过程真的看到第一次，然后作为我的形状500:00:47，030--> 00:00:51，940成熟的我开始看到颜色更好然后感觉到很大程度上伊拉克已600:00:51，940--> 00:00:55，570被我认为很多人的颜色苦苦挣扎的一点点会告诉你700:00:55，570--> 00:01:02，589基本的颜色并不难adobe 具有非同寻常的高你800:01:02，589--> 00:01:07，110真的不需要知道 RGB 和CMYK 砂什么是相反，因为它是所有900:01:07，110--> 00:01:12，020给你视觉和他们有这你可以做的家庭的方式1000:01:12，020--> 00:01:16，100你可以做相反的颜色的颜色和然后给你一个清晰视觉的什么1100:01:16，100--> 00:01:20，170不同的家庭，你看看一些不同的东西什么的1200:01:20，170--> 00:01:24，970非同寻常，摄影就是，大多数的色彩意象，真的1300:01:24，970--> 00:01:30，620罢工的人要么有一家颜色或他们有张贴你的颜色1400:01:30,620 --> 00:01:36,600see it a ton of movies but they eithergo all warm the perfect example is one1500:01:36,600 --> 00:01:38,700of my inspirations but just brotherwhere art thou1600:01:38,700 --> 00:01:44,270everything was muted and torn down inthe warm colors look at movie posters1700:01:44,270 --> 00:01:49,380the guys here at RGG showed a few to meand they're all in the cooler times in1800:01:49,380 --> 00:01:54,220the shadows and there is a yellowishtones and higher and whether skin tone1900:01:54,220 --> 00:01:59,240is set to get this beautiful contrast bythe skin tones pop and then the shadows2000:01:59,240 --> 00:02:03,890in the background goes to redeploy timesand you can explore this Adobe too2100:02:03,890 --> 00:02:09,440little bit and you could see how thesethings just sit opposite each other so2200:02:09,440 --> 00:02:14,860let's dive into a little bit so if yougo to colored a little bit of calm it2300:02:14,860 --> 00:02:19,680will take it to this home page and it'sreally quite exquisite it will give you2400:02:19,680 --> 00:02:23,750a handle it will start you out of thetop here they say color space called2500:02:23,750 --> 00:02:27,490analogous which will give you a familyor color is2600:02:27,490 --> 00:02:33,730in RGB or CMYK spectrum so if you followthe screen2700:02:33,730 --> 00:02:37,570here's the yellow will follow it intothe red zone Magentis and you could see2800:02:37,570 --> 00:02:41,690how this changes if you wanna make itless saturated you can pull it in and2900:02:41,690 --> 00:02:47,090you see how these kind of shapes changescan also take it darker down here and3000:02:47,090 --> 00:02:52,040you can coming to the nighttime imagesfor our four images for a for3100:02:52,040 --> 00:02:56,610photoshoots there's a very specificcolors now for one of them all3200:02:56,610 --> 00:03:00,490conversations but I will show you thesecond you live in this color space you3300:03:00,490 --> 00:03:05,540see on the screen right now it's allmoody living in the blue teal tones of3400:03:05,540 --> 00:03:14,500my time we are going to take you outsideand work in this color space and the Sun3500:03:14,500 --> 00:03:18,670gets low on the horizon it gets reallywarm and for this image called the train3600:03:18,670 --> 00:03:24,330we have this color space now you couldwork on this in different ways but we3700:03:24,330 --> 00:03:29,830can go two opposite colors here and thecomplementary color space you can see3800:03:29,830 --> 00:03:34,370that we get opposites I just mentionedthis right now we have the warmer skin3900:03:34,370 --> 00:03:38,780tones in the cooler shadowlands you seehow this works within this complementary4000:03:38,780 --> 00:03:44,670color space we did this for this imagecalled the crash and we're living just4100:03:44,670 --> 00:03:45,790about in here4200:03:45,790 --> 00:03:51,730took these green forest pushed a lightback into the moody overcast tones and4300:03:51,730 --> 00:03:55,980then added a red dress in there is aperfectly opposite like you see here4400:03:55,980 --> 00:04:03,560maybe something in here is where thedress color as and are right about there4500:04:03,560 --> 00:04:08,440so you should explore this website onyour own it's really quite easy then to4600:04:08,440 --> 00:04:13,390understand why the color space setinstead of trying to do all the theory4700:04:13,390 --> 00:04:18,940explore this way easier to learn bydoing and you really quickly get ahold4800:04:18,940 --> 00:04:23,210of color then restart retouching of Usecurves a lot and they play on the4900:04:23,210 --> 00:04:27,420opposite colors and if you have any sortof confusion in the RGB color space5000:04:27,420 --> 00:04:32,770which I use the curves up and down youcan come in here and see easily that if5100:04:32,770 --> 00:04:37,660I pull the yellow curve up and also theblue crab so5200:04:37,660 --> 00:04:41,740blue spectrum sit at the bottom of thecurse the yellow sit at the top so we'll5300:04:41,740 --> 00:04:45,550explore that included in be touching butthis is something you can return to get5400:04:45,550 --> 00:04:48,250an understanding of how it works5500:04:48,250 --> 00:04:54,180there's two ways really took it color inphotography the first is the light which5600:04:54,180 --> 00:04:58,090be controlled by the time I David takethe picture and then of course the wavy5700:04:58,090 --> 00:05:04,320style it so I wanna talk about the firstwhich is the Sun and how that works and5800:05:04,320 --> 00:05:09,680then howie style it after if you see arainbow in the sky5900:05:09,680 --> 00:05:15,340you see all the color specter of the Sunthat color spektr creates white light6000:05:15,340 --> 00:05:21,510now the Sun gets nowhere to the horizonimagine you have a cooler Spectre oil6100:05:21,510 --> 00:05:25,560cutoff half of that rainbow coloredbackground and what you're left with is6200:05:25,560 --> 00:05:29,780only one towns and that's the reason toget warm like in the afternoon and that6300:05:29,780 --> 00:05:34,020they only need the whole rise and theonly thing that shines up is the blue6400:05:34,020 --> 00:05:37,970and purple tones and that's why you getreally blue light after the Sun Goes6500:05:37,970 --> 00:05:38,950Down6600:05:38,950 --> 00:05:42,960you know we need to know the theorybehind it but to know that in the6700:05:42,960 --> 00:05:43,760evening6800:05:43,760 --> 00:05:48,590mornings prior after the Sun comes outyou get a blue color palette in the6900:05:48,590 --> 00:05:53,980mid-range just as the Sun had no riceand you get a really warm tongue and in7000:05:53,980 --> 00:05:59,140the middle of the day you get 5500Calvin I'm mentioning this number not7100:05:59,140 --> 00:06:02,919because you need to know it but for thecamera should be on when you take7200:06:02,919 --> 00:06:08,150pictures I truly encourage you to turnoff the auto white balance in your7300:06:08,150 --> 00:06:09,419camera7400:06:09,419 --> 00:06:14,610balance will neutralize everything thatyou take any time of the day if you're7500:06:14,610 --> 00:06:17,130inside outside night evening7600:06:17,130 --> 00:06:22,940always look neutral to you and I thinkthat is not beneficial at all if you7700:06:22,940 --> 00:06:26,610want to embrace and work with color youwant to know what kind of color palette7800:06:26,610 --> 00:06:31,300like gives you and then you can adjustit afterwards in Photoshop so make sure7900:06:31,300 --> 00:06:37,900to put your color balance at 5500 whichis neutral daytime light and then you8000:06:37,900 --> 00:06:43,850could see what the Sun dust your colorpalette as a date changes on the screen8100:06:43,850 --> 00:06:46,980now you see three screen grabs fromcapture one8200:06:46,980 --> 00:06:50,640nothing has been done with these are allset up fifty five hundred and they are

結果 (中文) 3:

1
00:00:24970——> 00:00:32669
让我们谈论的东西，我发现
重要摄影之前我潜水

2
00:00:32669——> 00:00:36800
成完全不同的出版商，
我要你渴望一个

3
00:00:36800——> 00:00:41750
东西是彩色的现在我第一次开始时
摄影显示黑色和

4
00:00:41750很多——> 00:00:47030
白，我认为有
真看到形状先为我

5
00:00:47030——> 00:00:51940
成熟我开始看到颜色更好的
然后感觉非常

伊拉克6
00:00:51940——> 00:00:55570
被颜色我想很多人
挣扎一点点会告诉你

7
00:00:55570——> 00:01:02589
色彩的基础知识不是很难
过程Adobe已经非常高你

8
00:01:02589——> 00:01:07110
真的不需要知道RGB和CMYK砂
什么相反的因为它的所有

9
00:01:07110——> 00:01:12020
在你的视觉和他们有这样的
在某种程度上，你可以做

10
00:01:12020家庭——> 00:01:16100
颜色你可以做相反的颜色和
然后给你一个清晰的视觉是

11
00:01:16，100——> 00:01:20170
不同家庭和你看一
一些不同的东西是什么

12
00:01:20170——> 00:01:24970
非凡和摄影是
大部分的色彩意象，真的

13
00:01:24970——> 00:01:30620
罢工的人都有一个家庭的
颜色或有张贴颜色你

14
00:01:30620——> 00:01:36600
看一大堆的电影但他们都
去温暖的完美的例子是一个

15
00:01:36600——> 00:01:38700
我灵感只是哥哥你在哪里


16
00:01:38700——> 00:01:44270
一切平淡和拆除
暖色看电影海报

17
00:01:44270——> 00:01:49380
的家伙在这里RGG显示几我
和他们都在凉的时候在

18
00:01:49380——> 00:01:54220
阴影中，有一个黄色的
音调高，无论肤色

19
00:01:54220——> 00:01:59240
让这个美丽的皮肤色调的对比
流行然后阴影

20
00:01:59240——> 00:02:03890
背景中去重新部署时间
你可以探索这个Adobe太

21
00:02:03890——> 00:02:09440
点，你可以看到这些
事情就相对而坐，

22
00:02:09440——> 00:02:14860
让我们深入一点，如果你
去彩色一点点平静下来

23
00:02:14860——> 00:02:19680
将这个主页和它的
真的相当精致的它会给你

24
00:02:19680——> 00:02:23750
手柄将开始你的
上面他们说颜色的空间称为

25
00:02:23750——> 00：02:27490
类似，这将给你一个家庭
或颜色

26
00:02:27490——>在RGB或CMYK 00:02:33730
谱如果你遵循
屏幕

27
00:02:33730——> 00:02:37570
这里的黄色会跟随到
红区，你可以看到
Magentis
28
00:02:37570——> 00:02:41690
如何变化，如果你想让它
不饱和可以拉它，

29
00:02:41690——> 00:02:47，090
你看到这种形状的变化
也可以暗下来

30
00:02:47090——> 00:02:52040
你可以来我们的四图像的夜间图像
用于

31
00:02:52040——> 00:02:56610
拍照有一个非常具体的
颜色之一他们都

32
00:02:56610——> 00:03:00490
谈话，但我会给你
二你生活在这个色彩空间你