26900:32:49,510 --> 00:32:51,390tha

269
00:32:49,510 --> 00:32:51,390
that's really quite beautiful

270
00:32:51,390 --> 00:32:57,030
it also doesn't in areas very don't want
it now adding green to the red in color

271
00:32:57,030 --> 00:33:01,910
contrast this is the only read peace we
have it here pretty much so so when I

272
00:33:01,910 --> 00:33:05,830
have it everywhere but you see these
pieces here how much they sort of start

273
00:33:05,830 --> 00:33:07,340
blending in together

274
00:33:07,340 --> 00:33:12,790
car feels too bright overall so I did
and the shadow on the sides but we gonna

275
00:33:12,790 --> 00:33:18,940
give it a little bit of overall density
again coming into the curves which truly

276
00:33:18,940 --> 00:33:27,170
are our friend just push to car darker
may be right in there also feel this is

277
00:33:27,170 --> 00:33:33,120
too bright now that I get the car in
there should be deeper so if I make the

278
00:33:33,120 --> 00:33:38,600
whole picture deeper than just focus on
these areas I know my mind wanders a bit

279
00:33:38,600 --> 00:33:43,250
now we are going to mass this car out
better but in order to mask things while

280
00:33:43,250 --> 00:33:45,870
the pieces gonna miss harsh itself

281
00:33:45,870 --> 00:33:50,820
better together to its hard to just put
something in there and there's a

282
00:33:50,820 --> 00:33:55,590
discrepancy in color in town at least
for me there s I always try to find a

283
00:33:55,590 --> 00:34:01,470
way to sort of overall and holistically
and massage two pieces together as they

284
00:34:01,470 --> 00:34:05,040
add the pieces to color the shapes all
that stuff starts blending together as

285
00:34:05,040 --> 00:34:10,190
well so now I realize I look at these
pieces here a lot more than I want so

286
00:34:10,190 --> 00:34:14,940
again in a crater brush and then we
gonna come into a quick mask tool and a

287
00:34:14,940 --> 00:34:19,879
really big one this area is too bright
for me these rocks here to bite for me

288
00:34:19,879 --> 00:34:20,950
this is too bright

289
00:34:20,950 --> 00:34:25,950
this is too bright so let's start there
maybe this up here is a bit too bright

290
00:34:25,950 --> 00:34:31,270
to the night as much so you don't come
to 20% adjusted my two little bit up

291
00:34:31,270 --> 00:34:42,940
here like that and then exit are could
mask imagine if I pull this down as I

292
00:34:42,940 --> 00:34:47,480
created that curved it ended up inside
the car talent folder which is not gonna

293
00:34:47,480 --> 00:34:48,280
do us any good

294
00:34:48,280 --> 00:34:55,000
want to do is to put this below the car
to come down here and the folder and now

295
00:34:55,000 --> 00:35:03,020
it affects the background and again the
intention of doing great be touching is

296
00:35:03,020 --> 00:35:07,780
really to make that I go from one place
to another and go to the places that we

297
00:35:07,780 --> 00:35:13,660
have set our story so just this little
move made a great difference to me in

298
00:35:13,660 --> 00:35:18,910
this picture here looking here are
looking here and other places but as I

299
00:35:18,910 --> 00:35:23,520
turned his on my eyesight going to the
lights are going to her and it feels a

300
00:35:23,520 --> 00:35:29,340
lot better I do what I can do maybe this
box here and just gonna try to maybe

301
00:35:29,340 --> 00:35:34,610
they'd be reduced in size or at least
pushed him down a little bit now they

302
00:35:34,610 --> 00:35:38,490
feel like they're very present in the
picture and yes I liked it as a

303
00:35:38,490 --> 00:35:43,860
landscape but now that we get a
composite image in their little bit too

304
00:35:43,860 --> 00:35:49,250
much so I left side River is one open it
up to make sure all these layers are

305
00:35:49,250 --> 00:35:51,380
connected and then

306
00:35:51,380 --> 00:36:01,609
just push it down

307
00:36:01,609 --> 00:36:09,769
talked about this in composition so if I
have something here that starts in a

308
00:36:09,769 --> 00:36:14,539
corner and leads and ties up the line of
the light I talked about this either

309
00:36:14,539 --> 00:36:21,500
gonna find a light peace capture all of
this war paint isn't extends out this

310
00:36:21,500 --> 00:36:25,130
line here comes to the corner is always
effective to create these lines into the

311
00:36:25,130 --> 00:36:26,769
corner and then here

312
00:36:26,769 --> 00:36:30,599
down along the leg of this piece so
there's something here going on that

313
00:36:30,599 --> 00:36:35,819
start ship up to a triangle Mediapolis
even further down at sea so that this

314
00:36:35,819 --> 00:36:40,880
rock here becomes a part of this autumn
line that could help create triangle so

315
00:36:40,880 --> 00:36:44,510
they're here

316
00:36:44,510 --> 00:36:54,750
the difference right in their cool bit
of a darkness here which I'm not quite

317
00:36:54,750 --> 00:37:03,750
sure is coming from I double clicked
instead of opening it up dance partner

318
00:37:03,750 --> 00:37:12,549
right there on this rock which I don't
know where it's coming from

319
00:37:12,549 --> 00:37:20,930
up here now

320
00:37:20,930 --> 00:37:35,440
for contrast some walking up this layer
to try to find here it is I guess I want

321
00:37:35,440 --> 00:37:40,690
to tone down these rocks here but it's
really too hard so it doesn't blend in

322
00:37:40,690 --> 00:37:45,260
the water to take away that piece I
loved it for all the stuff that goes on

323
00:37:45,260 --> 00:37:54,829
up there but not this now this rock fits
better in the water down be more

324
00:37:54,829 --> 00:37:59,990
deliberate in selecting it other than
what I just did which was a big sloppy

325
00:37:59,990 --> 00:38:04,450
blowjob so the sloppy blowjobs
definitely work for this area but

326
00:38:04,450 --> 00:38:09,130
obviously absolutely not for this area
so you wanna take down that rock and I

327
00:38:09,130 --> 00:38:14,500
do that in a minute because it is
getting a lot of attention and again the

328
00:38:14,500 --> 00:38:18,819
purpose of this to take attention away
from the pieces we don't want to go to

結果 (中文) 1:

26900:32:49，510--> 00:32:51，390这就是真的很漂亮27000:32:51，390--> 00:32:57，030它也并不在地区非常不想要它现在将绿色添加到颜色中红色27100:32:57，030--> 00:33:01，910对比这唯一的阅读和平我们有它在这里很多所以所以当我27200:33:01，910--> 00:33:05，830到处都有，但你看看这些在这里件多少他们排序的开始27300:33:05，830--> 00:33:07，340混合一起27400:33:07，340--> 00:33:12，790汽车整体的太亮，感觉所以我做了和上两边但我们去的影子27500:33:12，790--> 00:33:18，940给它一点总体密度再次进入曲线的真正27600:33:18，940--> 00:33:27，170是我们的朋友只是推到车暗可能会在那里的权利也觉得这是27700:33:27，170--> 00:33:33，120现在，这辆车进去太亮应该有更深层次所以如果我让27800:33:33，120--> 00:33:38，600整个画面比只集中于更深我知道我的思绪有点这些领域27900:33:38，600--> 00:33:43，250现在我们要去大规模出这辆车更好但是顺序到面具的事情时28000:33:43，250--> 00:33:45，870将要错过苛刻自己的作品28100:33:45，870--> 00:33:50，820更好地在一起，只是很难把东西在那里，还有28200:33:50，820--> 00:33:55，590在小镇中的颜色差异至少我总是试着找到那里 s28300:33:55,590 --> 00:34:01,470way to sort of overall and holisticallyand massage two pieces together as they28400:34:01,470 --> 00:34:05,040add the pieces to color the shapes allthat stuff starts blending together as28500:34:05,040 --> 00:34:10,190well so now I realize I look at thesepieces here a lot more than I want so28600:34:10,190 --> 00:34:14,940again in a crater brush and then wegonna come into a quick mask tool and a28700:34:14,940 --> 00:34:19,879really big one this area is too brightfor me these rocks here to bite for me28800:34:19,879 --> 00:34:20,950this is too bright28900:34:20,950 --> 00:34:25,950this is too bright so let's start theremaybe this up here is a bit too bright29000:34:25,950 --> 00:34:31,270to the night as much so you don't cometo 20% adjusted my two little bit up29100:34:31,270 --> 00:34:42,940here like that and then exit are couldmask imagine if I pull this down as I29200:34:42,940 --> 00:34:47,480created that curved it ended up insidethe car talent folder which is not gonna29300:34:47,480 --> 00:34:48,280do us any good29400:34:48,280 --> 00:34:55,000want to do is to put this below the carto come down here and the folder and now29500:34:55,000 --> 00:35:03,020it affects the background and again theintention of doing great be touching is29600:35:03,020 --> 00:35:07,780really to make that I go from one place到另一个，去到的地方，我们29700:35:07，780--> 00:35:13，660把我们的故事只是这个小移动到我的大不一样29800:35:13，660--> 00:35:18，910在这里看这里这张图片是看这里和其他地方，而是我29900:35:18，910--> 00:35:23，520他打开我的视力去要去她的灯和感觉30000:35:23，520--> 00:35:29，340很多我做我能做的更好也许这在这里，只是会试着也许框30100:35:29，340--> 00:35:34，610他们将减少在大小或至少推他一点点现在他们30200:35:34，610--> 00:35:38，490感觉他们是很真实地存在的图片，是我很喜欢它30300:35:38，490--> 00:35:43，860但现在景观让我们在他们的小的复合图像太咬30400:35:43，860--> 00:35:49，250很多所以离开了侧河是一个打开它确保所有这些层是30500:35:49，250--> 00:35:51，380连接，然后30600:35:51，380--> 00:36:01，609只是把它推下来30700:36:01，609--> 00:36:09，769谈到这个作文中所以如果我有东西在开始30800:36:09，769--> 00:36:14，539角带领和绑的线我说过这是要么光30900:36:14 539--> 00:36:21，500要找到光和平捕获所有的这种战争油漆不是延伸出这31000:36:21，500--> 00:36:25，130线在这里谈到的角是总是有效地创建这些线进入31100:36:25，130--> 00:36:26，769角落里，在这里，31200:36:26，769--> 00:36:30，599沿这条腿片这样有什么东西在这里会在那31300:36:30，599--> 00:36:35，819开始一个三角形米迪亚波利斯的船甚至进一步下跌在海上所以这31400:36:35，819--> 00:36:40，880岩石在这里成为今年秋季的一部分行，可以帮助创建三角形这样31500:36:40，880--> 00:36:44，510他们在这里31600:36:44，510--> 00:36:54，750他们非常酷的一点差异权这里在黑暗中我不是相当的31700:36:54 750--> 00:37:03，750当然是来自我双点击吗而不是开放的舞伴31800:37:03，750--> 00:37:12，549在这磐石，我不上那儿知道它从哪里来的31900:37:12，549--> 00:37:20，930现在在这里32000:37:20，930--> 00:37:35，440为对比一些走上这一层试图找到它在这儿我猜我想要32100:37:35，440--> 00:37:40，690淡化这些这里的岩石，但它是真的太难了以至于它不融入32200:37:40，690--> 00:37:45，260水，带走了那块我爱下去的所有东西32300:37:45，260--> 00:37:54，829最多那里，但不是该现在这块岩石适合更好地在水中会更多32400:37:54，829--> 00:37:59，990故意选择它以外我所做的是一个很大马虎32500:37:59，990--> 00:38:04，450口交那么邋遢口交为这一领域肯定工作但32600:38:04，450--> 00:38:09，130很明显绝对不为这一领域所以你想要把那块石头和我记下来32700:38:09，130--> 00:38:14，500这样做一分钟的时间，因为它是越来越多的重视，以及再次32800:38:14，500--> 00:38:18，819这样做的目的去注意从件我们不想要去

結果 (中文) 3:

269
00:32:49510——> 00:32:51390
，真的相当漂亮

270
00:32:51390——> 00:32:57030
也不在地区很不想
现在加入绿色到红色

271
00:32:57030——> 00:33:01910
对比这是唯一读和平我们
这儿有相当多的所以，当我

272
00:33:01910——> 00:33:05830
到处都有吧但你看到这些
这里有多少件他们开始

273
00:33:05830——> 00:33:07340
混合在一起

274
00:33:07340——> 00:33:12790
车感觉太亮整体所以我也
和两边的阴影但我们会

275
00:33:12790——> 00:33:18940
给它一点点的整体密度
再次进入曲线，真正

276
00:33:18940——> 00:33:27170
是我们的朋友把车暗
可能有权也觉得这是

277
00:33:27170——> 00:33:33120
太亮了，我把车在
应该有更深的所以如果我让

278
00:33:33120——> 00:33:38600
全貌只是集中在这些地区
我知道我的心在一点点

279
00:33:38600——> 00:33:43250
现在我们要大众这辆车出去
更深但为了更好的面具的东西而

280
00:33:43250——> 00:33:45870
碎片会想念苛刻本身

281
00:33:45870——> 00:33:50820
更好的在一起，很难把
这里还有一个

282
00:33:50820——> 00:33:55590
差异颜色在城里至少
我有我一直试图找到一个

283
00:33:55590——> 00:34:01470
在某种程度上全面、整体
按摩两一起作为他们

284
00:34:01470——> 00:34:05040
加件颜色形状都
东西开始交融在一起，为

285
00:34:05040——> 00:34:10190
好所以现在我意识到我在这里看这些
件更多我想

286
00:34:10190——> 00:34:14940
又在火山口刷，然后我们
要进入快速蒙版工具和

287
00:34:14940——> 00:34:19879
真大这一区域过亮
我这些岩石咬我

288
00:34:19879——> 00:34:20950
这太亮

289
00:34:20950——> 00:34:25950
这个太亮，让开始有
也许在这里有点太亮

290
00:34:25950——> 00:34:31270
除夜多那么你不来
20%调整了我的两个点上

291
00:34:31270——> 00:34:42940
喜欢这里，然后退出是可以
面具想象如果我把这看成是我

292
00:34:42940——> 00:34:47480
创建曲面它结束了在
汽车人才文件夹不会

293
00:34:47480——> 00:34:48280
做任何好的

294
00:34:48280——> 00:34:55000
想做的是把这车下
来这里的文件夹，现在

295
00:34:55000——> 00:35:03020
影响的背景，再做伟大的的
意图是感人的是

296
00:35:03020——> 00:35:07780
真的让我从一个地方到另一个
和去的地方，我们

297
00:35:07780——> 00:35:13660
将我们的故事，只是这个小
搬了伟大的差我

298
00:35:13，660——> 00:35:18910
这张图看这里有
看这里和其他地方的但我

299
00:35:18910——> 00:35:23520
转过身对我的视力去
灯要她感觉

300
00:35:23520——> 00:35:29340
好多了，我做了我能做的事也许这
箱这里要也许

301
00:35:29340——> 00:35:34610
他们会在尺寸或至少
减少把他推到一点点，现在他们

302
00:35:34610——> 00:35:38490
感觉他们在
图片目前是的我喜欢它作为一个

303
00:35:38490——> 00:35:43860
景观，但是现在我们在点到
复合图像太

304
00:35:43860——> 00:35:49250
多所以我的左边是一个开放的这
河以确保所有这些层

305
00:35:49250——> 00:35:51380
连接后

306
00:35:51380——> 00:36:01609
只是推下来，

307
00:36:01609——> 00:36:09769
谈到这个作文如果我
这儿有点东西开始在一个

308
00:36:09769——> 00:36:14539
角引导和捆绑线
我谈这个无论是

309
00:36:14539光——> 00:36:21500
会找到光捕获所有
和平这场战争漆不伸出这

310
00:36:21500——> 00:36:25130
线来的角落总是
有效创造这些线的

311
00:36:25130——> 00:36:26769
角落然后这里

312
00:36:26769——> 00:36:30599
沿着这片的腿那么
这里有一些事，

313
00:36:30599——> 00:36:35819
开始船到一个三角形
Mediapolis甚至在海上，这

314
00:36:35819——> 00:36:40880
岩石这里成为这一秋
线可以帮助创建三角形，

315
00:36:40880——> 00:36:44510
他们在这里

316
00:36:44510——> 00:36:54750
差异就在这里
冷静点一片黑暗，我不

317
00:36:54750——> 00:37:03750
一定是来自我双击
而开放的舞伴

318
00:37:03750——> 00:37:12549
就在这块岩石上，我不
知道从哪里来

319
00:37:12549——> 00:37:20930
现在在这里

320
00:37:20930——> 00:37:35440
对比一些走上这层
尝试发现这里是我想要

321
00:37:35440——> 00:37:40690
淡化这些岩石在这里，但它的
真的太辛苦了所以不融入

322
00:37:40690——> 00:37:45260
水带走那片我
爱它所有的东西

323
00:37:45260——> 00:37:54829
有但不是现在这个摇滚适合在水下
更好更

324
00:37:54829——> 00:37:59990
故意选择它比其他
我刚才做的是一个大马虎

325
00:37:59990——> 00:38：04450
吹箫这么马虎
吹箫的绝对工作方面也

326
00:38:04450——> 00:38:09130
显然完全没有这方面的
所以你想取下，岩石和我

327
00:38:09130——> 00:38:14500
做过一分钟，因为它是
得到了很多的关注，并再次的

328
00:38:14500——> 00:38:18819
目的这把注意力
从我们不想去的片段